Silence: and then the hard voice went on rapidly:--

"She and Donald had talked it all over, and decided that it would be

best for his career to go to New York. She and Donald ... I _did_ think

that, as I was planning Donald's work when she was still in short

dresses, my opinion might have some weight with her. And I thought, just

as you did, that something might be saved if they stayed here for the

present--kept the house and all the rest of it. And then, of course, I

lost my temper--that makes twice.... I reminded her how she had told me

once that nothing could induce _her_ to leave her mother, as a widow....

What was the use? Of course she only cried, and said it was hopeless to

try to explain to me--how differently a woman felt about all these

things when she was going to be married. I believe she said I was

incapable of understanding the new emotions that came with a great

love."

That, indeed, seemed a romantic description of the mild, chance product

of the Fordette. However, the replete young authority only said:--

"Then I suppose it's great love that taught her engineering so

quickly--and all Donald's little peculiarities?"

Mary Wing made no answer. Her capable small hands took up the literature

lately provided by Charles. And when she spoke, it was as if his

unaccustomed acrimony had met and destroyed her own.

"Oh, it's natural that we should see everything differently. She is

really a sweet-natured girl. I'm sorry already for what I said to

her.... And her not wanting to stay here--you mustn't think that's just

a selfish whim--just wanting to live in New York. Of course, what she

wants is to have Donald to herself--to have their young married life to

themselves. And my going there to give advice to-day--naturally that

made her more certain than ever that she could never have that

here--with me just around the corner. She let me understand that,

finally. She intimated that Donald had said as much--he was tired of

being managed.... Oh, it's perfectly natural, perfectly right.

To-morrow, I'll accept it easily enough.... As I say--I haven't had much

time."

He was more touched by that speech than everything that had gone before,

yet more resolved, too, not to say, "I'm sorry."

"As a matter of fact," he asked straightforwardly, "what _was_

decided--as to Mrs. Flower?"

"It's not decided yet, at all. However, I have a plan--another

suggestion--which it seems to me might meet some of the difficulties."

"Aren't there friends or relatives here that she might stay with for a

time?"

"That's it. I think I can persuade her to live with us--till we have a

chance to see how all this--"

"With _you_?"

"It's just a hope, as I say. I didn't think of it till just now. Mother

is very fond of her. And Wallie can't give up college, of course. That

would be--quite the worst thing."

The school-teacher spoke with characteristic matter-of-factness. If she

was adding final touches to the portraits of two women, she did it,

certainly, with supreme unconsciousness. In the brief stillness of the

office, she efficiently neared the end of her task. The top of her table

was almost bare, the litter on the floor was deep. And now she spoke

again, dryly and quite conclusively.

"At any rate, nothing fatal has happened. Nobody knows that better than

I do--really. No doubt it's personal vanity with me, as much as

anything. And now--"

"Do you know," Charles Garrott spoke up suddenly, as if he did not hear

her at all--"I think you're the best I ever knew? The best--the

_best_--absolutely the most of a person--"

She, the strong, seemed to start and shrink; she broke in sharply, with

instant signs of a shaken poise: "No--_please_! You don't understand me

at all. I do--not need sympathy! It's just what I've been trying to

say--"

"Well, you aren't getting it from me, no fear. Sympathy! If ever there

was honest looking up, if ever--"

"No!--don't! I didn't tell you about it for that!--only to explain why I

seemed so ... It was due you. As I say, nobody understands better than I

how unreasonable it is--to be so disturbed. And if you hadn't come here

to-day--"

"Won't you give me credit for some understanding? If you were ten times

as disturbed, I'd think it the reasonablest--"

"Yes--for a woman. Well, I'm not that kind of woman," said Mary Wing,

with curious agitation, as if she could stand any sort of talk better

than this. "Please don't say any more. I don't tell my troubles to be

comforted--patted on the head. I'm not feminine, I hope, after all these

knocks. You make me--"

"Thank God, _no_!" said the young man on the ladder, considerably moved.

And then that connection which he must have been groping toward for a

month flashed startlingly upon him, and he, the authority, blurted out

like a boy:--

"No--_you're womanly_!"

He saw his old friend's face quiver a little as the strange word struck

her: oddly, it seemed to silence her. But it was not possible that she

could be one half so struck with that word as he, Charles Garrott, was.

_Mary Wing was a Womanly Woman_.... And now she could no more have

stopped his speech than she could have stopped a river when the one gate

in the dam, long locked, has suddenly burst open.

"That's it. Of course.... Funny, I was just thinking over all that as I

walked around here--how different those things are. No, not

different--they don't belong in the same story at all. What's character

got to do with--feathers in the springtime?... Born stupid," said

Charles, in a low, stirred voice--"that seems to explain me. I'd better

have been one-eyed--beat me over the head with it, and still I can't

see.... Won't see. That's it!--it's worse. I'm just an old-line

male--that's what. Just the sort who've taught women not to bother to

try to be womanly when being feminine comes so much cheaper. Why, look

at me, criticizing you in my thoughts, not liking it because you

were--independent. What was that but just pique--don't you know?--just

common ordinary male jealousy--because a woman didn't need my shoulder

to lean on. Manly protector ... seventeenth-century stuff. Well, you've

punished me, don't you worry.... Just standing where you always stood,

just being your Self. Acting straight from your own law all the time,

doing the best sort of things, one after the other--the biggest,

the--the _tenderest_--"

"Don't," said the grammar-school teacher again, but in the littlest

voice he had ever heard from her lips.

