40 (1884) Chromo Cards, no 2 alike, with name, 10c., 13 pks. $1. GEORGE I.
REED & CO., Nassau, N. Y.
THE PRAIRIE FARMER is the Cheapest and Best Agricultural Paper published.
Only $2.00 per year.
[Illustration: LITERATURE.]
THE GENTLEMAN FARMER.
He owned the farm--at least 'twas thought
He owned, since he lived upon it,--
And when he came there, with him brought
The men whom he had hired to run it.
He had been bred to city life
And had acquired a little money;
But, strange conceit, himself and wife
Thought farming must be something funny.
He did not work himself at all,
But spent his time in recreation--
In pitching quoits and playing ball,
And such mild forms of dissipation.
He kept his "rods" and trolling spoons,
His guns and dogs of various habits,--
While in the fall he hunted coons,
And in the winter skunks and rabbits.
His hired help were quick to learn
The liberties that might be taken,
And through the season scarce would earn
The salt it took to save their bacon.
He knew no more than child unborn,
One-half the time, what they were doing,--
Whether they stuck to hoeing corn,
Or had on hand some mischief brewing.
His crops, although they were but few,
With proper food were seldom nourished,
While cockle instead of barley grew,
And noxious weeds and thistles flourished.
His cows in spring looked more like rails
Set up on legs, than living cattle;
And when they switched their dried-up tails
The very bones in them would rattle.
At length the sheriff came along,
Who soon relieved him of his labors.
While he became the jest and song
Of his more enterprising neighbors.
Back to the place where life began,
Back to the home from whence he wandered,
A sadder, if not a wiser man,
He went with all his money squandered.
MORAL.
On any soil, be it loam or clay,
Mellow and light, or rough and stony,
Those men who best make farming pay
Find use for brains as well as money.
_--Tribune and Farmer._
FRANK DOBB'S WIVES.
"The great trouble with my son," old Dobb observed to me once, "is that he
is a genius."
And the old gentleman sighed and looked with melancholy eyes at the
picture on the genius's easel. It was a clever picture, but everything
Frank Dobb did was clever, from his painting to his banjo playing. Clever
was the true name for it, for of substantial merit it possessed none. He
had begun to paint without learning to draw, and he could pick a tune out
of any musical instrument extant without ever having mastered the
mysteries of notes. He talked the most graceful of airy nothings, and
could not cover a page of note paper without his orthography going lame,
and all the rest of his small acquirements and accomplishments were
proportionately shallow and incomplete. Paternal partiality laid it to his
being too gifted to study, but the cold logic, which no ties of
consanguinity influenced, ascribed it to laziness.
Frank was, indeed, the idlest and best-natured fellow in the world. You
never saw him busy, angry, or out of spirits. He painted a little,
thrummed his guitar a little longer or rattled a tune off on his piano,
smoked and read a great deal, and flirted still more, all in the same
deliberate and easy-going way. Any excuse was sufficient to absolve him
from serious work. So he lead a pleasant, useless life, with Dobb senior
to pay the bills.
He had the handsomest studio in New York, a studio for one of Ouida's
heroes to luxuriate in. If the encouragement of picturesque surroundings
could have made a painter of him he would have been a master. The fame of
his studio, and the fact that he did not need the money, made his pictures
sell. He was quite a lion in society, and it was regarded as a favor to be
asked to call on him. He was the beau ideal of the artist of romance, and
was accorded a romantic eminence accordingly. So, with his pictures to
provide him with pocket money, and his father to see to the rest, he lived
the life of a young prince, feted and flattered and spoiled, artistically
despised by all the serious workers who knew him, and hated by some who
envied him the commercial success he had no necessity for, but esteemed by
most of us as a good fellow and his own worst enemy.
Frank married his first wife while Dobb senior was still at the helm of
his own affairs. She was a charming little woman whose acquaintance he had
made when she visited his studio with a party of friends. She had not a
penny, but he made a draft upon "the governor," as he called him, and the
happy pair digested their honeymoon in Europe. They were absent six
months, during which time he did not set brush to canvas. Then they
returned, as he fancifully termed it, to go to work.
