The Daguerreotype plate is submitted to the engraving process, after

having been washed in the hyposulphate of soda, and afterwards in

distilled water.

_First process for biting in or engraving the plate._--The following

solutions must be put in the capsulæ, in sufficient quantity, so as to

entirely cover the plate:--1. Acidulated water. 2. Alkaline water. 3.

Alcoholized potash, in covered capsulæ. 4. Caustic potash, in covered

capsulæ. 5. Distilled water.

The plate being then put upon the glass holder or spoon, is plunged in

the acidulated water, and agitated during a few seconds, then put into a

glass funnel, and washed with distilled water. It is taken again with the

glass spoon, and plunged in the capsulæ containing alcoholized potash.

This capsulæ is covered with its glass cover, and then heated, by means

of a spirit lamp, to about 140° Fahrenheit. The plate must remain in the

capsulæ half an hour, during which the solution is heated now and then,

and agitated. During that time the following acid solution, which will be

called _nomal acid_, must be prepared: it is composed as follows:--Water

600 parts, nitric acid 45 parts, solution of nitrate of potassa 12 parts,

solution of common salt 45 parts. These proportions are in volume. The

nomal acid must be poured in a capsulæ, covered with its glass cover, and

a sufficient quantity must be kept in the bottle.

When the plate has been immersed in the alcoholized potash during half an

hour, it is taken out of the solution by means of the glass holder, and

immediately plunged in the alkaline water, and agitated pretty strongly;

from thence it is put in distilled water (A). This being done, the plate

is plunged in the acidulated water, and moved about therein for a few

seconds: it is then put into the nomal acid. When the plate has been

immersed a few seconds in the acid, it is taken out by means of the glass

holder, taking care to keep it as much as possible covered with the

solution, and it is immediately placed horizontally upon a stand, and as

much acid as the plate can hold is poured upon it from the bottle; it is

then heated with a spirit lamp, but without attaining the boiling point.

During this operation it is better to stir or move about the acid on the

plate by pumping it, and ejecting it again, by means of a pipette or glass

syringe; after two or three minutes the acid is thrown away, the plate is

put in the glass funnel, and then well washed with water, and afterwards

with distilled water (B).

Thus, without letting the plate dry, it is put upon the fingers of the

left hand, and with the right hand some ammoniacal chloride of silver,

which is moved about the surface by balancing the hand is poured upon it;

the solution is renewed until the chloride, formed by the action of acid,

is dissolved; the plate is then washed by pouring upon it a large quantity

of ammoniacal water, and afterwards some distilled water. (C.)

Without allowing the plate to dry, it is then put in the caustic potash,

and the capsula being then placed upon the stand, the potash is heated up

to the boiling point; it is then left to cool (D); and beginning again the

operations described from A, to D, a second biting is obtained; and by

repeating again the operations described in A, and B, a third biting is

produced. The plate is then dried; in this state the black parts of the

plate are filled with chloride of silver.

The plate is then polished until the white parts are perfectly pure and

bright. This polishing is soon done with cotton and ('ponce') (pumice

stone); afterwards, the chloride of silver, filling the black parts, is

cleansed by the means described in B, and C. The plate is dried, but

before drying, it is well to rub the plate slightly with the finger, in

order to take off from the black parts any remains of an insoluble body,

which generally remains on it. The preparatory engraving is then finished,

and the plate has the appearance of a very delicate acquatint engraved

plate, not very deeply bitten in.

Nevertheless, if the operation has been well managed, and has been

successful, it is deep enough to allow the printing of a considerable

number of copies.

_Note._--Sometimes, instead of treating the plate with the boiling potash

in the capsula, a similar result may be obtained by placing the plate

upon the stand, covering it with the solution, and heating it by means

of a spirit lamp, until, by evaporation the potash becomes in a state of

ignited fusion. By this means the grain is finer, but the white parts are

more liable to be attacked.

Last operation of biting in: This operation requires some of the

re-agents, before-named, and also,

1. A siccative ink, made of linseed oil, rendered very siccative by

boiling it sufficiently with litharge; it may be thickened with calcined

lampblack.

