By Brander Matthews

Suddenly he found himself wide awake. He had been lost in sleep,

dreamless and spaceless; and now, without warning, his slumber had left

him abruptly and for no reason that he could guess. Although he strained

his ear he caught the echo of no unusual sound. He listened in vague

doubt whether there might not be someone moving about in the apartment;

but he could hear nothing except the shrill creak of the brakes of a

train on the elevated railroad nearly a block away. Wilson Carpenter

was in the habit of observing his own feelings, and he was surprised

to note that he did not really expect to detect any physical cause for

his unexpected awakening. Sleep had left him as inexplicably as it had

swiftly.

He lay there in bed with no restlessness; he heard the regular breathing

of his wife, who was sleeping at his side; he saw the faint illumination

from the door open into the next room where the baby was also asleep.

He looked toward the window, but no ray of light was yet visible; and

he guessed it to be about four o'clock in the morning, perhaps a little

earlier. In that case he had not been in bed more than two or three

hours at the most. He wondered why he had waked thus unexpectedly, since

he had had a fatiguing day. Perhaps it was the excitement—there was

no doubt that he had had his full share of excitement that evening—and

he thrilled again as he recalled the delicious sensation of dull dread

yielding at last to the certainty of success.

He had played for a heavy stake and he had won. That was just what he

had been doing—gambling with fate, throwing dice with fortune itself.

That was what every dramatic author had to do every time he brought

out a new play. The production of a piece at an important New York

theatre was a venture as aleatory almost as cutting a pack of cards,

and the odds were always against the dramatist. And as the young man

quietly recalled the events of the evening it seemed to him that the

excitement of those who engineer corners in Wall Street must be like

his own anxiety while the future of his drama hung in the balance, only

theirs could not but be less keen than his, less poignant, for he was

playing his game with men and women, while what they touched were but

inanimate stocks. His winning depended upon the actors and actresses who

had bodied forth his conception. A single lapse of memory or a single

slip of the tongue, and the very sceptical audience of the first night

might laugh in the wrong place, and so cut themselves off from sympathy;

and all his labor would go for nothing, and all his hopes would shrivel

before his eyes. Of a truth it is the ordeal by fire that the dramatist

must undergo; and there had been moments that long swift evening when

he had felt as though he were tied to the stake, and awaiting only the

haggard squaw who was to apply the torch.

Now the trial was over and the cause was gained. There had been too

many war-pieces of late, so the croakers urged, and the public would

not stand another drama of the rebellion. But he had not been greatly

discouraged, for in his play the military scenes were but the setting

for a story of everyday heroism, of human conflict, of man's conquest

of himself. It was the simple strength of this story that had caught the

spectators, before the first act was half over, and held them breathless

as situation followed situation. At the adroitly spaced comic scenes

the audience had gladly relaxed, joyously relieving the emotional

strain with welcome laughter. The future of the play was beyond all

question; of that the author felt assured, judging not so much by the

mere applause as by the tensity of the interest aroused, and by the

long-drawn sigh of suspense he had heard so often in the course of the

evening. He did not dread the acrid criticisms he knew he should find

in some of the morning papers, the writers of which would be bitterer

than usual, since the writer of the new play had been a newspaper man

himself.

The author of "A Bold Stroke" knew what its success meant to him. It

meant a fortune. The play would perhaps run the season out in New York,

and this was only the middle of October. With matinées on Wednesday

as well as on Saturday, two hundred performances in the city were not

impossible. Then next season there would be at least two companies on

the road. He ought to make $25,000 by the piece, and perhaps more. The

long struggle just to keep his head above water, just to get his daily

bread, just to make both ends meet—that was over forever. He could move

out of the little Harlem flat to which he had brought his bride two

years before; and he could soon get her the house she was longing for

somewhere in the country, near New York, where the baby could grow up

under the trees.

The success of the play meant more than mere money, so the ambitious

young author was thinking as he lay there sleepless. It meant praise,

too—and praise was pleasant. It meant recognition—and recognition was

better than praise, for it would open other opportunities. The money

he made by the play would give him a home, and also leisure for thought

and for adequate preparation before he began his next piece. He had done

his best in writing the war-drama; he had spared no pains and neglected

no possibility of improvement; it was as good as he could make it.

But there were other plays he had in mind, making a different appeal,

quieter than his military piece, subtler; and these he could now risk

writing, since the managers would believe in him after the triumph of

"A Bold Stroke."

