CHAPTER IV

LITERATURE AND ART

I

THE GROVE OF THE MUSES

AUTHOR UNKNOWN

Say thou that this grave is consecrate to the Muses, pointing to the

books by the plane-trees, and that we guard it; and if a true lover of

ours come hither, we crown him with our ivy.

II

THE VOICE OF THE WORLD

ANTIPATER OF SIDON

The herald of the prowess of heroes and the interpreter of the

immortals, a second sun on the life of Greece, Homer, the light of the

Muses, the ageless mouth of all the world, lies hid, O stranger, under

the sea-washed sand.

III

THE TALE OF TROY

ALPHEUS

Still we hear the wail of Andromache, still we see all Troy toppling

from her foundations, and the battling of Ajax, and Hector, bound to

the horses, dragged under the city's crown of towers, through the Muse

of Maeonides, the poet with whom no one country adorns herself as her

own, but the zones of both worlds.

IV

ORPHEUS

ANTIPATER OF SIDON

No longer, Orpheus, wilt thou lead the charmed oaks, no longer the

rocks nor the lordless herds of the wild beasts; no longer wilt thou

lull the roaring of the winds, nor hail and sweep of snowstorms nor

dashing sea; for thou perishedst; and the daughters of Mnemosyne wept

sore for thee, and thy mother Calliope above all. Why do we mourn over

dead sons, when not even gods avail to ward off Hades from their

children?

V

SAPPHO

POSIDIPPUS

Doricha, long ago thy bones are dust, and the ribbon of thy hair and

the raiment scented with unguents, wherein once wrapping lovely

Charaxus round thou didst cling to him carousing into dawn; but the

white leaves of the dear ode of Sappho remain yet and shall remain

speaking thy blessed name, which Naucratis shall keep here so long as

a sea-going ship shall come to the lagoons of Nile.

VI

ERINNA (1)

AUTHOR UNKNOWN

Thee, as thou wert just giving birth to a springtide of honeyed songs

and just finding thy swan-voice, Fate, mistress of the threaded

spindle, drove to Acheron across the wide water of the dead; but the

fair labour of thy verses, Erinna, cries that thou art not perished,

but keepest mingled choir with the Maidens of Pieria.

VII

ERINNA (2)

LEONIDAS OF TARENTUM

The young maiden singer Erinna, the bee among poets, who sipped the

flowers of the Muses, Hades snatched away to be his bride; truly

indeed said the girl in her wisdom, "Thou art envious, O Death."

VIII

ANACREON'S GRAVE (1)

AUTHOR UNKNOWN

O stranger who passest this the tomb of Anacreon, pour libation over

me in going by; for I am a drinker of wine.

IX

ANACREON'S GRAVE (2)

ANTIPATER OF SIDON

O stranger who passest by the humble tomb of Anacreon, if thou hast

had aught of good from my books pour libation on my ashes, pour

libation of the jocund grape, that my bones may rejoice wetted with

wine; so I, who was ever deep in the wine-steeped revels of Dionysus,

I who was bred among drinking tunes, shall not even when dead endure

without Bacchus this place to which the generation of mortals must

come.

X

PINDAR

ANTIPATER OF SIDON

As high as the trumpet's blast outsounds the thin flute, so high above

all others did thy lyre ring; nor idly did the tawny swarm mould their

waxen-celled honey, O Pindar, about thy tender lips: witness the

horned god of Maenalus when he sang thy hymn and forgot his own

pastoral reeds.

XI

THESPIS

DIOSCORIDES

I am Thespis who first shaped the strain of tragedy, making new

partition of fresh graces among the masquers when Bacchus would lead

home the wine-stained chorus, for whom a goat and a basket of Attic

figs was as yet the prize in contests. A younger race reshape all

this; and infinite time will make many more inventions yet; but mine

are mine.