2. An electrotype apparatus, and some solutions of it to gild, and copper

the plate.

Means of operating: The plate must be inked as copper-plate printers do,

taking care to clean off the white parts more perfectly than usual; the

plate is then to be placed in a room sufficiently warm, until the ink is

well dried, which requires more or less time, according to the nature of

the oil employed. The drying of the oil may be hastened by heating the

plate upon the stand with the lamp, but the slow process is more perfect

and certain.

When the ink is well dried, the white parts are cleaned again, by

polishing the plate with cotton and ponce, or any other polishing powder;

a ball of cotton, or any other matter covered over with a thin piece of

caoutchouc or skin, can be used for this purpose. When polished the plate

is ready to receive the electro-chemical coating of gold, which will

protect the white parts.

_Gilding._--The gilding is obtained by any of the various processes

of electrotyping that are known. The only indispensable condition is,

that the surface obtained by the precipitation must not be liable to be

attacked by the weak acid; a solution answering this purpose is made of

10 parts, (by weight), of ferocganide of potassium; 1 part of chloride

of gold, and 1,000 parts of water, used with a galvanic battery. During

the gilding the plate must be turned in several positions, in order to

regulate the metallic deposit. In some cases the gilding may be made more

perfect, if the plate is covered with a thin coating of mercury before

putting in the gilding solution.

When the plate is gilded, it must be heated with the boiling caustic

potash, by the process already indicated for the preparatory engraving,

in order to cleanse it from all the dried oil or ink, which fills the

hollow. The plate is then washed and dried, and when the oil employed has

been thickened with the lampblack, the surface of the plate is rubbed with

crumbs of bread, in order to cleanse and take off the black remaining;

then, the white parts being covered and protected by varnish not liable

to be attacked, and the black parts being uncovered and clean, the plate

can be bitten in by aqua-fortis, according to the ordinary process used by

engravers.

This operation must be used upon the stand, and not by immersing the plate

in the solution.

Before this biting in, if the preparatory engraving has not succeeded

well, and the plate still wants a sufficient grain, it can be given by the

various processes of aquatint engraving.

Before submitting the plate to the operation of printing, in order to

insure an unlimited number of copies, it is necessary, as before stated,

to protect it by a slight coating of copper, which is obtained by the

electrotype process; otherwise the printing would soon wear the plate.

This coating must be kept very thin, but the fineness of the engraving,

and the polish of the white parts, should be destroyed. In this state the

plate can be delivered to the printer.

After a certain number of impressions have been obtained, it will be

perceived that the coating of copper is worn in some places; then this

coating must be removed, and a fresh one applied in its place. For this

purpose, the plate must be purified and cleansed by warm potash, and

plunged in a weak acid, composed as follows:--Water, 600 parts; nitric

acid, 50 parts; nitrous acid of engravers, 5 parts; all in volume.

This acid will dissolve the coating of copper, and the plate being

coppered again, by the same means as before, may be again submitted to

the operation of printing; and as nothing can prevent the success of

a repetition of the same operation, any number of impressions may be

obtained. The coating of copper can also be removed by caustic ammonia.

The Daguerreotype plate engraved by this process, may also be reproduced

and multiplied by the electrotype process, the same as any other engraved

plate.

The essential points of this process, which constitute the present

invention, consist,--

First,--in the discovery and employment of certain properties of a

mixture composed of nitric acid, nitrous acid, and hydrochloric acid, in

detrimental or fixed proportions. The two last mentioned acids may be

employed either in a free state, or combined with alkaline or other bases.

This mixed acid has the property of biting the pure silver, which forms

the black parts of the Daguerreotype picture, without attacking the white

parts formed by the amalgam of mercury.

The result of the action of the biting is, to form on the black part of

the picture an insoluble chloride of silver; and this chloride of silver,

which, when formed, stops the action of the acid, is dissolved by the

ammonia, which allows the biting to continue.

