OF REFINEMENT IN THE ARTS.

Luxury is a word of a very uncertain signification, and may be taken

in a good as well as in a bad sense. In general, it means great

refinement in the gratification of the senses, and any degree of it

may be innocent or blameable, according to the age, or country, or

condition of the person. The bounds between the virtue and the vice

cannot here be fixed exactly, more than in other moral subjects. To

imagine that the gratifying any of the senses, or the indulging any

delicacy in meats, drinks, or apparel, is in itself a vice, can never

enter into a head that is not disordered by the frenzies of enthusiasm.

I have, indeed, heard of a monk abroad who, because the windows of

his cell opened upon a very noble prospect, made a covenant with his

eyes never to turn that way, or receive so sensual a gratification.

And such is the crime of drinking champagne or burgundy, preferably to

small beer or porter. These indulgences are only vices when they are

pursued at the expense of some virtue, as liberality or charity; in

like manner as they are follies when for them a man ruins his fortune,

and reduces himself to want and beggary. Where they entrench upon no

virtue, but leave ample subject whence to provide for friends, family,

and every proper object of generosity or compassion, they are entirely

innocent, and have in every age been acknowledged such by almost all

moralists. To be entirely occupied with the luxury of the table, for

instance, without any relish for the pleasures of ambition, study, or

conversation, is a mark of gross stupidity, and is incompatible with

any vigour of temper or genius. To confine one’s expense entirely

to such a gratification, without regard to friends or family, is an

indication of a heart entirely devoid of humanity or benevolence. But

if a man reserve time sufficient for all laudable pursuits, and money

sufficient for all generous purposes, he is free from every

shadow of blame or reproach.

Since luxury may be considered either as innocent or blameable, one may

be surprised at those preposterous opinions which have been entertained

concerning it; while men of libertine principles bestow praises even on

vicious luxury, and represent it as highly advantageous to society; and

on the other hand, men of severe morals blame even the most innocent

luxury, and regard it as the source of all the corruptions, disorders,

and factions incident to civil government. We shall here endeavour

to correct both these extremes, by proving, first, that the ages of

refinement are both the happiest and most virtuous; secondly, that

wherever luxury ceases to be innocent, it also ceases to be beneficial;

and when carried a degree too far, is a quality pernicious, though

perhaps not the most pernicious, to political society.

To prove the first point, we need but consider the effects of

refinement both on private and on public life. Human happiness,

according to the most received notions, seems to consist in three

ingredients: action, pleasure, and indolence; and though these

ingredients ought to be mixed in different proportions, according

to the particular dispositions of the person, yet no one ingredient

can be entirely wanting without destroying, in some measure, the

relish of the whole composition. Indolence or repose, indeed, seems

not of itself to contribute much to our enjoyment; but, like sleep,

is requisite as an indulgence to the weakness of human nature, which

cannot support an uninterrupted course of business or pleasure. That

quick march of the spirits which takes a man from himself, and chiefly

gives satisfaction, does in the end exhaust the mind, and requires

some intervals of repose, which, though agreeable for a moment, yet,

if prolonged, beget a languor and lethargy that destroy all enjoyment.

Education, custom, and example have a mighty influence in turning the

mind to any of these pursuits; and it must be owned, that where they

promote a relish for action and pleasure, they are so far favourable

to human happiness. In times when industry and arts flourish,

men are kept in perpetual occupation, and enjoy, as their reward, the

occupation itself, as well as those pleasures which are the fruits of

their labour. The mind acquires new vigour; enlarges its powers and

faculties; and by an assiduity in honest industry, both satisfies its

natural appetites and prevents the growth of unnatural ones, which

commonly spring up when nourished with ease and idleness. Banish those

arts from society, you deprive men both of action and of pleasure; and

leaving nothing but indolence in their place, you even destroy the

relish of indolence, which never is agreeable but when it succeeds to

labour, and recruits the spirits, exhausted by too much application and

fatigue.

Another advantage of industry and of refinements in the mechanical arts

is that they commonly produce some refinements in the liberal; nor can

the one be carried to perfection without being accompanied, in some

degree, with the other. The same age which produces great philosophers

and politicians, renowned generals and poets, usually abounds with

skilful weavers and ship-carpenters. We cannot reasonably expect that a

piece of woollen cloth will be wrought to perfection in a nation which

is ignorant of astronomy, or where ethics are neglected. The spirit of

the age affects all the arts; and the minds of men, being once roused

from their lethargy and put into a fermentation, turn themselves on

all sides, and carry improvements into every art and science. Profound

ignorance is totally banished, and men enjoy the privilege of rational

creatures, to think as well as to act, to cultivate the pleasures of

the mind as well as those of the body.

