The Castle, though frequently employed as an asylum for the

neighbouring inhabitants during the raids of lawless Highland

chieftains, does not appear conspicuously in history until the time of

the Civil Wars. The rapid changes in political faith which then took

place amongst the nobility rendered their Castles the frequent scenes

of retribution for crimes committed within their walls. And thus the

dungeons of Dunnottar Castle were tenanted alternately by Covenanters

and Episcopalians as either of these parties gained the ascendancy.

The traditional policy of the Keith family was distinctly Tory in its

tendency, and even when the existing holder of the title in 1645

had declared for the Covenant, it was but a half-hearted support

which he gave to the Lords of the Congregation. When, therefore, the

Marquess of Montrose, who had been won over to the King, was on his

way from the North and called upon Dunnottar to surrender in the

name of King Charles, it was with much difficulty that the possessor

of that fortress was prevented from declaring himself the vassal of

His Majesty. The persuasive eloquence of the Presbyterian clergymen,

his companions in the Castle, at length overcame his scruples, and

he fortified the place against the great Marquess, and put him to

defiance. Finding that he had no time to spend upon a formal siege of

Dunnottar, and doubting its importance in the guerilla warfare which he

then pursued, Montrose avenged himself by devastating the surrounding

country, and supplied the necessities of his army from the produce of

the inhabitants.

But “the whirligig of Time brings in his revenges,” and so it happened

shortly after that the Castle changed hands and found a new master, who

was as vigorous a persecutor as its former one had been a saint. Even

yet among the ruins is shown the “Whig’s Vault,” in which, according to

tradition, a number of the hill-folk were confined, and subjected to

extreme trials of fortitude and endurance. Torture was freely resorted

to, and boots, thumbkins, and racks were called into requisition to

provoke an abjuration of Presbyterianism. The rings are yet shown

to which prisoners were chained, and the “Martyrs’ Monument,” in the

ancient churchyard, serves to localise the tradition.

The historical incident, however, which is most distinctly associated

with the name of Dunnottar is the preservation of the regalia during

the invasion of Cromwell. When the Lord Protector had “crossed the

Rubicon” and openly broken with the Presbyterian party in the north,

he found that it was necessary for the establishment of his prestige

to strike a vigorous and decisive blow at the strength of the Scottish

Independents. The English leader was essentially a man of war, so

he buckled on his armour, and ere the Lords of the Congregation had

finished their stormy deliberations he had entered the country with

fire and sword. Here he found himself opposed by both the Tory and Whig

parties; yet, as these two would not coalesce against the common foe,

the strength of the country was divided, and he marched triumphantly

through Scotland, as he did through Ireland, making his name a terror

to the people. To General Monck he entrusted the reduction of the

Castles of Scotland which still held out against the Parliament, and

this victorious leader subdued them, one after the other, meeting

with little resistance from the people. Dunnottar was the last of the

Castles to be attacked, in 1652, and to its siege a particular interest

was attached.

Since the Union of the Crowns in the person of James VI., half a

century before this time, the Scottish nation had watched over the

regalia of the kingdom with peculiar jealousy. They had not succeeded

in retaining the ancient “Stone of Destiny” at Scone Palace, upon

which the Kings of Scots from time immemorial had been crowned, and

the superstition of the age led them to imagine that the luck of the

kingdom would depart if the Crown Jewels and Insignia were removed.

After the disastrous battle of Dunbar the Scottish leaders cast about

for a suitable place of safety for these precious relics, and the

Castle of Dunnottar was selected as the strongest fortress in their

possession. The emblems were conveyed thither in secrecy and dispatch,

and handed over to Lord Keith.

The place of their seclusion, however, was soon discovered, and, as the

cupidity of the English had been excited by extravagant accounts of the

value of the jewels, these became a special object of interest to them.

They laid close siege to the Castle, and prepared for a long campaign.

Sir George Ogilvy of Barras, then Governor, at once put Dunnottar in

a state of defence, and endeavoured to establish communications with

the land by the seaward side of the Castle. In this attempt he was

foiled, and the English Army, trusting to conquer by protracting their

blockade, resolutely encamped before the fortress. Even so extensive

a storehouse as Dunnottar must ultimately fail if sufficient time be

spent upon it, and when the stores at length gave token of reaching

a speedy termination, it became necessary to provide for the safe

keeping of the national honours. A very bold and daring scheme was

conceived and executed by the Governor, with the assistance of the

Rev. Mr. Grainger, minister of Kinneff, and his wife, then confined

to the Castle. For the purpose of putting the besiegers off their

guard, a report was circulated that the regalia had been sent to the

Continent in the charge of Sir John Keith, a brother of the Earl’s. So

industriously was this report spread that the vigour of the siege was

relaxed, and a fuller communication with the land permitted.