Secondly,--In the discovery of certain properties of a warm solution of

caustic potash, and in the employment of the said solution, by which the

mercury forming the picture is better and deeper amalgamated with the

silver under it, so that many imperceptible points of the amalgam are

affected in such a manner that the action has no action upon them.

Thirdly,--In the discovery and employment of a process which produces a

grain favourable to the engraving, by which the biting on the plate is

rendered deeper. This is effected by filling the parts engraved with a

siccative ink, or any other substance, and then gilding the plate by the

electrotype process: the gold is not deposited on the parts protected by

the ink. When the plate is gilded, the ink is cleansed by the caustic

potash, and the plate may be submitted to the effect of an acid, which

does not attack the coating of gold, but bites only on the silver in the

parts already engraved by the first operation.

Fourthly,--In the employment of a process by which the plate is protected

from the wear of the printing operation. This is effected by covering the

plate before printing, with a slight coating of copper; by the electrotype

process, and when the coating begins to wear, by printing, it is removed

by a weak acid or by ammonia, which dissolves the copper without effecting

the silver under it. The plate is coppered again, and after another

printing, the same operation is repeated, so that a considerable number of

copies may be printed without injury to the engraving.

Enrolled in the Pitty Bag Office, May, 1844.

* * * * *

=INTERESTING EXPERIMENT WITH STRYCHNIA.=

An interesting experiment, illustrative of the poisonous effects of

strychnia, was recently made by Professor Agassiz, at Cambridge. The

subject was a large black bear, about eighteen months old. The animal

was taken when young, and had been kept in captivity for a considerable

period. Professor Agassiz being desirous of killing it for the purpose of

dissection, about three grains of strychnia were administered. The poison,

though extremely bitter was readily swallowed. At the expiration of ten

minutes, no effect having been produced, a second dose of about the same

quantity was also inclosed in a biscuit and offered. The cunning animal

broke open and swallowed the biscuit, but rejected the poison. The first

portion, however, had proved efficacious, and in exactly fifteen minutes

from the time when first administered, the animal was seized with terrible

convulsions, and soon died.

The whole time which elapsed between the taking of the poison and the

death of the animal, did not exceed twenty-five minutes. In order to

alleviate its sufferings and hasten death, a quantity of hydrocyanic acid

was poured upon the nose and mouth of the bear. It did not, however,

produce any sensible effect, and was not apparently taken into the system,

as the animal at the time was nearly dead. But the subsequent effects of

the poison were most remarkable. Although the bear, at the time of death,

was in perfect health and strength, twenty-four hours had not elapsed

before the body was in an advanced stage of decomposition. Indeed the

appearances indicated that the animal had been dead for nearly two months.

The interior of the body, when opened about twenty hours after death,

still retained its warmth in a considerable degree, while an offensive

gas issued from every pore. The blood had not coagulated, the spinal

marrow and nerves were in a semi-fluid state, and the flesh had assumed a

leaden-gray color. The hair of the hide readily came out on being slightly

pulled. No smell of the hydrocyanic acid could be perceived.

The origin of this singular and speedy decomposition is not fully known,

though it is supposed to be due to the agency of the hydrocyanic acid. A

chemical examination of the muscle, brain, nerves, liver and kidneys is

now going on at the Cambridge laboratory, under the direction of Professor

Horsford. One singular fact connected with the spontaneous decomposition

of these parts is, that they all yielded or disengaged hydrosulphuric

acid gas, with the exception of the liver, which did not.--_Annual of

Scientific Discovery._

* * * * *

=NOTICE.=

A few copies only of Volume I. of the Daguerreian Journal can be had by

applying at this office. Price three dollars.

This is the most complete work ever published on the Daguerreian Art.

Orders addressed to the publisher of this Journal.

* * * * *

=THE DAGUERREIAN JOURNAL=

=NEW YORK, JUNE 1, 1851.=

The metal which the Daguerreotypists have most to deal with is silver.

