And it was at that moment, too--thanks to a peasant who went past,

apparently in a bad enough humour already, but more so when he nearly

received my umbrella in his face, and who replied without any cordiality

to my "Fine day, what! good to be out walking!"--that I learned

that identical emotions do not spring up in the hearts of all men

simultaneously, by a pre-established order. Later on I discovered that,

whenever I had read for too long and was in a mood for conversation, the

friend to whom I would be burning to say something would at that moment

have finished indulging himself in the delights of conversation, and

wanted nothing now but to be left to read undisturbed. And if I had been

thinking with affection of my parents, and forming the most sensible and

proper plans for giving them pleasure, they would have been using

the same interval of time to discover some misdeed that I had already

forgotten, and would begin to scold me severely, just as I flung myself

upon them with a kiss.

Sometimes to the exhilaration which I derived from being alone would be

added an alternative feeling, so that I could not be clear in my mind to

which I should give the casting vote; a feeling stimulated by the desire

to see rise up before my eyes a peasant-girl whom I might clasp in my

arms. Coming abruptly, and without giving me time to trace it accurately

to its source among so many ideas of a very different kind, the pleasure

which accompanied this desire seemed only a degree superior to what was

given me by my other thoughts. I found an additional merit in everything

that was in my mind at the moment, in the pink reflection of the tiled

roof, the wild grass in the wall, the village of Roussainville into

which I had long desired to penetrate, the trees of its wood and the

steeple of its church, created in them by this fresh emotion which made

them appear more desirable only because I thought it was they that

had provoked it, and which seemed only to wish to bear me more swiftly

towards them when it filled my sails with a potent, unknown, and

propitious breeze. But if this desire that a woman should appear added

for me something more exalting than the charms of nature, they in their

turn enlarged what I might, in the woman's charm, have found too much

restricted. It seemed to me that the beauty of the trees was hers

also, and that, as for the spirit of those horizons, of the village of

Roussainville, of the books which I was reading that year, it was her

kiss which would make me master of them all; and, my imagination drawing

strength from contact with my sensuality, my sensuality expanding

through all the realms of my imagination, my desire had no longer any

bounds. Moreover--just as in moments of musing contemplation of nature,

the normal actions of the mind being suspended, and our abstract ideas

of things set on one side, we believe with the profoundest faith in the

originality, in the individual existence of the place in which we may

happen to be--the passing figure which my desire evoked seemed to be

not any one example of the general type of 'woman,' but a necessary and

natural product of the soil. For at that time everything which was not

myself, the earth and the creatures upon it, seemed to me more precious,

more important, endowed with a more real existence than they appear

to full-grown men. And between the earth and its creatures I made

no distinction. I had a desire for a peasant-girl from Méséglise or

Roussainville, for a fisher-girl from Balbec, just as I had a desire for

Balbec and Méséglise. The pleasure which those girls were empowered to

give me would have seemed less genuine, I should have had no faith in

it any longer, if I had been at liberty to modify its conditions as I

chose. To meet in Paris a fisher-girl from Balbec or a peasant-girl from

Méséglise would have been like receiving the present of a shell which

I had never seen upon the beach, or of a fern which I had never found

among the woods, would have stripped from the pleasure which she was

about to give me all those other pleasures in the thick of which my

imagination had enwrapped her. But to wander thus among the woods of

Roussainville without a peasant-girl to embrace was to see those woods

and yet know nothing of their secret treasure, their deep-hidden beauty.

That girl whom I never saw save dappled with the shadows of their

leaves, was to me herself a plant of local growth, only taller than the

rest, and one whose structure would enable me to approach more closely

than in them to the intimate savour of the land from which she had

sprung. I could believe this all the more readily (and also that

the caresses by which she would bring that savour to my senses were

themselves of a particular kind, yielding a pleasure which I could

never derive from any but herself) since I was still, and must for long

remain, in that period of life when one has not yet separated the fact

of this sensual pleasure from the various women in whose company one has

tasted it, when one has not reduced it to a general idea which makes one

regard them thenceforward as the variable instruments of a pleasure that

is always the same. Indeed, that pleasure does not exist, isolated and

formulated in the consciousness, as the ultimate object with which one

seeks a woman's company, or as the cause of the uneasiness which, in

anticipation, one then feels. Hardly even does one think of oneself,

but only how to escape from oneself. Obscurely awaited, immanent and

concealed, it rouses to such a paroxysm, at the moment when at last it

makes itself felt, those other pleasures which we find in the tender

glance, in the kiss of her who is by our side, that it seems to us, more

than anything else, a sort of transport of gratitude for the kindness of

heart of our companion and for her touching predilection of ourselves,

which we measure by the benefits, by the happiness that she showers upon

us.

