Instead of recognizing natural regions and natural groups of people,

the utopia of nationalism establishes, by the surveyor’s line, a

certain realm called national territory, and makes all the inhabitants

of this territory the members of a single, indivisible group, the

nation, which is supposed to be prior in claim and superior in power

to all other groups. This is the only social formation that is

officially recognized within the national utopia. What is common to

all the inhabitants of this territory is thought to be of far greater

importance than any of the things that bind men together in particular

civic or industrial groups.

Let us look at this world of national utopias. The contrast between

the politician’s map and the geographer’s would be little less than

amazing were our eyes not used to it, and were we not taught in modern

times to look upon it as inevitable. Instead of the natural grouping

of land masses and regions, one finds a multitude of quite arbitrary

lines: boundaries like those that separate Canada and the United States

or Belgium and the Netherlands are just as frequent as the natural

frontier of sea that surrounds England. Sometimes these national

territories are big, and sometimes they are little; but the bigness of

empires like those of France, England, or the United States is not due

to any essential identity of interests between the sundry communities

of these empires, but to the fact that they are forcibly held together

by a political government. National lines, in other words, continue to

exist only as long as the inhabitants continue to act in terms of them;

are ready to pay their taxes to support customs bureaux, immigration

offices, frontier patrols, and educational systems; and are prepared,

in the last extremity, to lay down their lives to prevent other groups

from crossing these imaginary lines without permission.

The chief concern of the national utopia is the support of the central

government, for the government is the guardian of territory and

privilege. The principal business of that government is to keep the

territory properly defined, and to increase its limits, when possible,

so as to make the taxable area larger. By stressing the importance of

these concerns, and constantly playing up the dangers of rivalry from

other national utopias, the State builds a bridge between the Country

House and Coketown, and persuades the workers in Coketown that they

have more in common with the classes that exploit them than they have

in common with other groups within a more limited community. It would

seem that this reconciliation of Coketown and the Country House is

little less than miraculous, even as an ideal; and perhaps it would be

interesting to examine a little more carefully the apparatus by which

this is effected.

12

The chief instrument of the National State is Megalopolis, its biggest

city, the place where the idolum of the National Utopia was first

created, and where it is perpetually willed into existence.

In order to grasp the quintessential character of Megalopolis we must

shut our eyes to the palpable earth, with its mantle of vegetation

and its tent of clouds, and conceive what might be made of the human

landscape if it could be entirely fabricated out of paper; for the

ultimate aim of the Megalopolis is to conduct the whole of human life

and intercourse through the medium of paper.

The early life of a young citizen in Megalopolis is spent in acquiring

the tools by which paper may be used. The names of these tools

are writing, reading, and arithmetic; and once upon a time these

constituted the main elements in every Megalopolitan’s education.

There was, however, a good deal of dissatisfaction, on paper,

against this somewhat barren curriculum, and so at a fairly early

date in the history of Megalopolis, various other subjects, such as

literature, science, gymnastics, and manual training were added to

the curriculum--on paper. It is indeed possible for a Megalopolitan

student to know the atomic formula of clay without ever having seen it

in the raw earth, to handle pine wood in the workshop without having

walked through a pine forest, and to go through the masterpieces of

poetic literature without having experienced a single emotion which

would prepare him to appreciate anything different from one of the

influential Megalopolitan magazines, “Smutty Stories”, but as long as

his hours of attendance can be recorded on paper, and as long as he can

give a satisfactory account of his studies on an examination paper, his

preparation for life is practically complete; and so he is graduated

with a paper certificate of education into the industries of Coketown,

or into the multitudinous bureaus of Megalopolis itself.

The end of this period of paper tutelage is but a prelude to its

continuation in another form; for the religious care of paper is

the Megalopolitan’s life work. The daily newspaper, the ledger, the

card index are the means by which he now makes contact with life,

whilst the fiction magazine and the illustrated paper are the means

by which he escapes from it. Through the translucent form of paper

known as celluloid, it has been possible to do away on the stage

with flesh-and-blood people; and therefore the drama of life, as the

Megalopolitan story writers tell it, can be enacted at one remove

from actuality. Instead of his travelling, the world moves before the

Megalopolitan, on paper; instead of his venturing forth on the highways

of the world, adventure comes to him, on paper; instead of his getting

him a mate, his bliss may be all but consummated--on paper. In fact,

so accustomed does the Megalopolitan become to experiencing all his

emotions on paper that he can be entertained by the representation of

a static bowl of flowers on a moving picture screen; while his cockney

ignorance of nature is so vast that a certain vaudeville performer,

seeking to amuse him by imitating the calls of birds and beasts, finds

it wise to have moving pictures taken of the rooster, the dog, and the

cat, in order to give his mimicries reality in minds destitute of any

personal image.

