VI

MRS. VERMONT ate more hot cakes than she cared to remember, because

they were so good and nobody seemed to notice. She went on to chocolate

cake, then to orange layer cake, to which she returned again and again.

An idea she had had, that one should not eat very much when invited

out, languished; she finished up with a plate of raspberries. She put

all thought of her figure resolutely behind her. Mother, of course, had

filled out terribly, but oneself mightn’t.

“Nummy-nummy,” she said, pointing out the raspberries to David

Armstrong who sat beside her. “David have some!”

Livvy Thompson, sitting beyond David, deplored these women who talked

baby-talk. She felt that her own appeal to men was more serious. “Mr.

Armstrong has got to play in the next set,” she said warningly.

“Hoity-toity!” thought Betty Vermont (she never used the expression

aloud, as she was not certain how one pronounced it: it was one of her

inner luxuries). Turning to Mrs. Carey (the Honourable Mrs. Carey), who

sat on her other side, she said frankly:

“Your scrumptious Irish teas make a perfect piggy-wig of me. And

dining-room tea, of course, makes me a kiddy again.”

“Does it really?” said Mrs. Carey, and helped herself placidly to

another slice of the chocolate cake. She thought of Mrs. Vermont

as “a little person” and feared she detected in her a tendency,

common to most English people, to talk about her inside. She often

wondered if the War had not made everybody from England a little

commoner. She added pleasantly: “This chocolate cake is a speciality

of Danielstown’s. I believe it’s a charm that they make it by, not a

recipe.”

“Things do run in families, don’t they? Now I am sure you’ve all got

ghosts.”

“I can’t think of any,” said Mrs. Carey, accepting another cup of tea.

She smiled and nodded across the table to Mrs. Archie Trent, who had

just come in. “We have been much more worried lately by people taking

away our car. Of course it is always brought back again, but one

doesn’t like to think of its being used for nefarious purposes. That is

the worst of a Ford.”

Mrs. Vermont opened her mouth to tell Mrs. Carey the latest Ford story,

then checked herself because in Ireland they seemed to take Fords so

seriously. She observed instead: “All this is terrible for you all,

isn’t it? I do think you’re so sporting the way you just stay where

you are and keep going on. Who would ever have thought the Irish would

turn out so disloyal--I mean, of course, the lower classes! I remember

Mother saying in 1916--you know, when that dreadful rebellion broke

out--she said: ‘This _has_ been a shock to me, I never shall feel the

same about the Irish again.’ You see, she had brought us all up as

kiddies to be so keen on the Irish, and Irish songs. I still have a

little bog-oak pig she brought me back from an exhibition. She always

said they were the most humorous people in the world, and with hearts

of gold. Though of course we had none of us ever been in Ireland.”

“Well, I hope you are pleased with us now you have come,” said Mrs.

Carey hospitably. “I expect you have all been enjoying this lovely

weather?”

“Oh, _well_--you see, we didn’t come over to enjoy ourselves, did we?

We came to take care of all of you--and, of course, we are ever so

glad to be able to do it. Not that I don’t like the country; it’s so

picturesque with those darling mountains and the hens running in and

out of the cottages just the way Mother always said. But, you see, one

can’t help worrying all the time about Timmie--my husband--and all

the boys: out all night sometimes with the patrols or else off in the

mountains.”

“Terrible. And do you find this a tiring climate?”

A word attracted Mrs. Trent’s attention across the table. “Terrible

what?” she said. “Terrible who?” She was youngish, brusque and

dominant; the high pink colour over her face as from riding hard in

a wind gave her a look of zestfulness alarming to Mrs. Vermont. “I

shouldn’t worry,” she said to Mrs. Vermont.

Mrs. Vermont replied with a shade of asperity that it was _they_ who

were in a position to worry and therefore must not. “’Cause _we_’re

here to take care of you!” The remark, caught in a momentary silence

around the table, was received with civility and attention. “That’s

splendid!” said Mrs. Trent heartily. She got up, having finished her

tea rapidly and went to smoke outside. Her husband was M.F.H. and

really, thought Mrs. Vermont, they did not seem to worry about anything

but wire. Mrs. Vermont turned for support to David; his ears were

scarlet, he rapidly stirred his tea.