Alas, it was in vain that I implored the dungeon-keep of Roussainville,

that I begged it to send out to meet me some daughter of its village,

appealing to it as to the sole confidant to whom I had disclosed my

earliest desire when, from the top floor of our house at Combray, from

the little room that smelt of orris-root, I had peered out and seen

nothing but its tower, framed in the square of the half-opened window,

while, with the heroic scruples of a traveller setting forth for

unknown climes, or of a desperate wretch hesitating on the verge of

self-destruction, faint with emotion, I explored, across the bounds of

my own experience, an untrodden path which, I believed, might lead me to

my death, even--until passion spent itself and left me shuddering among

the sprays of flowering currant which, creeping in through the window,

tumbled all about my body. In vain I called upon it now. In vain I

compressed the whole landscape into my field of vision, draining it with

an exhaustive gaze which sought to extract from it a female creature. I

might go alone as far as the porch of Saint-André-des-Champs: never did

I find there the girl whom I should inevitably have met, had I been with

my grandfather, and so unable to engage her in conversation. I would fix

my eyes, without limit of time, upon the trunk of a distant tree, from

behind which she must appear and spring towards me; my closest scrutiny

left the horizon barren as before; night was falling; without any hope

now would I concentrate my attention, as though to force up out of it

the creatures which it must conceal, upon that sterile soil, that stale

and outworn land; and it was no longer in lightness of heart, but with

sullen anger that I aimed blows at the trees of Roussainville wood, from

among which no more living creatures made their appearance than if they

had been trees painted on the stretched canvas background of a panorama,

when, unable to resign myself to having to return home without having

held in my arms the woman I so greatly desired, I was yet obliged to

retrace my steps towards Combray, and to admit to myself that the chance

of her appearing in my path grew smaller every moment. And if she had

appeared, would I have dared to speak to her? I felt that she would have

regarded me as mad, for I no longer thought of those desires which came

to me on my walks, but were never realized, as being shared by others,

or as having any existence apart from myself. They seemed nothing more

now than the purely subjective, impotent, illusory creatures of my

temperament. They were in no way connected now with nature, with the

world of real things, which from now onwards lost all its charm and

significance, and meant no more to my life than a purely conventional

framework, just as the action of a novel is framed in the railway

carriage, on a seat of which a traveller is reading it to pass the time.

And it is perhaps from another impression which I received at

Montjouvain, some years later, an impression which at that time was

without meaning, that there arose, long afterwards, my idea of that

cruel side of human passion called 'sadism.' We shall see, in due

course, that for quite another reason the memory of this impression was

to play an important part in my life. It was during a spell of very hot

weather; my parents, who had been obliged to go away for the whole day,

had told me that I might stay out as late as I pleased; and having

gone as far as the Montjouvain pond, where I enjoyed seeing again the

reflection of the tiled roof of the hut, I had lain down in the shade

and gone to sleep among the bushes on the steep slope that rose up

behind the house, just where I had waited for my parents, years before,

one day when they had gone to call on M. Vinteuil. It was almost dark

when I awoke, and I wished to rise and go away, but I saw Mlle. Vinteuil

(or thought, at least, that I recognised her, for I had not seen her

often at Combray, and then only when she was still a child, whereas

she was now growing into a young woman), who probably had just come in,

standing in front of me, and only a few feet away from me, in that room

in which her father had entertained mine, and which she had now made

into a little sitting-room for herself. The window was partly open; the

lamp was lighted; I could watch her every movement without her being

able to see me; but, had I gone away, I must have made a rustling sound

among the bushes, she would have heard me, and might have thought that I

had been hiding there in order to spy upon her.