The more these refined arts advance, the more sociable do men become;

nor is it possible that, when enriched with science and possessed of a

fund of conversation, they should be contented to remain in solitude,

or live with their fellow-citizens in that distant manner which is

peculiar to ignorant and barbarous nations. They flock into cities;

love to receive and communicate knowledge; to show their wit

or their breeding; their taste in conversation or living, in clothes

or furniture. Curiosity allures the wise; vanity the foolish; and

pleasure both. Particular clubs and societies are everywhere formed,

both sexes meet in an easy and sociable manner, and the tempers of

men, as well as their behaviour, refine apace. So that, besides the

improvements which they receive from knowledge and the liberal arts, it

is impossible but they must feel an increase of humanity from the very

habit of conversing together and contributing to each other’s pleasure

and entertainment. Thus industry, knowledge, and humanity are linked

together by an indissoluble chain, and are found, from experience as

well as reason, to be peculiar to the more polished, and, what are

commonly denominated, the more luxurious ages.

Nor are these advantages attended with disadvantages which bear

any proportion to them. The more men refine upon pleasure the less

will they indulge in excesses of any kind, because nothing is more

destructive to true pleasure than such excesses. One may safely affirm

that the Tartars are oftener guilty of beastly gluttony when they

feast on their dead horses than European courtiers with all their

refinements of cookery. And if libertine love, or even infidelity to

the marriage-bed, be more frequent in polite ages, when it is often

regarded only as a piece of gallantry, drunkenness, on the other hand,

is much less common—a vice more odious and more pernicious both to

mind and body. And in this matter I would appeal not only to an Ovid

or a Petronius, but to a Seneca or a Cato. We know that Cæsar, during

Catiline’s conspiracy, being necessitated to put into Cato’s hands a

_billet-doux_ which discovered an intrigue with Servilia, Cato’s own

sister, that stern philosopher threw it back to him with indignation,

and, in the bitterness of his wrath, gave him the appellation of

drunkard, as a term more opprobrious than that with which he could more

justly have reproached him.

But industry, knowledge, and humanity are not advantageous in private

life alone; they diffuse their beneficial influence on the public,

and render the government as great and flourishing as they make

individuals happy and prosperous. The increase and consumption of all

the commodities which serve to the ornament and pleasure of life are

advantageous to society, because at the same time that they multiply

those innocent gratifications to individuals, they are a kind of

storehouse of labour, which, in the exigencies of state, may be turned

to the public service. In a nation where there is no demand for such

superfluities men sink into indolence, lose all the enjoyment of life,

and are useless to the public, which cannot maintain nor support its

fleets and armies from the industries of such slothful members.

The bounds of all the European kingdoms are at present pretty near the

same they were two hundred years ago; but what a difference is there

in the power and grandeur of those kingdoms! Which can be ascribed to

nothing but the increase of art and industry. When Charles VIII. of

France invaded Italy, he carried with him about 20,000 men; and yet

this armament so exhausted the nation, as we learn from Guicciardin,

that for some years it was not able to make so great an effort.

The late King of France, in time of war, kept in pay above 400,000

men,​[10] though from Mazarin’s death to his own he was engaged in a

course of wars that lasted near thirty years.

This industry is much promoted by the knowledge inseparable from the

ages of art and refinement; as, on the other hand, this knowledge

enables the public to make the best advantage of the industry of its

subjects. Laws, order, police, discipline—these can never be carried

to any degree of perfection before human reason has refined itself by

exercise, and by an application to the more vulgar arts, at least, of

commerce and manufactures. Can we expect that a government will be

well modelled by a people who know not how to make a spinning-wheel,

or to employ a loom to advantage? Not to mention that all ignorant

ages are infested with superstition, which throws the government

off its bias, and disturbs men in the pursuit of their interest and

happiness.

Knowledge in the arts of government naturally begets mildness and

moderation, by instructing men in the advantages of humane maxims above

rigour and severity, which drive subjects into rebellion, and render

the return to submission impracticable, by cutting off all hopes of

pardon. When the tempers of men are softened as well as their knowledge

improved, this humanity appears still more conspicuous, and is the

chief characteristic which distinguishes a civilized age from times of

barbarity and ignorance. Factions are then less inveterate, revolutions

less tragical, authority less severe, and seditions less frequent. Even

foreign wars abate of their cruelty; and after the field of battle,

where honour and interest steel men against compassion as well as fear,

the combatants divest themselves of the brute, and resume the man.

Nor need we fear that men, by losing their ferocity, will lose their

martial spirit, or become less undaunted and vigorous in defence

of their country or their liberty. The arts have no such effect in

enervating either the mind or body. On the contrary, industry, their

inseparable attendant, adds new force to both. And if anger, which is

said to be the whetstone of courage, loses somewhat of its asperity

by politeness and refinement, a sense of honour, which is a stronger,

more constant, and more governable principle, acquires fresh vigour

by that elevation of genius which arises from knowledge and a good

education. Add to this that courage can neither have any duration nor

be of any use when not accompanied with discipline and martial skill,

which are seldom found among a barbarous people. The ancients remarked

that Datames was the only barbarian that ever knew the art of war.

