But it is at night, and after dinner, that the best hour comes. There

are no such pipes to be smoked as those that follow a good day's

march; the flavour of the tobacco is a thing to be remembered, it is

so dry and aromatic, so full and so fine. If you wind up the evening

with grog, you will own there was never such grog; at every sip a

jocund tranquillity spreads about your limbs, and sits easily in your

heart. If you read a book--and you will never do so save by fits and

starts--you find the language strangely racy and harmonious; words

take a new meaning; single sentences possess the ear for half an hour

together; and the writer endears himself to you, at every page, by the

nicest coincidence of sentiment. It seems as if it were a book you had

written yourself in a dream. To all we have read on such occasions we

look back with special favour. "It was on the 10th of April 1798," says

Hazlitt, with amorous precision, "that I sat down to a volume of the

new _HeloÔse_, at the Inn at Llangollen, over a bottle of sherry and a

cold chicken." I should wish to quote more, for though we are mighty

fine fellows nowadays, we cannot write like Hazlitt. And, talking of

that, a volume of Hazlitt's essays would be a capital pocket-book on

such a journey; so would a volume of Heine's songs; and for _Tristram

Shandy_ I can pledge a fair experience.

If the evening be fine and warm, there is nothing better in life than

to lounge before the inn door in the sunset, or lean over the parapet

of the bridge, to watch the weeds and the quick fishes. It is then,

if ever, that you taste joviality to the full significance of that

audacious word. Your muscles are so agreeably slack, you feel so clean

and so strong and so idle, that whether you move or sit still, whatever

you do is done with pride and a kingly sort of pleasure. You fall in

talk with any one, wise or foolish, drunk or sober. And it seems as if

a hot walk purged you, more than of anything else, of all narrowness

and pride, and left curiosity to play its part freely, as in a child

or a man of science. You lay aside all your own hobbies, to watch

provincial humours develop themselves before you, now as a laughable

farce, and now grave and beautiful like an old tale.

Or perhaps you are left to your own company for the night, and surly

weather imprisons you by the fire. You may remember how Burns,

numbering past pleasures, dwells upon the hours when he has been

"happy thinking." It is a phrase that may well perplex a poor modern

girt about on every side by clocks and chimes, and haunted, even at

night, by flaming dial-plates. For we are all so busy, and have so

many far-off projects to realise, and castles in the fire to turn

into solid, habitable mansions on a gravel soil, that we can find

no time for pleasure trips into the Land of Thought and among the

Hills of Vanity. Changed times, indeed, when we must sit all night,

beside the fire, with folded hands; and a changed world for most of

us, when we find we can pass the hours without discontent, and be

happy thinking. We are in such haste to be doing, to be writing, to

be gathering gear, to make our voice audible a moment in the derisive

silence of eternity, that we forget that one thing, of which these

are but the parts--namely, to live. We fall in love, we drink hard,

we run to and fro upon the earth like frightened sheep. And now

you are to ask yourself if, when all is done, you would not have

been better to sit by the fire at home, and be happy thinking. To

sit still and contemplate,--to remember the faces of women without

desire, to be pleased by the great deeds of men without envy, to be

everything and everywhere in sympathy, and yet content to remain

where and what you are--is not this to know both wisdom and virtue,

and to dwell with happiness? After all, it is not they who carry

flags, but they who look upon it from a private chamber, who have the

fun of the procession. And once you are at that, you are in the very

humour of all social heresy. It is no time for shuffling, or for big

empty words. If you ask yourself what you mean by fame, riches, or

learning, the answer is far to seek; and you go back into that kingdom

of light imaginations, which seem so vain in the eyes of Philistines

perspiring after wealth, and so momentous to those who are stricken

with the disproportions of the world, and, in the face of the gigantic

stars, cannot stop to split differences between two degrees of the

infinitesimally small, such as a tobacco pipe or the Roman Empire, a

million of money or a fiddlestick's end.

You lean from the window, your last pipe reeking whitely into the

darkness, your body full of delicious pains, your mind enthroned

in the seventh circle of content; when suddenly the mood changes,

the weathercock goes about, and you ask yourself one question more:

whether, for the interval, you have been the wisest philosopher or the

most egregious of donkeys? Human experience is not yet able to reply;

but at least you have had a fine moment, and looked down upon all the

kingdoms of the earth. And whether it was wise or foolish, to-morrow's

travel will carry you, body and mind, into some different parish of the

infinite.