She was in deep mourning, for her father had but lately died. We had

not gone to see her; my mother had not cared to go, on account of that

virtue which alone in her fixed any bounds to her benevolence--namely,

modesty; but she pitied the girl from the depths of her heart. My

mother had not forgotten the sad end of M. Vinteuil's life, his complete

absorption, first in having to play both mother and nursery-maid to his

daughter, and, later, in the suffering which she had caused him; she

could see the tortured expression which was never absent from the old

man's face in those terrible last years; she knew that he had definitely

abandoned the task of transcribing in fair copies the whole of his later

work, the poor little pieces, we imagined, of an old music-master, a

retired village organist, which, we assumed, were of little or no value

in themselves, though we did not despise them, because they were of such

great value to him and had been the chief motive of his life before he

sacrificed them to his daughter; pieces which, being mostly not even

written down, but recorded only in his memory, while the rest were

scribbled on loose sheets of paper, and quite illegible, must now remain

unknown for ever; my mother thought, also, of that other and still more

cruel renunciation to which M. Vinteuil had been driven, that of seeing

the girl happily settled, with an honest and respectable future; when

she called to mind all this utter and crushing misery that had come

upon my aunts' old music-master, she was moved to very real grief, and

shuddered to think of that other grief, so different in its bitterness,

which Mlle. Vinteuil must now be feeling, tinged with remorse at having

virtually killed her father. "Poor M. Vinteuil," my mother would say,

"he lived for his daughter, and now he has died for her, without getting

his reward. Will he get it now, I wonder, and in what form? It can only

come to him from her."

At the far end of Mlle. Vinteuil's sitting-room, on the mantelpiece,

stood a small photograph of her father which she went briskly to fetch,

just as the sound of carriage wheels was heard from the road outside,

then flung herself down on a sofa and drew close beside her a little

table on which she placed the photograph, just as, long ago, M. Vinteuil

had 'placed' beside him the piece of music which he would have liked

to play over to my parents. And then her friend came in. Mlle. Vinteuil

greeted her without rising, clasping her hands behind her head, and

drew her body to one side of the sofa, as though to 'make room.' But no

sooner had she done this than she appeared to feel that she was perhaps

suggesting a particular position to her friend, with an emphasis which

might well be regarded as importunate. She thought that her friend would

prefer, no doubt, to sit down at some distance from her, upon a chair;

she felt that she had been indiscreet; her sensitive heart took fright;

stretching herself out again over the whole of the sofa, she closed her

eyes and began to yawn, so as to indicate that it was a desire to sleep,

and that alone, which had made her lie down there. Despite the rude

and hectoring familiarity with which she treated her companion I could

recognise in her the obsequious and reticent advances, the abrupt

scruples and restraints which had characterised her father. Presently

she rose and came to the window, where she pretended to be trying to

close the shutters and not succeeding.

"Leave them open," said her friend. "I am hot."

"But it's too dreadful! People will see us," Mlle. Vinteuil answered.

And then she guessed, probably, that her friend would think that she had

uttered these words simply in order to provoke a reply in certain other

words, which she seemed, indeed, to wish to hear spoken, but, from

prudence, would let her friend be the first to speak. And so, although

I could not see her face clearly enough, I am sure that the expression

must have appeared on it which my grandmother had once found so

delightful, when she hastily went on: "When I say 'see us' I mean, of

course, see us reading. It's so dreadful to think that in every trivial

little thing you do some one may be overlooking you."

With the instinctive generosity of her nature, a courtesy beyond her

control, she refrained from uttering the studied words which, she had

felt, were indispensable for the full realisation of her desire. And

perpetually, in the depths of her being, a shy and suppliant maiden

would kneel before that other element, the old campaigner, battered but

triumphant, would intercede with him and oblige him to retire.

"Oh, yes, it is so extremely likely that people are looking at us at

this time of night in this densely populated district!" said her friend,

with bitter irony. "And what if they are?" she went on, feeling bound

to annotate with a malicious yet affectionate wink these words which

she was repeating, out of good nature, like a lesson prepared beforehand

which, she knew, it would please Mlle. Vinteuil to hear. "And what if

they are? All the better that they should see us."