The notion of direct action, direct intercourse, direct association,

is a foreign one to Megalopolis. If any action is to be taken by the

whole community, or by any group in it, it is necessary to carry it

through the Megalopolitan parliament, and have it established on paper,

after innumerable people, who have no genuine concern in the matter,

have committed their views about it to paper. If any intercourse is

to be carried on, it must be largely conducted on paper; and if that

medium is not directly available, subsidiary instruments, like the

telephone, are used. The chief form of association in Megalopolis is

that by political party, and it is through the political party that the

Megalopolitan expresses his views, on paper, as to what is necessary

to amend the paper constitution or promote the welfare of the paper

community; albeit he realizes that the promises made by political

parties are written on what Megalopolitans in their more cynical

moments call “non-negotiable” paper, and will probably never pass into

currency.

By its traffic in Coketown’s multifarious goods and by its command over

certain kinds of paper known as mortgages or securities, Megalopolis

ensures a supply of real foods and real staples from the countryside.

Through incessant production of books, magazines, newspapers,

boilerplate features, and syndicated matter, Megalopolis ensures that

the idolum of the National Utopia shall be kept alive in the minds of

the underlying inhabitants of the country. Finally, by the devices of

“national education” and “national advertising” all the inhabitants

of the National Utopia are persuaded that the good life is that which

is lived, on paper, in the capital city; and that an approximation to

this life can be achieved only by eating the food, dressing in the

clothes, holding the opinions, and purchasing the goods which are

offered for sale by Megalopolis. So the chief aim of every other city

in the National Utopia is to become like Megalopolis; its chief hope

is to grow as big as Megalopolis; its boast is that it is another

Megalopolis. When the denizens of Megalopolis dream of a better world,

it is only a paper perfection of that National Utopia which Edward

Bellamy looked forward to in Looking Backward.

Working in connection with the Machine Process of Coketown, the

Megalopolis erects a standard of life which can be expressed in

commercial terms, on paper, even if it does not offer any tangible

satisfaction in goods and services and perfections. The chief boast

of this standard is its uniformity; that is, its equal applicability

to every person in the community without respect to his history, his

circumstances, his needs, his actual rewards. Hence such goods as

Megalopolis creates in profusion are for the most part in the line of

plumbing and sanitary devices which, if they do not exactly heighten

the joy of living, at any rate make the routine of Megalopolitan life a

little less formidable.

The total result of these standards and uniformities is that what was

originally a fiction in time becomes a fact. Whereas the inhabitants of

the national utopia may originally have been as diverse as the trees

in a forest, they tend to become, under the influence of education

and propaganda, as similar as telegraph poles along a road. It is

not a little to the credit of Megalopolis that the National Utopia

has pragmatically justified itself. It has created the sort of mental

environment on paper which is necessary to a smooth adjustment of

Coketown and the Country House. What is Megalopolis, in fact, but a

paper purgatory which serves as a medium through which the fallen sons

of Coketown, the producer’s hell, may finally attain the high bliss of

the Country House, the consumer’s Heaven?

13

It should be plain that in describing the National Utopia and

Megalopolis I have been trying to outline what Plato would call the

pure form. It is equally clear, I trust, that the pure form is an

idolum to which any existing national state or metropolis approximates

only so far as the idolum does not conflict too grossly with the

real men and women, the real communities, the real regions, the real

workaday occupations which continue, despite the reign of these idola,

to exist, and to occupy our main attention. Formal education has not

altogether taken the place of vital education; loyalty to the state

has not altogether succeeded as a substitute for deeper allegiances

and affiliations: occasionally, here and there, people meet each other

face to face, they eat real food, dig in real earth, smell real flowers

instead of coal tar perfumes that arise from paper bouquets, and embark

quite madly on real love affairs. It is true that these realities are

a disturbing influence: they are always threatening to undermine the

idola which the politicians and journalists and academic handymen

unite so valiantly to build up; but there they are--and even the most

stubborn idealist cannot help himself from occasionally confronting the

world that he denies!

If you and I were perfect citizens of Megalopolis, we should never

let anything come between us and our loyalty to the State: when the

State called for our taxes, we should never think regretfully of the

amusements we must forego in order to pay them; when the State demanded

that we go to war, nothing like the claims of a family or an occupation

or a moral conviction would ever step between us and our national duty.