[Illustration: DUNNOTTAR CASTLE _Valentine & Sons, Ltd._]

In these circumstances the courageous Mrs. Grainger applied to General

Monck for permission to remove some bundles of lint from the Castle, to

which she made claim, and, as he was more noted for gallantry than any

other of the Parliamentary generals, her request was readily granted.

With the sword and the sceptre enclosed in the bundles which her

servant carried, and with the crown secreted about her own person, she

boldly made her way through the English camp, receiving, it is said,

special attention from the general himself, and, taking the road to

Kinneff Church, where her husband awaited her, she finally deposited

her charge there. Mr. Grainger removed some of the flagstones in the

floor of the church, and, wrapping the precious articles in fine linen,

he deposited them there, where they lay unmolested until after the

Restoration of Charles II.

Meanwhile the Castle of Dunnottar, after a brave defence, was

compelled to surrender, and great was the disappointment of the English

when they found themselves checkmated. The unfortunate Governor was

subjected to close examination, and even, it is alleged, to the

torture, but he held his secret unflinchingly. The minister and his

wife were likewise ill-treated, but they steadfastly refused to betray

the hiding-place wherein they had disposed the valuable honours. And

thus the siege of Dunnottar, from which the Parliamentarian Army had

expected to reap such glorious spoils, became nothing but a barren

victory, and the sagacious leaders had to confess themselves outwitted

by a woman.

The end of the history of Dunnottar Castle came in the year 1715, a

date ever memorable in Scottish annals. The tenth Earl Marischal, who

then held sway there, was sufficiently ill-advised to join the rash

noblemen who took the field at that time in support of the Chevalier

de St George (James VIII). Ever noted for their devotion to the House

of Stuart, the Keiths were easily led into the Jacobite Rising, and

George, Earl Marischal, remained faithful to his troth until the

end. After the collapse of that unfortunate expedition the Earl was

attainted of treason, tried, and condemned, and as he was then upon the

Continent, and could not conveniently suffer beheading, it was decided

that Dunnottar Castle should be dismantled. And thus this ancient

fortress, which had for more than four hundred years maintained a bold

front against invasion and rebellion, was taken when defenceless by

the soldiers of the new dynasty, the fortifications razed to the dust,

and its halls left roofless and uninhabitable. The ruthless spirit of

oppression, stimulated by fear, which characterized the government of

that time, could not suffer so venerable a stronghold of the Stuart

family to remain unmolested. And it was the consideration of such

revengeful demolitions of ancient landmarks which prompted the old

Jacobite ballad which runs thus:--

“Our ancient Crown’s fa’en in the dust;

De’il blin’ them in the stour o’t,

An’ write their names in his black book,

Wha ga’e the Whigs the pow’r o’t.

Our sad decay in Kirk and State

Surpasses my descrivin’;

The Whigs cam’ ower us for a curse,

An’ we ha’e dune wi’ thrivin’.”

VI

CASTLE CAMPBELL

The Ochil Hills bear much the same relation to the East Coast of

Scotland as the Kilpatrick Hills do to the West. Though not in

themselves privileged to give rise to an extensive stream, they are

both inseparably associated with the noble rivers, the Forth and the

Clyde, which sweep majestically past their several bases on their way

to the eastern and western seas. But in point of grandeur the Ochils

transcend the western range, even as they are themselves dwarfed into

insignificance by the loftier hills of the north.

Opposed by the Pentland Hills, which limit the southern basin of the

Forth, the Ochils form a lofty barrier between the valleys of the

Forth and the Tay, and send tributary streams to swell the volume of

both of these rivers. Three minor ranges of the Sidlaws, the Ochils,

and the Pentland Hills thus enclose between them the two noblest

rivers on the East Coast of Scotland, and direct their course to the

North Sea. The Ochils, unlike the more northern mountains, are clad

with verdure almost to their summits, and though bold in outline and

varied in colour, they have not the sterile majesty of the peaks of

Aberdeenshire. At their base lie many little hamlets and towns,

whose subsistence is drawn rather from their manufactures than

from agriculture. Tillicoultry and Alva are alike famous for their

productions in the woollen trade, and the extensive factories which

here exist show that the introduction of steam as a motive power has

rather increased than diminished the number of weavers.