To obtain plates of this perfectly clean and keep them so is one of

the most difficult parts of his art; in order to accomplish it he is

obliged to have resource to circuitous mechanical processes, or to some

chemical means whereby the old surface may be removed, or a new surface

deposited. He uses tripoli and rotten stone, rouge and buffing, fatty

matters, alcohol, ammonia, and nitric acid, for the first purpose; and

electro-plating for the second. The operator must not mistake the object

he has in view. By all his mechanical operations, where friction is

concerned, he obtains a _polished_ surface; but it is not to _polish_

the plate that he uses the buff, and the other materials; the object is

to clean the plate, and the _polish_ of the surface follows as a natural

result. That a polished surface is not necessary for the formation of an

image is evident from photography on paper, and Hyalotype. In these cases

the surfaces do not reflect light; they are not polished; they are merely

clean. The fact of a plate freshly taken out of a cell where silver has

been deposited on it receiving beautiful images, is another proof that

polish is unnecessary for success. What is wanted is a surface of pure

silver, one not coated with the slightest trace of oxide, carbonate, or

sulphuret of silver, or with any impurity derived by contact with foreign

matter. The Daguerreotypist has, then, two objects in view.--1st, to

get a clean surface on his plate; and 2nd, this once obtained, to keep

it so without further alteration. Although silver is classed with gold

and platinum, as one of those metals which do not tarnish or oxidize

readily on exposure to the air, yet it is now well known in practice

what a difference exists in the character of the picture brought out on

a plate recently polished and one set aside even for a few hours. It is

true that the atmosphere alone will not affect or oxidize a plate of

polished silver, but that is only true of a very dry atmosphere; for an

atmosphere which contains even a small amount of moisture in it, will

in a short time dull the surface of the plate. In this instance the

moisture is deposited first, and brings the air into closer contact with

the surface of the metal, promoting the union of the latter with the

oxygen of the air. This is exemplified every day in the case of iron,

which does not rust in dry weather, but when the air begins to deposit

its moisture it rapidly oxydizes. So is it with lead and zinc, but in

a less degree. Pure water has no effect in tarnishing the surface of a

silver plate, but if it contains even a very small quantity of animal or

vegetable matter it darkens the surface in consequence of the presence

of sulphur. The ordinary tarnish of silver is due to the fastening upon

the surface of sulfurous vapors, which are constantly floating in the

air. We are scarcely yet in possession of sufficient facts to justify the

statement that sun-light materially aids in this alteration. We do know

that oxidizement in any substance goes on much more rapidly in sunshine

than under any other circumstances. In the vegetable kingdom it is of

hourly occurrence; but the different effects of shade and shine upon the

oxidizement of plates of metal has not been minutely studied. However this

may be, after a time the silver surface does get coated with a film, of

partly sulphuret, partly oxide, and a complete layer of air, which so

closely attaches itself to the plate that water when poured on it rolls

off and does not wet the surface. It is this film, of air which mechanical

friction and bulling are so serviceable in removing. The tarnish of a

sulphuret is not so readily removed by friction as by ammonia, for the

sulphuret of silver is, to some extent, soluble in ammonia; but as the

sulphuret when present gives a yellowish brown tint to the surface, it is

only then that it is needful, and even a weak solution of commom salt or

hydrodate of potash cleans the surface much quicker.

As nitric acid is the best solvent of silver, so is it the best agent to

remove films of oxide and carbonate from the surface; it does so readily,

effectually, and leaves a clean new surface of silver, similar to a plate

newly prepared, or one which has received a new coating in the electrotype

cell. The acid, however, must be very much diluted, otherwise its local

action is so immediate as to eat down the surface of the plate faster than

it spreads, producing inequalities,--even when left long on, although

diluted, it produces roughness; hence its use has not been happy in many

hands. To such, the longer, but less failing processes of mechanical

action are to be recommended in preference.

* * * * *

Friend Humphrey:--

I have thought for some time past that I would furnish a few thoughts for

the _Daguerreian Journal_, under the head of _General Rumors_. A fear

of injuring the Daguerreian business, by giving an additional publicity

to my discovery, for the present has kept me from this, as well as from

furnishing several other articles.