Mlle. Vinteuil shuddered and rose to her feet. In her sensitive

and scrupulous heart she was ignorant what words ought to flow,

spontaneously, from her lips, so as to produce the scene for which her

eager senses clamoured. She reached out as far as she could across the

limitations of her true character to find the language appropriate to

a vicious young woman such as she longed to be thought, but the

words which, she imagined, such a young woman might have uttered with

sincerity sounded unreal in her own mouth. And what little she allowed

herself to say was said in a strained tone, in which her ingrained

timidity paralysed her tendency to freedom and audacity of speech; while

she kept on interrupting herself with: "You're sure you aren't cold? You

aren't too hot? You don't want to sit and read by yourself?...

"Your ladyship's thoughts seem to be rather 'warm' this evening," she

concluded, doubtless repeating a phrase which she had heard used, on

some earlier occasion, by her friend.

In the V-shaped opening of her crape bodice Mlle. Vinteuil felt the

sting of her friend's sudden kiss; she gave a little scream and

ran away; and then they began to chase one another about the room,

scrambling over the furniture, their wide sleeves fluttering like

wings, clucking and crowing like a pair of amorous fowls. At last Mlle.

Vinteuil fell down exhausted upon the sofa, where she was screened from

me by the stooping body of her friend. But the latter now had her back

turned to the little table on which the old music-master's portrait had

been arranged. Mlle. Vinteuil realised that her friend would not see

it unless her attention were drawn to it, and so exclaimed, as if she

herself had just noticed it for the first time: "Oh! there's my father's

picture looking at us; I can't think who can have put it there; I'm sure

I've told them twenty times, that is not the proper place for it."

I remembered the words that M. Vinteuil had used to my parents in

apologising for an obtrusive sheet of music. This photograph was, of

course, in common use in their ritual observances, was subjected to

daily profanation, for the friend replied in words which were evidently

a liturgical response: "Let him stay there. He can't trouble us any

longer. D'you think he'd start whining, d'you think he'd pack you out

of the house if he could see you now, with the window open, the ugly old

monkey?"

To which Mlle. Vinteuil replied, "Oh, please!"--a gentle reproach

which testified to the genuine goodness of her nature, not that it

was prompted by any resentment at hearing her father spoken of in this

fashion (for that was evidently a feeling which she had trained herself,

by a long course of sophistries, to keep in close subjection at such

moments), but rather because it was the bridle which, so as to avoid all

appearance of egotism, she herself used to curb the gratification which

her friend was attempting to procure for her. It may well have been,

too, that the smiling moderation with which she faced and answered these

blasphemies, that this tender and hypocritical rebuke appeared to her

frank and generous nature as a particularly shameful and seductive form

of that criminal attitude towards life which she was endeavouring to

adopt. But she could not resist the attraction of being treated with

affection by a woman who had just shewn herself so implacable towards

the defenceless dead; she sprang on to the knees of her friend and held

out a chaste brow to be kissed; precisely as a daughter would have done

to her mother, feeling with exquisite joy that they would thus, between

them, inflict the last turn of the screw of cruelty, in robbing M.

Vinteuil, as though they were actually rifling his tomb, of the sacred

rights of fatherhood. Her friend took the girl's head in her hands and

placed a kiss on her brow with a docility prompted by the real affection

she had for Mlle. Vinteuil, as well as by the desire to bring what

distraction she could into the dull and melancholy life of an orphan.

"Do you know what I should like to do to that old horror?" she said,

taking up the photograph. She murmured in Mlle. Vinteuil's ear something

that I could not distinguish.

"Oh! You would never dare."

"Not dare to spit on it? On that?" shouted the friend with deliberate

brutality.

I heard no more, for Mlle. Vinteuil, who now seemed weary, awkward,

preoccupied, sincere, and rather sad, came back to the window and drew

the shutters close; but I knew now what was the reward that M. Vinteuil,

in return for all the suffering that he had endured in his lifetime, on

account of his daughter, had received from her after his death.