_Robert Louis Stevenson._

Sylvanus Urban discovers a Good Brew

It must be nearly thirty years ago, long before the days of bicycles

and motors, since Sylvanus Urban, then but a boy, passed over it. He

had started from Chepstow on a solitary walking tour, and was soon

caught in a rattling thunderstorm on the Wyndcliff. Tintern Abbey and

Raglan Castle are fresh in his memory to-day. A mile or two out of

Monmouth he came upon some excellent nutty-hearted ale, that George

Borrow would have immortalised. As he pursued his way to Raglan

Castle he pondered on the ale--"this way and that dividing the swift

mind"--until at length, in despair of meeting an equal brew, he turned

back again and had another tankard. Heavens, what days were those! In

his pack he carried the _Essays of Elia_ and read them in an old inn at

Llandovery, where the gracious hostess lighted in his honour tall wax

candles fit to stand before an altar. After leaving Llandovery, he lost

his way among the Caermarthenshire hills, and was in very poor plight

with hunger and fatigue when he reached the white-washed walls of

Tregaron. At Harlech he rested for a couple of days, and then covered

the way to Beddgelert--twenty miles, if he remembers rightly--at a

spanking pace; proceeding in the late afternoon to climb Snowdon, and

arriving at Llanberis an hour or so before midnight. Back to London,

every inch of the way, walked the young Sylvanus. He indulges the hope

that he may yet shoulder his pack again.

_Gentleman's Magazine._

Minchmoor

Now that everybody is out of town, and every place in the guide-books

is as well known as Princes Street or Pall-Mall, it is something to

discover a hill everybody has not been to the top of, and which is not

in _Black_. Such a hill is _Minchmoor_, nearly three times as high as

Arthur's Seat, and lying between Tweed and Yarrow.

The best way to ascend it is from Traquair. You go up the wild old

Selkirk road, which passes almost right over the summit, and by which

Montrose and his cavaliers fled from Philiphaugh, where Sir Walter's

mother remembered crossing, when a girl, in a coach-and-six, on her

way to a ball at Peebles, several footmen marching on either side of

the carriage to prop it up or drag it out of the moss _haggs_; and

where, to our amazement, we learned that the Duchess of Buccleuch had

lately driven her ponies. Before this we had passed the grey, old-world

entrance to Traquair House, and looked down its grassy and untrod

avenue to the pallid, forlorn mansion, stricken all o'er with eld, and

noticed the wrought-iron gate embedded in a foot deep and more of

soil, never having opened since the '45. There are the huge Bradwardine

bears on each side--most grotesque supporters--with a superfluity of

ferocity and canine teeth. The whole place, like the family whose it

has been, seems dying out--everything subdued to settled desolation.

The old race, the old religion, the gaunt old house, with its small,

deep, comfortless windows, the decaying trees, the stillness about the

doors, the grass overrunning everything, nature reinstating herself in

her quiet way--all this makes the place look as strange and pitiful

among its fellows in the vale as would the Earl who built it three

hundred years ago if we met him tottering along our way in the faded

dress of his youth; but it looks the Earl's house still, and has a

dignity of its own.

We soon found the Minchmoor road, and took at once to the hill, the

ascent being, as often is with other ascents in this world, steepest at

first. Nothing could be more beautiful than the view as we ascended,

and got a look of the "eye-sweet" Tweed hills, and their "silver

stream." It was one of the five or six good days of this summer--in

early morning, "soft" and doubtful; but the mists drawing up, and now

the noble, tawny hills were dappled with gleams and shadows--

"Sunbeams upon distant hills gliding apace"--

the best sort of day for mountain scenery--that ripple of light and

shadow brings out the forms and the depths of the hills far better than

a cloudless sky; and the horizon is generally wider.

Before us and far away was the round flat head of Minchmoor, with a

dark, rich bloom on it from the thick, short heather--the hills around

being green. Near the top, on the Tweed side, its waters trotting away

cheerily to the glen at Bold, is the famous _Cheese Well_--always full,

never overflowing. Here every traveler--Duchess, shepherd, or houseless

_mugger_--stops, rests, and is thankful; doubtless so did Montrose,

poor fellow, and his young nobles and their jaded steeds, on their

scurry from Lesly and his Dragoons. It is called the Cheese Well from

those who rest there dropping in bits of their provisions, as votive

offerings to the fairies whose especial haunt this mountain was. After

our rest and drink, we left the road and made for the top. When there

we were well rewarded. The great round-backed, kindly, solemn hills of

Tweed, Yarrow, and Ettrick lay all about like sleeping mastiffs--too

plain to be grand, too ample and beautiful to be commonplace.

