To ascertain what would take place on augmenting the thickne

Transcriber Note: Text emphasis denoted as _Italics_ and =Bold=.

VOL. II. JUNE 1, 1851. NO. 2.

=THE=

=DAGUERREIAN JOURNAL:=

=Devoted to the Daguerrian and Photogenic Arts.=

Also, embracing the Sciences, Arts, and Literature.

[Illustration]

S. D. HUMPHREY AND L. L. HILL, EDITORS.

NEW-YORK:

PUBLISHED SEMI-MONTHLY, AT $3 PER ANNUM, IN ADVANCE.

NO. 311 BROADWAY.

SUBJECT TO NEWSPAPER POSTAGE.--See 3d page cover.

=CONTENTS.=

Some experiments and remarks on the changes which bodies are

capable of undergoing in darkness, and on the agent producing

these changes, by Robert Hunt, 33

Railroad to the Pacific, 35

Experiments on the colored films formed by iodine, bromine, and

chlorine, upon various metals, by Augustus Waller, M. D., 36

Iodine with silver and copper, 39

Bromine with silver and copper, 40

Chlorine with silver and copper, 40

Iodine with titanium, 40

Bromine with titanium, 40

Chlorine with titanium and copper, 40

Iodine with bismuth and silver, 40

Iodine with mercury, 40

Bromine with mercury and copper, 41

Chlorine with mercury and copper, 41

Bromine with lead, 41

Iodine with iron, 41

The American electric telegraph, 42

Iron pavement, 43

Claudet's specification, 44

Interesting experiment with strychnia, 48

Editorial--Operation of light on silver surfaces, 49

Letter from L. L. Hill, 50

Papers of S. A. Wolcott, 51

The natural colors in photography, 52

Our Daguerreotypes--Butler--E. Long--L. M. Ives--N. E. Sissons--

J. D. Wells, 53

Submarine telegraph between England and France, 53

Action of solutions of chlorides and air on mercury, 55

The heat of combinations, 55

Daguerreotype, by John Johnson, 56

Galvanized Daguerreotype plates, 57

Answers to Correspondents, 58

Advertisements, 59

Artists' Register, 63

* * * * *

=S. J. THOMPSON,=

WOULD most respectfully announce to the public, that he has one of

the best sky-lights in the United States, and is prepared to execute

Daguerreotypes. Likenesses of all sizes, put up in every style of the Art.

No. 57 State-street, Albany, N. Y.

21y

* * * * *

=J. H. WHITEHURST'S=

=ELECTRO DAGUERREOTYPES,=

_Galleries, 207 Baltimore Street, Baltimore,_

Broadway, New York, 77 Main street, Richmond, Va., Main street, Norfolk,

Va., Sycamore street, Petersburg, Va., Main street, Lynchburg, Va.,

Pennsylvania Avenue, Washington city. Likenesses taken equally well in all

weather.

2tf

* * * * *

=J. D. WELLS,=

DAGUERREIAN ARTIST, No. 6 Kirkland's Block, Main Street; Northampton,

Mass. Likenesses taken by a sky-light connected with a beautiful

side-light. Pictures put up in all styles of the Art. Plates, Cases,

Lockets, Frames, and all kinds of Daguerreotype Stock for sale.

2-3

* * * * *

=J. E. MARTIN,=

"EXCELSIOR ROOMS" Jefferson Avenue and Odd Fellows' Hall, Detroit.

Daguerreotype Likenesses taken in every style of the Art.

21y

* * * * *

=HARRISON'S CAMERAS.=

The attention of those about purchasing instruments, is directed to the

following recommendation from one of the oldest operators in the country,

and one who has been "tried in the furnace" of experience:

Waterbury, Ct., April 1, 1851.

C. C. Harrison,

_Dear Sir_,--It affords me much pleasure, after giving the instrument

I purchased of you last week a fair trial, and having had eleven years

experience as an operator, to be enabled to bear testimony to the

superiority of your Cameras over all others, not excepting those made

by "Voightlander & Sohn," for the sale of which I was sometime agent at

Boston.

Yours respectfully,

Albert Litch,

Formerly of the firm of Litch & Whipple,

Boston, Mass.

* * * * *

=THE=

=DAGUERREIAN JOURNAL.=

=======================================================

Vol. II. NEW YORK, JUNE 1, 1851. No. 2

=======================================================

=SOME EXPERIMENTS AND REMARKS=

=ON THE CHANGES WHICH BODIES ARE CAPABLE OF UNDERGOING=

=IN DARKNESS, AND ON THE AGENT PRODUCING THESE CHANGES.=

BY ROBERT HUNT.

[Concluded.]

With the view of testing Dr. Draper's results, I carefully iodized two

silver plates and exposed them to light. I then placed them so that half

of one plate was covered by half of the other, and allowed them to remain

in the dark 1-24th of an inch apart for four hours. On mercurialization

I could not detect the slightest difference between the covered and

uncovered portions of either of the plates.