And yet I have since reflected that if M. Vinteuil had been able to be

present at this scene, he might still, and in spite of everything, have

continued to believe in his daughter's soundness of heart, and that he

might even, in so doing, have been not altogether wrong. It was true

that in all Mlle. Vinteuil's actions the appearance of evil was so

strong and so consistent that it would have been hard to find it

exhibited in such completeness save in what is nowadays called a

'sadist'; it is behind the footlights of a Paris theatre, and not under

the homely lamp of an actual country house, that one expects to see a

girl leading her friend on to spit upon the portrait of a father who has

lived and died for nothing and no one but herself; and when we find in

real life a desire for melodramatic effect, it is generally the 'sadic'

instinct that is responsible for it. It is possible that, without being

in the least inclined towards 'sadism,' a girl might have shewn the

same outrageous cruelty as Mlle. Vinteuil in desecrating the memory and

defying the wishes of her dead father, but she would not have given them

deliberate expression in an act so crude in its symbolism, so lacking

in subtlety; the criminal element in her behaviour would have been less

evident to other people, and even to herself, since she would not have

admitted to herself that she was doing wrong. But, appearances apart, in

Mlle. Vinteuil's soul, at least in the earlier stages, the evil element

was probably not unmixed. A 'sadist' of her kind is an artist in evil,

which a wholly wicked person could not be, for in that case the evil

would not have been external, it would have seemed quite natural to her,

and would not even have been distinguishable from herself; and as for

virtue, respect for the dead, filial obedience, since she would never

have practised the cult of these things, she would take no impious

delight in their profanation. 'Sadists' of Mlle. Vinteuil's sort are

creatures so purely sentimental, so virtuous by nature, that even

sensual pleasure appears to them as something bad, a privilege reserved

for the wicked. And when they allow themselves for a moment to enjoy it

they endeavour to impersonate, to assume all the outward appearance of

wicked people, for themselves and their partners in guilt, so as to gain

the momentary illusion of having escaped beyond the control of their own

gentle and scrupulous natures into the inhuman world of pleasure. And

I could understand how she must have longed for such an escape when I

realised that it was impossible for her to effect it. At the moment when

she wished to be thought the very antithesis of her father, what she at

once suggested to me were the mannerisms, in thought and speech, of

the poor old music-master. Indeed, his photograph was nothing; what she

really desecrated, what she corrupted into ministering to her pleasures,

but what remained between them and her and prevented her from any

direct enjoyment of them, was the likeness between her face and his, his

mother's blue eyes which he had handed down to her, like some trinket to

be kept in the family, those little friendly movements and inclinations

which set up between the viciousness of Mlle. Vinteuil and herself a

phraseology, a mentality not designed for vice, which made her regard it

as not in any way different from the numberless little social duties and

courtesies to which she must devote herself every day. It was not evil

that gave her the idea of pleasure, that seemed to her attractive; it

was pleasure, rather, that seemed evil. And as, every time that she

indulged in it, pleasure came to her attended by evil thoughts such as,

ordinarily, had no place in her virtuous mind, she came at length to

see in pleasure itself something diabolical, to identify it with Evil.

Perhaps Mlle. Vinteuil felt that at heart her friend was not altogether

bad, not really sincere when she gave vent to those blasphemous

utterances. At any rate, she had the pleasure of receiving those kisses

on her brow, those smiles, those glances; all feigned, perhaps, but akin

in their base and vicious mode of expression to those which would have

been discernible on the face of a creature formed not out of kindness

and long-suffering, but out of self-indulgence and cruelty. She was

able to delude herself for a moment into believing that she was indeed

amusing herself in the way in which, with so unnatural an accomplice, a

girl might amuse herself who really did experience that savage antipathy

towards her father's memory. Perhaps she would not have thought of

wickedness as a state so rare, so abnormal, so exotic, one which it was

so refreshing to visit, had she been able to distinguish in herself,

as in all her fellow-men and women, that indifference to the sufferings

which they cause which, whatever names else be given it, is the one

true, terrible and lasting form of cruelty.

Swann's Way · 第 16 / 44 段