CHAPTER XIV

THE PRIEST AND THE PEOPLE

The shallows of the Gulf of Finland were frozen hard, and from a

distance the sea looked like a huge flat plain covered with snow, while

wind and grey storms of drift raged over it, blotting out the horizon.

But when, almost imperceptibly, the sledge quitted the flat land for

the flat sea, the green ice sometimes lay bare upon the surface, or

threw up a sharp green edge, and sometimes the hollow rumble of the

runners told of the deeper water beneath. At one place a few planks had

been thrown across a gaping crack, where the current or the pressure

of ice had split the great field, and a dark line of water stretched

away on either hand till it was lost to sight in the storm. The track

was marked by the usual Christmas trees stuck in the ice, and by tall

signal posts as well. Yet, as the wind and driving snow increased, it

was impossible to see from one mark to the next, and the horse felt

his way along, like a man moving from lamp-post to lamp-post in a

London fog. Sometimes another sledge suddenly appeared out of limbo

two or three yards in front. At three points small wooden huts had

been erected as shelters for the lost or frozen. Huge lanterns on poles

glimmered through the dark flakes. Driven by the rushing wind, wheels

with wooden sails tugged at ropes, and out of the obscurity a deep bell

sounded, ominous as the bells rung by the waves around our cliffs. For

the dangerous tempest was blowing, which, I believe, the natives call

the “Vouga.”

On a sudden a shadowy rampart was seen, a bank of storm-twisted trees,

a dimly discerned church, and so we came to the island of Kronstadt,

famed for its fortress, its mutiny, and its living saint.

It was to visit the frozen sea and the miracle-working saint that I

had come, and of the few passers-by who struggled against the snow I

asked for Father John. At first I feared that the saint’s European

fame had hardly yet reached Kronstadt, where he lives, and from which

he takes his title. But after a time we were directed to a largish

modern house, which he has fitted up as a refuge, partly, I think,

for the poor, partly for the sick, or other unhappy people, who stand

in need of miracles. The rooms inside are large and very clean, all

filled with narrow iron bedsteads, covered with browny-grey blankets,

as in our barracks or superior doss-houses. A notice on the door gave

the price of a bed for the night at thirty kopecks--say sevenpence

halfpenny. That is about threepence halfpenny higher than the average

London doss, but it seems fair that those who seek a miracle should pay

something extra for it, and the tariff in our common lodging-houses is

not inclusive.

I had not time to make further observations when I was seized by an

eager crowd of women who thronged the rooms and passages--peasant women

from the mainland and work-people from the dockyards, all muffled

up in shawls and hoods and blankets. Excited benevolence shone in

their faces, as with cries and exhortations they clutched my clothing

and hurried me through one large dormitory, which appeared to be a

lying-in ward, into another where the crowd was thicker still. Being

thrust eagerly among the worshippers--for there is joy in heaven over

one sinner that repenteth--I perceived a small altar beneath a large

and brilliant icon hanging on the wall. The altar was made of a deal

table with a white cloth over it, and on the cloth stood a large

enamelled-iron soup-tureen. It was white with a blue edge, and filled

with a yellowish liquid, which I supposed to be holy. In front of the

altar, with his back towards us, stood a short, grey-haired figure, in

a robe of black flowered damask or brocade, with a crimson border round

the neck and halfway down the back.

He was just raising his hands in some act of adoration, when, becoming

aware of the religious tumult of my entrance, he faced smartly round,

abandoned the altar, and came, as it were, bounding in my direction.

Uncertain how to receive him, I stood my ground and held out my hand;

but entirely disregarding that, he sprang upon me, and raising himself

lightly upon his toes--for the top of his head did not reach to my

chin--with uplifted arm he began fumbling about in my hair with his

fingers. It was so sudden. In five seconds I had received his blessing.

He had blessed me by assault. For all I know, he had accomplished a

miracle upon me. The women stood round and sighed their pleasure. “He

never treats us to a blessing like that, never!” they murmured with

admiring envy.

When he came to rest before me, I perceived that he was a little

grey-bearded old gentleman, trim and lean and ruddy. He looked about

sixty, but his followers say he is seventy-seven, so that his very

activity is miraculous. One side of his forehead bulged with some

disease, but from his pale grey eyes looked a healthy spirit. Kindly

and innocent, practical, or even housewifely, I should say, rather

than intellectual or inspired. There was nothing of the rapt mystic

about him, nothing of the divine seer contemplating eternity. Indeed,

I was told that he himself makes no claim to prophetic vision, and

his gift of foretelling distant events must be unconscious. One of

his chief attributes in sanctity appears to be that he lived with the

same wife for fifty years, I believe all the time at Kronstadt; and I

see no cause to question his miraculous powers, especially as I have

known other people similarly endowed, though for qualifications of a

different kind.