Another silver plate was iodized and exposed to light. It was then placed

in the dark wish a sensitive plate which had been carefully kept from the

light, 1-16th of an inch above it, and a small engraving placed between

them. They were allowed to remain thus for six hours. When exposed to the

vapor of mercury, the plate which had been subjected to the light whitened

all over, and the space occupied by the engraving was distinctly marked

by lines of vapor thicker than the other parts. The plate which had been

preserved in the dark was scarcely at all influenced by the vapor, except

on those parts which had been touched by the supports of card-board on

which it rested. These were so arranged that no radiation could have

influenced those parts of the plates.

An iodized silver plate was placed in the dark with a little fine string

coiled over parts of it, and a polished silver plate supported 1-8th of an

inch above it. After four hours both plates were subjected to mercurial

vapor. On the iodized plate the deposit of vapor was uniform, although

slight; but on the superposed plate of silver a strong and beautiful image

of the string on the under plate became visible. I found that neither of

the two iodized plates had lost their sensitiveness by the operations to

which they had been subjected in the dark.

Hoping to detect some evidence of the process by which these singular

results were produced, I instituted a series of experiments, of which the

following are some of the most interesting results.

A. A silver plate was iodized, a piece of card was placed upon it, and a

well-polished mercurial plate (amalgamated copper) was suspended 1-8th of

an inch above it, and left in this state for a night. The space on the

silver plate corresponding with the mercurial plate, except under the

card, was nearly freed of its iodine, which had evidently combined with

the mercury on the upper plate. On exposing the mercurial plate to the

vapor of mercury the image of the card was rendered visible, the vapor

covering every part of the plate except that opposite the card. The silver

plate received the vapor only on those parts which were not influenced by

the mercurial plate. The upper plate was suspended by strings; these were

faithfully imaged on both plates; by a thick line of mercurial vapor on

the under plate, by the absence of it in the upper one.

B. An iodized _silvered_ plate was exposed to light until brown, and a

mercurial plate suspended above it for twelve hours. The browned silver

plate was _whitened_, and all the irregularities of the mercurial plate

strikingly marked on it: the mercurial plate was slightly tarnished. On

rubbing the silvered plate it was found that the silver was removed more

readily over the whitened portion, but had lost none of its adhesion in

other parts.

C. Over an iodized silver plate, plates of gold, platina, silver, brass,

copper, copper amalgamated, and zinc were placed at the distance of

1-8th of an inch. After three hours the amalgamated plate had made a

decidedly visible impression on the silver one. On exposure to vapor, the

mercury lodged on every part of the plate except that affected by the

mercurial plate; some irregularities were observed, but none which could

be decidedly traced to the other metals in juxtaposition. I have some

evidence that different metals near each other seriously interfere with

each other's influence.

D. A mercurial plate was iodized, and another mercurial plate placed 1-8th

of an inch above it. The upper plate became covered with a bright yellow

film; and on exposing them to mercurial vapor, marks became apparent which

corresponded with those in the opposite plate.

E. A silver plate was iodized and placed in the dark with an engraving,

face down, upon it. An amalgamated copper plate was laid on this, and

left for fifteen hours. The mercurial plate was reddened, and on exposure

to the vapor of mercury, a very nice impression of the engraving was

brought out, it having been effected through the thickness of the paper.

On the silvered plate the space covered by the paper was well marked;

but vaporization produced no trace of the engraving. The space beyond

the paper was rendered white. It was curious that both plates had

several spots which corresponded, particularly two, distinguished by

a well-defined circle and a comet-like appendage, in length ten times

the diameter of the circle. These spots could not be traced to anything

visible in the print or either of the plates, and must, I think, be

referred to some electrical influence. I find it indeed commonly the

case, that the plates, after being subjected to these kind of experiments

a few times, become mottled, or present on their polished faces all the

appearances of a finely-grained wood, and in this state they are less

susceptible of receiving any impression than when not so.

F. A silver plate was iodized and placed upon an engraving laid on a

brightly polished mercurial plate, and left in the dark for twenty-four

hours. The mercurial plate was turned brown, and the silver plate was left

in the same state as if it had been exposed to sunshine, being _brown and

black_. Neither of these plates gave a copy of the picture.

G. A mercurial plate was iodized, and above it was placed a plate of

polished iron, a disc of paper being first laid on the mercurial plate,

and they were left in this state for some hours. On exposing the iron

plate to mercurial vapor, it was abundantly lodged over that space

opposite the paper disc, but not at all on the other parts. The mercurial

plate was attacked by vapor over every part but that which the paper disc

protected.

Lead and zinc plates were used instead of the iron one, with nearly

similar results.

H. A Daguerreotype was taken, and without removing the iodine a mercurial

plate was placed a little above it, and left for ten hours. When removed,

well-defined traces of the Daguerreotype picture were evident on the

mercurial plate, which leads me to hope that by careful manipulation we

may succeed in multiplying these beautiful productions by an easy method.

I became desirous of ascertaining whether the mercurial plates would

produce any change upon the precipitated iodide of silver. I find by many

experiments, that if the iodide of silver is pure, no more change is

produced than is produced upon it by diffused light; but if it is rendered

sensitive by a trace of the nitrate of silver, it is then darkened as by

solar influence.

