No other laboratory can ever compare with this in importance for us.

Racial or national jealousies do not enter into our calculations

here. We have no more right as Americans or Britons or Frenchmen or

Germans to be jealous of the primacy of Greece in such matters than

to be jealous of the multiplication tables because they happen to

enjoy a certain strategic position with regard to other facts. It

is true that we are no longer allowed the luxury of believing, with

the eighteenth century, for instance, that in looking back to Greece

we are looking at the very fathers of the race, who “discovered not

devised” the rules of nature, which until then there had been no men

to find out. All the more, however, are the Greeks instructive to us

when we realize that they, too, had to free themselves from immensely

ancient bonds of tradition and superstition. What clear reason did

for them, ceaselessly revolving and inquiring, it has at least a

chance to do for us, if we want it to. Study the Greeks and you are

likely to stop hugging prejudices, or taking pride in them. Study the

Greeks, and a hundred petty reverences fall away in a light as lucid

as the Athenian atmosphere. Our own day’s work concerns us every day,

as it did the Greeks, but, as a good maxim says, the man who knows

only his business does not know his business. Why will some one not

speak out and say what events have lately shown—that a knowledge of

history and literature is indispensable in affairs, and that only

those men, barring a genius or two, have shown any conspicuous talent

for leadership in our terrible decade who have known something about

history and literature? It is true. If we were beasts, we should not

especially need history; we should have instinct. But having, as men,

exchanged instinct for reason, we need as much of the past as we can

get—remembering that every man is free, thanks to the multiplication of

records, to choose his own past; that is, to choose that part of human

history between him and Adam which to him is worth most. The Middle

Ages are good to illustrate devotion; the Renaissance, passionate

individualism; the rise of the Americas, civilized men pitted against

virgin nature. But Greece surpasses them all not only in reasonableness

but also in completeness and sharpness of outline. She is the best

microcosm, with the scale best adjusted to our vision. She is the best

crystal, most purely revealing the vast matters therein pictured; she

is the best laboratory, and under the simplest and loveliest conditions

exhibits the processes of life which ordinarily appear confused and

vexed.

The claim frequently made, that we cannot find in Greek experience

enough that is analogous with our problems, because Greece had

so simple and circumscribed an existence and lived in a world so

little complicated by machinery, means no more than to say that in

a laboratory generations of guinea-pigs succeed one another with a

lower mortality than in Guinean jungles, or that diamonds may be made

out of their raw materials without the geological convulsions of

which in nature they are admirable but accidental byproducts. That

is what laboratories are for, to exhibit simply the behaviour of

complex things. And the parallel between laboratories for matter and

laboratories for mind has more than a fanciful value. Life in Greece

was reduced to the simple facts of the human intelligence, leaning

less than anywhere else upon mere tradition, upon mere materials, upon

mere superfluities. Much as we have grown in range of knowledge by our

study of the physical universe, and little as we can afford to reject

any wisdom founded upon it, we need often to remember that in practice

the centre of our universe is still the mind of man, that for the most

part we have to conduct our affairs as if really the Ptolemaic system

were good astronomy, as it is very fair politics and morals. The study

of the material universe and all sorts of highly specialized studies

tend to draw us away from these central facts, as pedants and casuists

are continually being drawn away from fundamental principles. The

principles, however, are still fundamental.

VI. LONG ROADS

THE COSMIC IRONIES

The Cosmic Ironies sat on a bright island in the midst of the Galaxy,

holding a caucus over the universe’s affairs. Boötes flamed, Orion

glowed, Scorpio glittered, Ursa Major sulked, Eridanus sprawled and

yawned, Canis Major and Canis Minor eyed each other distrustfully,

Centaurus and Pegasus huddled close and whispered at intervals.

Boötes, it appeared, had just been speaking, and there were still

reverberations of his great voice in the ether, while the glare of

difference or assent with which he had been greeted by his fellows

played upon him from every quarter and illuminated the enormous scene,

now red with fire, now blue with space, now opaline with shifting moods

of the Ironies.

