Produced by Jeroen Hellingman

The Babylonian Story of the Deluge as Told by Assyrian Tablets from

Nineveh.

By E. A. Wallis Budge.

The Discovery of the Tablets at Nineveh by Layard, Rassam and Smith.

In 1845-47 and again in 1849-51 Mr. (later Sir) A. H. Layard carried

out a series of excavations among the ruins of the ancient city of

Nineveh, "that great city, wherein are more than sixteen thousand

persons that cannot discern between their right hand and their left;

and also much cattle" (Jonah iv, II). Its ruins lie on the left or

east bank of the Tigris, exactly opposite the town of Al-Mawsil,

or Môsul, which was founded by the Sassanians and marks the site

of Western Nineveh. At first Layard thought that these ruins were

not those of Nineveh, which he placed at Nimrûd, about 20 miles

downstream, but of one of the other cities that were builded by

Asshur (see Gen. x, 11, 12). Thanks, however, to Christian, Roman and

Muhammadan tradition, there is no room for doubt about it, and the

site of Nineveh has always been known. The fortress which the Arabs

built there in the seventh century was known as "Kal'at-Nînawî, i.e.,

"Nineveh Castle," for many centuries, and all the Arab geographers

agree in saying that tile mounds opposite Môsul contain the ruins

of the palaces and walls of Nineveh. And few of them fail to mention

that close by them is "Tall Nabi Yûnis," i.e., the Hill from which the

Prophet Jonah preached repentance to the inhabitants of Nineveh, that

"exceeding great city of three days' journey" (Jonah iii, 3). Local

tradition also declares that the prophet was buried in the Hill,

and his supposed tomb is shown there to this day.

The Walls and Palaces of Nineveh.

The situation of the ruins of the palaces of Nineveh is well shown

by the accompanying reproduction of the plan of the city made by

Commander Felix Jones, I.N. The remains of the older palaces built by

Sargon II (B.C. 721-705), Sennacherib (B.C. 705-681), and Esarhaddon

(B.C. 681-668) lie under the hill called Nabi Yûnis, and those of

the palaces and other buildings of Ashur-bani-pal (B.C. 681-626)

under the mound which is known locally as "Tall al-'Armûshîyah," i.e.,

"The Hill of 'Armûsh," and "Kuyûnjik." The latter name is said to be

derived from two Turkish words meaning "many sheep," in allusion to

the large flocks of sheep that find their pasture on and about the

mound in the early spring. These two great mounds lie close to the

remains of the great west wall of Nineveh, which in the time of the

last Assyrian Empire was washed by the waters of the river Tigris. At

some unknown period the course of the river changed, and it is now more

than a mile distant from the city wall. The river Khausur, or Khoser,

divides the area of Nineveh into two parts, and passing close to the

southern end of Kuyûnjik empties itself into the Tigris. The ruins of

the wails of Nineveh show that the east wall was 16,000 feet long, the

north wall 7,000 feet long, the west wall 13,600 feet, and the south

wall 3,000 feet; its circuit was about 13,200 yards or 7 1/2 miles.

Discovery of the Library of the Temple of Nebo at Nineveh.

In the spring of 1852 Layard, assisted by H. Rassam, continued the

excavation of the "South West Palace" at Kuyûnjik. In one part of the

building he found two small chambers, opening into each other, which

he called the "chamber of records," or "the house of the rolls." He

gave them this name because "to the height of a foot or more from the

floor they were entirely filled" with inscribed baked clay tablets

and fragments of tablets. Some tablets were complete, but by far the

larger number of them had been broken up into many fragments, probably

by the falling in of the roof and upper parts of the walls of the

buildings when the city was pillaged and set on fire by the Medes and

Babylonians. The tablets that were kept in these chambers numbered

many thousands. Besides those that were found in them by Layard,

large numbers have been dug out all along the corridor which passed

the chambers and led to the river, and a considerable number were

kicked on to the river front by the feet of the terrified fugitives

from the palace when it was set on fire. The tablets found by Layard

were of different sizes; the largest were rectangular, flat on one

side and convex on the other, and measured about 9 ins. by 6 1/2 ins.,

and the smallest were about an inch square. The importance of this

"find" was not sufficiently recognized at the time, for the tablets,

which were thought to be decorated pottery, were thrown into baskets

and sent down the river loose on rafts to Basrah, whence they were

despatched to England on a British man o' war. During their transport

from Nineveh to England they suffered more damage from want of packing

than they had suffered from the wrath of the Medes. Among the complete

tablets that were found in the two chambers several had colophons

inscribed or scratched upon them, and when these were deciphered by

Rawlinson, Hincks and Oppert a few years later, it became evident that

they had formed part of the library of the Temple of Nebo at Nineveh.

Nebo and His Library at Nineveh.