He stood there, smiling up at me for a moment with innocent good will,

and I then perceived that the crimson border of his robe reached

halfway down his chest, as well as down his back, and that round his

neck, by a heavy silver chain, hung a large silver cross--the Russian

Orthodox cross, with a short bar nailed low down upon the shaft for

the feet of the Crucified to rest upon, and placed slantingly, so that

one end might be higher than the other, because by Eastern tradition

Christ was lame on the right foot. I also perceived that the saint’s

hand, though fine in itself, was worn, as though by the labour of

continual benediction. But observing that my eyes rested upon it, he

smiled, more benignly than ever, and did what is perfectly natural to

any Russian saint or lady--he held it up for me to kiss. It is a peril

one is sure to encounter among the priests of the Orthodox Church, and

over and over again I have resolved to go through with it manfully.

But when the final moment comes, the stubborn British blood begins to

jib and swerve, like a horse that cannot be brought up to his fences,

and grasping his hand in mine I shook it warmly. I am afraid the women

were grieved to think I should remain a heretic, in spite of all the

advantages they had so eagerly procured me, but there was no help.

The little saint then turned back to the altar and took up the service

where he had left off, just as a wood-pigeon takes up his comfortable

cadence at the note where last it was broken. The people renewed their

interrupted crossings and prostrations, and a young peasant beside me,

his dark red hair covering his shoulders, and his single outer garment

gathered round his waist with a rope, displayed incredible activity

in striking his forehead against the bare boards and springing up

again repeatedly almost without pause. I should like to have known

for what favour he was so urgent, and willingly would I have granted

it if it had been in my power, for no human being could have remained

obdurate to such importunity. But the service ended, and with a throng

accompanying him the saint, putting his great-coat over his robes and

his goloshes over his boots, departed down the street to some other

scene of hallowed beneficence.

It was hard to realize that this was Father John of Kronstadt, regarded

by revolutionists as among the most dangerous enemies of the Movement.

In the political cartoons he almost always figures among the leaders

of reaction. One sees pictures of him in his vestments standing beside

a cannon trained upon the crowd, or with the other Ministers admiring

a huge Christmas tree hung with skulls. His saying, at the time of

Father Gapon’s procession, that “only a sinner could strive against his

Tsar,” is well known. He is believed, perhaps truly, to possess great

influence in the Tsar’s family, especially over the women, such as the

Dowager Tsarina. According to rumour, his advice is invariably given

against every proposal of change or advancement, and the enthusiastic

women who procured me his blessing, are identified with the mothers and

wives of the most violent and merciless gang of the Black Hundred. That

is all very possible, and the recent scandals about a certain Virgin

of Kronstadt, who saw her way to making money out of the situation

by vicarious sanctitude, are only such as seem to arise inevitably

around a fellow mortal of much belauded virtue, whether they are true

or not. It is very probable also that the mothers of the Black Hundred

secure comparatively honest half-crowns by arranging special interviews

and privileges for visitors to the saint. To be sure, I had not to

pay a penny for my blessing, but I have known others, less favoured

by Heaven, who expended as much as two pound ten for very inferior

advantages. When all is said, the detraction of his opponents, and his

own abhorrence of progress appear to me the least miraculous things

about him. Take a man in youth, train him for years in a seminary

where he meets no one but young priests like himself, and hears no one

but old priests such as he is intended to become; give him no kind

of knowledge but ritual and dogma, which he must accept unquestioned

or perish; let him live many years with one woman in one small place,

among people who never contradict him, but either regard his words as

divine, or ignore them as parsonic; add a kindly simplicity to the

blank of ignorance; expose a rather small and finikin personality

to feminine adulation; and if you do not produce the very model of

priesthood as exemplified in Father John of Kronstadt, there will be a

miracle indeed.

I struggled back again across the frozen sea, where the storm raged

with increased violence, and on reaching St. Petersburg, I hastened

to a remarkable gathering in the great hall of the Conservatorium.

It was a concert given by a body which, with intentional vagueness,

called itself the Committee of the Working People, and its purpose

was to raise funds for the assistants at the Workmen’s Dining Rooms.

The performance was announced for eight o’clock, but I need not have

hastened; for, as I have already noticed, there is no pedantic and

inconsiderate punctuality in Russian affairs, and when I arrived,

some three quarters of an hour late, I found the huge audience still

pouring in, and I might have waited another half-hour without missing

any of the programme. But at concerts the audience is usually the most

interesting part, at all events to a foreigner, and I found myself

in the midst of the very people who, until quite lately, have been

the real revolutionists of Russia. Not very many actual work-people

were there, for the prices of seats kept them away; but the vast

concert-hall was soon packed with the educated, the professional men

and women, the “proletariat of intellect”--writers, journalists,

barristers, doctors, crowds of students, and a good many officers in

uniform, though I think that perhaps most of them were army doctors.

The scene was a fine example of the frank democracy that distinguishes

the Russian people--the enviable disregard of all the weary old

distinctions of rank, profession, wealth, or dress. It arises, perhaps,

from the ancient village communism, as I have already suggested, and

from the common use of Christian names and diminutives, which spreads a

brotherly feeling among all classes. Perhaps also from the comparative

unimportance of commercial people until lately; for in most countries

it is the commercial classes that maintain inequality. In no society,

outside savagedom, have I found such indifference to the nature and

distinctions of dress as in Russia. At this concert every class and

fashion of costume was to be seen, and no one was regarded as a queer

and dubious character if he dressed to please himself. It is quite

possible, no doubt, that the brains of many there stood above the

freezing point of British social sanity, but in all that I have seen

of Russian life, I have observed the same democratic ease, the same

disregard of the dress that marks a class distinction. It is this sense

of the equality of men that brings the Russians and the French together

and makes the monstrous alliance of their Governments appear almost

natural.