Five days ago, an R.I.C. barracks at Ballydrum had been attacked and

burnt out after a long defence. Two of the defenders were burnt inside

it, the others shot coming out. The wires were cut, the roads blocked;

there had been no one to send for help, so there was no help for them.

It was this they had all been discussing, at tea, between tennis: “the

horrible thing.” No one could quite understand why Captain Vermont and

the subalterns did not seem more appalled and interested. It was not

apparent how the subject rasped on their sensibilities. These things

happened, were deplored and accepted, and still no one seemed to look

on David or Gerald, Smith, Carmichael or Mrs. Vermont’s Timmie as a

possible remedy. Here they all were, playing tennis, and every one

seemed delighted. “If they’d just let us out for a week--” felt the

young men. David could not look up as he stirred his tea. What was the

good of them? This, he felt, every one should be wondering. But the

party would indeed have been dull without them, there would have been

no young men. Nobody wished them elsewhere.

Lois had been worrying chiefly because Gerald had illusions about her,

also, as to whether Aunt Myra noticed the raspberries still would not

go round. The guests for which she was responsible were not only

unexpected but ravenous. And while she sat watching Aunt Myra, Gerald

sat watching herself as though she were an entirely different person,

not the sort of person one could describe at all. After tea she played

on the upper court with Captain Vermont, against Gerald and Nona Carey.

She played well, all her strokes came off; it seemed that worry agreed

with her. It could not agree with Gerald, who played badly. Then it

occurred to her: he was not worried; she had not the power to worry

him. Some idea he had formed of herself remained inaccessible to her;

she could not affect it.

By now the upper court was in shadow, they all flickered against the

dark screen of the trees like figures cut out of light green velvet.

Below, where hot bands of light still blinded the players, there was

a suggestion of strain and violence. Whenever she looked down, Mr.

Montmorency seemed to be handing balls to his partner in silent anger.

She guessed it must be himself who was playing badly, so that while she

could not resist looking down, she had to keep looking away from him

just as fast.

“You were splendid,” said Captain Vermont when their set finished.

“Oh no, I wasn’t,” said Lois by reflex action, and wished all the other

things to which she was always replying, “Oh no, I didn’t,” or “Oh no,

I’m not,” were half as true. And she thought what a pity it was that

Mr. Montmorency, instead of exerting himself so fruitlessly, had not

been sitting there at the edge of the court to watch her.

She walked down the slope from the court with Gerald beside her.

Conscious of many people’s attention, she did not know if she seemed

enviable or foolish. “I wish you wouldn’t keep looking so pleased the

whole time,” she said to Gerald.

“Oh?... but I am.”

“What at?”

“Well, I love coming over here. I think you have such awfully nice

parties.”

“Oh, the party.... But David enjoys them, and he hasn’t got the same

expression as you have. In fact, he looks rather sick. What can be the

matter?”

“Well, we all feel a little rotten about that barrack.”

“_Don’t!_ Do you know that while that was going on, eight miles off, I

was cutting a dress out, a voile that I didn’t even need, and playing

the gramophone?... How is it that in this country that ought to be full

of such violent realness, there seems nothing for me but clothes and

what people say? I might just as well be in some kind of cocoon.”

“But what could you have done? You, you--”

“I might at least have felt something.”

“But you do; you’ve got the most wonderful power of feeling.”

“But you never take in a word I say. You’re not interested when I tell

you about myself.”

“You know I could listen all day to you talking.”

She thought: “As though you could make me talk all day!” To cover the

thought she said earnestly:

“You think we don’t all understand your not being there in time and

not doing anything afterwards? We’re not all such idiots. We know

it’s most terribly difficult for you and that you must obey orders.

It’s bad luck the orders are silly. It’s all this dreadful idea about

self-control. When _we_ do nothing it is out of politeness, but England

is so moral, so dreadfully keen on not losing her temper, or being

for half a moment not a great deal more noble than anyone else. Can

you wonder this country gets irritated? It’s as bad for it as being a

woman. I never can see why women shouldn’t be hit, or should be saved

from wrecks when everybody complains they’re superfluous.”