Nothing is known of the early history of the Library [1] of the Temple

of Nebo at Nineveh. There is little doubt that it was in existence in

the reign of Sargon II, and it was probably founded at the instance of

the priests of Nebo who were settled at Nimrûd (the Calah of Gen. X,

11), about 20 miles downstream of Nineveh. Authorities differ in

their estimate of the attributes that were assigned to Nebo ( Nabu)

in Pre-Babylonian times, and cannot decide whether he was a water-god,

or a fire-god, or a corn-god, but he was undoubtedly associated with

Marduk, either as his son or as a fellow-god. It is certain that

as early as B.C. 2000 he was regarded as one of the "Great Gods"

of Babylonia, and about 1,200 years later his cult was general in

Assyria. He had a temple at Nimrûd in the ninth century B.C., and King

Adad-Nirari (B.C. 811-783) set up six statues in it to the honour of

the god; two of these statues are now in the British Museum. Under the

last Assyrian Empire he was believed to possess the wisdom of all the

gods, and to be the "All-wise" and "All-knowing." He was the inventor

of all the arts and sciences, and the source of inspiration in wise

and learned men, and he was the divine scribe and past master of all

the mysteries connected with literature and the art of writing (, duppu

sharrute). Ashur-bani-pal addresses him as "Nebo, the beneficent son,

the director of the hosts of heaven and of earth, holder of the tablet

of knowledge, bearer of the writing-reed of destiny, lengthener of

days, vivifier of the dead, stablisher of light for the men who are

troubled" (see tablet R.M. 132) In the reign of Sargon II the temple

library of Nebo was probably housed in some building at or near Nabi

Yûnis, or, as George Smith thought, near Kuyûnjik, or at Kuyûnjik

itself. As Layard found the remains of Nebo's Library in the South

West Palace, it is probable that Ashur-bani-pal built a new temple

to Nebo there and had the library transferred to it. Nebo's temple

at Nineveh bore the same name as his very ancient temple at Borsippa

(the modern Birs-i-Nimrûd), viz., "E-Zida."

Discovery of the Palace Library of Ashur-bani-pal.

In the spring of 1852 Layard was obliged to close his excavations

for want of funds, and he returned to England with Rassam, leaving

all the northern half of the great mound of Kuyûnjik unexcavated. He

resigned his position as Director of Excavations to the Trustees of the

British Museum, and Colonel (later Sir) H. C. Rawlinson, Consul-General

of Baghdâd, undertook to direct any further excavations that might

be possible to carry out later on. During the summer the Trustees

received a further grant from Parliament for excavations in Assyria,

and they dispatched Rassam to finish the exploration of Kuyûnjik,

knowing that the lease of the mound of Kuyûnjik for excavation

purposes which he had obtained from its owner had several years to

run. When Rassam arrived at Môsul in 1853, and was collecting his men

for work, he discovered that Rawlinson, who knew nothing about the

lease of the mound which Rassam held, had given the French Consul,

M. Place, permission to excavate the northern half of the mound, i.e.,

that part of it which he was most anxious to excavate for the British

Museum. He protested, but in vain, and, finding that M. Place intended

to hold Rawlinson to his word, devoted himself to clearing out part

of the South West Palace which Layard had attacked in 1852. Meanwhile

M. Place was busily occupied with the French excavations at Khorsabad,

a mound which contained the ruins of the great palace of Sargon II,

and had no time to open up excavations at Kuyûnjik. In this way a year

passed, and as M. Place made no sign that he was going to excavate at

Kuyûnjik and Rassam's time for returning to England was drawing near,

the owner of the mound, who was anxious to get the excavations finished

so that he might again graze his flocks on the mound, urged Rassam

to get to work in spite of Rawlinson's agreement with M. Place. He

and Rassam made arrangements to excavate the northern part of the

mound clandestinely and by night, and on 20th December, 1853, the

work began. On the first night nothing of importance was found; on

the second night the men uncovered a portion of a large bas-relief;

and on the third night a huge mass of earth collapsed revealing a very

fine bas-relief, sculptured with a scene representing Ashur-bani-pal

standing in his chariot. The news of the discovery was quickly carried

to all parts of the neighbourhood, and as it was impossible to keep

the diggings secret any longer, the work was continued openly and by

day. The last-mentioned bas-relief was one of the series that lined

the chamber, which was 50 feet long and 15 feet wide, and illustrated

a royal lion hunt. [2] This series, that is to say, all of it that

the fire which destroyed the palace had spared, is now in the British

Museum (see the Gallery of the Assyrian Saloon).