It would be possible for him hereafter to do what he wanted to do and

what he believed himself best fitted to do. It had always seemed to

him that New York opened an infinity of vistas to the dramatist. He

intended to seize some of this opulent material and to set on the stage

the life of the great city as he had seen it during his five years of

journalism. He knew that it did a man good to be a reporter for a little

while, if he had the courage to cut himself loose before it was too

late, before journalism had corroded its stigma. His reporting had taken

him into strange places now and again; but it had also taken him into

the homes of the plain people who make New York what it is. Society,

as Society was described in the Sunday papers, he knew little about,

and he cared less; he was not a snob, if he knew himself. But humanity

was unfailingly interesting and unendingly instructive; and it was more

interesting, and more instructive in the factories and in the tenements

than it was in the immense mansions on Lenox Hill.

His work as a reporter had not only sharpened his eyes and broadened his

sympathies; it had led him to see things that made him think. He had

not inherited his New England conscience for nothing; and his college

studies in sociology, that seemed so bare to him as an undergraduate,

had taken on a new aspect since he had seen for himself the actual

working of the inexorable laws of life. To sneer at the reformers

who were endeavoring to make the world better had not been easy for

him, even he was straining to achieve the false brilliance of the

star-reporter; and now that he was free to say what he thought, he was

going to seize the first opportunity to help along the good cause, to

show those rich enough to sit in the good seats in the theatre that the

boy perched up in the gallery in his shirt-sleeves was also a man and

a brother.

The young playwright held that a play ought to be amusing, of course,

but he held also that it might give the spectators something to think

about after they got home. He was going to utilize his opportunity to

show how many failures there are, and how many there must be, if the

fittest is to survive, and how hard it is to fail, how bitter, how

pitiful! With an effort he refrained from saying out loud enough to

waken his wife the quotation that floated back to his memory:

Whether at Naishápúr or Babylon,

Whether the Cup with sweet or bitter run,

The Wine of Life keeps oozing drop by drop

The Leaves of Life keep falling one by one.

His own success, now it had come, found him wondering at it. He was a

modest young fellow at bottom, and he really did not know why he had

attained the prize so many were striving to grasp. Probably it was due

to the sturdiness of the stock he came from; and he was glad that his

ancestors had lived cleanly and had left him a healthy body and a sober

mind. His father and his mother had survived long enough to see him

through college and started in newspaper work in New York. They had been

old-fashioned in their ways, and he was aware that they might not have

approved altogether of his choice of a profession, since it would have

seemed very strange to them that a son of theirs should earn his living

by writing plays. Yet he grieved that they had gone before he was able

to repay any of the sacrifices they had made for him; it was the one

blot on his good fortune that he could not share it with them in the

future.

The future! Yes, the future was in his power at last. As he lay there in

the darkness he said to himself that all his ambitions were now almost

within his grasp. He was young and well educated; he had proved ability

and true courage; he had friends; he had a wife whom he loved and who

loved him; his first-born was a son, already almost able to walk. Never

before had his prospects appeared so smiling, and never before had he

foreseen how his hopes might be fulfilled. And yet, now as he thought

of the future, for the first time his pulse did not beat faster. When it

was plain to him that he might soon have the most of the things he cared

for, he found himself asking whether, after all, he really did care for

them so much. He was happy, but just then his happiness was passive.

The future might be left to take care of itself all in good time. He

was wide awake, yet he had almost the languor of slumber; it surprised

him to find himself thus unenergetic and not wanting to be roused to

battle, even if the enemy were in sight. He thought of the Nirvana that

the oriental philosophers sought to gain as the final good; and he asked

himself if perhaps the West had not still something to learn from the

East.

Afar, in the silence of the night, he heard the faint clang of an

ambulance-bell, and he began to think of the huge city now sunk in

slumber all around him. He had nearly four million fellow-citizens; and

in an hour or two or three they would awaken and go forth to labor. They

would fill the day with struggle, vying one with another, each trying to

make his footing secure; and now and again one of them would fall and be

crushed to the ground. They would go to bed again at night, wearied out,

and they would sleep again, and waken again, and begin the battle again.

Most of them would take part in the combat all in vain, since only a few

of them could hope to escape from the fight unvanquished. Most of them

would fall by the wayside or be trampled under foot on the high road.

Most of them would be beaten in the battle and would drop out of the

fight, wounded unto death. And for the first time all this ceaseless

turmoil and unending warfare seemed to him futile and purposeless.

What was victory but a chance to engage again in the combat? To win

to-day was but to have a right to enter the fray again to-morrow. His

triumph that evening in the theatre only opened the door for him; and if

he was to hold his own he must make ready to wrestle again and again.

