CHAPTER VI

"Has she not come then, yet, my child?" said Kreutzer to the busy

M'riar, as he returned. He had thought that Anna might have reached

the tenement by that time, for he had gone out a second time and made

a number of delightful, although meagre purchases.

"No signs," said M'riar. "Yn't see a sign of 'er. But hit cawn't be

long before she'll be 'ere, can it?"

"No, M'riar; not long."

The place was poorly furnished. Marks of poverty, indeed, were

everywhere; but upon the little table with its oil-cloth cover, soon

began to show, as he brought package after package from his pockets,

an array of goodies which amazed M'riar greatly. From the little

gas-pipe chandelier which hung above the table (fly-specked and badly

rusted before M'riar's busy hands had done their best to polish it,

and still uncouth in its plain iron and sharp angles), he hung a

little wreath of evergreen. Out of a package, with the utmost care, he

produced a frosted cake.

"See, M'riar!" he cried.

"Hi sye!" said M'riar, examining it with distant care as if she feared

that it would either break or bite. "Won't she be took haback?"

"And," said Herr Kreutzer, delving busily in a pocket of his long,

limp, overcoat, "a bottle of good wine."

"My heye!" said M'riar, awed and gaping admiration. "She _will_ be

took haback!"

"And, see again?" said Kreutzer, taking other treasures out of

packages and pockets, including a roast fowl, and celery and other

fixings. "It is not often, lately, that I have my Anna with me. When

she comes, then we must do what we can do to make her welcome." He

might have added that it was not often that a little stroke of luck

brought him in money for a celebration such as this, but did not.

"_Such_ a feast!" said M'riar.

"Ah, it is something," said the flute-player. "It is little I can do.

I earn so little in this country--less, even, than I earned in London;

and here all things cost so much--_more_, even, than they cost in

London."

M'riar went to the window, after having seen the good things, while

his hands went to his pocket and brought from it the door-key and a

pocket-knife. He laughed a little bitterly. "The little feast has cost

the last cent in my pocket! When night comes I must walk back to the

Garden!... Well what matter? Anna is not suffering, and to-day she

will be happy here with me."

"Hi, she's comin'," M'riar screamed and dashed out of the room.

Herr Kreutzer gazed after her with a wide smile of toleration. She had

not been a nuisance; she had been very useful. "I worried when we

found her on the ship," said he, "and here she is, my housekeeper,

while Anna is more happy in the mansion of the Vanderlyns! So things

occur as we do not expect."

There came to him the sound of chattering voices on the stair. He

hurried to the door.

"Anna, Anna!" he called into the hallway.

An instant later and she sprang up the last flight and ran into his

opened arms. "Father!" she cried happily. There was an unwonted flush

upon her cheeks, a new, soft glow within her eyes, a certain subtle

dignity about her bearing which he failed to note, but which she knew

was there and which the keener eyes of M'riar saw and were much

puzzled by.

"Father!" she cried again, and held him in so close a clasp that his

face reddened quite as much because she choked him as because his

heart was beating high with happiness at sight of her.

"Come, come," said he, and led her to a chair by the window which

commanded a small vista of back-yards--the only glimpse of

out-of-doors the tiny tenement apartment offered. "My liebling! My

little Anna! It is good to hold you so, again!" He clasped her in his

arms.

"'Yn't it beautiful!" M'riar muttered, gazing at them. "W'ite as snow

'is 'air looks, w'en 'ers that is that dark, is hup hagainst it close,

like that!"

"Dear old father!" Anna cried, as she drew back. She took him by the

shoulders, now, and, with her beautifully modelled, firm young arms,

held him away from her so that she might examine him. With loving

scrutiny she studied every line of the old face. Instantly she noted

the weary droop of tired eyelids. "Are you sure you are quite well?"

He smiled. "Always I am well, when you are with me. Always well when

you are with me, Anna."

"You look tired. Ah, it is not easy for you when you play--"

His heart stood still for half-a-dozen beats. Could it be possible

that she had learned how he had lied to her about the place in which

he played? Had she learned that it was not a park of elegant

importance?

"It is a fine, a splendid park," he interrupted. "Some day I shall

take you there, with M'riar, and shall show you. Not at once. At

present I must be quite sure to please and so must play without

distraction. Your presence might confuse me, so that I could not give

satisfaction; but, someday, when things are a little better--then I

take you with me."

As he lied away her fears his soul was bitterly inquiring what his

daughter who had such respect for him and for his music, would think

if she could hear him as he stood upon a rough-board platform, or sat

beside a cheap piano, pounded by a colored youth who kept a glass of

beer on one end and a cigarette upon the other as he played. What

would Anna think of her old father if she heard him tootle on his

flute, with all the breath which he could muster, the strains of "Hot

Time," an old favorite, or "Waltz Me Around Again, Willie," not quite

so old, but infinitely more offensive than the frank racket of the

negro melody to his sensitive ear? How would her artistic soul revolt

if she should hear his flute--his precious flute!--inquiring if

anybody there had seen an Irishman named Kelly?