He commenced the old life as if he had never been married. The familiar
sound of pipes and beer, and supper after the play, often with young
ladies who had been assisting in the representation on the stage, was
traveled as if there had been no Mrs. Dobb at home in the flat old Dobb
provided. Frank's expenditures on himself were as lavish as they had been
in his bachelor days. As little Brown said, it was lucky that Mrs. Dobb
had a father-in-law to buy her dinner for her. She rarely came to her
husband's studio, because he claimed that it interfered with the course of
business. He had invented a fiction that she was too weak to endure the
strain of society, and so he took her into it as little as possible. In
brief, married by the caprice of a selfish man, the poor little woman
lived through a couple of neglected years, and then died of a malady as
nearly akin to a broken heart as I can think of, while Frank was making a
trip to the Bahamas on the yacht of his friend Munnybagge, of the Stock
Exchange.
He had set out on the voyage ostensibly to make studies, for he was a
marine painter, on the principle, probably, that marines are easiest to
paint. When he came back and found his wife dead, he announced that he
would move his studio to Havana for the purpose of improving his art. He
did so, putting off his mourning suit the day after he left New York and
not putting it on again, as the evidence of creditable witnesses on the
steamer and in Havana has long since proved.
His son's callousness was a savage stab in old Dobb's heart. A little,
mild-looking old gentleman, without a taint of selfishness or suspicion in
his own nature, he had not seen the effect of his indulgence of him on his
son till his brutal disregard for his first duty as a man had told him of
it. The old man had appreciated and loved his daughter-in-law. In
proportion as he had discovered her unhappiness and its just cause, he had
lost his affection for his son. I hear that there was a terrible scene
when Frank came home, a week after his wife had been buried. He claimed to
have missed the telegram announcing her death to him at Nassau, but
Munnybagge had already told some friends that he had got the dispatch in
time for the steamer, but had remained over till the next one, because he
had a flirtation on hand with little Gonzales, the Cuban heiress, and old
Dobb had heard of it. Munnybagge never took him yachting again; and,
speaking to me once about him, he designated him, not by name, but as
"that infernal bloodless cad."
However, as I have said, there was a desperate row between father and son,
and Frank is said to have slunk out of the house like a whipped cur, and
been quite dull company at the supper which he took after the opera that
night in Gillian Trussell's jolly Bohemian flat. When he emigrated, with
his studio traps filling half a dozen packing cases, none of the boys
bothered to see him off. They had learned to see through his good
fellowship, and recalled a poor little phantom, to whose life and
happiness he had been a wicked and bitter enemy.
About a year after his departure I read the announcement in the Herald of
the marriage of Franklin D. Dobb, Sr., to a widow well-known and popular
in society. I took the trouble to ascertain that it was Frank's father,
and being among some of the boys that night, mentioned it to them.
"Well," remarked Smith, "that's really queer. You remember Frank left some
things in my care when he went away? Yesterday I got a letter asking about
them, and informing me that he had got married and was coming home."
He did come home, and he settled in his old studio. What sort of a meeting
he had with his father this time I never heard. The old gentleman had been
paying him his allowance regularly while he was away, and I believe he
kept up the payment still. But otherwise he gave him no help, and if he
ever needed help he did now.
His wife was a Cuban, as pretty and as helpless as a doll. She had been an
heiress till her brother had turned rebel and had his property
confiscated. Unfortunately for Frank, he had married her before the
culmination of this catastrophe. In fact, he had been paying court to her
with the dispatch announcing his wife's death in his pocket, and had
married her long before the poor little clay was well settled in the grave
he had sent it to. In marrying her he had evidently believed he was
establishing his future. So he was, but it was a future of expiation for
the sins and omissions of his past.
The new Mrs. Dobb was a tigress in her love and her jealousy. She was
childish and ignorant, and adored her husband as a man and an artist. She
measured his value by her estimation of him, and was on the watch
perpetually for trespassers on her domain. The domestic outbreaks between
the two were positively blood curdling. One afternoon, I remember, Gillian
Trussell, who had heard of his return, called on him. Mrs. D. met her at
the studio door, told her, "Frank," as she called him, was out; slammed
the door in her face, and then flew at him with a palette scraper. We had
to break the door in, and found him holding her off by both wrists, and
she frothing in a mad fit of hysterics. From that day he was a changed
man. She owned him body and soul.