Sensitive iodide of silver being placed upon a plate of glass, a mercurial

plate was fixed 1-8th of an inch above it. In three days the iodide of

silver had become a deep brown, almost a black, and the mercurial plate

was covered with the yellow iodide of mercury. Nitric acid dissolved

the dark portion of the silver salt, as did also ammonia, on which was

formed Faraday's oxide of silver, thereby proving the change, either by a

primary or a secondary process, of the iodide into the oxide of silver.

This experiment has been repeated at least a dozen times, and always with

the same results. If a little heap of the iodide of silver is placed

under a mercurial plate, it is exceedingly interesting to witness the

gradual formation of the very beautiful colored rings on the mercury in

the progress of its conversion into an iodide. By prolonged action the

yellow iodide passes into the bright red biniodide of mercury. I have

some experiments now in hand, which convince me that similar chemical

changes are to be effected through considerable spaces. I have succeeded

in decomposing the iodide of copper and the iodide of gold by mercurial

plates placed nearly a quarter of an inch above them.

I have an extensive record of results similar to those I have now

detailed, all of them showing that the changes brought about by this

mysterious agent, whether it be heat, light, or an undiscovered element,

cannot be referred to those rays which the admirable researches of Sir

John Herschel have shown to be the operative ones in producing the

photographic phenomena which have so interested the world by their

novel beauty, and which professor Draper includes within his general

term--tithonicity. With regard to the detithonizing influence of the gases

mentioned by Dr. Draper in his paper in your March number, I can only

consider the results, which I find to be as he has stated, as the simple

reconversion of the decomposed iodide of silver into another definite

chemical compound. An iodized plate is exposed to light, the iodide of

silver or other sensitive salt is decomposed, and in a state to receive

mercurial vapor. It is now passed through an atmosphere of iodine, of

chlorine, of bromine, or of nitrous gas. Chemists are well aware of the

surprising energy with which these bodies attack the metals, consequently

the exposure of a moment is quite sufficient to convert the surface which

has undergone a change, into an iodide, chloride, bromite, or nitrite of

silver. I certainly cannot see the necessity of going so far out of our

way for an explanation of this effect as Dr. Draper has done.

I fear I have already occupied too much of your valuable space, or I might

be inclined to trespass further. I shall, however drop my pen for the

present, again assuring you that I only desire to keep the image of Truth

which is just shadowing our path, as free as possible from mists which

might in any way obscure it.--_Philosophical Magazine_, 1843.

* * * * *

Railroad to the Pacific.--Forest Shepherd, of Sacramento City, says it is

now ascertained almost beyond doubt, that a railroad can be constructed

from the Mississippi to the Pacific, without crossing any mountains, or

meeting more impediment from snow than between Albany and Boston.

* * * * *

=EXPERIMENTS ON THE COLORED FILMS=

=FORMED BY IODINE, BROMINE, AND CHLORINE UPON VARIOUS METALS.=

BY AUGUSTUS WALLER, M. D.

In a paper presented by me to the Academy of Sciences of Paris, an extract

from which may be seen in the _Comptes Rendus_ for October 5, 1840, I

first demonstrated the error committed in ascribing to the iodide of

silver alone the power of fixing the vapors of mercury, after it had been

exposed to the action of light. Instead of this property being exclusively

confined to a film of iodide of silver, as obtained in the process of M.

Daguerre, I found that it existed in many other substances when presented

to the action of light in the state of thin films, viz. by the bromide

and chloride of silver; by the oxide, bromide, iodide and chloride of

copper, and some others; all these, however, possessing less sensibility

than the iodide of silver of Daguerre, and therefore less available for

the reproduction of the images of the camera than the compound originally

discovered by that gentleman. The iodide of Daguerre was found already too

little sensitive to the influence of light in this climate, especially

when applied to the reproduction of the image of animate objects, so that

those films discovered by me seemed still less suitable to be employed

for that purpose; this objection has, however, been completely removed by

recent improvements, more particularly those of M. Claudet, who effected

this principally by combining the original discovery of Daguerre with

those mentioned above as having been subsequently made by myself. Pursuing

the first stage of Daguerre's process, he obtained the film of iodide of

silver, and added to this another film of bromide, either in a simple

state,--as practised in my experiments published more than six months

before--or after two of these substances had been combined together, as

the chloride of iodine and the bromide of iodine, which he was the first

to employ.

These colored films, however, merit attention independently of the

purposes to which they may be applied in photography: the beauty of some

of the phenomena themselves is peculiarly attractive; the numerous changes

of color they undergo, either by a variation in the thickness of the film,

or by the action of light, assign them a place among the most curious

facts of science, and the extreme facility with which they are obtained

adds to the interest they excite.

Impressed with these ideas, I was induced to pursue a train of

investigation on this subject; among the results of which, one of the most

interesting was a new method of making colored rings, like those generally

known under the name of "Newton's colored rings," on many of the metals,

by the same chemical process as that employed for forming the films of

uniform thickness in photography. In order to procure these colored

rings, and at the same time to show the identity of the origin of the

colors with those of the ordinary transparent films, that is, as residing

simply in the thickness of the lamina and not dependent on the ordinary

cause of color, we have but to place a piece of iodine on a well-polished

surface of silver or copper, and in a short time we find around the iodine

a series of colored zones of the various tints of the spectrum, and

approaching in a greater or less degree to the form of a circle, according

as they have been more or less disturbed in their formation by currents

of the surrounding air. In order that they may be perfectly regular, as

large as possible, and with tints undisturbed by the action of light, it

is necessary to place a piece of iodine in the centre of a well-polished

plate, as before described; this is then to be shaded by an opake screen

superimposed a few lines from the surface to cause the vapors which would

otherwise ascend and partially escape, to expand over its silver surface.