Of course, the whole audience was revolutionary, but in Russia

revolution is not thought to imply insanity so much as intelligence,

and large numbers had determined there should be no doubt as to their

opinions. Many of the students, with long hair all on end, wore the

Russian tunic, and no one stared. Some girl-students--those indomitable

“Kursistki,” on whom the soldiers have no mercy--were dressed in the

loose black blouse, fitting closely to the throat and buttoned along

the top of the shoulder instead of down the front or back. A few

gentler spirits had yielded to a tiny edge of white collar above the

black. But the blouse of the violent shone red, all gules from throat

to waist, and the more revolutionary a girl is by nature, the thicker

is her hair, and the lower it hangs over her eyes and ears. Her little

fur cap also has no brim, as others use, but is plain like a man’s; for

a brim is compromise, and at the bottom of the slope of compromise lies

ignoble peace.

In course of time the concert began. Perhaps concert is hardly the

right word, for I suppose no human soul in all that mass of people

had gone to hear music or singing, or cared very much what musical

sounds were made. Certainly, the musical performers were good, but

the interest lay with others--with the well-known young actress who

in a voice only slightly more emotional than common speech recited

some short poem which all could hear, while the piano played a hardly

perceptible accompaniment; or with the famous author who just sat in

a chair upon the stage, and read some vivid scene or parable from his

own works or another’s. As often as not he read it badly, but that made

no difference. This was no shrine of art for art’s sake. Behind those

quiet and halting words burned the whole fire of the revolution, and

the applause was not kept for the best performance, but for the most

daring passage, or for the hero who had been longest imprisoned for

the cause. Such applause as that I have never heard. There was a vital

intensity in the enthusiasm that no art could inspire. Time after time

the man or woman was recalled. Four times or five times the same piece

would be repeated, and still the applause seemed as if it could not

end. Eleven times one man was recalled, the whole audience standing up

and shouting his name in a tumult of admiration. Not that he recited

well, but it was his own work that he recited, and he had only just

come out of gaol.

The form of the recitations was almost invariably the parable. Some

simple scene or fable was narrated, so harmless and childlike on the

surface, that the enemy could find no handle for his rage, but inwardly

it was charged with a significance like hidden flame. It is a form very

natural to Russia, for it has grown out of the peasants’ folk-tale

and proverb, and the perpetual danger of open expression has kept it

alive. So in Gorky’s well-known parable, which was one of the many

recited, the falcon soars in freedom through the sunlit air, and the

snake remains coiled under the dark and chilly stones; but presently

the falcon falls to the ground wounded and dying, while the snake

congratulates himself upon the pleasing security of his own habits.

Sometimes it was but a common scene of military life that was narrated;

sometimes there came a brief outburst of triumph, “O sleepless nights,

your fruits are seen at last!” And in one poem the part of women in

Russia’s revolution was described almost without subterfuge.

In the souls of the audience only one thought lived. A suppressed

excitement breathed throughout the hall. As the words of the speakers

or singers rose and fell, the air trembled with the beat of all those

minds in unison. There was no sound. Each great word was awaited as

one awaits the notes of a solemn music. But it was not the words that

were the greatest thing, it was not the performers, not the martyrs,

nor even the audience. The greatest thing was the common faith of all.

Under that outward scene of gleaming lights and varied personality

one felt the secret touch of danger, and only in danger is the highest

community to be found. One felt the deep and passionate glow of a life

brief and insecure. One felt the spirit careless of everything--of joy,

of passion, of life itself--of everything, but the one great cause--the

only thing that counted, the soul of the crowd, the consciousness that

breathed through the air and kept us still. The words ceased. There was

a gasp while like one man the great assembly drew in its breath, and

then with a rushing wind rose the tempest of applause. And yet it was

not the words, nor even the speaker: it was the revolution that was

adored.

To have a cause like that, to dwell with danger for the sake of it

every day and night, to confront continually an enemy vital, pitiless,

almost omnipotent, and execrable beyond words--what other life can

compare to that, not only in grandeur, but in the satisfaction of

intellect and courage and love and every human faculty? So tyranny

brings its compensations.

At various intervals the audience trooped out from the hall, and walked

up and down the great ante-rooms and passages provided in all Russian

places of assembly. They greeted each other, they embraced, drank tea,

and buzzed with conversation. The intervals lasted about three-quarters

of an hour, and were of the highest interest to every one. The first

ended just before midnight, the second about two. Whether the third

ever ended I did not discover, for I was lost in memories of English

audiences, upon whose faces a real expression begins to dawn soon after

eleven--an expression of impatient anxiety whether they will catch the

last ‘bus home to bed.

The dawn in Russia · 第 14 / 18 章