The life the pair lived after that was simply ridiculously miserable. He
had lost his old social popularity, and was forced to sell his pictures to
the cheap dealers, when he was lucky enough to sell them at all. The
paternal allowance would not support the flat they first occupied, and
they went into a boarding house. Inside of a month they were in the
papers, on account of outbreaks on Mrs. Dobb's part against one of the
ladies of the house. A couple of days after he leased a little room
opening into his studio, converted it into a bed-room, and they settled
there for good.
Such a housekeeping as it was--like a scene in a farce. The studio had
long since run to seed, and a perpetual odor of something to eat hung over
it along with the sickening reek of the Florida water Mrs. D., like all
other creoles, made more liberal use of than of the pure element it was
half-named from. Crumbs and crusts and chop-bones, which the dog had left,
littered the rugs; and I can not recall the occasion on which the
caterer's tin box was not standing at the door, unless it was when the
dirty plates were piled up, there waiting for him to come for them. I
dined there once. Frank had had a savage quarrel with her that day, and
wanted me for a bender. But the scheme availed him nothing, for she broke
out over the soup and I left them to fight it out, and finished my feast
at a chop house.
All of his old flirtations came back to curse him now. His light loves of
the playhouse and his innocent devotions of the ball room were alike the
instruments fate had forged into those of punishment for him. The very
names of his old fancies, which, with that subtle instinct all women
possess, she had found out, were sufficient to send his wife into a
frenzy. She was a chronic theatre-goer, and they never went to the theatre
without bringing a quarrel home with them. If he was silent at the play
she charged him with neglecting her; if he brisked up and tried to chat,
her jealousy would soon pick out some casus belli in the small talk he
strove to interest her with. A word to a passing friend, a glance at one
of her own sex, was sufficient to set her going. I shall never question
that jealousy is a form of actual madness, after what I saw of it in the
lives of that miserable man and woman.
A year after his return he was the ghost of his old self. He was haggard
and often unshaven; his attire was shabby and carelessly put on; he had
lost his old, jaunty air, and went by you with a hurried pace, and his
head and shoulders bent with an indescribable suggestion of humility. The
fear of having her break out, regardless of any one who might be by, which
hung over him at home, haunted him out of doors, too. The avenger of Mrs.
Dobb the first had broken his spirit as effectually as he had broken Mrs.
Dobb's heart. Smith occupied the next studio to him, and one evening I was
smoking there, when an atrocious uproar commenced in the next room. We
could distinguish Frank's voice and his wife's, and another strange one.
Smith looked at me, grinned, and shrugged his shoulders. The disturbance
ceased in a couple of minutes, and a door banged.
Then came a crash, a shrill and furious scream, and the sound of feet. We
ran to the door, in time to see Mrs. Dobb, her hair in a tangle down her
back, in a dirty wrapper and slipshod slippers, stumbling down stairs. We
posted after her, Smith nearly breaking his neck by tripping over one of
the slippers which she had shed as she ran. The theatres were just out and
the streets full of people, among whom she jostled her way like the mad
woman that she was. We came up with her as she overtook her husband, who
was walking with McGilp, the dealer who handled his pictures. She seized
him by the arm and screamed out:
"I told you I would come with you."
His face for a moment was the face of a devil, full of fury and despair. I
saw his fist clench itself and the big vein in his forehead swell. But he
slipped his hands into his pockets, looked appealingly at McGilp, and
said, shrugging his shoulders, "You see how it is, Mac?"
McGilp nodded and walked abruptly away, with a look full of contempt and
scorn. We mingled with the crowd and saw the poor wretches go off
together, he grim and silent, she hysterically excited--with all the world
staring at them. Smith slept on a lounge in my room that night. "I
couldn't get a wink up there," he said, "and I don't want to be even the
ear witness of a murder."
The night did not witness the tragedy he anticipated, though. Next day,
Frank Dobb came to see me--a compliment he had not paid me for months. He
was the incarnation of abject misery, and so nervous that he could
scarcely speak intelligibly.