Colored rings may be formed in the same manner by bromine and chlorine and

the various combinations of these bodies with each other, except that for

those that are gaseous or liquid it is requisite to pay a little attention

to the manner of disengaging them on the surface of the metal, either by

passing them through a glass tube, or by some other contrivance easy to

execute.

These rings correspond to those formed by reflected light in Newton's

experiments, with this difference, however, that in the colored films of

the soap bubble, and in those formed by the glass lenses, the thinest film

is in the centre; whilst in these rings, obtained by chemical action, it

exists at the circumference, as is the case with the colored rings of

Nobili. In watching the formation of these phenomena, at first are seen

two or three very small circles, which appear almost as soon as the iodine

and the metal are placed in contact with each other; as the experiment

continues, the circumference of these circles become gradually greater;

whilst the external colors extend themselves over a great space, those of

the centre grow fainter; red and green now only remain visible, and these

at last, when the film has attained a certain thickness, in their turn

also give place to a dull coating of brown.

The formation of these rings evidently depends on the vaporization of the

iodine from the solid nucleus. The variety in color and extent of these

zones is caused by the difference between the strength of the vapor at the

centre and the circumference of the iodic atmosphere whilst expanding over

so large a surface. In the metal thus combining with the vapor, we have

to consider,--1, the force of the vapor of different distances from the

centre; 2, the obstacle which a film of iodine, once formed, opposes to

any further action between the iodine and the metal.

This experiment may be varied in different ways: two pieces of iodine

of about the same size, placed at a small distance from each other on a

silver plate, form separate colored circles, until these come in contact

at their circumferences, when the two systems will slowly coalesce and

produce one common outline of the form of an ellipsis.

As the colors formed on various metals by the above-mentioned agents are

very similar to one another, it may be sufficient to examine in particular

those produced on silver by iodine.

The external film of the iodide of silver rings, which corresponds to the

central black spot in those of Newton, is completely invisible, it being

impossible to perceive any difference between the parts so covered and

those where the metal is intact; but by exposing half the plate to the

influence of light, whilst the other part remains covered, the silver is

then found darkened far beyond the limits of the external gold-colored

zone, where previously the surface was perfectly clear. The dark film

thus rendered apparent is now liable to be rubbed off by the slightest

friction, whereas before it was very adherent to the subjacent surface.

The first zone is of a pale gold color, which assumes a deeper tint as

the thickness of the film increases: the second zone is blue, the third

white: after these appear the different colors of the spectrum in regular

succession, as in the films studied by Newton and others, viz. yellow,

orange, red, blue green, yellow &c.

The presence of the golden-colored zone in the place mentioned is worthy

of remark, as in the tables of Newton of the colors presented by films

of various thicknesses, the blue is stated as immediately following the

black. The same gold film is the first which appears on most metals when

their surface is attacked in this manner. Chlorine and bromine on silver;

oxygen on steel; chlorine and bromine on titanium, bismuth, &c., commence

their colors in the same way. Copper, however, is in one respect an

exception, this metal first becoming of a dark red, which increases to a

ruddy brown and then changes into blue. This deviation is fully accounted

for by the color of the copper itself. With this single particularity,

this metal undergoes the same alterations as the others.

The action of light on the different colors of the iodide of silver is

very interesting: the most correct way of studying this is to protect one

half of a system of colored rings by an opake screen, while the other half

is exposed for a short time to the influence of the solar rays. The golden

zone undergoes the greatest change; at first it grows darker, then red,

and at length is converted into a beautiful green. The blue film, which

comes next in thickness, suffers considerable alteration in its tint,

assuming a much deeper and more brilliant shade; the rest of the colors

appear to be similarly affected by the action of light, though to a very

slight degree, acquiring a trifling accession in their brilliancy. It has

already been remarked that light destroys the adherence of the external

invisible film; the same thing obtains with the second or gold-colored

film, which turns green, _but only to a certain depth_ of the film, as may

be proved by slightly rubbing the part thus altered; the green color is

then seen to disappear, and beneath the pulverulent portion thus removed

is found the gold color, having almost the same appearance as before the

plate had been exposed. As this experiment may be repeated several times

with the same results, it shows to how inconceivably small a depth the

light has acted to produce this effect.

To ascertain what would take place on augmenting the thickness of the

portion turned green, and the adherence of which was destroy ed, a piece

of iodine was placed on the plate so that its vapor, by expanding,

might arrive upon the green, at the same time the whole being kept from

the light; the result was that the additional film combined with the

one already existing, producing a blue, being the color which would

have resulted by the combination of the unaltered yellow films. I have

found no chemical substance possessing the power of arresting, or in

any way influencing these changes of color; strong adds, provided they

do not attack the silver--for then, of course, the experiment would be

destroyed,--and alkalies in concentrated solution, allow the action of

light to go on as usual. The hyposulphate of soda, and ammonia in solution

have no longer the power of dissolving the green film as they had before

the action of light.

