Let us first examine the pictures:--

At the top of pages 46-49 there is on each page a deity, who with his right

arm extended is offering or receiving something. He is seated on

astronomical signs; on page 46 B's head accompanies these signs. On pages

46 and 48 the deity is undoubtedly the old woman with tiger claws, who

usually pours streams of water from a jug (compare pages 39, 43 and 74). I

cannot identify the personage on pages 47 and 49. The object in the deity's

hand seems invariably to be a cup of foaming pulque. On page 49 another

object is placed above the cup, which I am unable to determine. The fifth,

page 50, differs from the other four and forms the connecting link, as it

were, between the upper row of pictures and the middle and lower ones.

Here, too, a personage is represented sitting on astronomical signs and

exhibiting symptoms of violent anger toward a second person opposite him

holding the cup in his hands. Both personages are painted as warriors.

The middle pictures on all the pages represent a warrior in a

half-kneeling, half-crouching posture, holding spears or a shield in the

right hand and brandishing a hatchet in the left. The shield on page 46 is

doubtless a representation of the sun-glyph; and on 47 the Venus sign is

combined with the head ornament. The hieroglyphs of these deities occupy

the first place in the middle line of the three lines above the pictures.

The five lower pictures represent a creature lying on the ground, pierced

by arrows and spears. On page 47 it is a jaguar; at any rate it is the same

animal found on pages 29a, 30c and 45c; a very similar creature pierced by

arrows is given in the Cod. Vat. B.; compare also the pictures in Seler's

"Venus-periode," page 371. On the other four pages this creature is in

human guise. On page 50 where, differing from the other four pages, this

figure is represented lying with the head to the right, it is plainly

shedding tears. Seler takes this figure to be E on page 48 and the tortoise

on page 49. The varying periods of time occupied by the revolution of the

planets is plainly conceived of as contest. But who is the victor in this

contest? The planet with the longer or with the shorter period of

revolution? Owing to obliteration only a small part of the hieroglyphs of

the top section is legible.

On page 46 we see the Venus sign and E's hieroglyph; on page 47 the sign

_c_, which occurs frequently on these pages, and is probably always

connected with Moan (the Pleiades and thus with the year). The numeral 1,

prefixed to an obliterated sign on page 47, is still legible, and we find

it repeated on the lower part of the same page. There is rather more to be

seen on page 48:--first the elongated head _q_ with the Ben-Ik superfix,

then the sign _a_, beside it that for the west with a prefix, in the line

below an Ahau, next, an Akbal sign with the prefix of the north, and lastly

a Moan sign.

On page 49 we see sign _c_ again occupying the first place, then o with

Ben-Ik, and in the lower line the year sign with that for 20 or the moon as

a superfix, and to the right of it the head with the Akbal eye, probably

denoting D.

This top part of the page is best preserved on page 50. In the third line

from the bottom we see the Venus sign and beside it the Moan sign, below, a

Cauac, then a Kin with the Ben-Ik superfix, then a Kan-Imix. Finally, in

the first place in the lowest row there is a Kin sign and in the second

place a sign resembling the year-sign, both having the same superfix, the

next sign is again _c_ and the last is a half-effaced sign, of which only a

Muluc is distinguishable.

Our knowledge of the middle section of these pages is somewhat more

definite. There are twelve hieroglyphs on each page, which I will number in

the following order:--

1 2 3 4

5 6 7 8

9 10 11 12.

Unquestionably these 5 × 12 signs refer to a Venus year, more exactly to

the _beginning_ of it, the period of the east. The first sign, which is a

hand pointing to the right, merely refers here, as on the left side, to the

direction in which this is to be read; the second sign is always the sign

for the east, and the sixth invariably that for Venus.

Notice should be taken of the fact that the signs of the Moan and

screech-owl or death-bird are recurrent, that of the Moan appearing on page

46, sign 7; 48, 3; 49, 11; 50, 11; and that of the death-bird on page 47,

sign 3; 48, 11, 49, 3, 50, 3 and 7, _i.e._, only in places 3, 7 and 11,

which indicates that the 12 signs are divided each time into three times

four.

It is further to be noted that the five gods, who are represented on page

24 by hieroglyphs 36-40, always recur in the ninth place in the order of

the pages:--the god represented on page 24 by sign 36 is the 8th on page

49; the 38th on the same page is the 11th on page 46 and the 12th on page

50; the 39th is the 12th on page 47, and the 40th may be the 5th on page

49, though this is hardly possible. On page 49 the 9th hieroglyph seems to

be the 39th on page 24 joined to the sign for the month Kayab.

Of the twenty gods on the left side of these pages, I have already remarked

that E, who on page 24 occupies the 38th place, and the 11th on page 46,

also occurs as the 9th on page 48 and the 12th on page 50.

It is doubtless of special significance that the sign of the first of the

twenty deities on the left side of page 46 is repeated on the right as the

tenth sign on all the pages (on page 47 also in the eleventh place where it

has a prefixed 3). It seems as if this sign, which is otherwise quite

unfamiliar, might be connected with the sun and regarded as a contrast to

the Venus sign in the sixth place.

Also the 9th deity of the left side, the 1st of page 48, reappears in the

4th place on page 49; the 10th deity, the 2nd on page 48, in the 12th on

page 49; the 15th deity, the 3d on page 49, in the 9th on page 46 and the

8th on page 49 (as already stated); the 18th, the 2nd on page 50, in the

5th on page 46.

The 2nd of these deities is suggested by the 8th on page 47, perhaps also

by the 5th on page 50; the 3d and 13th seem to be A and to recur in the 3d

place on page 46.

On the other hand C, the god who, as I believe I have proved, is connected

with the day-sign Chuen, does not appear on the left side. Now the 4th sign

on page 46 contains a Chuen, which in the 12th sign on page 48 is probably

combined with a Muluc, in the 12th on page 49 with Yax and a prefixed 6,

and in the 4th sign on page 50 with C's sign, _i.e._, as a rule Chuen

stands in the 4th place in a line.

As the gods E and K already mentioned also appear on pages 25-28 in

connection with the change of the year, so we find the tiger on the top of

page 26, and I believe this animal occurs again in the 7th sign on page 47.

Of the day-signs I take the 4th on page 47 to be Kan, the 7th on page 48 to

be Caban, and the next sign, the 8th on page 48, to be Muluc. Now if we

take into consideration the fact, that of the three periods of the month

signs on the left side of these pages, the 18th (the middle) line is the

most important, owing to its ending, 18 Kayab, alone, if for no other

reason; furthermore, that in this middle period the second Venus year

always ends with a Kan year and the third with a Muluc year, one is

naturally led to suppose that the illegible sign 12 on page 46 is an Ix

(for thus the first Venus year ends) and that the days Cauac and Kan might

have been found among the obliterated day-signs on pages 49 and 50.

Commentary on the Maya Manuscript in the Royal Public Library of Dresden · 第 73 / 105 题