“You don’t understand: it would be ghastly if those things went.”

“Why? I don’t see--and _I_ am a woman.”

Which was, of course, exactly why it wasn’t to be expected or desired

she _should_ understand. He smiled, too happy to answer, and tore out a

handful of leaves from the privet hedge. She had this one limitation,

his darling Lois; she couldn’t look on her own eyes, had no idea what

she was, resented almost his attention being so constantly fixed on

something she wasn’t aware of. A fellow did not expect to be to a girl

what a girl was to a fellow--this wasn’t modesty, specially, it was an

affair of function--so that the girl must be excused for a possible

failure in harmony, a sometimes discordant irreverence. When he said:

“You will never know what you mean to me,” he made plain his belief in

her perfection as a woman. She wasn’t made to know, she was not fit for

it. She was his integrity, of which he might speak to strangers but of

which to her he would never speak.

He tore out another handful of leaves from the hedge and scattered

them carefully over the grass. They both laughed.

She was thinking: “When next I write to Viola, can I describe him?”

Viola flashed off her men in a phrase, with a sweep of her red quill

pen. The red pen had leaned from the Chinese inkpot, against the

window, like a thin flame, a leaning flamingo on that day’s sunny mist

in the Westminster street. It remained a picture of their intercourse.

They had said good-bye in December, a slight day, anxious between the

enormous past and future. The parting was hardly real, they had barely

kissed. They were impatient, nervous, waiting for the curtain to rise.

They had just left school.

They had left school the day before. Yet the new life had been

impatient for Viola, drawing her away from Lois in the taxi,

appropriating her with certainty. She had stepped from their taxi

toppling with school trunks with a kind of solemnity, as on to a

carpet stretched for her festal approach from the kerb to the doors

of her home. Next day, when they said good-bye, her hair was in place

already, woven into her personality. Her pigtail had been the one

loose end there was of her, an extension of her that had independence,

a puppyish walloping thing with nerves of its own. Now the hair was

woven in bright sleek circles over her ears, each strand round like an

eel’s body. The effect completed her; Lois knew she had been missing or

else discounting something all these years. Viola must have played at

being a schoolgirl just as Lois would have to play at being a woman.

Two expensive young men’s photographs had risen like suns on her

mantelpiece; these young men had loved since last Easter holidays;

their position was now regularized magically by the putting up of

Viola’s hair. For only little commonalities, she declared, had affairs

while still at school. And Lois, after that good-bye so distinct and

distant, as at the little end of a telescope, had left her with the

composed, knowing photographs and the red pen leaning against the

sunshine. She had wondered, going out to a day of shopping and the

night mail to be caught at Euston, whether life was to hold for her,

too, a man’s passion; and if so, when? And she had bought a dozen pairs

of silk stockings and the black georgette Aunt Myra said was “old.”

But a man’s passion was not at all the thing. My dear, too Dell-ish!

Viola went to what she supposed one would call her first ball; in

tulle she went, smoke blue, with a close gold-leaf round the hair--not

bright gold, dull gold. Various people had seemed intrigued, were in

fact intrigued rather definitely. There was So-and-so, an absurd person

(flash of the red pen), and the aloof, rather mask-like So-and-so--who

might intrigue Lois. But when it came to _So-and-so_ (a most brilliant

flash of the pen) Viola would admit to Lois she _was_ affected: it

really had been affecting. But enough of Viola. “Now, Lois darling, you

must tell me about them all: I must know everybody.”

And there arose, recurrently, the difficulty in describing Gerald. Who

else had been intrigued, Lois was not certain. How much was somebody

intrigued when they wished to sit out in a car in the barrack square

for four dances? Might not Viola consider sitting out in a car at all

rather Dell-ish? When some one tried to kiss you with whisky-ish

breath, how much were they intrigued and how much was whisky? She

thought a major proposed to her, though he seemed rather old, but he

was so much confused and had such a mumbly moustache she could not be

certain. And later on at the Clonmore Club a lady was pointed out to

her as, she was almost certain, that major’s wife. David had seemed

intrigued, but then he himself intrigued Livvy so very definitely and

did not a young man under these conditions become slightly sordid?