When the plate is left still longer exposed, after the changes above

stated have taken place, the colors become more faint, and within the

zone of green a white cloudy film is caused by the light, which, as it

increases, veils the spectral colors beneath.

The knowledge we at present possess in chemistry of the affinities with

which different bodies are endowed for combining with each other is but

very imperfect, and the causes which complicate most chemical phenomena

are so numerous, that it is scarcely possible to compare any two chemical

actions to each other. Most of the facts upon which chemical science is

founded, are acquired either by bringing the two bodies destined to act on

each other into contact by dissolving them in a liquid, or by subjecting

them to a temperature more or less elevated.

In the first of these methods, we are so far from being able to calculate

the force of the chemical powers called into play, that Berthollet was

induced to deny the existence of chemical power in the various phenomena

of solution and precipitation of saline substances, and according to him

what is called insolubility in a body is merely the result of its strength

of cohesion, an entirely physical property.

When the intervention of caloric is required, the effects are still more

complicated, as they vary according to the intensity of the heat employed,

and the time its action is exerted; besides, the chemical action, when

it does take place, is frequently so instantaneous that it is impossible

in our present state of science to imagine any means by which it might

be measured. In the combination of the three bodies, iodine, bromine

and chlorine, with the metals, however, most of these objections cease

to exist, or may be easily avoided. As their vapors combine with the

metallic surfaces at the ordinary temperature, they are all of them in

the same circumstances in that respect; and if the temperature should be

required more elevated, the gasiform state of these substances, iodine not

excepted, enables us to submit the metals to be experimented upon all at

the same time to the same influence. If, therefore, it were possible to

reduce the metallic substances into fine powders the particles of which

were of the same dimensions, by acting upon them with either of these

vapors, an idea might be formed of the affinities which produce their

binary compounds by the increased weight acquired by the powders in this

process; but the difference which exists in the physical properties of

the various metals would preclude the possibility of any near approach

to accuracy in this mode of proceeding; but by acting on the polished

metallic surfaces, as in the preceding experiments, all the advantages

offered by the process with the powders are included, whilst several of

the difficulties are removed.

As the film of the compound augments, it undergoes the various changes of

color which take place in all transparent films, thus affording a means of

ascertaining the absolute thickness obtained in different circumstances,

when it would be difficult to detect the slightest difference in weight

by means of the most delicate balance. The depth of this coating may be

ascertained when either the index of refraction of the compound itself is

known, or if the angle of polarized light is given by means of the law

discovered by Sir David Brewster, between the tangent of the angle of

polarization, and the index of refraction. The most convenient way which

occurred to me of performing these experiments, was the employment of a

bell-glass within which some iodine is fixed at the top; this apparatus

being placed over the metal to be acted on, the experiment may be watched

in all its progress, and the action can be retarded or accelerated at

pleasure by varying the interval of the iodine from the metal, or by

interposing at some distance from its surface a disc of paper so as to

cause the vapors of iodine to pass through it. Bromine may be made use of

likewise by pouring a few drops of it over some carded cotton, and using

it in a similar manner with the iodine. In respect to chlorine, it is most

convenient to disengage it slowly by dropping a little sulphuric acid upon

some chlorinated lime.

In illustration of the objects of this mode of experimenting, I will

aduce some of the results it has given me with various metals. Some of

the experiments below were performed before I had the idea of watching

the progress of the combination through a transparent medium; they are

therefore less exact than they might otherwise have been: but I have

preferred stating them as I had inserted them in my note-book before I

had conceived any idea as to their probable utility in the elucidation of

chemical affinity, and when I intended them for other purposes, which I

shall hereafter explain.

_Iodine with Silver and Copper._

1st change. Silver--pale gold.

" Copper--assumes a darker red.

" Silver--blue.

2nd do. Copper--blue.

" Silver--white.

3rd do. Copper--white.

" Silver--yellow.

4th do. Copper--yellow more extended than on the silver.

" Silver--Orange.

5th do. Copper--Red.

" Silver--blue, bluish-red.

" Copper--red, with a tinge of green on some parts.

" Silver--greenish blue.

" Copper--red, tinged with green.

" Silver--green.

" Copper--orange.

" Silver--yellowish green.

" Copper--orange tending to red.

" Silver--yellowish green.

" Copper--orange-red.

" Silver--red.

" Copper--dull green.

" Silver--red.

" Copper--green.

" Silver--deep green.

" Copper--dull red.

_Bromine with Silver and Copper._

5th change. Copper--sensibly darkened.

" Silver--unchanged.

" Copper--deep red.

" Silver--unchanged.

" Copper--red, blue.

" Silver--pale gold.

" Copper--white, orange of the 2d order.

" Silver--yellow.

" Copper--green of the 1st order, red 3rd order.

" Silver--blue.

_Chlorine with Silver and Copper._

The affinity of chlorine with silver is much inferior to that which it

possesses for copper.