XII

SOPHOCLES

SIMMIAS

Gently over the tomb of Sophocles, gently creep, O ivy, flinging forth

thy pale tresses, and all about let the rose-petal blow, and the

clustered vine shed her soft tendrils round, for the sake of the wise-

hearted eloquence mingled of the Muses and Graces that lived on his

honeyed tongue.

XIII

ARISTOPHANES

PLATO

The Graces, seeking to take a sanctuary that will not fall, found the

soul of Aristophanes.

XIV

RHINTHO

NOSSIS

With a ringing laugh, and a friendly word over me do thou pass by; I

am Rhintho of Syracuse, a small nightingale of the Muses; but from our

tragical mirth we plucked an ivy of our own.

XV

MELEAGER (1)

MELEAGER

Tread softly, O stranger; for here an old man sleeps among the holy

dead, lulled in the slumber due to all, Meleager son of Eucrates, who

united Love of the sweet tears and the Muses with the joyous Graces;

whom God-begotten Tyre brought to manhood, and the sacred land of

Gadara, but lovely Cos nursed in old age among the Meropes. But if

thou art a Syrian, say /Salam/, and if a Phoenician, /Naidios/, and if

a Greek, Hail; they are the same.

XVI

MELEAGER (2)

MELEAGER

Island Tyre was my nurse; and the Attic land that lies in Syrian

Gadara is the country of my birth; and I sprang of Eucrates, I

Meleager, the companion of the Muses, first of all who have run side

by side with the Graces of Menippus. And if I am a Syrian, what

wonder? We all dwell in one country, O stranger, the world; one Chaos

brought all mortals to birth. And when stricken in years, I inscribed

this on my tablets before burial, since old age is death's near

neighbour; but do thou, bidding hail to me, the aged talker, thyself

reach a talking old age.

XVII

PYLADES THE HARP-PLAYER

ALCAEUS OF MESSENE

All Greece bewails thee departed, Pylades, and cuts short her undone

hair; even Phoebus himself laid aside the laurels from his unshorn

tresses, honouring his own minstrel as was meet, and the Muses wept,

and Asopus stayed his stream, hearing the cry from their wailing lips;

and Dionysus' halls ceased from dancing when thou didst pass down the

iron path of Death.

XVIII

THE DEATH OF MUSIC

LEONTIUS

When Orpheus was gone, a Muse was yet haply left, but when thou didst

perish, Plato, the harp likewise ceased; for till then there yet lived

some little fragment of the old melodies, saved in thy soul and hands.

XIX

APOLLO AND MARSYAS (1)

ALCAEUS OF MESSENE

No more through pine-clad Phrygia, as of old, shalt thou make melody,

uttering thy notes through the pierced reeds, nor in thy hands as

before shall the workmanship of Tritonian Athena flower forth,

nymph-born Satyr; for thy hands are bound tight in gyves, since being

mortal thou didst join immortal strife with Phoebus; and the flutes,

that cried as honey-sweet as his harp, gained thee from the contest no

crown but death.

XX

APOLLO AND MARSYAS (2)

ARCHIAS

Thou hangest high where the winds lash thy wild body, O wretched one,

swinging from a shaggy pine; thou hangest high, for thou didst stand

up to strife against Phoebus, O Satyr, dweller on the cliff of

Celaenae; and we nymphs shall no longer as before hear the honey-

sounding cry of thy flute on the Phrygian hills.

XXI

GLAPHYRUS THE FLUTE-PLAYER

ANTIPATER OF THESSALONICA

Phoebus said over clear-voiced Glaphyrus as he breathed desire through

the pierced lotus-pipes, "O Marsyas, thou didst tell false of thy

discovery, for this is he who carried off Athena's flutes out of

Phrygia; and if thou hadst blown then in such as his, Hyagnis would

not have wept that disastrous flute-strife by Maeander."

