=Full Regular= (sometimes called Looped).--A term applied to hosiery

or underwear in which the seams have been connected by hand knitting.

=Full-fashioned.=--A term used to designate hosiery knitted in a

flat web, which is shaped by the machine so as to fit the foot, leg,

or body. The webs, or sections, are sewn together to form hosiery,

underwear, etc.

=Fustian.=--This name is given to designate low grades of cotton

fabrics woven with a pile weave, such as Cotton Velvets, Velveteens,

Corduroys, Moleskins, Cordings, etc. Fustian is also applied to such

fabrics when they are made in a combination of cotton and flax or

other vegetable fibre. It is more used as a generic term designating

a class of fabrics than to designate one particular kind of fabric.

One class of Fustians has a raised "nap" on one or both sides, and

includes Cantoons or Diagonals, which have a pronounced weft twill on

the face side and are used for riding breeches.

=Galatea.=--A cotton fabric having coloured stripes; the weave is

usually a three-shaft, but sometimes a four-shaft, warp twill weave.

The stripes may be either simply coloured, whilst retaining the

twill weave, or they may be plain woven as well as coloured. This

material is often used for washing uniforms for nurses and hospital

attendants. The weave of Galatea is similar to that of Jean, Nankeen,

or Regatta Twill.

=Gauge.=--Applied to the number of meshes or wales to the inch in

underwear or hosiery. For example, a 16-gauge fabric will have 16

wales or ribs to the inch.

=Gauze Weave.=--In gauze weaving all the warp threads are not

parallel to each other, but are made to intertwist more or less

amongst themselves. This style of weaving produces light, open

fabrics allowing the introduction of many lace-like combinations. The

warp is double, one set being the usual or ground warp and the other

the "douping," or warp that intertwines itself on the ground warp.

Gauze weaving produces fabrics which are peculiar for their openness,

lightness, and strength. When gauze is combined with plain weaving it

is styled "Leno."

=Gingham.=--Gingham is an all-cotton fabric, always woven with a

plain weave--a yarn-dyed cotton cloth in stripes or checks. It is

woven in various grades, having from 50 to 76 ends per inch in the

reed and of 1/26's to 1/40's cotton yarn in both warp and weft.

It is a washing fabric made in both checks and plaid patterns,

into which a great variety of colour combinations are introduced.

Ginghams are made with from two colour warp and filling to eight

colour in warp and six in filling. During the finishing process the

loom-state fabric is sewed end on piece to piece until a continuous

length of cloth of several hundred yards is obtained (this is done

to facilitate handling). It is damped by a sprinkler to make it more

readily take up the starch size with which it is liberally treated.

One variety of Gingham known as Madras Gingham is distinctly a

Shirting fabric. Ginghams, when having a highly variegated colouring,

are described as Checks.

=Glacé.=--Originally applied to a fabric having a glossy, lustrous

surface. Now often applied to "shot" silks, that is, plain weaves

wherein the warp and filling are of different colours.

=Granité.=--A weave in which the yarns are so twisted as to create a

pebbled surface.

=Grenadine.=--A somewhat elastic term used to describe an openwork,

diaphanous material of silk, wool, or cotton.

=Grey, in the Grey, or Grey Cloth.=--These terms are used to

designate fabrics that are in the loom state and that have been woven

from yarn that was neither bleached nor dyed. A Grey Shirting would

no longer be called a Grey Shirting after it had been bleached. In

the woollen industry the term "grey" is applied to the web in its

loom state previous to its being put through the various necessary

processes to make it into a finished cloth.

=Grey Drills.=--Grey Cotton Drills are all-cotton medium and heavy

weight single cloths woven from unbleached yarns as a three-shaft

twill (two warp and one weft) which have not been bleached, dyed, or

printed from the time they left the loom. Varying in weight according

to quality, they are, however, generally put up in pieces measuring

31 inches in width by 40 yards in length. They are more fully

described under Drills.

The Pepperell Drill is a Grey Drill of superior quality made from

high-class yarns and exceedingly well woven.

=Grey Jeans.=--This name is given to an all-cotton fabric woven as a

three-shaft twill having either (_a_) each weft thread passing over

one and under two warp threads, or (_b_) each weft thread passing

over two and under one warp thread, the warp and weft intersections

traversing one thread and one pick further from their respective

positions each time a pick of weft is inserted.