_Iodine with Titanium._

Iodine at the common temperature has no action upon this metal.

_Bromine with Titanium._

Bromine, when the surface of this substance is perfectly dry, has no more

action upon it than iodine; but if it have a slight coating of moisture,

as is formed by merely condensing on it the vapor of the breath, the

colored films are formed without difficulty by the vapors of bromine.

Their appearance is the same as those of the iodide of silver, viz. gold,

deep gold, blue, white, yellow, orange, red, &c.

_Chlorine with Titanium and Copper._

Titanium has a stronger affinity than it has for either of the preceding

vapors. The combination takes place when the metallic surface is either

dry or moist.

Copper--much reddened.

Titanium--not affected.

Copper--passed through several of the spectral orders of red and green

until it arrived at almost its last changes of colors.

Titanium under the same action received a dull film, which viewed

obliquely showed red, green, yellow.

Silver, exposed to the same influence as the two former, had yellow in the

centre and blue more externally.

_Iodine with Bismuth and Silver._

Silver--pale gold.

Bismuth--some parts yellow, others not attacked.

Silver--blue, white, yellow-orange.

Bismuth--blue, yellow, orange.

In the action of iodine on bismuth, the influence of the physical

condition of metallic surface is very manifest. The crystaline texture of

this metal may be perceived, and the difference of its hardness admits,

to a certain point, of being measured by the difference of the color of

the films that are formed on various points; while most parts are yellow,

there exist others of an angular outline which remain still unattacked;

the same difference is remarked in the other stages of the combination.

_Iodine with Mercury._

It is impossible to estimate the affinity between mercury and iodine by

means of the colored films, because, on combining, these two substances

merely cause a dirty white appearance on the surface of the latter.

Their combining affinity appears to be considerable, for when exposed

together with silver the action produced with both was red at the edges,

little altered in color; on the rest of its surface a dull white film,

in the midst of which were seen several dark spots, where the metal was

apparently unaltered.

_Bromine with Mercury and Copper._

1st. Mercury--gold color.

" Copper slightly darkened.

2nd. Mercury--blue.

" Copper dark red.

3rd. Mercury--green on some parts.

" Copper white.

After this the copper underwent its usual changes of color on prolonging

the action of the vapor of bromine, but the color of the mercury suffered

no further change.

_Chlorine with Mercury and Copper._

Mercury--a slight film.

Copper no alteration of color.

Mercury--deep gold color.

Copper deep red on some parts, blue on others.

Mercury--red tinged with blue.

Copper blue, white.

Mercury--blue.

Copper same as before.

"With respect to the bromide and chloride of mercury, it is necessary

to view them obliquely in order to perceive all the changes of color

they undergo; for if looked at perpendicularly, there is seen on both

a dull uneven film of white which reflects none of the above colors:

consequently, to avoid any error, the copper must be inspected under the

same angle.

_Bromine with Bismuth and Silver._

Silver--pale gold.

Bismuth--not apparently changed.

Silver--deep gold, blue.

Bismuth--yellow, blue.

Silver--blue, yellow.

Bismuth--dull colorless film.

_Chlorine with Bismuth and Silver._

Bismuth is slowly attacked with chlorine gas, much in the same way as with

iodine and bromine in vapor.

_Bromine with Lead._

At the common temperature neither bromine nor chlorine forms colored films

upon this metal, which it is very difficult besides to bring to any high

state of polish on account of its softness. But when lead is heated, as

over the flame of a spirit-lamp, the vapors of bromine then form very fine

colored films, which are in succession gold, deep blue, &c.

_Iodine with Iron._

These two may be made to form colored films when combined rapidly

together, but generally a dull coating without any spectral color is

obtained, on account of the deliquescence of that salt.

Until we know the index of refraction of the different films enumerated,

it would be impossible to give a correct table of the combining powers

in the experiments that have been detailed; nor is the table of the

relative thickness of transparent plates as it has been transmitted to

us by Newton, sufficient in the present instance, if any great degree of

precision be required. Besides these objections, it is necessary before

leaving this subject to pass in review several others inseparable from the

mode of performing the experiments themselves. The principal circumstances

complicating these experiments and liable to vary in different

observations, are,--

First, the hardness of the metal acted upon; 2ndly, the obstacle opposed

to the continuation of chemical action by the inert film formed upon the

metal; 3rdly, the force of the vapors that attack the metal. The influence

of the texture of the metallic surface on chemical action is most evident

when bismuth is the metal employed. Here the chemical action may be

seen to commence on small isolated portions of the surface, which have

already assumed a deep gold color, before other parts are in the least

changed, from the natural appearance of the metal. To determine how far

this might influence the formation of the iodide of silver, a silver coin

was exposed to iodine with a piece of pure silver; as the former was so

much the harder of the two, it was naturally supposed that the chemical

action would be slower in exerting itself on it than on the latter. This,

however, was not the case, as may be seen by the following statement of

the result of the experiment:

Silver coin--pale gold color.

Pure silver--pale gold.

Silver coin--deep gold.

Pure silver--deep gold.

Silver coin--light blue.

Pure silver--light blue.