XXII

VIOL AND FLUTE

THEOCRITUS

Wilt thou for the Muses' sake play me somewhat of sweet on thy twin

flutes? and I lifting the harp will begin to make music on the

strings; and Daphnis the neatherd will mingle enchantment with

tuneable breath of the wax-bound pipe; and thus standing nigh within

the fringed cavern mouth, let us rob sleep from Pan the lord of the

goats.

XXIII

POPULAR SONGS

LUCILIUS

Eutychides, the writer of songs, is dead; flee, O you under earth!

Eutychides is coming with his odes; he left instructions to burn along

with him twelve lyres and twenty-five boxes of airs. Now Charon has

come upon you; whither may one retreat in future, since Eutychides

fills Hades too?

XXIV

GRAMMAR, MUSIC, RHETORIC

LUCILIUS

Pluto turns away the dead rhetorician Marcus, saying, "Let the dog

Cerberus suffice us here; yet if thou needs must, declaim to Ixion and

Melito the song-writer, and Tityus; for I have no worse evil than

thee, till Rufus the critic comes to murder the language here."

XXV

CALAMUS

AUTHOR UNKNOWN

I the reed was a useless plant; for out of me grew not figs nor apple

nor grape-cluster; but man consecrated me a daughter of Helicon,

piercing my delicate lips and making me the channel of a narrow

stream; and thenceforth, whenever I sip black drink, like one inspired

I speak all words with this voiceless mouth.

XXVI

IN THE CLASSROOM

CALLIMACHUS

Simus son of Miccus, giving me to the Muses, asked for himself

learning, and they, like Glaucus, gave a great gift for a little one;

and I lean gaping up against this double letter of the Samian, a

tragic Dionysus, listening to the little boys; and they repeat /Holy

is the hair/, telling me my own dream.

XXVII

THE POOR SCHOLAR

ARISTON

O mice, if you are come after bread, go to another cupboard (for we

live in a tiny cottage) where you will feed daintily on rich cheese

and dried raisins, and make an abundant supper off the scraps; but if

you sharpen your teeth again on my books and come in with your

graceless rioting, you shall howl for it.

XXVIII

THE HIGHER METAPHYSIC

AGATHIAS

That second Aristotle, Nicostratus, Plato's peer, splitter of the

straws of the sublimest philosophy, was asked about the soul as

follows: How may one rightly describe the soul, as mortal, or, on the

contrary, immortal? and should we speak of it as a body or

incorporeal? and is it to be placed among intelligible or sensible

objects, or compounded of both? So he read through the treatises of

the transcendentalists, and Aristotle's /de Anima/, and explored the

Platonic heights of the /Phaedo/, and wove into a single fabric the

whole exact truth on all its sides. Then wrapping his threadbare cloak

about him, and stroking down the end of his beard, he proffered the

solution:--If there exists at all a nature of the soul--for of this I

am not sure--it is certainly either mortal or immortal, of solid

nature or immaterial; however, when you cross Acheron, there you shall

know the certainty like Plato. And if you will, imitate young

Cleombrotus of Ambracia, and let your body drop from the roof; and you

may at once recognise your self apart from the body by merely getting

rid of the subject of your inquiry.

XXIX

THE PHAEDO OF PLATO

AUTHOR UNKNOWN

If Plato did not write me, there were two Platos; I carry in me all

the flowers of Socratic talk. But Panaetius concluded me to be

spurious; yes, he who concluded that the soul was mortal, would

conclude me spurious as well.

XXX

CLEOMBROTUS OF AMBRACIA

CALLIMACHUS

Saying, "Farewell, O Sun," Cleombrotus of Ambracia leaped off a high

wall to Hades, having seen no evil worthy of death, but only having

read that one writing of Plato's on the soul.

XXXI

THE DEAD SCHOLAR

CALLIMACHUS

One told me of thy fate, Heraclitus, and wrung me to tears, and I

remembered how often both of us let the sun sink as we talked; but

thou, methinks, O friend from Halicarnassus, art ashes long and long

ago; yet thy nightingale-notes live, whereon Hades the ravisher of all

things shall not lay his hand.