A _very few_ persons (for the honor of humanity, I am glad the number is

small) have made statements which reflect seriously upon the integrity

and motives of myself and friends. By means of certain legal processes,

of which I am not wholly ignorant, I could do _these gentry_ more simple

justice than by dignifying them by a notice in our Journal, yet I bear

them no ill will, and _for the present_ shall act on the principle that

it is better to suffer wrong than to engage in a quarrel, especially with

men who have so little regard for the feelings and reputation of their

fellows, as to condemn, denounce, and accuse, without discrimination, and

without the slightest knowledge of facts.

The "head and front of my offending" is this--that I _have_, by dint of

unwearied pains and perseverance, succeeded in imprinting the colors of

nature, in all their inimitable glory, upon the metallic surface. The

process, when brought out, it is believed, by the best of judges, will

be an astonishment to, the world, and a delight to our nation; and I

have felt, from the first, that I am but an instrument in the hands of

the Almighty, and am therefore bound in duty, as well as by inclination,

to dispose of the secret in a way to accomplish the greatest amount of

good. In this spirit I have frequently published my unalterable resolve

that my process _shall never be monopolized, or used for the purposes of

extortion_. If I had no other reason for this course, the fact that there

are great numbers of worthy persons engaged in our art, who, like myself,

are poor, this would be sufficient. Various plans have been suggested to

me, for the best possible method of disposing of my discovery. Numerous

gentlemen of high standing, have honored me with personal intercourse and

friendly advice. I have even suffered the claims of courtesy to interfere

with my experiments, and, I believe I have the good will and confidence of

those who have honored me with their visits; but I have never swerved from

my original determination, and have given no person the slightest reason

to think otherwise.

In view of these _facts_, it is not strange that I should feel annoyed at

the various rumors to which I refer, and some of the intimations which

have been thrown out, I _feel_ are but poor pay for my having nearly,

if not quite, ruined my health, by laboring from morn till midnight for

the good of others. More especially have I been _grieved_ that _some

of my best friends, and the best friends of the fraternity_, should be

accused of having outwitted me, and drawn me into obligations to them

which would compel me to pursue a grasping course. Now, it is true that

certain gentlemen have, from the most honorable motives, made me very

liberal offers of aid, and it is also true that my mind is about settled

in regard to the parties with whom I shall act; but it is not true that I

am under obligations to give notoriety to my _business affairs_, and it is

certain that I shall not do so until I see fit. Neither is there the least

foundation for the assertion that I am committed to any person. There

confidence in me is not based on paper, but on a much surer foundation.

The process which I have been so fortunate as to discover, is _my

property_. No man on earth has any claim, upon it, and I have a perfect

right to dispose of it as I please, in case I do not interfere with the

rights of others. This, I think, is the philosophy of _Professor Morse_,

so admirably and clearly expressed in the last number of the Journal. This

distinguished man recently favored me with a visit, and, in the course

of the interview, shed much light on this subject for which I feel truly

thankful.

My intention has been, and is, to _do right_, and I believe the majority

approve of the course I have pursued thus far. The many marks of

approbation I have received from eminent men, both in this profession

and others, is truly encouraging to me in my poor health and arduous

labors, and will never be forgotten. Those who seem to possess a different

spirit, and who have apparently endeavored to hedge up my way by means

of "rumors," "new discoveries," "threats," &c., have my forgiveness, and

I trust that, in future, if they are not disposed to aid, they will do

nothing to hinder me.

The brotherhood have nobly aided me, by purchasing my book. My sales are

exceeding my most sanguine expectations, and are placing me on a footing

to make me _feel that I am free_. All may be assured that I shall not

use my freedom "as a cloak," but to serve their interests, of which both

myself and friends hope to give them _full proof_ hereafter.

Now that I have been compelled to close my doors against visitors, I would

state that I am doing my utmost to bring out my process in a short time,

and I will hereafter give, in the _Daguerreian Journal_, such notices of

my success as will meet the wishes of the public, as well as the interest

of our fraternity,

I am yours &c.,

L. L. Hill.

Westkill, Greene Co., N. Y.,

_May 30, 1851._

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