II.

At the entrance of Savoy, that natural labyrinth of deep valleys, which

descend like so many torrents from the Simplon, St. Bernard, and Mount

Cenis, and direct their course towards France and Switzerland, one

wider valley separates at Chambéry from the Alpine chain, and, striking

off towards Geneva and Annecy, displays its verdant bed, intersected

with lakes and rivers, between the Mont du Chat and the almost mural

mountains of Beauges.

On the left, the Mont du Chat, like a gigantic rampart, runs in one

uninterrupted ridge for the space of two leagues, marking the horizon

with a dark and scarcely undulated line. A few jagged peaks of gray

rock at the eastern extremity alone break the almost geometrical

monotony of its appearance, and tell that it was the hand of God, and

not of man, that piled up these huge masses. Towards Chambéry, the

mountain descends by gentle steps to the plain, and forms natural

terraces, clothed with walnut and chestnut trees, entwined with

clusters of the creeping vine. In the midst of this wild, luxuriant

vegetation, one sees here and there some country-house shining through

the trees, the tall spire of a humble village, or the old dark towers

and battlements of some castle of a bygone age. The plain was once a

vast lake, and has preserved the hollowed form, the indented shores,

and advanced promontories of its former aspect; but in lieu of the

spreading waters, there are the yellow waves of the bending corn, or

the undulating summit of the verdant poplars. Here and there, a piece

of rising ground, which was once an island, may be seen with its

clusters of thatched roofs, half hidden among the branches. Beyond this

dried-up basin, the Mont du Chat rises more abrupt and bold, its base

washed by the waters of a lake, as blue as the firmament above it. This

lake, which is not more than six leagues in length, varies in breadth

from one to three leagues, and is surrounded and hemmed in with bold,

steep rocks on the French side; on the Savoy side, on the contrary, it

winds unmolested into several creeks and small bays, bordered by

vine-covered hillocks and well-wooded slopes, and skirted by fig-trees

whose branches dip into its very waters. The lake then dwindles away

gradually to the foot of the rocks of Châtillon, which open to afford a

passage for the overflow of its waters into the Rhône. The burial-place

of the princes of the house of Savoy, the abbey of Haute-Combe, stands

on the northern side upon its foundation of granite, and projects the

vast shadow of its spacious cloisters on the waters of the lake.

Screened during the day from the rays of the sun by the high barrier of

the Mont du Chat, the edifice, from the obscurity which envelops it,

seems emblematical of the eternal night awaiting at its gates, the

princes who descend from a throne into its vaults. Towards evening,

however, a ray of the setting sun strikes and reverberates on its

walls, as a beacon to mark the haven of life at the close of day. A few

fishing boats, without sails, glide silently on the deep waters,

beneath the shade of the mountain, and from their dingy color can

scarcely be distinguished from its dark and rocky sides. Eagles, with

their dusky plumage, incessantly hover over the cliffs and boats, as if

to rob the nets of their prey, or make a sudden swoop at the birds

which follow in the wake of the boats.

Raphael; Or, Pages of the Book of Life at Twenty · 第 16 / 121 题