Into this circle, before one of those present had had time to break the

meditative silence, came a brisk invader in burning yellow who walked

round the seated group and was obviously chagrined to find that no

place had been kept for him.

“I say, brothers of the universe,” he began, “it seems to me this

committee has been closed long enough. It needs new blood. One of you

move over and let me in.”

If any heard him, at least there was no sign. The reverberations of

Boötes’s words travelled farther away and the light from his listeners

gradually ceased playing upon him; but the charmed occasion was not

apparently disturbed.

“Well, it doesn’t seem very hospitable. I sent word I was coming, and

look how you receive me. And, as they say on the Earth, I think it

isn’t representative. The Solar System has a right to be here and a

right to be heard. Perhaps we are a little younger than some of you,

but that excuse won’t hold for ever. Youth, as they say on Jupiter, is

no crime.”

Somewhere a star exploded and threw a momentary brilliance over the

caucus, so that the gems on the brows of the Ironies sparkled as if

they were actually Betelgeux and Aldebaran and Spica and Arcturus and

Capella and Sirius and Altair. None of the brooding figures started at

the explosion, however, much less at the accusations of the Solar Irony.

“Have I got to repeat all I told you before about the ironic work I

and my helpers have done in the Solar System? I must say I am tired

of telling it. You ought not to close your minds the way you do to new

inventions and discoveries. The first thing you know you’ll all be so

out of date that this radical doctrine about the moral government of

the world will spread and ruin all your schemes. If you don’t wake up

pretty soon it won’t matter whether you ever wake.”

From one of the Ironies a red glow and from another a blue flame and

from yet another a white radiance swept around the circle as if looking

to see who would speak next, but, settling upon no one, they mingled

in the centre and there rested quietly, splashing the pavement with

gorgeous colours.

“Take what’s going on in Mars today if you want to test my right

to sit in this conclave. I have bilked the Martians into thinking

that their everlasting messages to Earth are understood. So those

philanthropists have wasted a mountain of treasure making instruments

to carry their pompous flashes, and they babble wisdom into the void—as

if their wisdom actually mattered or as if Earth would or could pay any

attention to it if it ever reached there! You strike me as glum enough,

but if you could only see the prophets and poets crowding around that

transmitter and pouring all they have and are into it, and then going

back to their business with the thick smirk of a duty performed—if you

could see that you would laugh a month. That’s what I’ve done in the

Solar System: I’ve trained the higher beings to prattle wisdom till

they are hoarse and then not to practise it any more than if they were

deaf and had never heard of it.”

It may have been some vibration of sympathy which ran through the

Ironies or it may have been merely deeper thoughts stirring them to

resume the huge discourse.

“For that matter, take Earth alone as evidence of what I can do when I

try. The scrawny race of bipeds who think they manage Earth have come

up from the slime by the exercise of their wits, trampling the slower

races under their heels for thousands of years to make a bare living,

and yet, now they have explored all the paths of Earth and dug up its

riches and learned to cultivate its fruits, they are acting as if they

couldn’t imagine any better future than to take the path back again

into the slime. But do they listen to even the petty wisdom a few of

them have got at? No, they strut about as they always have, blown up

with pride that they are human and not like the other beasts which they

have driven into the wilds or else made into slaves. Man, proud man!

You should see him. And I have taught him both to be all this and to

admire himself. Now why can’t I come into the caucus?”

Surely something was stirring in the moods of the Ironies. Ursa Major,

who had been almost grey in his sullenness, darted awakened glances

around the circle, coruscating, it seemed, with thought. Orion sent out

an iridescent gleam, fanned by quicker and quicker breath. The whole

place grew so bright that each ironic countenance shone in comparison

with the waves of the Galaxy which beat upon the island.

