VI The Unique City

When we drew near Ypres we met a civilian wagon laden with

furniture of a lower middle-class house, and also with lengths of gilt

picture frame-moulding. There was quite a lot of gilt in the wagon. A

strong, warm wind was blowing, and the dust on the road and from

the railway track was very unpleasant. The noise of artillery

persisted. As a fact, the wagon was hurrying away with furniture and

picture-frame mouldings under fire. Several times we were told not

to linger here and not to linger there, and the automobiles, emptied

of us, received very precise instructions where to hide during our

absence. We saw a place where a shell had dropped on to waste

ground at one side of the road, and thrown up a mass of earth and

stones on to the roof of an asylum on the other side of the road. The

building was unharmed; the well-paved surface of the road was

perfect--it had received no hurt; but on the roof lay the earth and

stones. Still, we had almost no feeling of danger. The chances were

a thousand to one that the picture-frame maker would get safely

away with his goods; and he did. But it seemed odd--to an absurdly

sensitive, non-Teutonic mind it seemed somehow to lack justice--

that the picture-framer, after having been ruined, must risk his life in

order to snatch from the catastrophe the debris of his career.

Further on, within the city itself, but near the edge of it, two men

were removing uninjured planks from the upper floor of a house; the

planks were all there was in the house to salve. I saw no other

attempt to make the best of a bad job, and, after I had inspected the

bad job, these two attempts appeared heroic to the point of mere

folly.

I had not been in Ypres for nearly twenty years, and when I was last

there the work of restoring the historic buildings of the city was not

started. (These restorations, especially to the Cloth Hall and the

Cathedral of St. Martin, were just about finished in time for the

opening of hostilities, and they give yet another proof of the German

contention that Belgium, in conspiracy with Britain, had deliberately

prepared for the war--and, indeed, wanted it!) the Grande Place was

quite recognisable. It is among the largest public squares in Europe,

and one of the very few into which you could put a medium-sized

Atlantic liner. There is no square in London or (I think) New York into

which you could put a 10,000-ton boat. A 15,000-ton affair, such as

even the Arabic, could be arranged diagonally in the Grande Place

at Ypres.

This Grande Place has seen history. In the middle of the thirteenth

century, whence its chief edifices date, it was the centre of one of

the largest and busiest towns in Europe, and a population of

200,000 weavers was apt to be uproarious in it. Within three

centuries a lack of comprehension of home politics and the simple

brigandage of foreign politics had reduced Ypres to a population of

5,000. In the seventeenth century Ypres fell four times. At the

beginning of the nineteenth century it ceased to be a bishopric. In

the middle of the nineteenth century it ceased to be fortified; and in

the second decade of the twentieth century it ceased to be

inhabited. Possessing 200,000 inhabitants in the thirteenth century,

5,000 inhabitants in the sixteenth century, 17400 inhabitants at the

end of the nineteenth century, it now possesses 0 inhabitants. It is

uninhabited. It cannot be inhabited. Scarcely two months before I

saw it, the city--I was told--had been full of life; in the long period

of calm which followed the bombardment of the railway-station

quarter in November 1914 the inhabitants had taken courage, and

many of those who had fled from the first shells had sidled back

again with the most absurd hope in their hearts. As late as the third

week in April the Grande Place was the regular scene of commerce,

and on market-days it was dotted with stalls upon which were offered

for sale such frivolous things as postcards displaying the damage

done to the railway-station quarter.

Then came the major bombardment, which is not yet over.

You may obtain a just idea of the effects of the major bombardment

by adventuring into the interior of the Cathedral of St. Martin. This

Cathedral is chiefly thirteenth-century work. Its tower, like that of the

Cathedral at Malines, had never been completed--nor will it ever be,

now--but it is still, with the exception of the tower of the Cloth Hall,

the highest thing in Ypres. The tower is a skeleton. As for the rest of

the building, it may be said that some of the walls alone substantially

remain. The choir--the earliest part of the Cathedral--is entirely

unroofed, and its south wall has vanished. The apse has been

blown clean out. The Early Gothic nave is partly unroofed. The

transepts are unroofed, and of the glass of the memorable rose

window of the south transept not a trace is left--so far as I can

remember.

