Looking up, she said: "You seem to have thought of everything."

"Let me get my hat," said Charles.

But Mary, standing in his way, was regarding him with a sudden

directness he had no wish to reciprocate. And she answered his remark

about the hat with a little exclamation.

"What's the matter with your eye?"

"My eye?" said the young man, and involuntarily put his hand there.

Recollecting, he finished: "Nothing--nothing at all."

The school-teacher came a step nearer, but he went round her as he

spoke, and continued his way.

"But there's a good deal the matter with it!" she exclaimed, concerned.

"It's swollen--it looks discolored, too.--How did you hurt yourself?"

"Oh, that? Oh!" said Charles, carefully fitting on his hat, and then

removing it again. "I remember now--it's nothing. Got a tumble this

afternoon, that's all. Stupid thing."

"You must let me get some hot water down the hall. I'm afraid it's--"

But he indicated, quite brusquely, that his eye was all right, just the

way he liked it, that having water put on it was, in particular, the

last thing he would ever dream of.

She said behind him, slowly, after a pause: "If you won't, you won't, of

course.... But it's so exactly like you--"

"Ready?" said Charles.

But when he turned he found that Mary had turned, too, after him--stood

facing him anew. And this time the confrontation was too near, too

immediate, to be further avoided.

He now discovered that the thin veil had not withdrawn his friend very

far. Looking at her for the first time since her cataclysm, he saw that

her delicate face wore that look described as "rain-washed," which

commonly means peace, but peace at a price. The redness of her eyelids

was quite perceptible. What struck the young man particularly, however,

was the look of the blue eyes themselves. More or less irrelevant eyes

he had always thought them, for all the heavy arched brows which so

emphasized their faculty for steady, sometimes disconcerting,

interrogation. That characteristic grave intentness was in Mary's gaze

now: but it was not this that gave her look its power to hold Charles

Garrott in his tracks.

The peculiar commotion within him gave forth in a short laugh, testy and

embarrassed: "Honestly, if you say the word 'eye' to me again--"

"I wasn't going to speak of your eye," said Mary Wing, with quite

remarkable meekness.... "I was thinking of that remark you made--about

being a fair-weather friend."

And then she went on hurriedly, with a rare, impulsiveness: "I've just

been thinking--I don't suppose since the world began there was ever such

another rainy-day friend as you. It's got so now that I never get into

trouble without thinking right away--as I was thinking this afternoon

when I left the Flowers'--that you'll be right there to help me with it.

Yes, I was. And it's so--perfect. Nothing to spoil it ever--not one thing

for you to gain--all just your rather extravagant idea of what being a

friend means. You don't know--how much it means...."

The strange speech--strange blossom of her disruptive emotion--ended a

little short; but that it ended was the principal thing. Doubtless there

had been a time when words such as these from Mary Wing, this fine frank

expression of abiding friendship, would have been sweet and acceptable

to Charles Garrott, crowning him with a full reward. But it seemed that

that time must have passed, somewhat abruptly....

The two moderns stood, gazing full at each other. And now, in the same

moment, a little color tinged the girl's cheek, beneath her veil, and

the young man turned rather pale.

"Miss Mary, you must be dreaming," said Charles, gently. "I've never

done anything for you in my life. We both know that. Let's go."

Mary, her eyes falling, had resumed the buttoning of her gloves. She

moved toward the door. The descent of the High School stairs was made in

comparative silence. The chief item of importance developed was that

Mary intended to go home by street-car; she was tired, she mentioned. It

seemed that Charles, on the contrary, had no intention of foregoing his

afternoon constitutional. He said that he would see Miss Mary to her

car, however; and he did.

So the old friends parted casually on a street corner, as they had done

a hundred times before.

But in the Studio, there could be no such reserve, no such slurring of

the characteristic services of men. Here combat must have its fair due,

in the moral order of a too sedentary world. Judge Blenso, in brief,

from whom no secrets were hid, had the full facts relative to the

altered eye within ten minutes of Charles's homecoming, an hour later;

and the Judge's cold manner, already somewhat softened by the heartening

acceptance of Entry 3, straightway dissolved in exultation and proud

joy. The reconciliation between uncle and nephew was instantaneous and

immutable, and there followed, by consequence, the most broken, the most

conversational, evening in the history of the Studio.

Charles was very glad to be reconciled with his relative. He was very

glad to feel that his secretary no longer viewed him with bald disgust.

Nevertheless, there were times, necessarily, when a writer wished that

he had no relative and secretary at all; and this, in a word, was one of

them. Charles did not wish, to-night, to go over and over one set of

primitive facts indefinitely; he did not wish to listen to sporting

anecdote and reminiscence, hour after hour; in chief, he did not wish to

go to bed at half-past ten o'clock. However, he did each and all of

these things, perforce.

"Always retire early after a fight!--that was my father's rule, long as

he lived!" cried Uncle George, his black eyes dangerously bright....

"No--let's see. _Before_ a fight--that was father's way! Well, good

gad!--too late for that now! You come along to bed, my dear fellow!..."

But, in time, a sweet snoring from the parallel white couch indicated

freedom, welcome solitude, at last. And then the young man rose

noiselessly in the dark, and slipped back to the familiar Studio, where

all his personal life had so long had its heart and center. On the old

writing-table, in front of which he had sat and pondered so many hours,

so many nights, the green-domed lamp was set burning anew. However,

Charles did not sit at his table now. Beside the lamp, Big Bill without

surcease ticked off the flying minutes of a writer's prized leisure. But

Charles heeded not Big Bill. Wrapped in a bathrobe grown too short for

his long shanks, he paced his carpet on slippered feet, up and down; and

there was no such thing as bedtime now. For this day the authority had

made the last and the best of all his many discoveries about Woman: and

he did not see how he could ever sleep again.

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