“But I have done more than all that to win my seat. Those same bipeds,

who have been clever enough to map and weigh the stars, have made

them gods in their own scrawny image and have laid out heavens on the

plan of their desires. And I have taught them to lay the blame of

their follies on their gods and to call the consequences their just

punishment; I have taught them, moreover, to endure whatever comes,

no matter how much the fault of men, in the confidence that they will

shortly die and be born again into a world which will make good their

wrongs and agonies; I have, in fact, persuaded that tiny race, on its

mortal star, that it is the heart and heir and purpose and crown of the

universe.”

Now for the first time the great silence was broken by bursts of

laughter which shook the zenith and perturbed the Galaxy. From each

of the giant faces leaped rays of fearful brilliance, revolving like

wheels, interlacing in an ineffable net of light. The Cosmic Ironies

rocked in their seats with mirth, smote one another on knee and

shoulder, tossed their giant arms in paroxysms of delight, and shouted

genial invitations to the candidate.

The Solar Irony stepped forward and sat down between Canis Major and

Canis Minor, who unhesitantly made room for him.

JUSTICE OR MELODRAMA?

Notions about justice, in the heads of dull or selfish or angry men,

have done so much harm that I sometimes despairingly inquire whether

it would not be better if the very principle itself had never been

discovered. Dull men follow paths which they have been told are just

until they ruin them with ruts. Selfish men are just only to themselves

with a complacency denied to those who have no doctrine to sustain

them. Angry men vindicate their rages and unreason by pointing to the

primitive sense—father of revenge and vendetta—from which we with

so much difficulty free ourselves in the long progress toward civil

conditions. If justice, according to an enthusiastic hyperbole of

Emerson’s, is the rhyme of things, then the vulgar conceptions of it

are no more than tinkling couplets. A blow struck must rhyme instanter

with a blow received; an eye rhymes with an eye, a tooth with a

tooth, burning with burning, and strife with strife. Or, to allude to

another mode of literature, justice in its primitive aspects is merely

melodrama, wherein virtue is always rewarded with prosperity and evil

is always fatally punished.

The mood which followed the war was the mood of melodrama, on a larger

scale, perhaps, than ever before in human history. Germany, seen

solely as a bully and a brute, had been beaten at her own foul game;

therefore let her be joyously annihilated, while the gallery gods who

filled the theatre of the world almost from top to bottom hooted and

gloried at the justice weighed out to her. What made it harder to

contend against the uproar was that the uproar at first thought seemed

justifiable. Nemesis never looks like so righteous a doctor as when he

feeds a poisoner his own poison. But I always suspect first thoughts.

For civilization, after all, is but the substitution for first thoughts

of second or third or hundredth thoughts, reason supplanting passion,

and polity guiding anarchic instinct. Melodrama is what commonly

occurs to us first, in the form of those too neat or too hasty moral

conclusions to which we are all more or less prone to jump when we

allow ourselves to indulge too amply the sense of primitive justice

which we share with all the savages of our ancestry.

Men do not, of course, jump too hastily to conclusions merely by reason

of their ruder sense of justice. There is involved also a certain

obscure instinct toward art, toward rounding out and completing and

closing a chapter. Paradox cheerfully says, not forgetting Oscar Wilde,

that affairs in 1918-1920 were trying to conform to dramaturgy, that

the war was trying to shape itself a good fifth act. But paradox is not

needed, for few things are clearer than that centuries of literature

were then indeed influencing the world’s attitude toward the peace and

the treaty. Obscurely, again let it be emphasized, men had felt that

they were witnessing, or acting, the vastest of dramas. The curtain,

for them, rose sharply with the Austrian ultimatum and the invasion of

Belgium. The sinking of the _Lusitania_, say, was the villain’s fatal

blunder, which brought against him a fresh, powerful enemy. The odds

then deserting him, he hazarded all on a single blow, lost, and came

down in a fearful wreck with the spent world falling about him. Was

it not due and natural that there should descend another curtain to

hide the bloody stage, and that the lights should flash sharply on,

and that the spectators should turn away, contented though somewhat

subdued, to eat, drink, and make love, possibly commenting upon the

actors and their art? Of course the peace on which the curtain fell had

to be dramatically satisfying, the villain dead or prostrate and the

hero in the ascendant. The sense of form must be served, the taste for

melodramatic finality gratified. If the piece ended happily for the

victors, justice had been done.