Pre-eminent among the Ochil towns stands Dollar, picturesquely situated

upon one of the innumerable “crooks of Devon,” which claims remembrance

from many causes. The educationalist will think of it as the site of

the famous Academy, to which many Scottish men of letters owe their

mental birth; the poet will remember it as the residence of Tennant,

the inimitable author of “Anster Fair,” and the immortalizer of “Maggie

Lauder”; and the Waltonian will never forget that in its neighbourhood

he has bagged the finest trout which the streams of Scotland afford.

For down by the very doors of the inhabitants of Dollar flows the

lovely river Devon, whose name is not unknown among the lyrics of

Scotland, since of it does our National Bard sing in his well-known

lay:--

“How pleasant the banks of the clear winding Devon,

With green spreading bushes and flowers blooming fair.”

It is not easy to find a more purely Scottish stream than this same

Devon river, which calls forth the enthusiasm of the tourist. Taking

its rise in the eastern end of the Ochil range, it wanders by the

natural dip of the land towards Lochleven; but a peculiar geological

formation interposes a barrier and diverts the stream westward, so

that, instead of having a short-lived existence ere it lost itself in

the loch, it “meandering flows” through many miles of varied scenery,

until at length it becomes tributary to the Forth. Nowhere does it

attain considerable size, but everywhere it presents the essential

phenomena of the Scottish stream. From the Crook of Devon, which is

literally the turning-point of its existence, it wanders placidly

between the banks with verdure crowned, until it nears Rumbling Bridge.

Here the rapid descent of the valley of Dollar causes it to assume a

more turbulent character, and, dashing through the “Devil’s Mill,”

where its stream is not seen, but heard as some weird subterranean

“voice of many waters,” it hurries on towards the Cauldron Linn. The

force of the water, continuously rushing for centuries, has hollowed

a vast basin in the sandstone rock, and the stream now pours through

a contracted aperture, with the force of a water-spout, sheer over

the precipice. From this point it descends more gently through the

valley of Dollar, presenting all the characteristics of a Scottish

salmon-stream, and realizing Tennyson’s description of “The Brook”:--

“I wind about, and in and out,

With here a blossom sailing,

And here and there a lusty trout,

And here and there a grayling.”

Passing near the town of Dollar, it takes a south-westerly direction

toward the Forth, merely catching a glimpse of the picturesque Castle

Campbell, which stands amid the green woodland of the hill.

Viewed from a distance, this ancient Keep might readily be mistaken for

some retiring mansion-house, embowered in a miniature forest of larch

and beech, or, by a stretch of the imagination, to the poet’s mind it

might seem

“A palace, lifting in eternal summer

Its marble head from out a glossy bower

Of leaves.”

Yet a nearer acquaintance with its topography will speedily dispel

this illusion. The approach to the Castle soon alters from the mild

riverside way with which it begins, to the rugged and stern mountain

path which terminates at the ruin. The “bower of leaves” becomes

a gloomy forest, and the “marble palace” vanishes into a grim and

solitary ruin, which frowns defiantly from the summit of a precipice,

apparently inaccessible. The road is now narrowed to its minutest

limit, and crosses the fearful chasm which partly surrounds the Castle

by one of those shaky wooden bridges which terrify the soul of the

timorous tourist. But the view to be obtained from this spot is well

worth the trouble thus occasioned. In the valley of the Devon its

glistening stream appears, disappears, and reappears far below the

spectator; and the spires of Dollar and the factories of Tillicoultry,

the scenes of the triumph of head and hand, are at once visible. Over

the rising ground which lies between the Devon and Alloa, the estuary

of the Forth may be seen, now expanded into a noble firth; while

westward the levelling country indicates the proximity of the fertile

Carse of Stirling.

