Chapter 5: The Farmers' Tale: An Allegory

1

Imagine that a bustling group of colonists has just moved into a

new area, a huge, unexplored plain. (Again, assume the native

inhabitants have conveniently disappeared.) Some of the

colonists want to farm just as they always did in the old

country. "Good fences make good neighbors" is their motto.

Others, inspired by the wide-open spaces around them, declare

that this new land needs new ways. They want to let their cattle

roam as they will; their slogan is "Protect the open range." In

practice, the eventual result is a mixture of the two regimes.

Fields under cultivation can be walled off but there is a right

of passage through the farmers' lands for all who want it, so

long as no damage is done. This means travelers do not need to

make costly and inefficient detours around each farm. In the

long run, these "public roads" actually increase the value of

the private property through which they pass. They also let the

ranchers move their cattle around from one area of pasture to

another. The ranchers become strong proponents of "public, open

highways" (though some people muse darkly that they do very well

out of that rule). Still, most people want open highways; the

system seems to work pretty well, in fact.

2

Two new technologies are introduced. First, the automobile is

developed. Now thieves can drive through the farmers' fields,

stop quickly to grab some corn or a lettuce, and be back on the

highway before they can be caught. Of course, the farmers' costs

have also fallen dramatically; now they have tractors to work

their fields and trucks to take their products to distant

markets. The farmers do not dwell on the benefits of the new

technology, however. Understandably, they focus more on the

profits they could reap if they could get all the advantages of

the technology and none of its costs. They demand new legal

protections aimed at producing that result. "What's good for

agriculture is good for the nation," they say. But now comes the

second technological shock--the development of barbed wire. The

cost of erecting impassable barriers falls dramatically. The

farmers begin to see the possibility of enclosing all of their

land, roads and fields alike. This will help them protect their

crops from pilfering, but it will also allow them to charge

people for opening the gates in their fences--even the gates on

public roads. That is a nice extra revenue stream which will,

the farmers say, "help encourage agriculture." After all, more

fences mean more money for farmers, and more money for farmers

means they can invest in new methods of farming, which will mean

everyone is better off, right?

3

What is to be done? Assume that each side presents its case to

the legislature. There are three obvious possibilities:

4

First, the legislature can simply tell each side to work it out

amongst themselves. The law will continue to forbid trespass,

but we are neither going to make it a crime to put up a barbed

wire fence if it blocks legitimate public rights of way nor to

make it a crime to cut a barbed wire fence, unless the fence

cutter is also a trespasser. The farmers can attempt to enclose

land by putting barbed wire around it. Ranchers and drivers can

legally cut those fences when they are blocking public rights of

way. Trespass remains trespass, nothing more.

5

Second, the legislature could heed the ranchers' fears that

barbed wire will permit the farmers not only to protect their

own land, but to rob the public of its existing rights of way,

turning open highways into toll roads. (The ranchers, of course,

are more concerned with the rights of cattle than people, but

most drivers agree with them.) As a result, the state could

forbid the erection of a barbed wire fence where it might block

a public right of way--classing it as a kind of theft, perhaps.

6

Third, the legislature could take the farmers' side. Theorizing

that this new automobile technology presents "a terrible threat

to agriculture, because of rampant crop piracy," the state could

go beyond the existing law of trespass and make it a crime to

cut barbed wire fences wherever you find them (even if the

fences are enclosing public lands as well as private, or

blocking public roads). To back up its command, it could get

into the technology regulation business--making the manufacture

or possession of wire cutters illegal.

7

The state picks option three. Wire cutting becomes a crime, wire

cutters are classed with lock picks and other "criminals'

tools," and the people who make wire cutters are told their

business is illegal. A storm of protest arises in the rural

driving community. The wire cutter manufacturers claim that

their products have lots of legitimate uses. All to no avail:

the farmers press on. They have two new demands. Cars should be

fitted with mandatory radio beacons and highways put under

constant state surveillance in order to deter crop theft. In

addition, car trunks should be redesigned so they can hold

less--just in case the owner plans to load them up with purloined

produce. Civil libertarians unite with car manufacturers to

attack the plan. The farmers declare that the car manufacturers

are only interested in making money from potential thieves and

that the civil libertarians are Nervous Nellies: no one has

anything to fear except the criminals. "What's good for

agriculture is good for the nation," they announce again. As the

barbed wire gates swing shut across the highways of the region,

the legislature heads back into session.

8

BETWEEN PARANOIA

AND REALITY: THE DMCA

9

I have argued that confusing intellectual property with physical

property is dangerous. I stand by that argument. Yet analogies

to physical property are powerful. It is inevitable that we

attempt to explain new phenomena by comparing them to material

with which we are more familiar. While the content companies'

tales of "theft" and "piracy" are the most prevalent, they are

by no means the only such analogy one can make. In this chapter

I try to prove that point.

