THE METHODICAL WAY IN WHICH IRVING PASSES HIS TIME.

Henry Irving is a man of simple, but regular, habits. He has gained

the hearts of everybody in the Bellevue, from the proprietor to the

bell-boy, by his courteous demeanor and his desire to give as little

trouble as possible. He rises at nine o’clock, and drinks a cup of

coffee with milk. Breakfast is served in his private sitting-room at

ten o’clock, consisting of tea, boiled eggs, and some other simple

dish. The eggs he cooks himself in a little spirit-lamp arrangement

of his own. He eats the meal alone, and glances at his mail while

at table. The budget of correspondence is usually large, and

includes letters from all over the world. After breakfast one or two

secretaries pay their respects to him, and receive his instructions

in regard to the replies to the missives. The daily papers are then

carefully read, and any visitors who call are received.

Between twelve and one he leaves the hotel, generally in a carriage,

and always accompanied by a secretary. The theatre is the first

destination. In everything concerning the stage arrangements, indeed,

even the most minute details, Mr. Irving is consulted. A skye-terrier

is also a persistent companion of the English actor, and follows

wherever he goes.

Mr. Irving dines at 3.30. A course-dinner is served,—oysters, soup,

fish, a cutlet, and a bird. Canvas-back duck has a preference among

the feathery food. He dines by himself, does his own carving, and

dismisses the servants as soon as the dishes are placed in front of

him. From the dinner hour until he goes to the theatre he is denied to

everybody. No matter whose card arrives for him there is no passport

for the pasteboard through the portals of the actor’s apartments. The

interval after dinner is passed in study and meditation. Mr. Irving

is, above all, a student, and every gesture and motion he makes on

the stage have been previously considered, and a reason found for the

change of position or features.

After the theatre Mr. Irving throws off the restraint of the day,

and sups at his ease with some of his friends. A secretary or two

are included in the party. Supper lasts sometimes until two or three

in the morning. Last Sunday, when Attorney-General Brewster was Mr.

Irving’s guest, it was three A.M., before the party exchanged adieux.

Among the visitors who have called on Mr. Irving, Viscount Bury,

James McHenry, and General Collis were among the favored ones who

were admitted to audience. Scores of invitations for every kind of

entertainment have overwhelmed him, keeping three or four of his

secretaries busy with writing his expression of regrets.

When Irving was at Philadelphia he had a young English friend visiting

him. The waiter (who was evidently in the confidence of the local

reporter, or might have been the reporter himself masquerading as a

waiter) pressed him in as a secretary. Abbey’s manager, Mr. Palser, Mr.

Stoker, Mr. Loveday, and another friend, a resident of Philadelphia,

were all promoted to the secretarial office. There is a sublime touch

of unconscious satire in this staff of secretaries, engaged upon

the work of answering Irving’s letters, which will be particularly

appreciated in London, where that one special sin of his—neglecting

to answer letters—is even commented upon in learned reviews. The

after-dinner “study and meditations” is “Jeames’s” view of the

siesta, which is a needful incident of every actor’s day. The data

of the sketch being fairly correct, the _bona fides_ of it, from the

reporter’s point of view, make it interesting as well as characteristic

of the “personal” character of some of the clever news journals of the

day.

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