About the middle of the year 1720, there arrived in Paris a young man

who was destined to become one of the most remarkable figures of the

eighteenth century--Maurice, "Count of Saxony," celebrated in later

years as Maréchal de Saxe. A natural son of Augustus II., Elector of

Saxony and King of Poland, and Aurora von Königsmark, sister of the

ill-fated lover of George I.'s uncrowned queen, the future victor of

Fontenoy was still at this date only a high-born military adventurer in

search of some promising field for the exercise of his talents. From his

boyhood Maurice had been a soldier. When only twelve years of age, under

the direction of the Count von Schulenburg, one of the ablest generals

of the time, he had been present at the sieges of Tournay and Mons and

the battle of Malplaquet, carrying a musket, like an ordinary

_sous-officier_, in a regiment despatched by Augustus II. to the

assistance of the Emperor. Returning to the camp of the allies in 1710,

he assisted at the sieges of Douai and Béthune, where he displayed such

reckless courage as to call forth from Prince Eugène the admonition not

to confound rashness with bravery. Two years later, he accompanied his

royal father to the siege of Stralsund, and again exhibited the same

impetuosity in an attempt to cut his way through the enemy and engage

Charles XII. in single combat. Delighted by his courage, Augustus

promoted him colonel the following year, and, at the age of seventeen,

gave him the command of a regiment of cuirassiers. The Countess von

Königsmark, on her side, worked to assure her son's fortunes by a

wealthy marriage, and succeeded in securing for him the hand of the

Countess von Löben, the richest heiress in Saxony. This lady's fortune

he quickly dissipated, and other and graver causes of complaint against

him not being wanting, in 1721 the marriage was annulled. In the

meanwhile, Maurice had made a campaign, under Eugène, against the Turks,

and had also contrived to irritate his father by breaches of military

discipline and other irregularities. In consequence, Augustus II., whose

resentment against the young man was artfully fanned by his chief

Minister, Count Flemming, who had conceived a strong antipathy to

Maurice, advised him to leave Germany and take service with France, and

he accordingly set out for Paris. Here he was well received by the

Regent, who appointed him _maréchal de camp_, his father soon afterwards

purchasing for him the command of the Regiment of Greder, one of the

foreign corps in the French Service.

From the moment of his arrival in Paris, Maurice de Saxe claimed a large

share of the attention of both Court and town. Tall and superbly built,

with "circular black eyebrows, eyes glittering bright, partly with

animal vivacity, partly with spiritual," a high complexion, and a frank,

open countenance, he was one of the handsomest men of his time. His

physical strength was extraordinary; no amount of exertion seemed able

to fatigue him; in war and in the chase he was capable of performing

prodigies of endurance; he could break between his fingers crown-pieces

and horseshoes. He was seen everywhere. On the parade ground, he brought

his regiment to the highest pitch of perfection, invented new formations

and tactics, and quickly made himself respected by his superior officers

and adored by the soldiers. In the fashionable world, he was equally

successful; no _roué_ of the Regent's circle could surpass him in

extravagance, folly, and debauchery; while, despite his brusque manners,

which procured him the sobriquet of _sanglier_ (wild boar), he was a

welcome guest in many a salon. Soldier, sportsman, athlete, gambler,

drinker, and lover, he was all things to all men--and all women.

A great patron of the Comédie-Française, it was inevitable that Maurice

de Saxe and Adrienne Lecouvreur should meet, and no less inevitable that

the count should pay the actress assiduous court, for if Maurice

resembled his father, the "Saxon Man of Sin," in appearance, vivacity,

and physical strength, he did so even more closely in his vices. All

poor Adrienne's wise resolutions failed her in the presence of this

young hero, "to whom," says Des Boulmiers, "hearts offered no more

resistance than towns." "From the day that she knew him, she was

charmed, subjugated, ravished; it seemed to her that she only then began

to live. She surrendered herself as she had never surrendered herself

before."[78]

It is not difficult to understand the attraction which Adrienne

possessed for Maurice de Saxe, and which kept him, though very far from

faithful, at least attached to her for nearly ten years. Her beauty and

grace flattered his senses, while her moral qualities appealed to the

better side of his nature, to that instinct of heroism and idealism

which lay at the root of his character, and which, though often obscured

in the midst of his debaucheries, was never wholly extinguished. Less

easy is it to comprehend the absolute devotion which Adrienne cherished

for him; a devotion which remained proof against absence, infidelity,

ill-humour, and indifference, and which endured till the last hour of

her life.

