CHAPTER IX

THE WALLYPUG'S OWN

It was shortly after this that the Doctor-in-Law, hearing what a vast

fortune might be made in literature, decided to start a magazine of

his own.

[Illustration: THE DOCTOR-IN-LAW WAS EDITOR]

After a lot of argument it was thought best to call it _The Wallypug's

Own_, as the name was considered a striking one. The first number was

to be a very elaborate affair, and, for weeks before it appeared, all

of my guests were busily engaged in its production.

"There will be a good opportunity for some of your poems appearing at

last," hinted the Doctor-in-Law to the Rhymester, which so delighted

the poor little fellow that he set to work at once upon a number of

new ones. A. Fish, Esq., contributed a very learned article on the

subject of "The Prevalence of Toothache amongst Fish: its Cause and

Treatment"; while the great attraction of the number was an historical

article by the Wallypug on the subject of "Julius Caesar," illustrated

by his Majesty himself. As a special favour, the original drawing was

presented to me by his Majesty, and I am thus enabled to reproduce it

for your benefit. His Majesty confided to me that parts of it were

traced from a picture which appeared in the _Boys' Own Paper_ some

time ago, but of course we did not tell everybody that.

[Illustration: FROM "THE WALLYPUG'S OWN"]

The essay itself was quite original, and was worded somehow like this:

"_Julius Caesar was a man, and he lived in Rome. He came over to

conquer Britain because he heard there was a lot of tin here, and

when he arrived he said in Latin_, 'Veni, vidi, vici,' _which

means, 'I have come, and thou wilt have to skedaddle', which has

been the British motto ever since. But the Ancient Britons who

lived here then, didn't understand Latin, and so they went for

Julius Caesar, and shook their fists in his face, and tried to

drive him and his followers away. But Julius Caesar and the Romans

were civilized, and had daggers and things, and shields, and wore

firemen's helmets, and kilts like Scotchmen, so they soon overcame

the Ancient Britons; and they built London Wall, and made a lot of

combs, and glass tear-bottles, and brooches, and sarcophaguses,

that you can see in the Museum at the Guildhall; and then they went

back to Rome, and Julius Caesar was stabbed by his friend Brutus,

to show how much he liked him; and Caesar, when he found out he was

stabbed, cried out in Latin_, 'Et tu, Brute,' _which means 'Oh, you

brute,' and lived happy ever after. I have drawn the picture of

Julius Caesar landing in Britain--that's him waving things, and

calling to the others to come on._"

The Doctor-in-Law was editor, and arranged a number of competitions,

and in order to enter for them you had only to send two shillings in

stamps, while the prizes were advertised as follows: First prize,

L1000 a year for life; second prize, thirty-six grand pianos and

fourteen bicycles; third prize, a sewing machine and six cakes of

scented soap. The prizes were to be awarded for the first correct

answers received by post, but the Doctor-in-Law took good care to

write three sets of answers himself, and put them in our letter-box a

half-an-hour before the first post arrived, so that nobody got prizes

but himself. He made a good deal of money, too, by pretending to tell

your fortune by the creases in your collar. All you had to do was to

send an old collar and fourteen penny stamps, and you would receive a

letter in reply similar to this:

"You are probably either a male or a female, and will no doubt live

till you die. You like to have your own way when you can get it, and

when you can't you get very cross and irritable. You are not so young

as you were a few years ago, and you dislike pain of any kind. You

will remain single until you marry, and whichever you do you will

probably wish you hadn't."

The greatest novelty, however, which the Doctor-in-Law introduced in

his new magazine was his system of telling your character by your

watch and chain. There was no fee charged, and all you had to do was

to send your watch and chain (gold preferred), and the Doctor-in-Law

would tell your character, quite correctly. It generally was as

follows:

"You are a silly donkey, for no one but a donkey would think of

sending his watch and chain to a stranger, and if you imagine that you

will ever see it again, you are greatly mistaken."

The Rhymester only had one poem in after all, as, when it came to the

point, the Doctor-in-Law charged him a guinea a verse for printing it,

and the poor Rhymester could not afford more than one poem at that

rate.

This is what he sent:

[Illustration]

THE NEW ROBIN.

The North wind doth blow,

And we ought to have snow,

If 'tis true what my nurse used to sing,

Poor thing.

Yet up in yon tree

Robin Redbreast I see

As happy and gay as a king,

Poor thing.

Look! as true as I live,

There's a boy with a sieve

And a stick and a long piece of string,

Poor thing.

But the bird doesn't care,

For I hear him declare,

"Pooh! the old dodge he tried in the Spring,

Poor thing."

"What ridiculous cheek,"

And he turns up his beak

Ere he tucks his head under his wing,

Poor thing.

[Illustration]

The poor Rhymester was very disappointed at not being able to publish

more of his poems, so the Doctor-in-Law, to console him, allowed him

to contribute an article on "Fashions for the Month by Our Paris

Model." He made a frightful muddle of it though, not knowing the

proper terms in which to describe the various materials and styles.