Justice or melodrama? It is only in art, and that not always the

truest, that things come out so right. History has no beginning, no

middle, no end, but moves everlastingly in some dim direction of which

mankind at least does not know the secret. Poets and dramatists may

honourably pilfer from history such materials as they require, and may

of course work them into forms more compact or conclusive than life

itself. But history cannot be handled so masterfully, for one can

never be sure at what point in it one is standing. When the _Lusitania_

went down, no one knew whether her loss opened the first act or the

last. When America entered the war no one could be sure whether the

fourth act of five or of fifty acts had ended. And no one could say

that the peace absolutely concluded the drama. The business of the

treaty was not to close the war but to open the peace, not to avenge

those who died but to preserve those who still lived, not to crown

events past with poetic justice, which belongs to the technique of

melodrama, but to prepare for events to come by trusting to the higher

and humaner justice which is less concerned with righting old wrongs

than with trying to foresee and prevent new wrongs—the justice, let me

call it, of plain prose.

THE CORRUPTION OF COMFORT

Someone lately asked me by what image I would represent the age that

began with the use of steam and ended with the World War. I was not

sure that any age had actually ended then, but an image did occur to

me. It came from the story of the fisherman in the _Thousand Nights and

a Night_ who let the Jinni out of the jar and then found him fierce and

uncontrollable. But upon second thought I saw that the image was not

accurate: the fisherman by using his wits did persuade the spirit back

into his copper prison and made a bargain with him which saved the man

from death. Then another image occurred to me. It was that of a crew

of pirates who chanced upon an unexpected island and there found such

incalculable treasure that they went mad with their good fortune, raged

up and down the island, extended their fury to a whole archipelago, and

at last wound up in a debauch of robbery and slaughter. But neither did

this image satisfy me: the people of the last age were not criminals to

start with; they were as virtuous as those of any other age on—or not

on—record. A better image would be that of some tribe of anthropoids

who, after long subsisting on a more or less difficult plane of life,

suddenly got hold of a hundred tricks and secrets which gave them

power over earth, air, fire, and water, endowing them with human riches

without human discipline.

And yet it is less than fair to make this distinction between men

and their lagging cousins of the tree-tops. Not monkeys too abruptly

promoted to be men but men come too abruptly into wealth—that is the

analogy. Thinking in terms of the long history of the race, look what

happened. Never before, to put it broadly, had men been warm enough

except in those regions of the earth where the sun warmed them; now

they dug up mountains of coal and drew off rivers of oil and fashioned

whole atmospheres of gas for fuel; and with these, besides warming

themselves, they made such tools and weapons as had not even been

dreamed of. Never before, still to put it broadly, had men had food

enough; now they discovered how to coax unprecedented crops out of the

soil and how to breed new armies of beasts to be devoured and how to

catch what the depths of forests and oceans had hitherto denied them

and how to create all sorts of novel foods by manufacture. Never before

had men, except in dangerous, communal migrations, moved much from

their native places; now they made vehicles and ships to go like the

wind and in time took to the wind itself for their trafficking until

restless tides of human life flowed here and there over the surface

of the earth as if men and nations had no such things as homes. Long

naked, they covered themselves with preposterous garments and strutted

up and down; long hungry, they stuffed their bellies till they were

sick with surfeit; long home-bound, they ran wild till they were lost.

Meanwhile their minds could not keep pace with this enormous increase

of their goods. Their ancestors, it may be guessed, had taken centuries

to accustom themselves to the use of fire and of the successive

machines they had invented; they had taken centuries to find out those

parts of the earth they knew. In the last age such processes were

accelerated to a dash and a scramble. Things poured in upon minds and

overwhelmed them. The century in retrospect has a bewildered look,

like a baby at a circus: some art which it could hardly comprehend had

brought a universe into a tumbling, twisting focus and the century’s

head ached with the effort to find a meaning in it. To vertigo

succeeded what was probably an actual madness of the race—but a madness

with the least possible method. Everywhere a wild activity occupied

the faculties of those who followed affairs; and—though the finest

intelligences dissented—among the sophists who encouraged such activity

was an even greater frenzy of bewilderment.

