II

Karl was at work. From twelve to half-past-two, from half-past-six

to twelve, six days of the week, Karl played in the Trio at The

Bismarck. Played sentimental music ... grime of German and Italian

soil, froth and scum of Broadway. He drew with his bow complacencies

and veiled obscenities ... at work. His mind and his senses in revolt

leaped away towards life: swirled, delved, circled; beaten, brought

back to his heart which sent them a burden whose eternity he could

not understand, would not accept: of Pain.

His eyes saw the café for whose lounging patrons his hand fingered,

his hand drew a bow. His eyes saw his associates ... clever, ugly:

Stumm with bald, blond-ruffed head at the piano; Silvis, the leader,

dark, agonizingly eager to be artistic, swaying, who was a muddy

cloud about his violin.

Karl was at work and his mind and senses beating out of tune.

The flamboyant German Hall: smoked woodwork, paneled and carved in

Gothic sayings, beermugs and flags under the sombre rafters like

brittle colors falling, unable to rest. And in the sudden alcoves,

men and women: idle eyes that took in so little, moist mouths,

distended bellies that took in so much. Karl bowing an aria from

Bohème; and the crass glint of the hall with its arrogant beer mugs,

its mottoes, its elbow-leaning guests currying his mind and his

senses as they yearned forth towards purer air.... The bald head of

Stumm was round, it rested upon his neck like the head of a pin. His

wrists bounced up and down. They dragged Karl back from the purer air

he sought. Silvis crossed a knee upon the other and swayed with a

small finger fluttering from his bow. His eyes were half shut in an

absorbent leer ... absorbing Puccini whom he loved. The weak grace of

his body, swaying, leading, sucked Karl from his need to be away....

Last chord. _D A F-sharp D_.... Stumm swung about on his stool.

Silvis’ legs stretched forward, abdomen collapsed--like a bug

stiffened no more into organic form by its creamy fluid ... the music

... now all oozed out. Their words scraped Karl’s head. When their

words spoke to him, it was, this day, as if their fingers touched his

lips.

“Lehnstein says, next fall we are going to move for a raise--”

“Did you hear about his wife? I guess she’s his wife--”

“Why don’t Max bring that beer?”

The hard loom of the hall, the coldness of men and women abject

before their senses, taking in heat ... heat of air, heat of sound,

heat of food, heat of sex ... into their coldness: the soil of these

two men, his partners, playing this parody of life for an unreal

living: himself with truant senses reeling back and bringing to his

heart what pitiful crumbled fragments?--a woman stately with white

breasts clamped in iron, a woman with brown beaming smile, all One,

a woman of whom he knew no good, no ill, save that she had been his

Mother--or to bar him from these a row of brittle books upon his

mantel?... Karl with a burst of pain he could not understand, at work

making his living to know that this was life?

He covered his ’cello and stood it away in the corner made by the

piano.

“Ain’t you going to eat?”

“No, thank you.”

He was in the street.

Where was his mind? What was he suffering for? What about?

A lovely day. Here was pure air. Why did he breathe it and not taste

it? He wanted more of it than he could breathe. What was air? Why was

it pure ironically to him?

Long stiff rows of dirty houses exuding like sweat and excrement his

sisters and his brothers. Cold houses sweating in the spring. Sick

houses emptying their bowels upon the pure air.

He climbed by stairs into a house.

A swarthy little man in a great white vest with gold chain larding it

from arm-pit to stomach, opened the door. Hands brandishing, lying,

welcomed him.

“Well, Loer!... Come in.”

“Just a moment, Dooch. I’m in a hurry.” Hurry for what? What am I

hurrying towards? “Will you, as a great favor, Dooch, take my place

tonight at The Bismarck?”

Brandishing lying hands: “O, my dear fellow. Y’ know I’d love

to--anything to help you out. But I’m so busy ... lessons ... lessons

... all day. I must have my rest. At night ... the only time. Why

don’t you ask, let me see ... well Facker’d be glad....”

Another visit? “Ten dollars, if you’ll do it, Dooch.”

Hands dropping from lying. “Well, you know, I’d do anything for

you.... Half-past-six?”

“Thank you, Dooch.”

Hands sincere, palm upward: waiting. A bill in a hand happy, silent.

Once more the air....

Sudden Karl heard these words in himself above the beat of his

feet: “I have never learned to use my mind. It’s hard. That is what

hurts.... It will come.”

His legs walked on. He walked through desolation.

“O God, let me find _something_--” He stiffened, hearing his words.

“Of all prayers, if one is absurdest, this is the one.”

But he walked still through desolation. He sensed how he walked

swiftly. Interminable houses were a heavy, fluttering canopy that

passed him: banners they were of some arrogant dominion, dragged

through mud, stiffened in frost. They shut him out.

Warm air. It was spring.

Children went under his beating knees like the drip of frozen houses

melting in spring.

“Let me think! What do I want?... Something more solid than air....

Something as pure that is more solid than air.”

His right hand clasped his left wrist behind him. His knees and chin

thrust forward. From waist to shoulder he tended back. So he walked.

He walked through his life. He ached as he walked through his life.

He felt himself trample. He trampled what he felt. Was it not clear?

Clarity. He had lived in a pigsty. He had come forth. He was young.

He would make a better way for himself in the world than the way

of Silvis and Stumm. He would study, he sensed already, and was

it not good that already beyond the bowing of fiddles he had won

the trenchant accent of Reason--Spencer, Darwin, Huxley? He yearned

towards the ecstacy of their release from mist and frowziness ...

from beer and Puccini. A crumble of old churches falling in dust,

drenching the air with dust. He had hands to tear down. He partook of

the ecstacy of the release that lay in clear books, clear eyes, hands

tearing down....

His father went to church. He saw again the great stomach and the

little eyes and the twist of the wreathing mouth ... the heft of fat

red hands he felt ... they were sodden in hair ... beating against

him, beating the children of his father’s house. Karl’s arm swung at

his side, his chin no longer thrust. He felt now his mother’s voice:

it lay like a warm purple scarf against the chill of his thoughts;

his mother had a red, sweet mouth shut upon her mystery; she moved

beyond the shoulder of the town like a sunset bleeding. Karl’s hand

clasped a wrist once more beyond his back.... The woman whom he had

seen in the street and who haunted him ... he struggling against her.

“Think! Think! Conquer yourself!”

He walked now heavy and stiff.

“Very well. What is she?” he fought.

He turned upon this woman with clamped breasts ... this myth ... this

nonsense. Why was she like green fields? Why was his mind like lead?

Married ... a stranger! Oh, she was suffering, he knew.

--Once I spoke to her; but my lips trembled.

“No, I am married,” came her pleading whisper. But her hand moved

toward him....

A complacent clod of a little man. But husband. Married. A

stranger....

Why was his mind a forest of hot trees when he needed a path? A

pavement. Hard, clear, cool, like here where his feet were pounding.

Tedium. He played in a waste of soiled senses. He walked through a

waste of frozen thoughts. He was frozen in tedium.

He sat down, for he was tired. He opened his eyes.

The best short stories of 1922, and the yearbook of the American short story · 第 47 / 112 题