By the same token, we should never eat any other food than that which

had been nationally advertized, and never buy anything direct from

the producer when we might buy it from a third person in Megalopolis;

we should never read any literature that is not produced in our own

country, never desire any other climate than our own country can

boast, and never seek to find in any other culture, remote in space or

time, the things which we seem to miss in our own environment. If only

this utopia of nationalism could be realized completely it would be

self-sufficient; and there would be nothing on earth, in heaven, or in

the waters over the earth which did not bear the authentic trademark of

Megalopolis.

14

The picture of the National Utopia that I have drawn is perhaps a

little too black to stand out clearly; and I must now add a few high

lights for definition.

As in Coketown, there was a point up to which efficiency in mechanical

production was a good thing, so in the national utopia there is a

point up to which uniformity is a good thing. The National State

seems historically to have arisen in some part through the relief

which the people of the Middle Age experienced in being able to travel

under the protection of the King’s law along the King’s highway, and

their discovery that common laws and customs, common weights and

measures, were on the whole an advantage over a multitude of senseless

irregularities which continued to exist in particular neighborhoods.

It was a distinct triumph for the good life when the men of London and

the men of Edinburgh, let us say, realized that they had something in

common as citizens of a single country, and emphasized the likenesses

which bound them as men rather than the antagonisms that separated them

as cities. If the National State erected barriers of trade against

other countries, it at any rate broke down barriers that had long

existed in even more limited regions, and that have long continued to

exist in certain cities in Italy and France. So much is to the good.

But uniformity is not a good in itself. It is a good only in so far

as it promotes association and social intercourse. In breaking down

minor barriers, the State created major ones, and it created national

uniformities in regions where they were meaningless. Moreover,

nationalism is inimical to cultural unity, and it perpetuates

irrelevant conflicts in the Kingdom of the Spirit where there should

be neither slave nor free, neither white nor black, neither citizen

nor outlander. As a matter of fact, the two great international

cultural vehicles of the Middle Age--the Latin Language and the Roman

Church--were broken down by the propagation of a National Language,

that spoken at the National Capital, and a National Church, that which

was subservient to the State; and nothing that nationalism has done

since has repaired this loss. On one hand, the idolum of the National

State is too narrow, because the world of culture is man’s common

inheritance, and not the mere segment of it which is called “national

literature” or “national science.” And on the other hand, the idolum

is too big, for the reason that there is no bond except a paper one

between men who are as far apart as Bermondsey and Bombay, or New York

and San Francisco. The temporal community, as Auguste Comte finely

pointed out, is local, restricted, and multiform; this is its essential

nature and limitation. The spiritual community is universal. It was a

great cultural misdemeanor when the National Utopia, in its extension

as imperialism, sought to make the spiritual community restricted and

the temporal community universal; and it is this heresy to the good

life which makes all the pretensions of the national utopia so shabby

and insincere.

15

If Coketown and the Country House and the National Utopia had

remained on paper, they would doubtless be entertaining and edifying

contributions to our literature. Unfortunately, these social myths

have been potent; they have given a pattern to our lives; and they are

the source of a great many evils that threaten, like stinking weeds,

to choke the good life in our communities. It is not because these

myths are utopias that I have been criticizing them so assiduously; it

is rather because they continue to work such wholesale damage. Hence

it has seemed worth while to point out that they are on pretty much

the same level of reality as the Republic or Christianopolis. We may

perhaps approach our social institutions a little more courageously

when we realize how completely we ourselves have created them; and how,

without our perpetual “will to believe” they would vanish like smoke in

the wind.

CHAPTER ELEVEN

How we reckon up accounts with the one-sided utopias of the

partisans.

CHAPTER ELEVEN

1

There have been many periods when men did not think it possible to make

life in the community reach much higher levels than it had attained,

without working a change upon human nature. The working of this

change has been one of the chief preoccupations of religion; but no

one can pretend that it has met, during the historic period, with any

overwhelming success. In the eighteenth century men became impatient

with the ministrations of institutional religion, and sought to effect

an improvement in the common life by a different method--by improving

the political, economic, and social mechanisms of society.

Up to this time the only method that had seemed feasible for improving

the technique of social organization was the mandate of law. Although

Aristotle, for instance, predicted that slavery would come to an end

on the condition that the shuttle should weave by itself and the lyre

play without human hand, no one in the Greek community of his time saw

very much likelihood of improvement through mechanical inventions or

wholesale innovations in agriculture; and no one, apparently, concerned

himself seriously with the mechanical side of affairs.