When woven as a warp-faced twill fabric from strong yarns, the cloth

is often called a Drill, and is used for suitings, boot linings,

corseting, etc; when woven from lighter yarns as a medium-weight

weft-faced twill fabric, the cloth is largely used for linings. In

width it varies from 28 and under to 31 or more inches and in length

from 30 to 40 yards per piece. A "Grey" Jean is a Jean in the loom

state, _i.e._, which has not been bleached by being treated with

bleaching powders, etc.

=Grey Sheeting.=--There are two distinct varieties of Grey Sheeting.

The first kind is used for bed sheeting and is a stout cotton cloth

woven from coarse yarns, usually in a four-shaft two-and-two twill

weave, and having a width of as much as 120 inches. The weave of

this material being a twill weave having an equal number of warp

and weft threads to the inch, the twill lines or diagonal produced

will be at an angle of 45 degrees to a line drawn across the width

of the material. This diagonal effect is produced by the warp and

weft intersections traversing one thread and one pick further from

their respective positions each time a pick or weft is inserted.

This kind of Sheeting is known as Bolton Sheeting, which is a grey

material, _i.e._, unbleached. In length the piece may measure up to

80 yards. The second kind of Sheeting is Waste Sheeting, made from

waste and condenser wefts, _i.e._, wefts made from certain waste

cotton which accumulates during the process of spinning yarn. This

waste is treated by special machinery, which prepares it and spins

it into a full, level, and soft yarn, which is used for weft in the

weaving of Sheetings. Waste Sheetings are woven like Bolton Sheeting,

with the exception of the lower qualities, which are often plain or

calico woven. The lower grades of Grey Sheeting are often simply grey

Calico cloths of about 36 inches in width and resembling very closely

Grey Shirtings, the only difference being that they are slightly

heavier in the yarn than the ordinary Grey Shirting. Grey Sheeting is

generally made up into pieces of from 40 to 80 yards in length and

varying in weight according to count of yarn used.

=Grey Shirting.=--A Grey Shirting is an unbleached cotton cloth

woven with a plain weave and having the warp and weft approximately

equal in number of threads and counts; the fabric has a plain, even

surface, which, when the threads are evenly spaced, is said to be

well "covered." Grey Shirting, a staple import into the Eastern

markets, is made up in pieces measuring from 36 to 40 yards in

length, a width of from 36 to 45 inches, and weighing from 7 to 11

pounds and over per piece, according to the count of the yarn and

the amount of size used. This class of fabric has the warp threads

heavily sized. The exact difference between Grey Shirtings and

certain grades of Grey Sheetings is at times non-apparent. Again, a

Grey Shirting may be termed a Calico, which in the trade has become a

general term used to designate practically any cotton cloth coarser

than Muslin.

=Grey T-Cloths.=--All-cotton plain-woven unbleached fabric of low

quality and heavily sized yarns nearly always put up in 24-yard

lengths. The name is said to be derived from the mark @T@ of the

original exporters.

=Grosgrain.=--A silk fabric having a small ribbed effect from

selvedge to selvedge. When the rib runs lengthways the fabric is

known as a Millerayes.

=Habit Cloth (Woollen).=--An all-wool cloth similar to Medium, Broad,

and Russian Cloth. Average width, 54 to 74 inches. In the better

grades it is a high-priced fabric generally used for riding habits.

Met with in dark shades of green or else in black.

=Habutai.=--A plain-weave silk, of smooth and even texture,

originally made in Japan on hand looms.

=Hair-cord Muslin.=--A plain-weave fabric having stripes or checks

formed by coarse threads, which stand out in a clearly defined manner.

=Hand Looms and Power Looms.=--The difference between these two

kinds of looms lies in the fact that in the former (hand loom) the

weaving is the result of the loom being worked and controlled by hand

and foot, whereas in the power loom, whether belt driven or driven

by electric motor, the power transmitted to the loom works all the

essential parts, which are:--

1. Warp beam.

2. Heddles.

3. Shuttle.

4. Reed or beater-in.

5. Cloth roll.

When a power loom has been suitably tuned up, _i.e._, timed so that

the various movements necessary for the forming of the "shed" and the

passing of the shuttle and the beating-in occur in the right sequence

and at a correct interval of time, the weaver (who, in the case of

power looms, is oftener called the overlooker) only has to attend to

the broken warp threads or replenishing of the weft shuttle. With a

hand loom the weaver controls the heddles which form the shed, throws

the shuttle carrying the weft thread through the shed, and as fast as

each filling thread is interlaced with the warp beats it in close to

the previous one by means of a reed which is pulled by hand towards,

and recedes from, the cloth after each passage of the shuttle. This

is done to make the cloth firm. The movement of the reed in the

hand-power loom (or, more correctly, in the hand and foot power loom)

being controlled by the weaver and not mechanically, accounts for

irregularity in firmness of weave not found in fabrics woven on a

power loom.