We are inclined, however, to think with M. Paléologue--whose study of

the actress from the psychological point of view is as admirable as M.

Larroumet's from the dramatic--that apart from "that species of

fascination and magnetism which the libertine, when he is not of vulgar

race, exercises over the feminine mind," Adrienne had very early

discovered the really great qualities of Maurice, and that the prospect

of developing them, and of generally exercising a beneficent influence

over such a man, was a temptation which an imagination so generous as

hers found it impossible to resist.

The results of this influence are well summarised by Lemontey in the

_éloge_ of the actress which he read at a _séance_ of the Academy in

1823:--

"She was then thirty, an age favourable to experience and passion, which

renders a woman as skilful to please as prompt to love. As in the time

of chivalry, her cares, her tenderness, her wise counsels, initiated her

friend into the amiable accomplishments, the benevolent virtues, the

polished manners which, in the sequel, made him as much a Frenchman as

his victories. Under her sweet tuition, the Achilles of Homer became

the Achilles of Racine. She adorned his mind without enervating it, and

modified what seemed extraordinary and singular in the turn of his

ideas. She taught him our language, our literature, and inspired him

with the taste for poetry, for music, for all the arts, and with that

passion for the theatre which followed him even into the camp. One might

say of the victor of Fontenoy and his beautiful preceptress that he

learned from her everything save war, which he knew better than any one,

and orthography, which he never knew at all."[79]

For four years--that is to say, from 1721 to 1725--the _liaison_ between

Adrienne and Maurice de Saxe continued without any particular incident;

Maurice pursuing his military studies, making journeys to Dresden and

Warsaw to visit his father, on whose behalf he seems to have acted as a

sort of unofficial ambassador in France, and indulging in a good many

_passades_; Adrienne, though she must have very speedily awakened to the

fact that what was the all-absorbing interest in her life was but a mere

episode in her hero's, loving him none the less devotedly, and deriving

consolation from the thought that, if others disputed with her the

possession of his heart, she alone possessed his confidence. Then came a

long separation. The Duchy of Courland, which for nearly two centuries

had been under the protection of Poland, fell vacant through the death

of Duke Ferdinand, who ruled in the name of his niece, Anne Ivanovna,

afterwards Czarina of Russia, a childless widow. Several candidates for

the ducal crown presented themselves, and the unprepossessing duchess

found herself beset with suitors, eager to strengthen their claims by

securing her hand. Augustus II., however, decided to put forward his

son, and Anne, having been approached on the matter, expressed herself

favourably disposed towards a marriage with the young man.

The prospect of conquering a kingdom for himself with his sword, as,

even should the Diet elect him and Anne accept him as her husband, his

rivals were not likely to abandon their claims without a struggle,

appealed strongly to the adventurous Maurice, and he set out for

Courland. Everything augured well for his success, when, one day in May

1726, he received, to his astonishment and disgust, orders from his

father to renounce his candidature. Diplomatic complications obliged

Augustus to discourage his son's ambition.

Maurice ignored the paternal commands, and some days later found him at

Mitau, paying court to the duchess. But, at the same time, in order to

leave nothing to chance, he carried on, through the medium of the Saxon

ambassador at St. Petersburg, a second matrimonial negotiation, without

prejudice to the first, with the Grand Duchess Elizabeth Petrovna, to

wit. The ambassador sent to Dresden for a portrait of the count, and

showed it to the princess, who was so charmed with the counterfeit

presentment that she straightway declared her willingness to espouse the

original. Both Anne and Elizabeth, it is hardly necessary to observe,

were in blissful ignorance of the double game played by Maurice, who

pursued his negotiations with much address, wooing the one lady in

person and the other by proxy. Once more matters looked hopeful for the

young adventurer, save that now that his father had abandoned him he was

in sore straits for money. His mother sent him all she could, but the

sums he received from her were very far from being sufficient for his

needs, and he accordingly appealed to the generosity of his friends in

France. Adrienne was the first to respond. Though, of course, well aware

that, in the event of Maurice's success, she would lose him for ever,

the devoted woman never hesitated a moment, but sold or pledged her

jewellery and plate, and sent the proceeds--some 40,000 livres[80]--to

her lover.