There, to the north-east, is the place--_Williamhope_ ridge--where Sir

Walter Scott bade farewell to his heroic friend Mungo Park. They had

come up from _Ashestiel_, where Scott then lived, and where _Marmion_

was written and its delightful epistles inspired--where he passed the

happiest part of his life--leaving it, as Hogg said, "for gude an' a'";

for his fatal "dreams about his cottage" were now begun. He was to have

"a hundred acres, two spare bed-rooms, with dressing rooms, each of

which will on a pinch have a couch-bed." We all know what the dream,

and the cottage, and the hundred acres came to--the ugly Abbotsford;

the over-burdened, shattered brain driven wild, and the end, death, and

madness. Well, it was on the ridge that the two friends--each romantic,

but in such different ways--parted never to meet again. There is the

ditch Park's horse stumbled over and all but fell. "I am afraid, Mungo,

that's a bad omen," said the Sheriff; to which he answered, with a

bright smile on his handsome, fearless face--"_Freits_ (omens) follow

those who look to them." With this expression, he struck the spurs into

his horse, and Scott never saw him again. He had not long been married

to a lovely and much-loved woman, and had been speaking to Scott about

his new African scheme, and how he meant to tell his family he had some

business in Edinburgh--send them his blessing, and be off--alas! never

to return! Scott used to say, when speaking of this parting, "I stood

and looked back, but he did not." A more memorable place for two such

men to part in would not easily be found.

Where we are standing is the spot Scott speaks of when writing to

Joanna Baillie about her new tragedies--"Were it possible for me to

hasten the treat I expect in such a composition with you, I would

promise to read the volume _at the silence of noonday upon the top of

Minchmoor_. The hour is allowed, by those skilful in demonology, _to be

as full of witching_ as midnight itself; and I assure you I have felt

really oppressed with a sort of fearful loneliness when looking around

the naked towering ridges of desolate barrenness, which is all the eye

takes in from the top of such a mountain, the patches of cultivation

being hidden in the little glens, or only appearing to make one feel

how feeble and ineffectual man has been to contend with the genius of

the soil. It is in such a scene that the unknown and gifted author of

_Albania_ places the superstition which consists in hearing the noise

of a chase, the baying of the hounds, the throttling sobs of the deer,

the wild hollos of the huntsmen, and the 'hoof thick beating on the

hollow hill.' I have often repeated his verses with some sensations

of awe, in this place." The lines--and they are noble, and must have

sounded wonderful with his voice and look--are as follows. Can no one

tell us anything more of their author?--

"There oft is heard, at midnight, or at noon,

Beginning faint, but rising still more loud,

And nearer, voice of hunters, and of hounds;

And horns, hoarse-winded, blowing far and keen!

Forthwith the hubbub multiplies; the gale

Labours with wilder shrieks, and rifer din

Of hot pursuit; the broken cry of deer

Mangled by throttling dogs; the shouts of men,

And hoofs thick beating on the hollow hill.

Sudden the grazing heifer in the vale

Starts at the noise, and both the herdman's ears

Tingle with inward dread--aghast he eyes

The mountain's height, and all the ridges round,

Yet not one trace of living wight discerns,

Nor knows, o'erawed and trembling as he stands,

To what or whom he owes his idle fear--

To ghost, to witch, to fairy, or to fiend;

But wonders, and no end of wondering finds."

We listened for the hunt, but could only hear the wind sobbing from the

blind "_Hopes_."[3]

The view from the top reaches from the huge _Harestane

Broadlaw_--nearly as high as Ben Lomond--whose top is as flat as a

table, and would make a race-course of two miles, and where the clouds

are still brooding, to the _Cheviot_; and from the _Maiden Paps_ in

Liddesdale, and that wild huddle of hills at _Moss Paul_, to _Dunse

Law_, and the weird _Lammermoors_. There is _Ruberslaw_, always surly

and dark. The _Dunion_, beyond which lies Jedburgh. There are the

_Eildons_, with their triple heights; and you can get a glimpse of the

upper woods of Abbotsford, and the top of the hill above Cauldshiels

Loch, that very spot where the "wondrous potentate,"--when suffering

from languor and pain, and beginning to break down under his prodigious

fertility,--composed those touching lines:--

"The sun upon the Weirdlaw Hill

In Ettrick's vale is sinking sweet;

The westland wind is hushed and still;

The lake lies sleeping at my feet.