And Pyrrhus, seeing the Romans marshal their army with some art and

skill, said with surprise, “These barbarians have nothing barbarous

in their discipline!” It is observable that as the old Romans, by

applying themselves solely to war, were the only uncivilized

people that ever possessed military discipline, so the Italians are the

only civilized people among Europeans that ever wanted courage and a

martial spirit. Those who would ascribe this effeminacy of the Italians

to their luxury or politeness, or application to the arts, need but

consider the French and English, whose bravery is as incontestable as

their love for luxury and their assiduity in commerce. The Italian

historians give us a more satisfactory reason for this degeneracy of

their countrymen. They show us how the sword was dropped at once by

all the Italian sovereigns; while the Venetian aristocracy was jealous

of its subjects, the Florentine democracy applied itself entirely to

commerce; Rome was governed by priests, and Naples by women. War then

became the business of soldiers of fortune, who spared one another,

and, to the astonishment of the world, could engage a whole day in what

they called a battle, and return at night to their camp without the

least bloodshed.

What has chiefly induced severe moralists to declaim against refinement

in the arts is the example of ancient Rome, which, joining to its

poverty and rusticity, virtue and public spirit, rose to such a

surprising height of grandeur and liberty; but having learned from

its conquered provinces the Asiatic luxury, fell into every kind of

corruption, whence arose sedition and civil wars, attended at last

with the total loss of liberty. All the Latin classics, whom we peruse

in our infancy, are full of these sentiments, and universally ascribe

the ruin of their state to the arts and riches imported from the East:

insomuch that Sallust represents a taste for painting as a vice no less

than lewdness and drinking. And so popular were these sentiments during

the latter ages of the republic, that this author abounds in praises of

the old rigid Roman virtue, though himself the most egregious instance

of modern luxury and corruption; speaks contemptuously of the Grecian

eloquence, though the most eloquent writer in the world; nay, employs

preposterous digressions and declamations to this purpose, though a

model of taste and correctness.

But it would be easy to prove that these writers mistook the cause of

the disorders in the Roman state, and ascribed to luxury and the arts

what really proceeded from an ill-modelled government and the unlimited

extent of conquests. Refinement on the pleasures and conveniences

of life has no natural tendency to beget venality and corruption.

The value which all men put upon any particular pleasure depends on

comparison and experience; nor is a porter less greedy of money, which

he spends on bacon and brandy, than a courtier, who purchases champagne

and ortolans. Riches are valuable at all times, and to all men, because

they always purchase pleasures such as men are accustomed to and

desire; nor can anything restrain or regulate the love of money but a

sense of honour and virtue, which, if it be not nearly equal at all

times, will naturally abound most in ages of knowledge and refinement.

Of all European kingdoms, Poland seems the most defective in the arts

of war, as well as peace, mechanical as well as liberal; and yet it is

there that venality and corruption do most prevail. The nobles seem to

have preserved their crown elective for no other purpose but regularly

to sell it to the highest bidder; this is almost the only species of

commerce with which that people are acquainted.

The liberties of England, so far from decaying since the improvements

in the arts, have never flourished so much as during that period. And

though corruption may seem to increase of late years, this is chiefly

to be ascribed to our established liberty, when our princes have found

the impossibility of governing without parliaments, or of terrifying

parliaments by the phantom of prerogative. Not to mention that this

corruption or venality prevails infinitely more among the electors than

the elected, and therefore cannot justly be ascribed to any refinements

in luxury.

If we consider the matter in a proper light, we shall find that

improvements in the arts are rather favourable to liberty, and have a

natural tendency to preserve, if not produce a free government.

In rude, unpolished nations, where the arts are neglected, all the

labour is bestowed on the cultivation of the ground; and the whole

society is divided into two classes—proprietors of land and their

vassals or tenants. The latter are necessarily dependent, and fitted

for slavery and subjection; especially where they possess no riches,

and are not valued for their knowledge in agriculture, as must always

be the case where the arts are neglected. The former naturally erect

themselves into petty tyrants, and must either submit to an absolute

master for the sake of peace and order, or if they will preserve

their independency, like the ancient barons, they must fall into

feuds and contests among themselves, and throw the whole society into

such confusion as is perhaps worse than the most despotic government.