Silver chin--yellow.

Pure silver--blue, white, yellow not visible.

Silver coin--yellow, red at edges.

Pure silver--yellow, no red edges.

Silver coin--red, blue at edges.

Pure silver--yellow, no red apparent.

The intensity of the resistance offered by the different films of iodide

of silver to a continuation of the chemical combination, may be determined

by noting the moment at which the various spectral tints make their

appearance.

Color of the film of iodide of silver.

' "

0 50--beginning to darken.

2 0--pale gold.

4 40--deep gold.

6 40--orange blue.

7 30--blue.

9 30--light blue.

11 30--commencement of yellow.

18 30--orange red.

20 15--blue.

22 55--deep blue.

24 40--green.

28 0--yellowish green.

30 25--ruddy brown.

40 10--green.

46 30--green.

50 10--red.

53 15--green.

By comparing the thickness of the colors with the space of time required

for their production, it will be found, however imperfect the table given

by Newton may be when applied to this subject, that towards the end of

the experiment above given, the chemical combination is retarded by the

presence of the inert film, and that to obtain the same thickness of film

as at the commencement, about double the time is required.

The third cause of error may be avoided by operating with vapors of about

the same force. In those described, the average time employed in passing

to the maximum was generally about half an hour; if that were not taken

into consideration, different results might be obtained.

In regard to chlorine, there exists another cause of complication--the

affinity which it possesses for water; for when disengaged in the ordinary

manner, chlorine carries with it a certain quantity of water which may

very much alter the results of the experiment.--_Philosophical Magazine,_

1842.

* * * * *

=THE AMERICAN ELECTRIC TELEGRAPH.=

In each of the countries of Europe where the Electric Telegraph is

established, viz.: Britain, France, Germany, and Russ a, the people seem

anxious to claim for one or more of their own countrymen some merit

in connection with the invention. The English speak of Wheatstone and

Bain; the French of Le Sage; the Germans of Steinheil and Siemen; and

the Russians of Schilling or Jacobi. Most of these inventors have their

agents or representatives in different countries, ready on every suitable

occasion to speak or write in behalf of their principal.

The inventor of the American Electric Telegraph has, we believe, no

agent in Europe; and no person there who has any special interest in

promoting the introduction of his system. The adoption of it by the

Prussian government for great distances, as decidedly the best which it

could obtain, after advertising extensively in Europe, is, therefore,

the more remarkable; and especially, as the only knowledge which the

Prussians possess of the American system seems to have been derived from

one imperfectly acquainted with its powers; for we can account in no other

way for the fact that Siemen's needle apparatus is adopted for short

distances; Morse's instruments being clearly superior to Siemen's, or to

any other needle apparatus, for short as Well as for long distances; since

they are much more rapid in their motion, and have, besides, the advantage

of making a permanent record on paper, instead of merely indicating to the

eye by an evanescent sign. No one using the telegraph in America, would

think of employing a needle apparatus in any of its operations.

In addition to the evidence of the high estimation of the American

Telegraph by Europeans, furnished by this adoption of it in Prussia,

we learn also from an elaborate work on Telegraphs by Dr. H. Schellen,

recently published in Dusseldorf, that it is now introduced into other

countries on that continent. Dr. S. says: "Of late the Morse Telegraphs

are much used in Europe, viz: in England; between Hamburg and Cuxhaven;

between Bremen and Bremer-haven; in Prussia, Austria, Bavaria and

Hanover." Dr. S. might have added also that it is used in Turkey. Among

the advantages of the American Telegraph, Dr. S. says, is its "quickness

in making and marking the signs upon paper. * * * _It records under the

hand of a skilful operator 100 to 120 letters, in the same time in which

the best needle telegraphs are able to indicate 20._"

While the superiority of the American Electric Telegraph to all others is

thus acknowledged by Europeans, they do not seem to be aware that the date

of the American invention is also prior in point of time to that of any of

their own electric telegraphs. They very naturally regard the date of the

patent as the date of the invention, because in every country in Europe

the patent is given to the person who first promulgates the invention in

that country; and it is not safe, therefore, in Europe, for an inventor to

permit others to know any thing of his invention until he has patented it.

But in America, where the law permits no one to take out a patent but the

inventor, he is perfectly safe in communicating the knowledge of what he

has done, and even in publicly exhibiting his invention, before he takes

out his patent, provided he secures himself by a caveat, and does not

offer it for sale, or permit it to go into common use.

The inventor of the American Electric Telegraph, it is well known,

exhibited his instruments in operation in the N. Y. University, in the

presence of hundreds of our citizens in September, 1837, and privately to

his friends at various times as far back as November 1835, although his

first patent was not secured until 1838. No one claims for the inventions

of either Wheatstone or Steinheil a date prior to 1837; and when European

writers on the telegraph come to understand our laws, and the error into

which they have fallen, by confounding the date of the American invention

with the patent, they will no doubt do our country the justice to admit

its claims to priority as well as to _superiority_.--_N. Y. Observer._

* * * * *

Iron Pavement.--Iron is daily coming into more general use for almost

every purpose. A letter from Paris, of a late date says:

"A new pavement, to upset the Macadam and other inventions of the kind,

has been proposed by Mr. Tobard, who intends paving, in this way, the

streets and boulevards of Paris. This gentlemen has proved, by figures,

that melting iron is only worth 11 francs in Paris, 7 francs in Belgium,

and 4½ francs by 100 kilogrammes in England, whilst the stone costs 25

francs in London, 15 francs in Paris, and 8 and 10 francs in Belgium. This

new mode of pavement will be grooved, in order not to become slippery, and

it is said that the electricity occasioned by the rolling of the carriages

will prevent rust. Here is a new field open to industry."

