I know I am august.

I put my hand through the mosquito curtains and touch an electrical

contrivance placed there for my benefit, and immediately there appears

before me a woman neatly clothed to delight my eye, and I gaze out at

her through my mosquito curtains. She wishes me “Good morning” in my own

language, in order to save the trouble of unnecessary comprehension, and

if I had happened to be Italian, French, or German she could still greet

me in my own language, because she has been taught to do so in order

to save me trouble. She takes my commands for the morning, and then

I notice that the sun has thoughtfully got round to my window and is

casting a respectful beam or two on my hyacinthine locks. In the

vast palace the sultans are arising, and I catch the rumour thereof.

Presently, with various and intricate aid, I have laved the imperial

limbs and assumed the robes of state. The window is opened for me, and I

pass out on to the balcony and languidly applaud the Mediterranean, like

a king diverting himself for half an hour at the opera. It is a

great sight, me applauding the Mediterranean as I drink a cup of tea;

stockbrokers clapping the dinner-band at the Trocadero would be nothing

to it. After this I do an unmonarchical act, an act of which I ought to

be ashamed, and which I keep a profound secret from the other sultans in

the vast palace--I earn my living by sheer hard labour.

Then I descend to the banqueting-hall, and no sooner do I appear than I

am surrounded by minions in black, an extraordinary race of persons. At

different hours I see these mysterious minions in black, and sometimes I

observe them surreptitiously. They have no names. They never eat,

never drink, never smile, never love, never do anything except offer me

prepared meats with respectful complacency. Their god is my stomach,

and they have made up their minds that it must be appeased with frequent

burnt sacrifices and libations. They watch my glance as mariners the

sky, and the slightest hint sends them flying. At the conclusion of the

ceremony they usher me out of the hall with obeisances into other halls

and other deferential silences.

*****

And when the entire rite has been repeated twice we recline on sofas, I

and the other sultans, and spend the final hours of the imperial day in

being sad and silent together. We are sad because we are sultans. It is

in the nature of things that sultans should be sad; it is not the cares

of state which make us sad, but merely a high imperial instinct for the

correct. Silence is, of course, a necessity to sultans, and for this

reason the activity of the immense palace is conducted solely in hushed

tones. The minions in black never raise their dulcet voices more than

half an inch or so. Late at night, as I pass on my solitary, sad way to

the chamber of sleep, I see them, those mysterious minions with no names

and no passions and no heed for food, still hovering expectant, still

bowing, still silent. And lastly I retire. I find my couch beautifully

laid out, I cautiously place myself upon it, I savour the soundless calm

of the palace, and I sleep again; and my closing thought is the thought

that I am august, and that all the other sultans, in this and all the

other palaces from Toulon to San Remo, are august.

*****

Strange things happen. Once a week a very-strange thing happens. I find

an envelope lying about. It is never given to me openly. I may discover

it propped up against the teapot on my tea-tray, or on my writing-desk,

or sandwiched in my “post,” between a love-letter and a picture post

card. But I invariably do find it; measures are taken that I shall

succeed promptly in finding it. All the minions pretend that this

envelope is a matter of no importance whatever; I also pretend the same.

Now, the fact is that I simply hate this envelope; I hate the sight of

it; I hate to open it; I dread its contents. Every week it shocks me. I

carry it about with me in my imperial pocket for several hours, fighting

against the inevitable. Then at length I dismally yield to a compulsion.

And I wander, by accident on purpose, in the direction of a little

glass-partitioned room, where a malevolent man sits like a spider sits

in its web. We both pretend I am there by chance, but since I am in fact

there, I may as well--a pure formality! And a keen listener might hear

a golden chink or the rustle of paper. And then I feel feeble but

relieved, as if I had come out of the dentist’s. And I am aware that I

am not so excessively august after all, and that I am in the middle of

the Riviera season, when one must expect, etc., etc., and that even the

scenery was scientifically reduced to figures in that envelope, and that

anyhow the Hôtel Triste is the Hôtel Triste. (Triste is not its real

name; one of my fellow sultans, who also does the shameful act in

secret, so baptised it in a ribald moment.)

[Illustration: 0245]

*****

The strangest thing of all occurred one night. I was walking moodily

along the convenient marge of the Mediterranean when I saw a man,

a human being, dressed in a check suit and a howler hat, talking to

another human being dressed in a blouse and a skirt. I passed them. The

man was smiling, and chattering loudly and rapidly and even passionately

to the soul within the blouse. Soon they parted, with proofs of

affection, and the man strode away and overtook and left me behind. You

could have knocked me down with a feather when I perceived he was one of

the mysterious nameless minions who I thought always wore mourning and

never ate, drank, smiled, or loved. “Fellow wanderer in the Infinite,”

I addressed his back as soon as I had recovered, “What are your opinions

upon life and death and love, and the advisability of being august?”

Paris Nights, and Other Impressions of Places and People · 第 34 / 80 题