10

The Farmers' Tale is my allegorical attempt to explain the

struggle over the single most controversial piece of

intellectual property legislation in recent years, the Digital

Millennium Copyright Act, or DMCA.1 The DMCA did many things,

but for our purposes its crucial provisions are those forbidding

the "circumvention of copyright protection systems," the

technological measures that copyright holders can use to deny

access to their works or control our behavior once we get

access. These measures include encryption, controls on how many

times a file can be copied, password protection, and so on.

Copyright protection systems are, in other words, the digital

equivalent of barbed wire, used to add an additional layer of

"physical" protection to the property owner's existing legal

protection. But, unlike barbed wire, they can also control what

we do once we get access to the property.

11

The rules that forbid circumvention of these systems are

logically, if not elegantly, referred to as the

anticircumvention provisions. They are to be found in Section

1201 of the Copyright Act, an ungainly and lumpily written

portion of the law that was inserted in 1998 as part of the

complex set of amendments collectively referred to as the DMCA.

I will explain the significance of these rules in a moment. My

hope is that the analogy to the Farmers' Tale will make them a

little easier to understand--at least for those of you for whom

talk of digital rights management, anticircumvention provisions,

and network effects is not second nature.

12

Notice the differences between this allegory and the "Internet

Threat" story line I described in the last chapter. There are

two sets of bad guys in the Farmers' Tale. The greedy thieves

(who are still thieves in this story--not heroes) and the greedy

farmers who use a genuine if indefinite "threat" posed by a new

technology to mask a power grab. The Internet Threat is the

story of an industry devastated by piracy, in desperate need of

help from the state to protect its legitimate property

interests. By contrast, the Farmers' Tale is the story of a

self-interested attempt not only to protect property but to cut

off recognized rights of public access in a way that will

actually make the whole society worse off. The legitimate role

of the state in protecting private property has been stretched

into an attempt to regulate technology so as to pick winners in

the marketplace, enriching the farmers at the expense of

consumers and other businesses. In the long run this will not be

good for business as a whole. A patchwork of private toll roads

is an economic nightmare.

13

That is not the most worrying part of the story: the farmers'

proposals are moving in the direction of regulating still more

technology--the mandatory radio beacons and constantly monitored

roads conjure up a police state--and all to protect a bunch of

hysterical vegetable growers whose political clout far outweighs

their actual economic importance.

14

Both the Internet Threat and the Farmers' Tale are, of course,

ways to understand what is currently going on in the

intellectual property wars. In the digital realm, the part of

the farmers is played by the content companies, the recording

industry associations, the movie and software trade groups.

Pointing to the threat of digital piracy, they demanded and

received extra legal protection for their copyrighted content.

Unlike earlier expansions--longer copyright terms, more stringent

penalties, the shrinking of exceptions and limitations,

expansions in copyrightable subject matter--this was not a

protection of the work itself; it was a protection of the

digital fences wrapped around it, and a regulation of the

technology that might threaten those fences.

15

What is the significance of this? The digital revolution makes

it easier to copy copyrighted content. It also makes it easier

to protect that content, and to do so in a more granular and

precisely calibrated way. Imagine being able to sell a paperback

book that could only be read by the original purchaser or a song

that could only be listened to by a particular person in a

particular room. Digital rights management technology makes it a

lot easier to do these things. Suddenly the copyright owners

have considerable physical control over their songs, e-books,

and software, even after they have sold them. It is as if the

recording industry or the publishers had a representative in

your living room. They can use that control not merely to

prevent illicit copying but to control and limit usage in ways

that go far beyond their exclusive rights under copyright. All

of this happens without the law or the state doing anything.

Like barbed wire, this is a technological protection measure.

16

Like the farmers, the content companies were not content with

their barbed wire alone. They wanted legally protected barbed

wire in addition to their existing legal rights under copyright.

Under the Digital Millennium Copyright Act, it became illegal to

circumvent a technical protection measure such as encryption--the

digital barbed wire behind which content companies secrete their

work--even if what you did with the content when you got past the

barbed wire was a fair use; excerpting a fragment of a film for

a school presentation, for example, or making a copy of an

encrypted audio file for personal use in another device. In

other words, by using digital barbed wire, the content companies

could prevent citizens from making the "fair uses" the copyright

law allowed. This undermines some of the limitations on their

exclusive rights that the Copyright Act explicitly carves out in

The Public Domain: Enclosing the Commons of the Mind · 第 5 / 10 章