Here is an extract, which will show you better than I can tell, the

stupid blunders which he made:

"_Hats this season are principally worn on the head, and may be

trimmed with light gauzy stuff wobbled round the crown mixed up

with various coloured ribbons, and bunches of artificial flowers

and fruit._

"_Artificial vegetables are not much worn, although a cauliflower

or two and a bunch of carrots, with a few cabbages, would form a

striking and novel decoration for a hat. If this trimming is

considered insufficient, a few brightly coloured tomatoes stuck

round the brim might be added, and would render the head-gear

particularly 'chic.'_

"_Hats for the theatre should be worn large and handsomely trimmed,

but for the economically inclined--a last year's clothes basket

trimmed with art muslin, which may be purchased of any good draper

at 1-3/4d. a yard, cut on the cross and tucked with chiffons, would

form a sweetly simple hat, and if tied beneath the chin with an

aigrette, and the front filled in with sequins, it would readily be

mistaken for one of the new early Victorian bonnets which continue

to be worn by the upper housemaids in most aristocratic families._

_"I hear that dresses are to be worn again this year by ladies. The

most fashionable ones will be made of various sorts of material._

_"A charming walking costume suitable for the Autumn may be made of

shaded grenadine, trimmed with buckram pom-poms, made up on the

selvedge edge."_

There was a lot more nonsense of this kind which I did not at all

understand, but which some lady friends who understood these things

made great fun of.

You will be surprised, no doubt, to hear that in a weak moment I

allowed myself to be persuaded into contributing a little experience

of my own.

The Rhymester told me that it was shockingly bad rhyme, but I think

that he was jealous because the Doctor-in-Law published it. Anyhow,

here it is, so you can judge for yourself. I call it

HE AND I AND IT.

Oh HE was a Publisher

And I was a Publishee,

And IT was a book

Which the Publisher took

And pub-l-i-s-h-e-d.

The Publisher's smile it was bland,

'Twas a beautiful smile to see,

As again and again

He took pains to explain

How large my "half-profits" _might_ be.

IT had a capital sale,

Well reviewed by the _Times_ and _D.T._,

And a great many more,

So my friends by the score

Came around to congratulate me.

[Illustration: IT HAD A CAPITAL SALE]

And people I scarcely had met,

Just "dropped in" to afternoon tea;

While my aunt, who's a swell,

_Now_ remembered quite well

That I was related to she.

And girls that were rich and plain,

Or pretty and poor, did agree

To let me suppose

That I'd but to propose

To be m-a-r-r-i-e-d.

[Illustration: MY FRIENDS ALL TURNED TAIL]

Yes, HE published IT in the Spring,

That season of frolic and glee;

"In the Autumn," HE said,

Gravely nodding his head,

"'Half-profits' will mean L.S.D."

But Autumn has come and gone,

And I'm so to say, "All at sea,"

For HE sobs and HE sighs

And HE turns up his eyes

When I ask what my "half-profits" be.

There are "charges for this, and for that,"

And for "things that HE couldn't foresee,"

And HE "very much fears,"

So he says twixt his tears,

"That there won't be a penny for me."

Oh! rich is the Publisher

And poor is the Publishee;

Of the profits of IT

I shall touch not a bit,

They are all swallowed up by HE.

The girls now all treat me with scorn--

Aunt turns up her n-o-s-e,

And my friends all turn tail,

While my book they assail

And call rubbish and twad-d-l-e.

Even One-and-Nine and General Mary Jane were smitten with a desire to

rush into print, and I overheard them concocting a tragic Love Story

in the kitchen, and they were highly indignant later on, because the

Doctor-in-Law would not accept it. You can hardly wonder at it though,

for it really was too bad for anything.

It was called "The Viscount's Revenge," and in it several characters

who had been killed in the first part of the book kept cropping up all

through the story in a most confusing manner, while One-and-Nine and

General Mary Jane could not agree as to whether the heroine should be

dark or fair, so in one part of the book she had beautiful golden hair

and blue eyes, and in another she was described as "darkly, proudly

handsome, with a wealth of dusky hair and eyes as black as night."

[Illustration: THE LITERARY HOUSEMAID]

At the last moment it was found necessary to include another poem in

the magazine, and, as all of the Rhymester's were too long, the

Doctor-in-Law decided to write one himself, which he called

COMMERCIAL PROBLEMS.

Why doth the little busy bee

Not charge so much an hour,

For gathering honey day by day

From every opening flower?

And can you tell me why, good sir,

The birds receive no pay

For singing sweetly in the grove

Throughout the livelong day?

Why flow'rs should bloom about the place

And give their perfume free,

In so unbusinesslike a way,

Seems very odd to me.

I cannot meet a single cow

That charges for her milk,

And though they are not paid a sou,

The silkworms still spin silk.

While ducks and hens, I grieve to find,

Lay eggs for nothing too,

Which is a most ridiculous

And foolish thing to do.

These problems often puzzle me;

I lie awake at night,

And think and think what I can do

To set this matter right.

I've found a way at last, and though

It may at first seem funny,

It cannot fail--'tis this: _You_ pay,

And _I'll_ collect the money.

The Wallypug in London · 第 9 / 12 章