Nearer the point of vision the two streams which flow around the

Castle and fall into the Devon a short way from it have been named by

some romantic native in pre-historic times, the Water of Care and the

Burn of Greif (Gryfe); while the ancient title of the ruin itself was

“the Castle of Gloom,” and the site of the melancholy trio was “the

Valley of Dolour.” This poetical combination, however, like so many

fanciful tales, has collapsed before the searching examination of

this practical age, and a new interpretation must now be given. The

name of Castle Gloom is probably a corruption of the Gaelic _Chleum_

or _Coch Leum_--the Mad Leap, though the origin of that title is lost

in obscurity. The Water of Care was most likely applied to the stream

after the building of the edifice, as it seems an easy transition from

_Caer_, the Celtic prefix for a castle and its surroundings. Dollar is

now supposed to have been originally _Balor_, the high field--a title

which its position justifies; and thus the tender element of romance

evaporates beneath analysis.

[Illustration: CASTLE CAMPBELL _Valentine & Sons, Ltd._]

The date of the erection of the Castle is now undiscoverable,

nor has the most elaborate investigation thrown much light upon its

origin. There is a tradition still current which declares that it was

a portion of the dowry which King Robert the Bruce bestowed upon his

sister, Lady Mary Bruce, on the occasion of her marriage with Sir Neil

Campbell of Lochow. But if this was the case it must have gone out of

the possession of the family afterwards, for it was certainly held by

Archbishop Schevet, of St Andrews, and was gifted by him to the head of

the Campbells in his time as a bribe to secure his support on a special

occasion. The Archbishop died in 1498 at an advanced age. In 1493 an

Act of Parliament was passed to enable the proprietor (apparently the

second Earl of Argyll) to change its name from “Castle of Gleume” to

“Castle Campbell,” by which designation it is still known. And though

it must have been peculiarly convenient for a powerful western clan to

have a stronghold of such security in the eastern district, whereby

disaffection might be overawed, the isolation of the Castle from the

main body of the Clan Campbell frequently exposed it to danger, and

finally brought about its destruction.

The rivalry between the clans of the east and the west of Scotland

raged with violence for centuries, and the untutored clansmen pursued

their feuds with the same deep spirit of revenge as a Corsican follows

the vendetta of his family. When, therefore, the Covenanters in the

time of Charles I. included two such eminent men as Montrose and

Argyll, the leaders of the Grahams and the Campbells, who had been

sworn foes for a lengthened period, it was soon evident that they could

not long remain devoted to the same cause. Their traditional enmity

effectually prevented them from coalescing, and the crafty spirit of

Argyll led him to attempt

“Ways that are dark,

And tricks that are vain,”

The haughty soul of Montrose recoiled from his leadership and renounced

the Covenanting cause which he had espoused. His overtures to the King

were well received at Court, for his reputation as a warrior had gone

before him, and he was looked upon as a Chevalier Bayard, _sans peur et

sans reproche_.

The exploits of the great Marquess of Montrose in Scotland read

more like a romance of olden times than veritable history; and his

heartfelt devotion to the King in good or ill-fortune elevate him to

the position of a hero. But the sun of the Stewart family was then

under eclipse; and it was not given to Montrose to be the instrument of

their restoration to power, however strenuous his endeavours for that

purpose; though, perhaps his cruel and ignominious death did as much

to forward the Royal Cause as his most brilliant victory on the field

of battle. The history of Montrose, however, is not to concern us at

present, save in its relation to Castle Campbell.

The period of Scottish history which treats of the Civil War during

the time of Charles I. and the Commonwealth, shows distinctly that the

gratification of private revenge and the settlement of family feuds

largely influenced the combatants. The wavering fortunes which inclined

now to the Covenanters and anon to the Royalists soon reduced the land

to the state in which Judæa was placed when “there was no King in

Israel.” Argyll had his own traditional enemies, but so also had every

prominent man in his retinue; and thus vengeance was widely spread, and

never lacked opportunity. The history of the time was a constant record

of murder and rapine, of insult and reprisal, until the condition of

the country became absolutely deplorable. The opposing forces soon

reached that stage at which no sense of honour restrains from excess,

and when the claims of family ties and blood relationships are boldly

set at naught or publicly outraged. And it was during this fearful

time, and as a result of this melancholy and fratricidal position that

Castle Campbell fell a victim to the general fury.