"What do they like best, my father?" Anna asked him, still looking

searchingly into his face, as if she saw signs there which did not

reassure her. "Mozart, possibly, or Grieg?"

"I think it is 'An Invitation to the Dance,'" said he, and smiled

again, more sweetly, more convincingly than ever. "'Around, around,

around!'" he muttered, bitterly, sarcastically, as he turned away from

her.

"What, father?"

"That melody, so sweet; those words, so full of lovely sentiment--they

cling in my old mind, my liebschen," said Herr Kreutzer, to cover up

his error. "They what you call it? Keep running in my head--ah,

around, around within my head, my liebschen."

"Somehow, I am af-raid that you do not, really, like the place where

you are playing."

"It is a fine, a splendid park, my Anna," Kreutzer cried in haste. "I

am a grumbler--an old grumbler. My only real cause for complaint is

that I must play so very loud for some" (his heart was sore with a

humiliation of the night before), "while, for others, it is necessary

that I plays so s-o-f-t-l-y--lest my flute disturb their

conversation. I am puzzled, Anna, that is all. Quite all. There is no

cause for you to worry." He placed his hand upon her shoulder, and, as

he sank wearily to the stiff, wooden chair which was as easy as the

room could boast, she dropped to her knees beside him.

Her heart was very full. Vividly she longed to tell him that the love,

of which he had discoursed to her, had not come in the least as he had

said it would--summoned by his counsel after he had searched and found

the man whom he decided would be best for her to marry. No; love had

not approached her logically, rationally, as result of careful thought

by a third party; it had come, instead, as might a burglar, breaking

in; an enemy, making an assault upon an unsuspecting city in the

night. She had yielded up the treasures of the casket of her heart

without a murmur to the burglar; the city had capitulated without

fighting, without even protest. She was sure he would not find it

easy to approve of her selection.

So she was not ready, yet, to tell him; she was not ready to destroy

the happiness of this, their day together, as she feared that such a

revelation must, inevitably.

"Hard times, father!" she said, temporizing. "But perhaps, sometime,

they shall be changed. Perhaps _I_ shall be rich, some day."

"Ah, Anna, no; such thoughts are what they call, up at the park,

the--the--what is it? Ah, I have it--dream of the pipe. Rich we shall

never be, my Anna."

"But it's _so_ hard as it is. Only once-a-while can we be here

together."

"Hard?" said he, and smoothed her hair. "You must not say that. It is

so sweet when once-a-while it comes! It makes me so happy--"

"Dear!"

Depression seized him, now. Fiercely the thought rose in his mind

that while he waited for these meetings with the keenest thoughts of

joy, she, on the other hand, must look forward to them with emotions

much less purely happy. That she was glad to be with him he did not

doubt; he could not doubt; but what a contrast must his poor rooms

offer to the luxurious surroundings of her other days! It would be

only human if she yielded to an impulse to be critical, only human if,

against her will, she felt contempt for his dire poverty. The black

thought filled his soul with bitterness.

"Look," he said, and rose with a sudden gesture almost of despair.

"What must you think of me, my liebschen? Poor little rooms! They are

no place for you. Ah, no; for you the grand and beautiful home of Mrs.

Vanderlyn!"

His scorn of self was written, now, so plainly on his face, in such

fierce lines of deep contempt and loathing, that, as she looked at

him, it frightened her. She, also, rose and lightly clasped her arms

about his neck in an appeal.

"There, all the week," he went on with less virulence, "you have, as

her companion, the happy life I wish for you, Ah, your old father does

not grudge you that, my liebschen! And, after all, you do not falter

in your love. My poverty does not make you forget me--eh?"

"Forget you, father? These hours are pleasantest of all! These hours

with you here in these rooms which you say are 'poor' are far, far

pleasanter to me than any hours at Mrs. Vanderlyn's."

"Ah, so," said he. "Yes, you come back to me and we are happy--very

happy. It is my good luck--much better than I really deserve. Come,

now, come. A little cake, a little wine, in honor of your visit.

M'riar, M'riar--where have you gone, M'riar?"

From the other room the slavey came with reddened eyes.

"'Ere, sir; 'ere Miss." She was snuffling.

"Why, M'riar," said Kreutzer, in dismay! "What is it? Why weep you?"

"Ho, it allus mykes me snivel w'en I sees you two together, that w'y.

Hi cawn't _stand_ it. 'Ow you love! It mykes me _'ungry_. Yuss, fair

'ungry. Nobody ain't hever loved _me_ none--it mykes me 'ungry."

Quick with remorse and sympathy Anna pounced upon her and enfolded her

in a great hug, realizing, for the first time, that, on entering, she

had been too anxious to show her affection for her father, too full of

worry over what she had, that day, to tell him, to remember M'riar.

"_Dear_ M'riarrr!" she said softly. "Dear M'riarrr! We love you. Don't

we father--love her?"

"Yah; sure we love her," Kreutzer answered heartily and patted the

child's head. "We love her much."

"My heye!" said M'riar, happily, her sorrows quickly vanishing. "'Ow

much nicer New York his than Lunnon!"

