SPENSER.

The materials for the personal history of Edmund Spenser[11] are very

scanty; and it may not be amiss to warn the reader of what he will find

exemplified in the present article, that early biography, with any

pretension to authenticity, must partake nearly as much of a negative as

of a positive character.

Footnote 11:

Our engraving is from a copy of the picture in the possession of the

Earl of Kinnoull, which was made some years since by Mr. Uwins.

As to the year of Spenser’s birth, we are thrown for any thing like

admissible evidence on the date of his matriculation at Pembroke Hall,

Cambridge, in 1569, which, according to the usual age of admission in

those days, would place his birth about 1553. The monument erected to

him by the Countess of Dorset, afterwards of Pembroke and Montgomery,

places his birth in 1510, and his death in 1596. This monument, having

been erected only thirty years after the poet’s death, might have been

expected not to be very inaccurate as to dates; but its authority is

completely put down by the college entry. It is altogether at variance

with university practice at any period, that a man should be

matriculated at the age of fifty-nine, for the purpose of passing

through his seven years _in statu pupillari_, and proceeding to the

degree of M.A. at the ripe age of sixty-six. Neither do any facts on

record give countenance to the supposition that the poet lived to the

advanced age of eighty-six.

The parentage of Spenser is supposed to have been obscure: the only

information he has given us on that point is confined to the unimportant

fact, that his mother’s name was Elizabeth. But although his silence

respecting his parents, and his entering the university as a sizar, give

reason to suppose that his nearest connexions had fallen into humble

life, his claim of alliance with “an house of ancient fame” indicated

that his blood was not altogether plebeian. The dedications of his

‘Muiopotmos’ to Lady Carey, of his ‘Tears of the Muses’ to Lady Strange,

and of ‘Mother Hubbard’s Tale’ to the

[Illustration:

_Engraved by J. Thomson._

The Gallery of Portraits: with Memoirs. Volume 4 (of 7) · 第 46 / 51 题