CLAUDET'S SPECIFICATION.

Sealed 21st November, 1843.

We give the following as copied at the Patent Office in London. Many of

our Daguerreotypists have enquired of us in relation to the patents on the

Daguerreotype in England.

To Autoine Jean Claudet, of High Holborn, in the county of Middlesex,

glass merchant, for an invention of improvements in the process and

means of obtaining the representation of objects of nature and

art,--being a communication. [Sealed 21st November, 1843.]

These improvements consist in rendering the Daguerreotype picture

susceptible of producing, by printing, a great number of proofs or copies;

thereby transforming it into a complete engraved plate.

The process is established on the following facts, which have come to the

knowledge of the inventor:--

1st. A mixed acid, composed of water, nitric acid, nitrate of potassa, and

common salt, in certain proportions, being poured upon a Daguerreotype

picture, attacks the pure silver, forming a chloride of that metal, and

does not effect the white parts, which are produced by the mercury; but

this action does not continue long. Then, by a treatment with ammonia

(ammonia containing already chloride of silver in solution, is preferable

for this operation), the chloride of silver is dissolved, and washed

off, and the metal being again in its naked state, or cleansed from the

chloride, it can be attacked afresh by the same acid. This acid acts

better warm than cold.

2d. As all metallic surfaces are soon covered (when exposed to the

atmosphere) with greasy or resinous matters, it is necessary, in order

that the action of the acid upon the pure silver should have its full

effect, for the surface to be perfectly purified; this is effected by the

employment of alcohol and caustic potash.

3d. When a Daguerreotype picture is submitted to the effects of a boiling

concentrated solution of caustic potash, before being attacked by the

acid, the state of its surface is so modified that the acid spares or

leaves, in the part which it attacks, a great number of prints, which form

the grain of the engraving.

4th. When the effects of the acid are not sufficient, or, in other words,

it is not bitten deep enough, the effect is increased by the following

process:--Ink the plate as copper-plate printers do, but with a siccative

ink; when the ink is sufficiently dry, polish the white parts of the

plate, and gild it by the electrotype process; then wash it with warm

caustic potash, and bite it in with an acid, which will not attack the

gold, but only the metal in those parts which having been protected by the

ink, have not received the coating of gold. By these means the engraving

is completed, as by the acid alone it is not generally bitten in deep

enough.

5th. To protect the plate from the effects of wear, produced by the

operation of printing, the following process is employed: The surface of

the plate is covered with a thin coating of copper, by the electrotype

process, before submitting it to the operation of printing; and when

that pellicle or coating of copper begins to show signs of wear, it

must be removed altogether, by plunging the plate in ammonia, or in a

weak acid, which, by electro-chemical action, will dissolve the copper,

without effecting the metal under it; the plate is then coppered again,

by the same means, and is then ready for producing a further number of

impressions. This re-coating operation may be repeated as many times as

may be required. The following is the description of the whole process,

which is divided into two parts, consisting of a preparatory and printing

process.

_Preparatory Engraving._--For this operation which is the most delicate,

it is necessary to have--1. A saturated solution of caustic potash. 2.

Pure nitric acid at 36° of the barometer of Beaumé (spec. grav. 1·333).

3. A solution of nitrate of potassa, composed of 100 parts of water, and

5 parts of nitrate, by weight. 4. A solution of common salt, composed

of water 100 parts, and salt 10 parts by weight. 5. A weak solution of

ammoniacal chloride of silver, with an access of ammonia. The ammoniacal

chloride of silver must be diluted with 15 or 20 parts of pure water. In

the description of the process, this solution will be called ammoniacal

chloride of silver. 6. A weak solution of ammonia, containing 4 or 5

thousandths of liquid ammonia. This solution will be called ammoniacal

water. 7. A weak solution of caustic potash, containing 4 or 5 thousandths

of the saturated solution, which will be called alkaline water. 8. A

solution composed of water 4 parts, saturated solution of potash 2 parts,

alcohol 1 part, all in volume. This solution will be called alcoholized

potash. 9. Acidulated water, composed of water 100 parts, and nitric acid

2 parts, in volume. Besides, it is necessary to have three capsulæ or

dishes, made of porcelain, large enough to contain the plate, and covered

with an air-tight piece of ground plate glass, and two or three more

capsulæ, which do not require to be covered; two or three glass funnels,

to wash the plate; and two or three glass holders, in the shape of a spoon

or shovel, by which the plate is supported when put in and taken out of

the solution, without touching it with the fingers.

The Daguerreian Journal, Vol. II, No. 2, June 1, 1851 · 第 1 / 5 段