Yet not the landscape to mine eye

Bears those bright hues that once it bore,

Though evening, with her richest dye,

Flames o'er the hills of Ettrick's shore.

With listless look along the plain

I see Tweed's silver current glide,

And coldly mark the holy fane

Of Melrose rise in ruined pride.

The quiet lake, and balmy air,

The hill, the stream, the tower, the tree,

Are they still such as once they were,

Or is the dreary change in me?

Alas! the warped and broken board,

How can it bear the painter's dye!

The harp of strained and tuneless chord,

How to the minstrel's skill reply!

To aching eyes each landscape lowers,

To feverish pulse each gale blows chill;

And Araby or Eden's bowers

Were barren as this moorland hill."

There, too, is _Minto Hill_, as modest and shapely and smooth as

Clytie's shoulders, and _Earlston Black Hill_, with Cowdenknowes at its

foot; and there, standing stark and upright as a warder, is the stout

old _Smailholme Tower_, seen and seeing all around. It is quite curious

how unmistakable and important it looks at what must be twenty and more

miles. It is now ninety years since that "lonely infant," who has sung

its awful joys, was found in a thunderstorm, as we all know, lying on

the soft grass at the foot of the grey old Strength, clapping his hands

at each flash, and shouting, "Bonny! bonny!"

We now descended into Yarrow, and forgathered with a shepherd who was

taking his lambs over to the great Melrose fair. He was a fine specimen

of a border herd--young, tall, sagacious, self-contained, and free in

speech and air. We got his heart by praising his dog _Jed_, a very

fine collie, black and comely, gentle and keen--"Ay, she's a fell yin;

she can do a' but speak." On asking him if the sheep dogs needed much

teaching--"Whyles ay and whyles no; her kind (Jed's) needs nane. She

sooks't in wi' her mither's milk." On asking him if the dogs were ever

sold, he said--"Never, but at an orra time. Naebody wad sell a gude

dowg, and naebody wad buy an ill ane." He told us with great feeling,

of the death of one of his best dogs by poison. It was plainly still

a grief to him. "What was he poisoned with?" "Strychnia," he said, as

decidedly as might Dr Christison. "How do you know?" "I opened him,

puir fallow, and got him analeezed!"

Now we are on Birkindale Brae, and are looking down on the same scene

as did

"James Boyd (the Earle of Arran, his brother was he),"

when he crossed Minchmoor on his way to deliver James the Fifth's

message to

"Yon outlaw Murray,

Surely whaur bauldly bideth he."

"Down Birkindale Brae when that he cam

He saw the feir Foreste wi' his ee."

How James Boyd fared, and what the outlaw said, and what James and his

nobles said and did, and how the outlaw at last made peace with his

King, and rose up "Sheriffe of Ettricke Foreste," and how the bold

ruffian boasted,

"Fair Philiphaugh is mine by right,

And Lewinshope still mine shall be;

Newark, Foulshiels, and Tinnies baith

My bow and arrow purchased me.

And I have native steads to me

The Newark Lee o' Hangingshaw.

I have many steads in the Forest schaw,

But them by name I dinna knaw."

And how King James snubbed

"The kene Laird of Buckscleuth,

A stalwart man and stern was he."

When the Laird hinted that,

"For a king to gang an outlaw till

Is beneath his state and dignitie.

The man that wins yon forest intill

He lives by reif and felony."

"Then out and spak the nobil King,

And round him cast a wilie ee.

'Now haud thy tongue, Sir Walter Scott,

Nor speak o' reif or felonie--

_For, had every honest man his awin kye,_

_A richt puir clan thy name wud be_!'"

(by-the-bye, why did Professor Aytoun leave out this excellent hit in

his edition?)--all this and much more may you see if you take up _The

Border Minstrelsy_, and read "The Song of the Outlaw Murray," with the

incomparable notes of Scott. But we are now well down the hill. There

to the left, in the hollow, is _Permanscore_, where the King and the

outlaw met:--

"Bid him mete me at Permanscore,

And bring four in his companie;

Five Erles sall cum wi' mysel',

Gude reason I sud honoured be."

And there goes our Shepherd with his long swinging stride. As different

from his dark, wily companion, the Badenoch drover, as was Harry

Wakefield from Robin Oig; or as the big, sunny Cheviot is from the

lowering Ruberslaw; and there is _Jed_ trotting meekly behind him--may

she escape strychnia, and, dying at the fireside among the children, be

laid like

"Paddy Tims--whose soul at aise is--

With the point of his nose

And the tips of his toes

Turn'd up to the roots of the daisies"--

_unanaleezed_, save by the slow cunning of the grave. And may her

master get the top price for his lambs!