So Lois became so very general in her references that Viola was

suspicious: she asked, was there really anyone? Then she began to

write in a married-womanish tone of encouragement, which considering

she _could_ be married at any moment was really justified. Lois was

forced to state, there _was_ a man in the Rutlands, a Gerald Lesworth,

whom she found affecting. She supposed there was no question as to his

being intrigued; people seemed to notice. So Viola wrote back, she must

hear all about him, should have heard before: her Lol was really the

final Sphinx. She wanted to know, to see, to hear him, even to smell

him--because all the nicest men did smell, didn’t they, indefinably but

divinely. One noticed it when one was dancing or, sometimes, sitting

out. So now, please, everything; by return.

Viola did not like moustaches, but some men did qualify their

moustaches, surely? Gerald’s lay like a fine dark shadow, so that

his lip seemed to curl up more than it did. It answered his eyebrows

somehow--that had a way of drawing together while he spoke--and some

soft edgeless darkness about his eyes. If one mentioned his teeth

so white that his smile seemed a long slow flash in the tanned face,

didn’t it make him sound like Fairbanks? For he was _not_, at all.

He had a way of looking down while he spoke, as though his thoughts

were under his eyelids. From his look she had sometimes turned in

impatience, never in discomfort. There was emotion there unclothed in

the demi-decency of thought; nakedness, not a suggestive deshabille.

If he was looking away and one spoke, his eyes returned with an

extraordinary look of welcome. He had a good chin, cut sharply away

underneath with a strong shadow. His head was pleasant with bumps,

that made planes of light and shadow over his polished hair. And she

knew she liked something about the back of his neck: it was a personal

neck--not just a connection, an isthmus--with skin fitting closely over

the muscles.

As she stood looking at Gerald by the privet hedge, he emerged from the

mist of familiarity, clear to her mental eye. She saw him as though for

the first time, with a quick response to his beauty; she saw him as

though he were dead, as though she had lost him, with the pang of an

evocation. While she could hold him thus--before he receded or came too

closely forward--she wanted to run indoors and write to Viola. Viola

would be certain to tell her she loved him, and by that declaration, to

be expressed with vigour, Lois was too certain to be affected. She was

afraid at the thought of it.

She would have loved to love him; she felt some kind of wistfulness,

some deprivation. If there could only be some change, some movement--in

her, outside of her, somewhere between them--some incalculable

shifting of perspectives that would bring him wholly into focus, mind

and spirit, as she had been bodily in focus now--she could love him.

Something must be transmuted.... Or else, possibly, if he would not

love her so, could give her air to grow in, not stifle imagination.

He said: “What’s the matter? Bothered?”

“Thinking--about you, in a kind of way.”

“Good.”

“I was describing you. How would you describe me?”

He was surprised, he needed time to think of this; he did not know. “I

must just go in,” she said--“do you mind?--and write a letter. It’s so

important. Will you post it for me at Clonmore?”

But meanwhile, they had been irritating Lady Naylor, who seeing Lois

stand so vaguely down by the privet hedge, disclaiming implicitly

the party given for her amusement, was goaded to the point of an

interruption. Now she called: “Lois--Lois!”

Lois sighed and went to her.

“I want you to take the Trents and Maguires and Boatleys round

the garden,” she said as her niece approached. “I shall be coming

later”--she murmured: “when some more of the people have gone. Mrs.

Trent wants a cutting of the allspice and would like to see if there’s

anything else she would like. Tell Donovan.” She murmured again: “And

don’t let Mrs. Boatley get with Mrs. Maguire, she is a Christian

Scientist and will talk of it, and you know the Maguires’ little

nephew died of that. And if the Boatleys like the peaches give them

some; let Donovan pack them.” She added in a still lower tone of

reproach: “Because I don’t believe there were raspberries for them at

tea.”

The last September · 第 10 / 29 题