"I saw you in the crowd last night, old man," he said, looking at the
floor and twisting and untwisting his fingers. "What do you think of it? A
nice life for a fellow to lead, eh?"
What else could I reply than, "Why do you lead it then?"
"Why?" he repeated, breaking into a hollow, uneasy laugh. "Why, because I
love her, damn me! and I deserve it all."
"Is this what you came to tell me?" I asked.
"No," he answered, "of course not. The fact is, I want you to help me out
of a hole. That row last night has settled me with McGilp. He came to see
me about a lot of pictures for a sale he is getting up out West, and the
senora kept up such a nagging that he got sick and suggested that we
should go to 'The Studio' for a chop and settle the business there. She
swore I shouldn't go, and that she would follow us if I did. I thought
she'd not go that far; but she did. So the McGilp affair is off for good,
I know. He's disgusted, and I don't blame him. What I want of you is this.
Buy that Hoguet you wanted last year."
The picture was one I had fancied and offered him a price for in his palmy
days, one that he had picked up abroad. I was only too glad to take it and
a couple more, for which I paid him at once; and next evening, at dinner,
I heard that he had levanted. "Walked out this morning," said Smith, "and
sent a messenger an hour after with word that he had already left the
city. She came in to me with the letter in one hand and a dagger in the
other. She swears he has run away with another woman, and says she's going
to have her life, if she has to follow her around the world."
She did not carry out her sanguinary purpose, though. There were some
consultations with old Dobb and then the studio was to let again. Some one
told me she had returned to Cuba, where she proposed to live on the
allowance her father-in-law had made her husband and which he now
continued to her.
I had almost forgotten her when, several years later, in the lobby of the
Academy of Music, she touched my arm with her fan. She was promenading on
the arm of a handsome but beefy-looking Englishman, whom she introduced to
me as her husband. I had not heard of a divorce, but I took the
introduction as information that there had been one. The Englishman was a
better fellow than he looked. We supped together after the opera, and I
learned that he had met Mrs. Dobb in Havana, where he had spent some years
in business. I found her a changed woman--a new woman, indeed, in whom I
only now and then caught a glimpse of her old indolent, babyish and
foolish self. She was not only prettier than ever, but she had become a
sensible and clever woman. The influence of an intelligent man, who was
strong enough to bend her to his ways, had developed her latent brightness
and taught her to respect herself as well as him.
I met her several times after that, and at the last meeting but one she
spoke of Frank for the first time. Her black eyes snapped when she uttered
his name. The devil was alive in them, though love was dead.
I told her that I had heard nothing of him since his disappearance.
"But I have," she said, showing her white teeth in a curious smile.
"Indeed!" I replied, quite astounded.
"The coward!" she went on bitterly; "and to think I could ever have loved
such a thing as he! Do you know, Mr. X., that I never knew he had been
married till after he had fled? Then his father told me how he had courted
my father's money, with his wife lying dead at home. Oh! Senor Francisco,
Senor Francisco! Before I heard that, I wanted to kill the woman who had
stolen you from me. The moment after I could have struck you dead at my
feet."
She threw her arm up, holding her fan like a dagger. I believed her, and
so would any one who had seen her then.
"I had hardly settled in Havana," she continued, "before I received a
letter from him. Already he wanted to come back to me. Had the other woman
tired of him already? I asked myself, or was it really true, as his father
had told me, that he had fled alone? I answered the letter, and he wrote
again. Again I answered, and so it was kept up. For two years I played
with the love I now knew was worthless. He was traveling round the world,
and a dozen times wanted to come directly to me. I insisted that he should
keep his journey up--as a probation, you see. He submitted. But oh! how he
did love me!"
The exultation with which she told this was absolutely fiendish. I could
see in it, plainer than any words could tell it to me, the scheme of
vengeance she had carried out, the alternating hopes and torments to which
she had raised, and into which she had plunged him. I could see him
wandering around the globe, scourged by remorses, agonized by doubts, and
maddened by despairs, accepting the lies she wrote him as inviolable
pledges, and sustaining himself with the vision of a future never to be
fulfilled. She read the expression of my face, and laughed.
"Was it not an idea?" she asked. "Was that not better than this?"
And again she stabbed the air with her fan.