Do you see to the left that little plantation on the brow of Foulshiels

Hill, with the sunlight lying on its upper corner? If you were there

you might find among the brackens and foxglove a little headstone with

"I. T." rudely carved on it. That is _Tibbie Tamson's grave_, known and

feared all the country round.

This poor outcast was a Selkirk woman, who, under the stress of

spiritual despair--that sense of perdition, which, as in Cowper's case,

often haunts and overmasters the deepest and gentlest natures, making

them think themselves

"Damn'd below Judas, more abhorred than he was,"--

committed suicide; and being, with the gloomy, cruel superstition of

the time, looked on by her neighbours as accursed of God, she was

hurried into a rough white deal coffin, and carted out of the town, the

people stoning it all the way till it crossed the Ettrick. Here, on

this wild hillside, it found its rest, being buried where three lairds'

lands meet. May we trust that the light of God's reconciled countenance

has for all these long years been resting on that once forlorn soul, as

His blessed sunshine now lies on her moorland grave! For "the mountains

shall depart, and the hills be removed; but my kindness shall not

depart from thee, neither shall the covenant of my peace be removed,

saith the Lord that hath mercy on thee."

Now, we see down into the Yarrow--there is the famous stream twinkling

in the sun. What stream and valley was ever so be-sung! You wonder at

first why this has been, but the longer you look the less you wonder.

There is a charm about it--it is not easy to say what. The huge sunny

hills in which it is embosomed give it a look at once gentle and

serious. They are great, and their gentleness makes them greater.

Wordsworth has the right words, "pastoral melancholy"; and besides, the

region is "not uninformed with phantasy and looks that threaten the

profane"--the Flowers of Yarrow, the Douglas Tragedy, the Dowie Dens,

Wordsworth's Yarrow Unvisited, Visited, and Re-Visited, and, above all,

the glamour of Sir Walter, and Park's fatal and heroic story. Where can

you find eight more exquisite lines anywhere than Logan's, which we all

know by heart:--

"His mother from the window looked,

With all the longing of a mother;

His little sister, weeping, walked

The greenwood path to meet her brother.

They sought him east, they sought him west,

They sought him all the forest thorough--

They only saw the cloud of night,

They only heard the roar of Yarrow."

And there is _Newark Tower_ among the rich woods; and _Harehead_,

that cosiest, loveliest, and hospitablest of nests. Methinks I hear

certain young voices among the hazels; out they come on the little

haugh by the side of the deep, swirling stream, _fabulosus_ as was

ever Hydaspes. There they go "running races in their mirth," and is

not that--_an me ludit amabilis insania?_--the voice of _ma pauvre

petite--animosa infans_--the wilful, rich-eyed, delicious Eppie?

"Oh blessed vision, happy child,

Thou art so exquisitely wild!"

And there is _Black Andro and Glowr owr'em_ and _Foulshiels_, where

Park was born and bred; and there is the deep pool in the Yarrow where

Scott found him plunging one stone after another into the water, and

watching anxiously the bubbles as they rose to the surface. "This,"

said Scott to him, "appears but an idle amusement for one who has seen

so much adventure." "Not so idle, perhaps, as you suppose," answered

Mungo, "this was the way I used to ascertain the depth of a river in

Africa." He was then meditating his second journey, but had said so to

no one.

We go down by _Broadmeadows_, now held by that Yair "Hoppringle"--who

so well governed Scinde--and into the grounds of Bowhill, and passing

_Philiphaugh_, see where stout David Lesly crossed in the mist at

daybreak with his heavy dragoons, many of them old soldiers of

Gustavus, and routed the gallant Graeme; and there is _Slainmens Lee_,

where the royalists lie; and there is _Carterhaugh_, the scene of the

strange wild story of _Tamlane_ and Lady Janet, when

"She prinked hersell and prinned hersell

By the ae light of the moon,

And she's awa' to Carterhaugh

To speak wi' young Tamlane."

Noel Paton might paint that night, when

"'Twixt the hours of twelve and yin

A north wind _tore the bent_";

when "fair Janet" in her green mantle

"---- heard strange elritch sounds

Upon the wind that went."

And straightway

"About the dead hour o' the night

She heard the bridles ring;

Their oaten pipes blew wondrous shrill,

The hemlock small blew clear;

And louder notes from hemlock large

And bog reed, struck the ear,"

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