=Handle.=--This term is used either as a "wool term" in connexion

with wool or as a general textile term in connexion with fabrics.

As a wool term it refers or designates all the attributes which

determine quality, _i.e._, softness, fineness, length, and

elasticity--noticeable when wool is judged by the feel. Easier to

define than to acquire, "handle" also enters into the judging of

woven fabrics. It is then used to denote the hardness, harshness,

softness, smoothness, etc., which similarly are factors of quality

and which are often best appreciated by the sense of touch.

=Harvard Shirting.=--This style of Shirting is generally recognised

by its broken twill effect, which may be combined with plain

stripes, small diamond patterns, etc., woven from dyed yarns. The

salient feature of Harvard Shirtings is the above effect in different

colours. The ground weave is generally a two-and-two twill.

=Henrietta.=--A soft, lustrous, twilled fabric of wool; similar to a

Cashmere, but finer and lighter.

=Herring-bone.=--A binding often used in facing the neck and front

opening of undershirts. Also applied to the stitching which is made

to cover the edge of the split sole in hosiery. Used in connexion

with textiles, it is applied to striped effects produced by

alternating a left-hand and a right-hand twill-weave stripe.

=Hessian.=--A strong, coarse, plain-woven packing or wrapping cloth

made from jute or hemp yarns. A standard make of this material weighs

10½ ounces to the yard, is 40 inches wide, and averages 13 shots per

inch.

=Hog, Or Hoggett Wool=, is another name for lambs' wool; it is

the product of the first clipping of the young sheep and can be

distinguished by the fact that its ends are pointed, whereas

subsequent clippings yield wether wool with blunt and thickened ends.

=Honeycomb.=--This designates a style of weave and not an actual

fabric. Marked ridges and hollows, which cause the surface of

the fabric to resemble that of a honeycomb, are the salient

characteristics of this style of weave. The term is also applied

to leno weaves when consecutive crossing ends cross in opposite

directions.

=Huckaback.=--This name designates a class of weave mainly used in

the weaving of towels or Towelling, which combines a small design

with a plain ground. The short floats of warp and weft and the plain

ground of these weaves give a rough surface combined with a firm

structure. The small design entering into this class of weave varies,

but is always a geometrical design and not floral.

=Imitation Rabbit Skin.=--Generally an all-cotton pile-weave fabric

having a long pile, which has not the same amount of lustre as

either a silk or mohair pile, being duller in appearance. This kind

of fabric may be distinguished from a silk or mohair pile material

by the fact that its pile will crush more readily than either. Its

pile will not spring back into place readily, more especially when

the pile is long. Generally 48 to 50 inches wide and 60 yards long,

it is shipped on frames, on which it is fastened by a series of

hooks. These hooks hold the material by the selvedges, which are made

specially strong. Two 60-yard frames are generally packed in one box

or case.

=Ingrain.=--A term for knitted goods applied to raw material or yarn

dyed before knitting.

=Irishes.=--This generic name is applied to linen fabrics, which are

a speciality of Ireland. Irishes have been imitated in cotton, and

when such a fabric is met with it should be designated as a Cotton

Irish. The term Irishes would cover such fabrics as Irish Cambric,

Irish Duck, and Irish Linen.

=Irish Cambric.=--This fabric, like all true Cambrics, is an

all-linen fabric, plain woven, without a selvedge. It has been

imitated in cotton, and the name is now currently used to designate

an all-cotton plain-woven fabric finer than lawn, in which the warp

yarn is often of a different thickness from that used for the filling

and is finished with a smooth glazed surface.