"But--pardon me the question--but you have begun the confidence," I said.
"How will it end?"
"It has ended," she answered.
"How?"
"I had been divorced while I was writing to him. A year ago he was to be
in London, where I was to meet him. While he was sailing from the Cape of
Good Hope I was being married to a man who loved me for myself, and to
whom I had confided all. Instead of my address at the London post office
he received a notification of my marriage, addressed to him in my own hand
and mailed to him by myself. He wrote once or twice still, but my husband
indorsed the letters with his own name and returned them unopened. He may
be dead for all I know, but I hope and pray he is still alive, and will
remain alive and love me for a thousand years."
She opened her arms, as if to hug her vengeance to her heart, and looked
at me steadily with eyes that thrilled me with their lambent fire. No
wonder the wretched vagabond loved her! What a doom his selfishness and
his duplicity had invoked upon him! I believe if he could have seen her as
I saw her then, so different from and better than he knew her to be, he
would have gone mad on the spot. Poor Mrs. Dobb the first was indeed
avenged.
We sipped our chocolate and talked of other things, as if such a being as
Frank Dobb had never been. Her husband joined us and we made an evening of
it at the theatre. I knew from the way he looked at me, and from the
increased warmth of his manner, that he was conversant with his wife's
having made a confidant of me. But I do not think he knew how far her
confidence had gone. I have often wondered since if he knew how deep and
fierce the hatred she carried for his predecessor was. There are things
women will reveal to strangers which they will die rather than divulge to
those they love.
I saw them off to Europe, for they were going to establish themselves in
London, and I have never seen or directly heard from them since. But some
months after their departure I received a letter from Robinson, who has
been painting there ever since his picture made that great hit in the
Salon of '7--.
"I have odd news for you," he wrote. "You remember Frank Dobb, who
belonged to our old Pen and Pencil Club, and who ran away from that Cuban
wife of his just before I left home? Well, about a year ago I met him in
Fleet street, the shabbiest beggar you ever saw. He was quite tight and
smelled of gin across the street. He was taking a couple of drawings to a
penny dreadful office which he was making pictures for at ten shillings a
piece. I went to see him once, in the dismalest street back of Drury Lane.
He was doing some painting for a dealer, when he was sober enough, and of
all the holes you ever saw his was it. I soon had to sit down on him, for
he got into the habit of coming to see me and loafing around, making the
studio smell like a pub, till I would lend him five shillings to go away.
I heard nothing of him till the other day I came across an event which
this from the Telegraph will explain."
The following newspaper paragraph was appended:
"The man who shot himself on the door-step of Mr. Bennerley Green, the
West India merchant, last Monday, has been discovered to be an American
who for some time has been employed furnishing illustrations to the lower
order of publications here. He was known as Allan, but this is said to
have been an assumed name. He is stated to be the son of a wealthy New
Yorker, who discarded him in consequence of his habits of dissipation, and
to have once been an artist of considerable prominence in the United
States. All that is known of the suicide is the story told by the servant,
who a few minutes after admitting his master and mistress upon their
return from the theatre, heard the report of a pistol in the street, and
on opening the door found the wretched man dead upon the step. The body
was buried after the inquest at the charge of the eminent American artist,
Mr. J. J. Robinson, A. R. A., who had known him in his better days."
The second husband of Mrs. Frank Dobb is Mr. Bennerley Green, the West
India merchant.--_The Continent._
* * * * *
CONSUMPTION CURED.
An old physician, retired from practice, having had placed in his hands by
an East India missionary the formula of a simple vegetable remedy for the
speedy and permanent cure of Consumption, Bronchitis, Catarrh, Asthma and
all throat and Lung Affections, also a positive and radical cure for
Nervous Debility and all Nervous Complaints, after having tested its
wonderful curative powers in thousands of cases, has felt it his duty to
make it known to his suffering fellows. Actuated by this motive and a
desire to relieve human suffering, I will send free of charge, to all who
desire it, this recipe, in German, French, or English, with full
directions for preparing and using. Sent by mail by addressing with stamp,
naming this paper. W. A. NOYES, _149 Power's Block_, _Rochester_, _N. Y._
[Illustration: HUMOROUS]