But where luxury nourishes commerce and industry, the peasants, by a

proper cultivation of the land, become rich and independent; while

the tradesmen and merchants acquire a share of the property, and draw

authority and consideration to that middling rank of men, who are the

best and firmest basis of public liberty. These submit not to slavery,

like the poor peasants, from poverty and meanness of spirit; and having

no hopes of tyrannizing over others, like the barons, they are not

tempted, for the sake of that gratification, to submit to the tyranny

of their sovereign. They covet equal laws, which may secure their

property, and preserve them from monarchical as well as aristocratical

tyranny.

The House of Commons is the support of our popular government, and

all the world acknowledges that it owed its chief influence and

consideration to the increase of commerce, which threw such a balance

of property into the hands of the commons. How inconsistent then is it

to blame so violently a refinement in the arts, and to represent it as

the bane of liberty and public spirit!

To declaim against present times, and magnify the virtue of remote

ancestors, is a propensity almost inherent in human nature: and as

the sentiments and opinions of civilized ages alone are transmitted

to posterity, hence it is that we meet with so many severe judgments

pronounced against luxury, and even science; and hence it is that at

present we give so ready an assent to them. But the fallacy is easily

perceived from comparing different nations that are contemporaries,

where we both judge more impartially and can better set in opposition

those manners with which we are sufficiently acquainted. Treachery

and cruelty, the most pernicious and most odious of all vices, seem

peculiar to uncivilized ages; and by the refined Greeks and Romans were

ascribed to all the barbarous nations which surrounded them. They might

justly, therefore, have presumed that their own ancestors, so highly

celebrated, possessed no greater virtue, and were as much inferior to

their posterity in honour and humanity as in taste and science. An

ancient Frank or Saxon may be highly extolled; but I believe every man

would think his life or fortune much less secure in the hands of a Moor

or Tartar than in those of a French or English gentleman, the rank of

men the most civilized in the most civilized nations.

We come now to the second position which we proposed to illustrate—viz.,

that as innocent luxury, or a refinement in the arts and conveniences

of life, is advantageous to the public, so, wherever luxury ceases to

be innocent, it also ceases to be beneficial; and when carried a degree

farther, begins to be a quality pernicious, though perhaps not the most

pernicious, to political society.

Let us consider what we call vicious luxury. No gratification,

however sensual, can of itself be esteemed vicious. A gratification

is only vicious when it engrosses all a man’s expense, and leaves no

ability for such acts of duty and generosity as are required by his

situation and fortune. Suppose that he correct the vice, and employ

part of his expense in the education of his children, in the support

of his friends, and in relieving the poor, would any prejudice result

to society? On the contrary, the same consumption would arise, and

that labour which at present is employed only in producing a slender

gratification to one man, would relieve the necessitous, and bestow

satisfaction on hundreds. The same care and toil which raise a dish of

peas at Christmas would give bread to a whole family during six months.

To say that, without a vicious luxury, the labour would not have been

employed at all, is only to say that there is some other defect in

human nature, such as indolence, selfishness, inattention to others,

for which luxury in some measure provides a remedy, as one poison may

be an antidote to another. But virtue, like wholesome food, is better

than poisons, however corrected.

Suppose the same number of men that are at present in Britain, with

the same soil and climate: I ask, is it not possible for them to be

happier, by the most perfect way of life which can be imagined, and

by the greatest reformation which Omnipotence itself could work in

their temper and disposition? To assert that they cannot appears

evidently ridiculous. As the land is able to maintain more than all its

inhabitants, they could never, in such a Utopian state, feel any other

ills than those which arise from bodily sickness; and these are not the

half of human miseries. All other ills spring from some vice, either

in ourselves or others; and even many of our diseases proceed from the

same origin. Remove the vices, and the ills follow. You must only take

care to remove all the vices. If you remove part, you may render the

matter worse. By banishing vicious luxury, without curing sloth and an

indifference to others, you only diminish industry in the state, and

add nothing to men’s charity or their generosity. Let us, therefore,

rest contented with asserting that two opposite vices in a state may

be more advantageous than either of them alone; but let us never

pronounce vice in itself advantageous. Is it not very inconsistent for

an author to assert in one page that moral distinctions are inventions

of politicians for public interest, and in the next page maintain that

vice is advantageous to the public?​[11] And indeed it seems, upon any

system of morality, little less than a contradiction in terms to talk

of a vice which is in general beneficial to society.

Prodigality is not to be confounded with a refinement in the arts. It

even appears that that vice is much less frequent in the cultivated

ages. Industry and gain beget frugality, among the lower and middle

ranks of men, and in all the busy professions. Men of high rank,

indeed, it may be pretended, are more allured by the pleasures, which

become more frequent. But idleness is the great source of prodigality

at all times, and there are pleasures and vanities in every age, which

allure men equally when they are unacquainted with better enjoyments.

Not to mention that the high interest paid in rude times quickly

consumes the fortunes of the landed gentry, and multiplies their

necessities.

Hume's Political Discourses · 第 3 / 25 段