In the centre of the Cathedral, where the transepts meet, is a vast

heap of bricks, stone, and powdery dirt. This heap rises irregularly

like a range of hills towards the choir; it overspreads most of the

immense interior, occupying an area of, perhaps, from 15,000 to

20,000 square feet. In the choir it rises to a height of six or seven

yards. You climb perilously over it as you might cross the Alps. This

incredible amorphous mass, made up of millions of defaced

architectural fragments of all kinds, is the shattered body of about

half the Cathedral. I suppose that the lovely carved choir-stalls are

imbedded somewhere within it. The grave of Jansen is certainly at

the bottom of it. The aspect of the scene, with the sky above, the

jagged walls, the interrupted arches, and the dusty piled mess all

around, is intolerably desolate. And it is made the more so by the

bright colours of the great altar, two-thirds of which is standing, and

the still brighter colours of the organ, which still clings, apparently

whole, to the north wall of the choir. In the sacristy are collected gilt

candelabra and other altar-furniture, turned yellow by the fumes of

picric acid. At a little distance the Cathedral, ruin though it is, seems

solid enough; but when you are in it the fear is upon you that the

inconstant and fragile remains of it may collapse about you in a gust

of wind a little rougher than usual.

You leave the outraged fane with relief. And when you get outside

you have an excellent opportunity of estimating the mechanism

which brought about this admirable triumph of destruction; for there

is a hole made by a 17-inch shell; it is at a moderate estimate fifty

feet across, and it has happened to tumble into a graveyard, so that

the hole is littered with the white bones of earlier Christians.

The Cloth Hall was a more wonderful thing than the Cathedral of St.

Martin, which, after all, was no better than dozens of other

cathedrals. There was only one Cloth Hall of the rank of this one. It

is not easy to say whether or not the Cloth Hall still exists. Its

celebrated three-story facade exists, with a huge hiatus in it to the

left of the middle, and, of course, minus all glass. The entire facade

seemed to me to be leaning slightly forward; I could not decide

whether this was an optical delusion or a fact. The enormous central

tower is knocked to pieces, and yet conserves some remnant of its

original outlines; bits of scaffolding on the sides of it stick out at a

great height like damaged matches. The slim corner towers are

scarcely hurt. Everything of artistic value in the structure of the

interior has disappeared in a horrible confusion of rubble. The

eastern end of the Cloth Hall used to be terminated by a small

beautiful Renaissance edifice called the Niewwerk, dating from the

seventeenth century. What its use was I never knew; but the

Niewwerk has vanished, and the Town Hall next door has also

vanished; broken walls, a few bits of arched masonry, and heaps of

refuse alone indicate where these buildings stood in April last.

So much for the two principal buildings visible from the Grande

Place. The Cloth Hall is in the Grande Place, and the Cathedral

adjoins it. The only other fairly large building in the Place is the

Hopital de Notre Dame at the north-east end. This white-painted

erection, with its ornamental gilt sign, had continued substantially to

exist as a structural entity; it was defaced, but not seriously. Every

other building in the place was smashed up. To walk right round the

Place is to walk nearly half a mile; and along the entire length, with

the above exceptions, there was nothing but mounds of rubbish

and fragments of upstanding walls. Here and there in your

perambulation you may detect an odour with which certain trenches

have already familiarised you. Obstinate inhabitants were apt to get

buried in the cellars where they had taken refuge. In one place what

looked like a colossal sewer had been uncovered. I thought at the

time that the sewer was somewhat large for a city of the size of

Ypres, and it has since occurred to me that this sewer may have

been the ancient bed of the stream Yperlee, which in some past

period was arched over.

"I want to make a rough sketch of all this," I said to my companions

in the middle of the Grande Place, indicating the Cloth Hall, and the

Cathedral, and other grouped ruins. The spectacle was, indeed,

majestic in the extreme, and if the British Government has not had it

officially photographed in the finest possible manner, it has failed in

a very obvious duty; detailed photographs of Ypres ought to be

distributed throughout the world.

My companions left me to myself. I sat down on the edge of a small

shell-hole some distance in front of the Hospital. I had been advised

not to remain too near the building lest it might fall on me. The

paved floor of the Place stretched out around me like a tremendous

plain, seeming the vaster because my eyes were now so much

nearer to the level of it. On a bit of facade to the left the word "CYCLE

" stood out in large black letters on a white ground. This word and

myself were the sole living things in the Square. In the distance a

cloud of smoke up a street showed that a house was burning. The

other streets visible from where I sat gave no sign whatever. The

wind, strong enough throughout my visit to the Front, was now

stronger than ever. All the window-frames and doors in the Hospital

were straining and creaking in the wind. The loud sound of guns

never ceased. A large British aeroplane hummed and buzzed at a

considerable height overhead. Dust drove along.

Over There: War Scenes on the Western Front · 第 13 / 14 题