=Italian Cloth.=--A plain cloth generally made of standard materials,

_i.e._, fine Botany weft and a cotton warp. Italian cloth is usually

a weft-faced fabric. Like all fabrics woven with a weft-faced

satin weave, the weft or filling threads are practically all on

the surface of the cloth, producing an even, close, smooth surface

capable of reflecting light to the best advantage. Italian cloth is

generally cross-dyed, that is to say, woven from a black warp and

grey weft, afterwards dyed in the piece. It may be woven either as

an all-cotton, a cotton and worsted, a cotton and wool, or a cotton

and mohair fabric. Its chief characteristic is its smooth, glossy,

silky appearance obtained by various processes of finishing given to

the cloth after it is woven. All finishes have the same tendency and

purpose, which is to improve the appearance and enhance the value

of the cloth. Whilst Italian Cloth may be either plain, figured,

embossed, printed, etc., or a combination of these varieties, the

name is applied to a "plain dyed cotton fabric."

=Italian Cloth, Figured, Cotton Warp and Wool Weft.=--This fabric,

in addition to the characteristics of the plain Italian Cloth woven

from cotton warp and wool weft, has had its surface ornamented

by the introduction of figures or floral or geometrical designs

produced either by combination of weave or by means of certain extra

threads known as "figuring threads." These figures may be produced

by means of either extra warp or extra weft threads. In this class

of material, where the weft is wool, the extra figuring thread is

generally a weft thread. The figuring thread, after having served

the purpose of ornamenting the face of the cloth, is allowed to lie

loosely or "float" underneath the ground cloth structure. Where the

figuring is produced by combination of weave no such floating threads

appear.

=Italian Cloth, Plain, Cotton Warp and Wool Weft.=--Under the heading

"Italian Cloth" it will be seen that such a fabric is essentially a

weft-faced satin-weave material having practically the whole of the

weft or filling threads on the surface. When it is woven from a wool

weft and a cotton warp the material shows the face of the cloth as a

wool face, the main bulk of the cotton warp showing on the back of

the fabric. When woven with cotton warp and wool weft, Italian Cloth

still retains the characteristic smooth surface of all weft-faced

satin-weave fabrics. Very simple tests by burning will show the

nature of both warp and weft, and this class of fabric illustrates

clearly, by contrast between the two sets of threads, the nature

of weft-faced satin or kindred weave fabrics. Such Italians are

generally cross-dyed, _i.e._, woven with dyed warp and grey weft, and

then piece-dyed.

=Jaconet.=--There are two varieties of Jaconets, both of which,

however, are all-cotton fabrics. One is a hard-finished fabric

similar in weight to Victoria Lawn, having a smooth, lustrous,

Cambric finish. The other is a soft-finished material which can

hardly be distinguished from a heavy soft-finished Nainsook. Jaconet

is a plain-woven fabric which has been variously described as a

"thin, soft Muslin," or as a "plain-woven cotton fabric lightly

constructed, composed of light yarns." Bleached, dyed, or printed in

the grey piece length, similar to Mulls, Nainsooks, Cambrics, etc. It

is also spelt Jaconettes.

=Jacquards= is a loose term applied to elaborate designed fabrics

produced by means of a machine called a Jacquard, the distinctive

feature of which is an apparatus for automatically selecting warp

threads and moving them independently of each other. Jacquards are

the produce of what is termed figure weaving, in which complicated

figures are woven into the fabric.

=Jaeger.=--This name is used to designate the products of a certain

manufacturer whose material is described as being an "all-wool"

material. Generally applied to underwear and fabrics into whose

composition camel wool is said to enter largely.

=Jean.=--A Jean is an all-cotton fabric woven as a three-shaft twill

similar to a Dungaree. Good-quality Jeans, woven from coloured warp,

are often used as sailors' collars and for children's clothing. Woven

in the grey as a weft-faced twill and subsequently dyed, they are

used for lining cloths. The weave of a Jean fabric, which is its

salient characteristic, is described under "Grey Jeans," which is the

kind of Jean most often met with.

=Jeanette.=--A three-shaft weft twill fabric having warp and weft

threads about equally proportioned in number and thickness.

The name "Jeanette backed" is applied to certain pile fabrics that

have a three-end twill back.

Applied to a cotton material, it would correspond to a Jean type

fabric not as stoutly woven as a Jean. One authority, however,

claims that it is "a similar fabric to the Jean in which the warp

predominates."

=Jouy.=--Printings in small floral effects on silk or cotton, similar

to Pompadour designs. Named after a Frenchman who established a plant

for such work during the reign of Louis XV.

=Kerseymere.=--Seldom met with under this name. Kerseymere is a fine

woollen cloth of a serge-like character, woven with a three-shaft

weft-faced twill weave.

=Khaiki.=--A Japanese silk of plain weave, not so fine as Habutai.