Call what happened the corruption of comfort. Men had so long been cold

and starved and isolated that they clutched at the chance to wrest

every advantage from stubborn nature, and they clutched it faster than

they could put it to sound uses. Discomfort was one of the penalties

of their madness. Nerves in the loud din of the new age learned new

agonies. Confusions grew and desperations thrived till the whole earth

was on a tension out of which anything might develop. What did develop

was the war which wrapped the world in horror. To ascribe it to this

or that particular cause or guilt is to see it in terms too small. The

race of man was gorged and could not digest its meal; it was drunk and

could not control its motions; it was mad and could not understand its

course. In the long run the observer of mankind must look back upon the

last age as one of the several moments in the history of the race when

it has blundered into mania and cruelly hurt itself before it could

find its head again.

The race is very old and it doubtless has many aeons still to live

before the cooling of the planet sends it back to its aboriginal state.

Nor is there use or sense in imagining that the race might return to

the simpler conditions that existed before the era of superfluous

things. Things are. Hope must be seen to lie in the direction of their

assimilation by the human mind. Here and there different prophets

insist that the mind is on the verge of some discovery as large as

Columbus’s which will establish a truer balance between it and the

matter which now outweighs it. But why put trust in miracles? The

madness of the age is more likely to subside gradually, under quiet

counsels, as the debauch wears out its influence. Slowly the mind must

lift its faith in itself up above its temporary obsession with mere

things. It must learn to hold and master all of them which are capable

of being held and mastered. It must become accustomed to live among

the rest of them as a mountaineer becomes accustomed to live in the

city streets after the panic which overcomes him when first he enters

them from the high silences and pure outlooks of his native hills.

“GOD IS NOT DEAD OF OLD AGE”

It is a pleasant literary speculation, and not without its moral

bearings, to inquire whether the disorder and discontent and chaos

now ominous among men may not arise from the fact that the world has

grown too large for us to manage—like a lion cub which can no longer

be played with or like another mechanical monster which indeed we

have created but which refuses to do our bidding any longer. A man of

affairs, a financier certainly not acclimated to philosophic despair

and certainly accustomed to govern wherever his hand turns, lately

ventured such an explanation. It may be, he said, that there is no

solution which our reason can arrive at. We look about us for authentic

leaders and see none; we pass in review hundreds of counsels but

find none that seem in all ways to suit—unless we are doctrinaires;

assuredly of all the schemes we have tried no one has been successful.

By what right do we assume that some such device for salvation exists?

Plagues have come before for which there was no cure. Our crisis may

be one of them. It may be that the day of solutions is over. H. G.

Wells would have us search history to find our future there—or at

least some track pointing to a future we can reasonably confide in.

But perhaps he was just as near the truth in his younger scientific

days when he gave us vivid pictures of men who travelled beyond the

known areas of our kind, no longer the engineers of their own destiny

but drifting about at the convenience of fate. We think of Anatole

France, voluptuously contemplating the age when our earth shall have

grown too cold for human habitation and men have gradually died away

among the ice hummocks of a universal frozen sea. Or, bitterest of

all, we remember Thomas Hardy’s fancy of the delegate sent up to God

to ask about the direful state of the planet, only to learn that God

had utterly forgotten us and but dimly recollects that He had made

us so long ago and had meant to destroy His experiment when He saw

how contemptible it was. Beyond Hardy on that path of reflection lies

merely such madness as drove Swift to his Yahoos and Houyhnhnms.

And if we dare the path the only escapes from madness are some

Asiatic discipline of the will to the peace of acquiescence or some

sleek optimism shutting its eyes to all the evidences of horror and

chattering and eating and wooing merrily among them.

The roving critic · 第 7 / 11 段