Her generosity, however, was of no avail. In spite of his courage and

energy, and the assistance of his friends in France, Maurice failed. On

June 28, 1726, he was elected Duke of Courland; "but the problem was to

fall in love with the Dowager Anne Ivanovna, a big, brazen Russian

woman--(such a cheek the pictures give her, in size and somewhat in

expression like a Westphalia ham)--and this, with all his adventurous

audacity, Count Maurice could not do."[81] The result was that, after

maintaining his authority for about a year and performing prodigies of

reckless valour, the new duke, attacked by Russia, proscribed by Poland,

abandoned by his partisans, disavowed by his father, renounced by Anne

("who had discovered that he did not like Westphalia hams in that

particular form, that he only pretended to like them"), and by the Grand

Duchess, who had fathomed his little scheme, was compelled to surrender

his dukedom and shake the dust of Courland off his feet.

That during this long separation Maurice remained faithful to his absent

mistress is very improbable. From the diplomatic correspondence of the

time, it would appear that the handsome adventurer had aroused among

the fair sex of Saxony, Poland, and Courland a veritable enthusiasm. All

the great ladies of Dresden, Warsaw, Mitau, and Riga had espoused his

cause, and compelled their husbands to do likewise. "Count Poicey (Grand

Marshal of Lithuania)," wrote one of the ministers of Augustus II., "has

gone into this affair, like Adam into sin, seduced by his wife." When

the Diet of Mitau elected Maurice duke, the delight of his fair

partisans knew no bounds. "The women cannot sleep for joy," wrote the

Saxon ambassador at St. Petersburg. "As many thousand crowns as our hero

has just made Actaeons would be very welcome to me."

Nevertheless, in spite of his military and political occupations and his

presumed _bonnes fortunes_, Maurice found time to think of Adrienne, to

write to her "twice a week regularly," and to "testify towards her more

affection and confidence than ever." Adrienne, in her turn, passes on

the news to one of her friends in an interesting letter, in which she

shows herself thoroughly conversant with the somewhat complicated state

of affairs in Poland. She deplores the "disgraceful weakness" of

Augustus II., who "allowed himself to be governed by the most cruel

enemy of his glory (his Minister Flemming), and the most bitter enemy of

the son of whom he was unworthy"; severely censures the conduct of the

English Government, "which had promised assistance which it had now no

intention of rendering," and declares that she was "dying of fear" and

"tormented to an extent which she could not describe."

On October 23, 1728, Maurice returned to Paris, and the lovers were

united once more. "A person expected for a very long time arrives this

evening," writes Adrienne to a friend, "apparently in moderately good

health. A courier has come on in advance, because the berlin in which

they were travelling broke down thirty leagues from here. They have

started in a post-chaise, and this evening they will be here." The

_liaison_ was resumed, but it seems to have been troubled by frequent

storms. Maurice returned a disappointed man; the future seemed dark, his

star was temporarily hidden; a life of inaction, always trying to one of

his restless, ambitious temperament, was well-nigh intolerable after the

adventurous years he had spent in Courland. He sought relief in

pleasure--the chase, high play, and gallantry; wearied of that, and

endeavoured to kill time by the study of mathematics and the art of war

and the composition of his curious _Rêveries_. Wearied of that also,

turned to Adrienne for consolation, and vented his ill-humour upon her.