XXXII

ALEXANDRIANISM

CALLIMACHUS

I hate the cyclic poem, nor do I delight in a road that carries many

hither and thither; I detest, too, one who ever goes girt with lovers,

and I drink not from the fountain; I loathe everything popular.

XXXIII

SPECIES AETERNITATIS

PTOLEMAEUS

I know that I am mortal, and ephemeral; but when I scan the

multitudinous circling spirals of the stars, no longer do I touch

earth with my feet, but sit with Zeus himself, and take my fill of the

ambrosial food of gods.

XXXIV

THE PASTORAL POETS

ARTEMIDORUS

The pastoral Muses, once scattered, now are all a single flock in a

single fold.

XXXV

ON A RELIEF OF EROS AND ANTEROS

AUTHOR UNKNOWN

Nemesis fashioned a winged Love contrary to winged Love, warding off

bow with bow, that he may be done by as he did; and, bold and fearless

before, he sheds tears, having tasted of the bitter arrows, and spits

thrice into his low-girt bosom. Ah, most wonderful! one will burn with

fire: Love has set Love aflame.

XXXVI

ON A LOVE BREAKING THE THUNDERBOLT

AUTHOR UNKNOWN

Lo, how winged Love breaks the winged thunderbolt, showing that he is

a fire more potent than fire.

XXXVII

ON A LOVE PLOUGHING

MOSCHUS

Laying down his torch and bow, soft Love took the rod of an ox-driver,

and wore a wallet over his shoulder; and coupling patient-necked bulls

under his yoke, sowed the wheat-bearing furrow of Demeter; and spoke,

looking up, to Zeus himself, "Fill thou the corn-lands, lest I put

thee, bull of Europa, under my plough."

XXXVIII

ON A PAN PIPING

ARABIUS

One might surely have clearly heard Pan piping, so did the sculptor

mingle breath with the form; but in despair at the sight of flying,

unstaying Echo, he renounced the pipe's unavailing sound.

XXXIX

ON A STATUE OF THE ARMED VENUS

AUTHOR UNKNOWN

Pallas said, seeing Cytherea armed, "O Cyprian, wilt thou that we go

so to judgment?" and she, laughing softly, "why should I lift a shield

in contest? if I conquer when naked, how will it be when I take arms?"

XL

ON THE CNIDIAN VENUS OF PRAXITELES

AUTHOR UNKNOWN

The Cyprian said when she saw the Cyprian of Cnidus, "Alas where did

Praxiteles see me naked?"

XLI

ON A SLEEPING ARIADNE

AUTHOR UNKNOWN

Strangers, touch not the marble Ariadne, lest she even start up on the

quest of Theseus.

XLII

ON A NIOBE BY PRAXITELES

AUTHOR UNKNOWN

From life the gods made me a stone; and from stone again Praxiteles

wrought me into life.

XLIII

ON A PICTURE OF A FAUN

AGATHIAS

Untouched, O young Satyr, does thy reed utter a sound, or why leaning

sideways dost thou put thine ear to the pipe? He laughs and is silent;

yet haply had he spoken a word, but was held in forgetfulness by

delight? for the wax did not hinder, but of his own will he welcomed

silence, with his whole mind turned intent on the pipe.

XLIV

ON THE HEIFER OF MYRON

AUTHOR UNKNOWN

Ah thou wert not quick enough, Myron, in thy casting; but the bronze

grew solid before thou hadst cast in a soul.

XLV

ON A SLEEPING SATYR

PLATO

This Satyr Diodorus engraved not, but laid to rest; your touch will

wake him; the silver is asleep.

XLVI

THE LIMIT OF ART

PARRHASIUS

Even though incredible to the hearer, I say this; for I affirm that

the clear limits of this art have been found under my hand, and the

mark is fixed fast that cannot be exceeded. But nothing among mortals

is faultless.

Select Epigrams from the Greek Anthology · 第 4 / 12 章