The Campbells, as already mentioned, were at feud with the Grahams, but

they were also sworn foes to the Ogilvies, another powerful eastern

clan, which commanded a large portion of Forfarshire. The Earl of

Airlie, leader of this clan and a devoted adherent of Charles I., had

removed to England early in the struggle of 1640, fearing that the

Covenanters would insist upon his signature. His Castles of Airlie

and Forter were left in charge of his son, Lord Ogilvy, and as they

were well-garrisoned, he thought they might escape the rage of the

enemy. But the Committee of Estates, undaunted by the check which the

young Lord had given them, issued a Commission of Fire and Sword to

Argyll, authorizing him to capture both these strongholds. The task was

a congenial one to the ruthless Argyll; and with fiendish glee he set

about its accomplishment. Directing an overwhelming force against the

Castle of Airlie, he compelled Lord Ogilvy to withdraw, and then, in

pursuance of his instructions from the Committee, he proceeded to raze

the walls and battlements.

A contemporary writer records that “Argyll was seen taking a hammer in

his hand, knocking down the hewed work of the doors and windows till

he did sweat for heat at his task.” And the ancient ballad from which

the following verses are quoted, details, with perhaps some superfluous

exaggerations, the poetical aspect of the grim scene:--

“It fell on a day, and a bonnie simmer day,

When green grew aits an’ barley,

That there fell oot a great dispute

’Tween gleyed Argyll an’ Airlie.

Argyll has raised ane hunder men,

Ane hunder harnessed rarely;

An’ he’s awa’ by the back o’ Dunkeld

To plunder the Castle o’ Airlie.

Lady Ogilvy looks ower her bower window,

An’ O, but she looks wearily;

An’ there she spied the great Argyll,

Come to plunder the bonnie house o’ Airlie.

‘Come down, come down, my Lady Ogilvy,

Come down an’ kiss me fairly.’

‘O, I wadna kiss the fause Argyll

Tho’ he shouldna leave a standin’ stane in Airlie.’

‘O, I ha’e seven braw sons,’ she said--

‘The youngest ne’er saw his daddie;

But tho’ I had ane hunder mae

I’d gi’e them a’ to King Charlie.

‘But gin my gude Lord had been at hame,

As this nicht he is wi’ Charlie,

There durstna a Campbell in a’ Argyll

Ha’e plundered the bonnie house o’ Airlie.

‘Gif my gude Lord was noo at hame,

As he is wi’ King Charlie,

The dearest blude o’ a’ thy kin

Wad slocken the burnin’ o’ Airlie!’”

Thus runs the old song, and though there seems too strong a flavour of

the Trojan dame in this Scottish matron, the strain proved prophetic,

for her Lord had the privilege on the bloody field of Kilsyth of

executing summary vengeance upon the Campbell clan in open battle.

Meanwhile, a partial revenge had been taken upon the unfortunate Castle

Campbell by the followers of Montrose. After the “glorious victory”

at Aulderne, that intrepid leader descended by the east coast to the

Forth, and then, striking across the country by way of Kinross and

Devon Valley, he thought to surprise and capture Stirling with little

effort. In his progress westward he had to pass this stronghold of

Argyll; and as the ruthless conduct of the cross-eyed Earl at Airlie

had been detailed to Montrose, he relaxed discipline to allow the

Ogilvies, who were with him, to indulge their revengeful spirit. These

were joined by the followers of the Earl of Stirling, whose house of

Menstrie, at the base of the Ochils, had been relentlessly destroyed

by the same hand. And as these avengers of blood marched boldly up

the narrow path towards the ancient Castle of Gloom, well might the

Campbells within its walls tremble

“To see the gallant Grahams come hame.

I’ll crown them east, I’ll crown them wast,

The bravest lads that e’er I saw;

They bore the gree in free fechtin’,

An’ ne’er were slack their swords to draw.

They won the day wi’ Wallace wight.

They were the lords o’ the south countrie;

Cheer up your hearts, brave cavaliers,

The gallant Grahams ha’e come ower the sea!”

The resistance offered to the assault must have been slight, since the

position of the Castle might have rendered defence easy. But the name

of Montrose acted as a magic spell upon his enemies; and this token

of western power fell into the hands of the warriors of the east, and

was laid waste by fire and sword. Nor have its lofty battlements since

borne the Banner of Argyll, with the Galley of Lorne, and the proud

motto of the Campbells, _Ne obliviscaris_.

VII

ROTHESAY CASTLE

[Illustration: ROTHESAY CASTLE _Valentine & Sons, Ltd._]

Traditions and stories of Scottish castles · 第 3 / 18 段