It was the same during the Middle Age. If the men of that time were

not exuberantly happy over their civilization, they had the dogmatic

conviction that nothing very satisfactory could come of a race that had

inherited the curse of Adam--a race whose only salvation could come

when its individuals were purged one by one of sin, and delivered,

by the intercession of the saints and the grace of God, into a more

benignly constituted afterworld. One might relieve the pressure a

little if the shoe pinched, perhaps, but scarcely anyone dreamed of

travelling in seven-league boots, or of establishing an Arcadia in

which boots could be dispensed with. It was foolish to look for a more

perfect society in a world that was rife with imperfect men.

The Renascence, as we have seen, changed all this. Presently a school

of philosophers followed on the heels of the utopians who devoted

themselves to preparing fairly minute plans and specifications for the

social order. In the beginning, these plans were devoted to politics

and criminal reform, like those of Rousseau, Beccaria, Bentham,

Jefferson, Godwin, and the eighteenth century reformers generally;

in the nineteenth century the main accent was economic, and a number

of movements arose which could be traced back to the semi-scientific

investigations of Adam Smith, Ricardo, Proudhon, Malthus, Marx, and

perhaps half a dozen other thinkers of outstanding importance, among

whom we should perhaps include such latter day figures as Mill,

Spencer, and Henry George.

All of these thinkers have in one way or another influenced our

thoughts and deflected our actions; and if one adds to this galaxy the

reforming elements which remained in the churches and the missionary

brotherhoods and the philanthropic organizations, we can observe,

growing up in the nineteenth century, a multitude of partisan

organizations and movements, each of which is strenuously bent on

realizing its private and partisan utopia. It is these private and

partisan utopias that I purpose to make a slight reckoning with in the

present chapter; but the field is such a huge and formidable one that I

shall limit my criticism in the main to those that attempted to effect

a change in the economic order.

2

For all the activities that men engage in we have separate words. This

is a great misfortune; for in using these words we tend to believe

that each action takes place in a separate compartment. Instead of

beginning with a whole man interacting in a whole community, we are

likely to consider only a partial man in a partial community, and by a

mental sleight of hand, before we know it, we have let the part stand

for the whole. It is this sort of abstraction, I believe, that has been

responsible for a good deal of fallacious thinking with regard to the

place of industry in the community. The economists seem to have made

the error first by talking of a creature whom they called the Economic

Man, a creature who had no instincts but those of construction and

acquisition, no habits but of working and saving, and no other ultimate

purpose than to become such a captain of industry as would make him a

candidate for the biographic sketches of Mr. Samuel Smiles, and his

present successors in the newspapers and popular magazines.

Now this Economic Man was the embodiment of honest labor and rapacious

greed. Out of the better quality, Karl Marx painted the picture of

the faithful laborer in Coketown whose masters swindled him out of

the “surplus value” he produced; out of the worse quality classical

economists like Ricardo painted an equally entrancing picture of the

beneficent capitalist, through whose foresight, organizing ability,

and boldness business could be conducted on a scale a simpler age had

scarcely dreamed of. It was out of these conceptions, as they were

elaborated and rationalized in books like Porter’s Progress of the

Nineteenth Century and Marx’s Capital, that there grew up the notion

that the only fundamental problem in the modern world was the labor

problem--the problem as to who should control industry, who should

profit by its advances, and who should own the complicated instruments

by which it was conducted.

Our business here is not to examine the various programs that were

offered during the last century in answer to these problems; merely

to catalog them with the barest explanation of their purpose would be

an imposing task, were it not for the fact that it has been neatly

done for us by Mr. Savel Zimand. It is enough to see here the common

element in capitalism, copartnery, State Socialism, Guild Socialism,

Co-operation, Communism, Syndicalism, the One Big Union, Trades

Unionism, and the like; whether these movements represent actual facts,

like capitalism, copartnery, or trades unionism, or whether they are

simply projections, like Syndicalism and the One Big Union.

If our excursion through the classic utopias has been of any use, it

must have shown us how pathetic is this notion that the key to a good

society rests simply on the ownership and control of the industrial

plant of the community. Is it any less absurd when we confess that

most of the movements which were founded upon this assumption were

actuated by generous and humane motives, and that Francis Place, the

tailor of Charing Cross, who believed in a radical application of

laissez faire principles, was just as sincere a believer in the common

weal as Karl Marx, who predicted a dictatorship of the proletariat?

If a great many of these programs have had the notion that industrial

machinery, under socialism or guildism or co-operation was to be used

for the common benefit, what was lacking was any common notion as to

what the common benefit was.

The story of utopias · 第 13 / 18 段