Each time the effort would be harder than the last. And at the end,

what? He would be richer in money, perhaps, but just then money seemed

to have no absolute value. He would do good perhaps; but perhaps also

he might do harm, for he knew himself not to be infallible. He would

not be more contented, he feared, for he had discovered already that

although success is less bitter than failure, it rarely brings complete

satisfaction. If it were contentment that he really was seeking, why

not be satisfied now with what he had won? Why not quit? Why not step

out of the ranks and throw down his musket and get out of the way and

leave the fighting to those who had a stomach for it?

As he asked himself these questions a gray shroud of melancholy was

wrapped about him and all the brightness of youth was quenched in him.

Probably this was the inevitable reaction after the strain of his long

effort. But none the less it left him looking forward to the end of his

life and he saw himself withered and racked with pain; he saw his young

wife worn and ugly, perhaps dead—and the ghastly vision of the grave

glimpsed before him; he saw his boy dead also, dead in youth; and he

saw himself left alone and lonely in his old age, and still struggling,

struggling, struggling in vain and forever.

Then he became more morbid even and he felt he was truly alone now, as

every one of us must be always. He loved his wife and she loved him,

and there was sympathy and understanding between them; but he doubted if

he really knew her, for he felt sure she did not really know him. There

were thoughts in his heart sometimes that he was glad she did not guess;

and no doubt she had emotions and sentiments she did not reveal to him.

After all, every human being must be a self-contained and repellent

entity; and no two of them can ever feel alike or think alike. He and

his wife came of different stocks, with a different training, with a

different experience of life, with different ideals; and although they

were united in love, they could not but be separate and distinct to all

eternity. And as his wife was of another sex from his, so his boy was

of another generation, certain to grow up with other tastes and other

aspirations.

Wilson Carpenter's marriage had been happy and his boy was all he could

wish,—and yet—and yet—Is this all that life can give a man? A little joy

for the few who are fortunate, a little pleasure, and then—and then—For

the first time he understood how it was that a happy man sometimes

commits suicide. And he smiled as he thought that if he wished to choose

death at the instant of life when the outsider would suppose his future

to be brightest, now was the moment. He knew that there ought to be a

revolver in the upper drawer of the table at the side of the bed. He

turned gently; and then he lay back again, smiling bitterly at his own

foolishness.

A heavy wagon rumbled along down the next street, and he heard also the

whistle of a train on the river-front. These signs of returning day did

not interest him at that moment when—so it seemed to him, although he

was aware this was perfectly unreasonable—when he was at a crisis in

his life.

Then there came to him another quatrain of Omar's, a quatrain he had

often quoted with joy in its stern vigor and its lofty resolve:

So when the Angel of the darker Drink

At last shall find you by the river-brink,

And, offering his Cup, invite your Soul

Forth to your Lips to quaff—you shall not shrink.

And youth came to his rescue again, and hope rose within him once more;

and his interest in the eternal conflict of humanity sprang up as keen

as ever.

The mood of craven surrender passed from him as abruptly as it had come,

leaving him older, and with a vague impression as though he had had a

strange and unnatural experience. He knew again that life is infinitely

various, and that it is worth while for its own sake; and he wondered

how it was that he had ever doubted it. Even if struggle is the rule

of our existence in this world, the fight is its own reward; it brings

its own guerdon; it gives a zest to life; and sometimes it even takes

the sting from defeat. The ardor of the combat is bracing; and fate is

a foeman worthy of every man's steel.

So long as a man does his best always, his pay is secure; and the

ultimate success or failure matters little after all, for though he be

the sport of circumstance, he is the master of himself. To be alone

even—in youth or in age—is not the worst thing that can befall, if a

man is not ashamed of the companionship of his own soul. If his spirit

is unafraid and ready to brave the bludgeon of chance, then has man a

stanch friend in himself, and he can boldly front whatever the future

has in store for him. Only a thin-blooded weakling casts down his

weapons for nothing and flees around the arena; the least that a man of

even ordinary courage can do is to stand to his arms and to fight for

his life to the end.

Wilson Carpenter had no idea how long it was that he had been lying

awake motionless, staring at the ceiling. There were signs of dawn now,

and he heard a cart rattle briskly up to the house next door.

Perhaps his wife heard this also, for she turned and put out one arm

caressingly, smiling at him in her sleep. He took her hand in his,

gently, and held it. Peace descended upon him and his brain ceased to

torment itself with the future or with the present, or with the past.

He was conscious of no effort not to think, nor indeed of any

unfulfilled desire on his part. It seemed to him that he was floating

lazily on a summer sea, not becalmed but bound for no destination. And

before he knew it, he was again asleep.

Scribner's Magazine, Volume 26, October 1899 · 第 81 / 87 题