Rapt as he was, that voice penetrated him. More, it alarmed him: and

with reason, too. Staring down with a new fixedness, touched with a

faint, purely masculine horror, Charles beheld the strangest sight seen

by him in many a day. Mary Wing, the unconquerable, had suddenly put her

face into her hands.

He had really only been finishing that other talk of theirs, with a

certain sense of right; but of course this wasn't the time for that. He

had been indulging his analytic propensity, his fatal tendency to

comment, at her expense. Hadn't he understood that she feared nothing

so much as his sympathies?...

His friend, in her arresting attitude, sat as rigid as a carven woman.

The stillness in the little office was profound. Then a voice strained

out, very thin, but still not defeated:--

"Don't be alarmed. I'm ... not going to cry."

And that seemed to settle it. It was as if, in that silent struggle

waged all the way from the Flowers' to now, the speaking of the word

itself was the fatal admission. The school-teacher had no sooner

pronounced it than her arms spread suddenly out on the table before her,

and her head came down upon them.

Charles Garrott, on his ladder, was heard to take one breath, sharply.

After that, no sound came from him. Quite motionless he sat, in the

chance position in which the sudden disaster had overtaken him: long

arms dangling from his knees, large feet hooked under a ladder-rung,

some distance down. He hardly winked an eye.

Mary Wing was crying. That painful hard tension had snapped; the

indomitable slim figure drooped beaten, for once. She, also, made little

sound in her peculiar difficulty. But her body shook with a stormy

racking. And it hurt her, he was sure; hurt her physically, as if she

couldn't find tears without breaking something inside....

Strange it seemed that once, in this very room, and only the other day

really, he had wanted to see Mary cry. He had thought of it then as a

desirable sort of symbol, hadn't he?--something of that sort. What did

her tears have to tell him now? Then he had conceived himself as

watching her emotion, moved doubtless, but yet with a secretly gratified

masculinity. Now every heave of those slender shoulders was like a

clutch upon his heart.

And still there was something in Charles that was not distress at all.

He was aware of another and quite different inner sense--peace, the end

of struggle, fulfillment--he could not say what it was. It was strange.

He was not unhappy....

There came, after a time, signs that his friend was overcoming that hard

revolt of feelings too much put upon. Even in the beginning she had

never seemed to abandon herself, quite. At length, somewhat

unexpectedly, she moved, turned from her seat under his eye, and,

rising, went away to the office's one window. There she stood, her back

toward him. And presently she began to clear her throat, with nervous

quick coughings.

Through this, Charles had not spoken, or thought of doing so. To pat

Mary's shoulder, this time, had not entered his head. His instinct

seemed to feel the banality of any intrusion upon her freedom: she

should weep or not weep, just as seemed best to her. Now, as his grave

eyes followed her, it occurred to him that his presence here had been,

and was, a considerable intrusion. And about the time he had reached

this conclusion, Mary spoke, naturally enough, except that a sharp catch

of breath broke her sentence in the middle.

"I'm giving you ... a pleasant visit to-day."

The young man stirred on his perch. He answered, oddly, with a sort of

growl:--

"That's right! I'm a fair-weather friend. Keep things pleasant for _me_

all the time--or good-bye."

His heroine was sniffing repeatedly, in the humanest way. She kept

clearing her throat. Her movements made it clear that she was searching

busily for her handkerchief. However, there lay her handkerchief on the

table, under his eye. And if she, perhaps, hardly wished to turn and

come for it just now, no more did he see his way clear to going and

taking it to her.

"No--but what's the sense of it? I'm--doing just what I told Angela not

to do. Feeling sorry for myself, that's all."

"Well, I don't feel sorry for you. Don't worry about that."

Charles came down the ladder, and stood a moment kicking at the "New

Schools" strewn about the floor.

"Look here, suppose I save time by arranging about this box now? You

want it to go to your house, I suppose?"

"No--I'm going to send it to the grammar-school."

"Oh--all right. I'll attend to it," he said, briefly. "I'll tell the

porter to keep it to-night, and get a wagon to-morrow."

On which, without more ado, he stepped from the assistant principal's

office, and shut the door behind him.

Charles's conference with the negro porter in the corridor below lasted

a minute, perhaps. His diplomatic retirement lasted ten minutes, at

least. His surplus time the young man spent in staring out of a tall

window into a white-paved courtyard. But that it was a white-paved

courtyard, or that it was a courtyard, he never knew. The instant he

found that he was staring at it, he jumped a little, and went

upstairs....

If he had meant this interval as a punctuation and the turning of a

page, Mary, it seemed, had so accepted it. Reopening Mr. Geddie's door,

Charles saw that his absence had been employed for a general setting to

rights. The table had been moved back against the wall; the books and

globe restored to it, the chair Mary had occupied returned to its place,

the window opened to blow out the dust. Mary herself stood in the

middle of the room, coated, buttoning her gloves. Without looking at her

exactly, he was aware that the white veil which had been caught up

around her hat was now let down.

Bygones were bygones, clearly: the least said, the soonest mended.

Charles remarked, exactly as if house-cleaning were the sole interest he

knew of here: "Well, you've made a good job of it."

And Mary replied, with equal naturalness: "I did what I could. John will

have to attend to these things on the floor."

"Yes--I told him to see to that at once."

"He ought to give the closet a good cleaning, too. I'd better tell

him--this is just the time."

"I told him to be sure to scrub the closet. It'll be all right."

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