Claiming the utmost liberty for himself, he was, nevertheless,

indisposed to concede even a small measure of it to his mistress. He

grew jealous and suspicious of her friends, and even believed, or

professed to believe, that her relations with one of them were exceeding

the limits of friendship; for we find Adrienne writing to a confidant as

follows:--

* * * * *

"I am worn out with anger and grief; I have been dissolved in tears this

livelong night. Perhaps it is unreasonable of me, since I have nothing

wherewith to reproach myself; but I cannot endure severity so little

deserved. They suspect me; they do more, they accuse me; they do worse

still, they wish to convict me, and that without giving me an

opportunity of defending myself, in such a way that, if chance does not

enable me to ascertain what is happening, I shall be covered with the

most horrible calumny possible to conceive, by a man who has borne the

name of my friend for ten years. They do not wish me to tell you this. I

esteem and love tenderly him who forbids me, but I know not how to keep

it to myself; I am too affected, too wounded, and too alarmed for the

future not to reveal it, at any rate, to you. I need advice. A man

capable of this calumny may very well imagine others; and that which

distresses me the more is the necessity for dissimulation. To exclaim

against deceit is natural, and I would prefer to pardon it rather than

to be compelled to restrain both my grief and my feelings. I have been

told that it is his way of thinking, that he does not intend to do me

any wrong in confounding me with the generality of women. I cannot

entertain this idea. That is not the language he has held to me for ten

years, and ought not to be the reward of my attention to please him and

to make him esteem me, at least, according to my deserts. What can one

do to me, after all, save wound me in the place where I am the most

sensitive? I could destroy in an instant the error in question; but how

am I to console myself for the intention of this calumny? This is not a

chance suspicion; it is a confidence made to a man who has no feeling

for me, save friendship, but whose friendship is worth more than all the

passions in the world, whose esteem is more precious to me than life,

and whose companionship is more necessary for me than all the fortunes

in the universe. It is before him that I am made to appear false and

contemptible. Whatever he says, they attest my supposed crime. _O mon

Dieu!_ What are we to do?"

* * * * *

Seventeen months after Maurice's return to France Adrienne died, under

peculiarly dramatic circumstances; popular rumour ascribing her death to

poison administered by the agents of the Duchesse de Bouillon,[82] a

pretender to the heart of the Saxon hero, who was already under

suspicion of having made an attempt upon her rival's life. To arrive at

a satisfactory conclusion in regard to this very mysterious affair, it

would be necessary to have before us the _dossier_ containing the report

of the autopsy and other important documents of which Sainte-Beuve

speaks in his well-known study of the actress. This _dossier_ has,

however, disappeared, and it is uncertain if it is still in existence;

the probability is that it has been destroyed. Sainte-Beuve's conclusion

was that the Duchesse de Bouillon was guiltless, not only of Adrienne's

death, which he ascribes to natural causes, but of any attempt on her

life. The former opinion was, no doubt, justified by the evidence which

the lost _dossier_ contained. But the latter, which seems to have been

based on an altogether misplaced belief in the veracity of a certain

Abbé Aunillon--who was on terms of the closest intimacy with the accused

duchess, and invented a most ingenious defence on behalf of his friend,

which we need not enter into here--the great critic would probably have

seen cause to alter had he been acquainted with the documents which

have been brought to light of recent years by M. Ravaisson, M.

Campardon, and M. Monval.

Let us, however, borrow the account of the affair given a few days after

Adrienne's death, by Mlle. Aïssé in a letter to Madame Calandrini, and

which, she declares, had been furnished her by "a friend of the

Lecouvreur," probably d'Argental, to whom she was related:--

* * * * *

"Madame de Bouillon is capricious, violent, head-strong, and much

addicted to gallantry. Her tastes extend from the prince to the

actor.[83] She conceived a fancy for the Comte de Saxe, who had none for

her. Not that he piques himself on his fidelity to the Lecouvreur; for,

together with his passion for her, he has a thousand little passing

tastes. But he was neither flattered nor anxious to reply to the

impulsiveness of Madame de Bouillon, who was enraged at seeing her

charms despised, and who had no doubt that the Lecouvreur was the

obstacle that stood in the way of the passion that the Count would

otherwise naturally entertain for her.[84] To destroy this obstacle, she

resolved to get rid of the actress, and, in order to put this horrible

design into execution, chose a young abbé,[85] with whom she was not

personally acquainted, to be the instrument of her vengeance. He was

approached by two men at the Tuileries, who proposed to him, after a

rather lengthy conversation regarding his poverty, to free himself from

his distress by obtaining admission, under favour of his skill in

painting, into Lecouvreur's house, and persuading her to eat some

lozenges, which would be given him. The poor abbé objected strongly, on

account of the heinousness of the crime; but the two men replied that it

no longer depended upon him to refuse, since he would do so on peril of

his life. The abbé, terrified, promised everything; and was conducted to

Madame de Bouillon, who confirmed the promises and threats, and handed

him the lozenges. The abbé begged that a few days might be allowed him

for the execution of these projects; and Mlle. Lecouvreur received one

day, on returning home with one of her friends and an actress named

Lamothe, an anonymous letter, in which she was implored to come

immediately, either alone or with some one on whom she could depend, to

the garden of the Luxembourg, where, at the fifth tree in one of the

main avenues, she would find a man who had something of the last

importance to communicate to her. As it was then precisely the hour

appointed for the rendezvous, she re-entered her coach and set out

thither, accompanied by the two persons who were with her. She found the

abbé, who accosted her and related to her the odious commission with

which he had been entrusted, declaring that he was incapable of

committing such a crime; but that he was at a loss what to do, inasmuch

as he was sure to be assassinated.