Whilst the workmen were clearing out the Chamber of the Lion Hunt

they came across several heaps of inscribed baked clay tablets of "all

shapes and sizes," which resembled in general appearance the tablets

that Layard had found in the South West Palace the year before. There

were no remains with them, or near them, that suggested they had been

arranged systematically and stored in the Chamber of the Lion Hunt,

and it seems as if they had been brought there from another place and

thrown down hastily, for nearly all of them were broken into small

pieces. As some of them bore traces of having been exposed to great

heat they must have been in that chamber during the burning of the

palace. When the tablets were brought to England and were examined by

Rawlinson, it was found from the information supplied by the colophons

that they formed a part of the great Private Library of Ashur-bani-pal,

which that king kept in his palace. The tablets found by Layard in 1852

and by Rassam in 1853 form the unique and magnificent collection of

cuneiform tablets in the British Museum, which is now commonly known

as the "Kuyûnjik Collection." The approximate number of the inscribed

baked clay tablets and fragments that have come from Kuyûnjik and are

now in the British Museum is 25,073. It is impossible to over-estimate

their importance and value from religious, historical and literary

points of view; besides this, they have supplied the material for the

decipherment of cuneiform inscriptions in the Assyrian, Babylonian

and Sumerian languages, and form the foundation of the science of

Assyriology which has been built up with such conspicuous success

during the last 70 years.

Ashur-bani-pal, Book-Collector and Patron of Learning.

Ashur-bani-pal (the Asnapper of Ezra iv, 10) succeeded his father

Esarhaddon B.C. 668, and at a comparatively early period of his reign

he seems to have devoted himself to the study of the history of his

country, and to the making of a great Private Library. The tablets that

have come down to us prove not only that he was as great a benefactor

of the Library of the Temple of Nebo as any of his predecessors, but

that he was himself an educated man, a lover of learning, and a patron

of the literary folk of his day. In the introduction to his Annals as

found inscribed on his great ten-sided cylinder in the British Museum

he tells us how he took up his abode in the chambers of the palace

from which Sennacherib and Esarhaddon had ruled the Assyrian Empire,

and in describing his own education he says:

"I, Ashur-bani-pal, within it (i.e., the palace) understood the wisdom

of Nebo, all the art of writing of every craftsman, of every kind,

I made myself master of them all (i.e., of the various kinds of

writing)." [3]

These words suggest that Ashur-bani-pal could not only read cuneiform

texts, but could write like a skilled scribe, and that he also

understood all the details connected with the craft of making and

baking tablets. Having determined to form a Library in his palace he

set to work in a systematic manner to collect literary works. He sent

scribes to ancient seats of learning, e.g., Ashur, Babylon, Cuthah,

Nippur, Akkad, Erech, to make copies of the ancient works that were

preserved there, and when the copies came to Nineveh he either made

transcripts of them himself, or caused his scribes to do so for

the Palace Library. In any case he collated the texts himself and

revised them before placing them in his Library. The appearance of

the tablets from his Library suggests that he established a factory

in which the clay was cleaned and kneaded and made into homogeneous,

well-shaped tablets, and a kiln in which they were baked, after they

had been inscribed. The uniformity of the script upon them is very

remarkable, and texts with mistakes in them are rarely found. How

the tablets were arranged in the Library is not known, but certainly

groups were catalogued, and some tablets were labelled. [4] Groups

of tablets were arranged in numbered series, with "catch lines," the

first tablet of the series giving the first line of the second tablet,

the second tablet giving the first line of the third tablet, and so on.

Ashur-bani-pal was greatly interested in the literature of the

Sumerians, i.e., the non-Semitic people who occupied Lower Babylonia

about B.C. 3500 and later. He and his scribes made bilingual lists

of signs and words and objects of all classes and kinds, all of

which are of priceless value to the modern student of the Sumerian

and Assyrian languages. Annexed is an extract from a List of Signs

with Sumerian and Assyrian values. The signs of which the meanings

are given are in the middle column; the Sumerian values are given in

the column to the left, and their meanings in Assyrian in the column

to the right. To many of his copies of Sumerian hymns, incantations,

magical formulas, etc., Ashur-bani-pal caused interlinear translations

to be added in Assyrian, and of such bilingual documents the following

extract from a text relating to the Seven Evil Spirits will serve as

a specimen. The 1st, 3rd, 5th, etc., lines are written in Sumerian,

and the 2nd, 4th, 6th, etc., lines in Assyrian.

The tablets that belonged to Ashur-bani-pal's private Library and

those of the Temple of Nebo can be distinguished by the colophons,

when these exist. Two forms of colophon for each class of the two

great collections of tablets are known, one short and one long. The

short colophon on the tablets of the King's Library reads:--"Palace

of Ashur-bani-pal, king of hosts, king of the country of Assyria"

and that on the tablets of the Library of Nebo reads:--"[Country

of ?] Ashur-bani-pal, king of hosts, king of the country of Assyria."

See on the Tablet of Astrological Omens, p. 22. The longer colophons

are of considerable interest and renderings of two typical examples

are here appended:--

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