=Khaki.=--A colour resembling that of the ground. This word is

derived from the Hindustani word for "earth." A term applied to

a special shade of brown or greenish brown largely employed in

soldiers' uniforms.

Ladies' Cloth.--A dress fabric of plain weave, similar to a Flannel

in construction, but with a high-finished surface, which gives the

fabric a Broadcloth effect.

=Lappet Weave.=--Lappet weaving is used to produce on a light fabric

small designs which have the appearance of having been embroidered

upon the fabric, such as the detached spots in dotted Swiss, or

narrow and continuous figures running more or less in stripes. This

form of weaving is used mainly on plain and gauze fabrics, and the

figures are practically stitched into the fabric by means of needles

in a special sliding frame. The yarn which produces the figured

design is an extra warp thread known as a "whip yarn." Lappet

weaving produces the design on one side only of the fabric, and this

feature will enable this style of weave to be recognised from other

processes, such as Swiss Embroidery. The loose threads existing

between the figures when the goods leave the loom are usually cut

away, leaving a somewhat imperfect figure or spot with a bit of the

figuring thread protruding at either extreme edge of the figure or

spot. Lappet-figured fabrics are not Brocades.

=Lastings.=--A plain twill or kindred weave fabric firmly woven

from hard-twisted wool or cotton yarns. Smooth in appearance but

having a somewhat hard handle, Lasting is a fine, durable, generally

piece-dyed, material, of which there are several varieties, such as

the Printed and the Figured. It is sometimes employed in the making

of uppers for boots and shoes.

=Leas.=--A term used to denote the count of linen yarn, each lea

being a measure of length equal to 300 yards. When used with

reference to cotton yarn, it is a measure of length equal to 4,320

inches, or 120 yards. _See under_ Cotton Yarn Measures.

=Leather Cloth.=--This name is given to a cloth which is known in the

Bradford district as a Melton. It is a union cloth woven from cotton

warp and woollen weft having the warp threads running in pairs or, as

it is called, in "sisters." Generally measuring from 50 to 56 inches

in width and weighing from 20 to 24 ounces per yard, it is finished

with a bright, smooth face. The system of interlacing of warp and

weft is not apparent either on the face or back of the cloth. By

pulling away one or two weft threads it is easy to see that the warp

threads are of cotton and that they are in pairs. Leather cloth is

free from any figuring and is generally dyed in dark colours.

=Leno.=--Where a fabric is woven with a combination of gauze weaving

and a few plain picks it is said to be a Leno. It is a term now

currently used to designate all classes of light fabrics into which

the gauze weave (in which kind of weaving all the warp threads do

not run parallel or at right angles to the weft but are more or

less twisted round each other) is introduced in combination with

any other kind of weave. Lenos may have either an "all-over effect"

or "stripes." The introduction in Lenos of the gauze weave tends to

strengthen a material which from its very nature can only be but

light. Lenos may show, in addition to the "all-over effect," an extra

weft figure or spot. Whilst all these would be known as Lenos, their

more correct designation would be Figured Lenos, or Extra Weft Spot

Figured Lenos. The term is now loosely used, and sometimes a "lace"

stripe Muslin will be called a Leno. The crossing threads used in the

true or "net" Lenos are often of two or three fold yarn. The common

so-called lace curtains are Lenos. The common varieties of Lenos are

extensively used for the purpose of mosquito nets.

=Liberty.=--A light-weight silk having a satin finish. A trade name

applied to a satin-finish silk of light weight now generally applied

to such silks, although not the original "Liberty."

=Linen Yarn.=--When the count of linen yarn is given, it is denoted

by "leas." Each lea is a measure of 300 yards, and 10 leas = 1

hank and 20 hanks = 1 bundle. It will be seen that as the "counts"

increase, the weight per bundle decreases.

=Lingerie.=--This comprehensive term embraces ladies' and children's

undergarments, such as skirts, undershirts, etc., infant's long and

short dresses, stockings, chemises, night-robes, drawers, corset

covers, etc.

=Lining.=--A cloth usually made from cotton warp and cotton, alpaca,

or Botany weft, according to the type of cloth required, generally

woven with a sateen weave. Italian Cloth is a typical example of

lining cloth. The name denotes a class of fabrics rather than a given

fabric.

Piece Goods Manual Fabrics described; textile, knit goods, weaving terms, etc., explained; with notes on the classification of samples. · 第 4 / 12 段