"The Lecouvreur told him that, for the safety of both, the whole affair

must be denounced to the Lieutenant of Police. The abbé replied that he

feared that, if he were to do this, he might make himself enemies too

powerful for him to resist; but that, if she believed this precaution

necessary for her safety, he would not hesitate to maintain what he had

told her. The Lecouvreur took him in her coach to M. Hérault (the

Lieutenant of Police), who, on the facts being laid before him, asked

the abbé for the lozenges and threw them to a dog, who died a quarter of

an hour afterwards. He next inquired of him which of the two

Bouillons[86] had given him this commission, and, when the abbé replied

that it was the duchess, showed no surprise. M. Hérault continued to

question him, and asked if he would venture to support this accusation

publicly; to which the abbé replied that he could put him in prison and

afterwards confront him with Madame de Bouillon.

"The Lieutenant of Police sent him away, and informed the cardinal (de

Fleury) of this adventure. The cardinal was very indignant, and desired

in the first instance that the affair should be most strictly

investigated. But the relatives and friends of the Bouillon family

persuaded the cardinal not to give publicity to so scandalous an affair,

and succeeded in appeasing him. Some months later, no one knows how, the

adventure was made public and caused a terrible commotion. Madame de

Bouillon's brother-in-law spoke of it to his brother, and told him that

it was absolutely imperative that his wife should clear herself from

such a suspicion, and that he ought to ask for a _lettre de cachet_ to

shut the abbé up. There was no difficulty in obtaining this _lettre de

cachet_, and the poor wretch was arrested and taken to the Bastille. He

was examined, and maintained with firmness all that he had said. Many

promises and threats were used to induce him to retract. All kinds of

expedients were suggested to him, as, for instance, madness or a passion

for the Lecouvreur, which had prompted him to invent this fable, in

order to please her. Nothing, however, could move him; he never varied

in his answers, and was kept in prison.

"The Lecouvreur wrote to the abbé's father, who lived in the country and

was unaware of his son's misfortune. The poor man came at once to Paris,

and demanded that his son should either be formally brought to trial or

set at liberty. He addressed himself to the cardinal, who inquired of

Madame de Bouillon whether she wished the affair to be tried, as

otherwise the abbé could not be kept in prison. Madame de Bouillon,

dreading publicity and unable to get the abbé assassinated in the

Bastille, consented to his liberation. During the two months that the

father remained in Paris nothing happened to the son. But when the

father had returned to the country, the abbé, having had the imprudence

to stay in Paris, suddenly disappeared. No one knows whether he is dead

or not, but nothing is heard of him."[87]

* * * * *

Incredible as this story may appear, it, nevertheless, accords in all

important details with the documents which M. Monval has extracted from

the Archives of the Bastille, preserved in the Bibliothèque de

l'Arsenal. The interview at the Tuileries, the conversation with the

Duchesse de Bouillon, the suspicious lozenges--all that is true. The

Abbé Bouret, imprisoned at Saint-Lazare, confirmed it in a series of

examinations to which he was subjected.[88]

Bouret had been arrested on July 29, 1729, and he was kept in prison for

three months. During his confinement Adrienne wrote to him, entreating

him to withdraw his charge against the Duchesse de Bouillon, if it were

untrue, and promising, in that event, to obtain his pardon. She also

sent him money, clothes, and books, and did all she could to lighten his

imprisonment.

Thanks to the efforts of his father, who, though ill, had hastened to

Paris so soon as he was informed of his son's arrest, Bouret was

released on October 23, when Adrienne advised him to leave Paris at

once, pointing out that the affair had now become common knowledge, and

that, if he lingered, the Bouillon family would certainly cause him to

be rearrested.

Well would it have been for Bouret had he followed the actress's advice;

but, unfortunately, his father's illness took so serious a turn that it

was impossible for him to undertake the journey to Lorraine, and the

abbé remained to nurse him. Meanwhile, the scandal had assumed such

dimensions that the Duc de Bouillon obtained a new _lettre de cachet_,

by virtue of which, on January 23, 1730, Bouret was again arrested and

conveyed first to For l'Évêque and afterwards back to Saint-Lazare, on a

charge of "poisoning or giving false information to the celebrated

actress Lecouvreur."

Queens of the French Stage · 第 11 / 25 段