It was with the grace of an old cavalier that Kreutzer led his

daughter to the table, and called her attention to the little feast he

had prepared.

The small display of goodies would have seemed poor enough had she

compared it to the everyday "light luncheons" at the Vanderlyns', but

she did not so compare it. Back to the old days of modest plenty which

they had known in London, to the days of almost actual need which they

had known in New York City, went her mind, for its comparison, and

thus she found the feast magnificent. With real fervor she exclaimed

above it. Her pleasure was so genuine that the old flute-player was

delighted. "How splendid!" she cried honestly.

Having placed her in her chair he began, at once, in the confusion of

his joy, to cut the cake, ignoring, utterly, the chicken. She did not

call attention to his absent-mindedness.

"It looks almost like a wedding cake!" said she and laughed--but then,

suddenly, there flooded back on her remembrance of the secret she must

tell him before she left the tenement that afternoon. It sobered her.

How would he take the news that she had not been content to wait for

him to bring to her his wonderful "brave gentleman?"

"Ah, you are thinking about weddings!" he said genially, still cutting

at the cake. For an instant she imagined that she had aroused

suspicions, but, quickly, she saw plainly that he was but lightly

jesting. "Have a care, my Anna! Have a care!"

Suddenly her heart was filled with resolution. When would there be a

better time than now in which to tell him her sweet secret? It could

not be that he would be so very angry. His love for her, his longing

that she might be happy, were, she knew, too great for that. And,

later, when he knew Jack Vanderlyn as well as she had come to know

him, he would realize, as she did, that nowhere in the world, not in

the castles of the barons on the Rhine, not in the palaces of kings,

could he or anyone find more genuine gentility than in this free-born

unpretending young American.

"Father!" she said timidly.

"My girl," said he, without the least suspicion that her heart could,

really, be touched by anyone in this cold land of crude democracy,

"you must always come and tell me if your heart begins to flutter like

a little bird. You--"

"Of--course, my father."

The matter had not in the least impressed him. As she turned and

re-turned something in her hand beneath the table, and tried to rouse

her courage to the point of making full confession, the old man

quietly dismissed the subject.

"Now, a health to you, my Anna," he said gaily and raised high his

glassful of cheap wine. "May the good God give you all the happiness

your father wishes for you! More than that I cannot say, for I wish

you all the happiness in all the world. Ah, when I look at you I am so

full of joy! It is as if sweet birds were singing in my heart.

Wait--you shall hear!"

Forgetting the great feast, as, seized by the impulse to express

himself in the completest way he knew he turned from her with a bright

smile, he crossed the tiny room and took down from the mantlepiece his

flute.

"Ah, play for me!" she cried, delighted, both at the prospect of the

music, which she loved with a real passion, and at the prospect of the

brief reprieve the diversion would afford her from the revelation

which she had to make.

[Illustration: It was as if the "sweet birds singing in his heart" had

risen and were perched, all twittering and cooing, chirping, carolling

upon his lips]

He pretended shy reluctance. "No; in your heart you do not really wish

to hear. You have grown tired of the old flute, long ago."

She laughed and rose and went to him. "Bad boy! He must be teased! I

am _not_ tired of it. To me it is in all the world, the sweetest

music. Must I say more? Come, come, for me!"

"Ah, then--for you!"

He raised the old flute to his lips and settled it beneath the thatch

of whitened hair which covered his large, sensitive mouth. He took a

little breath of preparation. Then he closed his eyes and played.

Such music as came from that flute! It was as if the "sweet birds

singing in his heart" had risen and were perched, all twittering and

cooing, chirping, carolling upon his lips. And all they sang about was

love--love--love--a father's love for his delightful daughter. Sweet

and pure and wholly lovely was the melody which filled the room and

held the charming woman it was meant for spellbound; held the little

slavey from the grime of London as one hypnotized upon her chair; sang

its way out of the window, down into the grimy court between this

dingy tenement and the whole row of dingy tenements which faced the

other street, and made a dozen little slum-bred children pause there

in their play, in wonder and delight. Ah, how Kreutzer played the

flute, that day, for his beloved Anna!

"Ah, when you play," said she, as with a smile, he laid the wonderful

old instrument upon the shelf again, "it is your life, your soul--you

put all into the old flute!"

"Yes, Anna; and to-day it was far more. It was my love for you--that

was the greatest part of it; and there were sweet memories of my

native land." The fervor of his playing, more than the effort of it,

had exhausted him. He sat down somewhat wearily, with a long sigh.

"But we will not speak of our native land, my Anna," he said sadly.

"Ach! I am a little tired." He held his arms out to her. "But

happy--very happy," he said quickly when he saw the look of quick

compassion on her face. "And you?"

The burden of her secret had grown heavy on her heart. It did not seem

a decent thing to wait a moment more before she told it to him.

"I am happy, too--but--but--oh, my father, father!"

She threw herself into his arms, bursting into tears.

The Old Flute-Player: A Romance of To-day · 第 6 / 10 章