IV.

_THE INVENTIVENESS OF CHILDREN._

In the days of childhood new,

When Time had years and ours were few,

Here on grassy fields at play,

Ran we this, the other way;

On this very meadow-ground

First violets found,

Where the cattle graze to-day.

_Minnesinger, 13th Century._

The student of popular traditions is accustomed to recognize the

most trifling incidents of a tale, or the phrases of a song, as an

adaptation of some ancient or foreign counterpart, perhaps removed

by an interval of centuries. It is the same with rhymes of the sort

included in this collection, in which formulas of sport, current in

our own day and in the New World, will be continually found to be the

legacy of other generations and languages. Should we then infer that

childhood, devoid of inventive capacity, has no resource but mechanical

repetition?

We may, on the contrary, affirm that children have an especially lively

imagination. Observe a little girl who has attended her mother for

an airing in some city park. The older person, quietly seated beside

the footpath, is half absorbed in revery; takes little notice of

passers-by, or of neighboring sights or sounds, further than to cast

an occasional glance which may inform her of the child's security. The

other, left to her own devices, wanders contented within the limited

scope, incessantly prattling to herself; now climbing an adjoining

rock, now flitting like a bird from one side of the pathway to the

other. Listen to her monologue, flowing as incessantly and musically

as the bubbling of a spring; if you can catch enough to follow her

thought, you will find a perpetual romance unfolding itself in her

mind. Imaginary personages accompany her footsteps; the properties

of a childish theatre exist in her fancy; she sustains a conversation

in three or four characters. The roughnesses of the ground, the hasty

passage of a squirrel, the chirping of a sparrow, are occasions

sufficient to suggest an exchange of impressions between the unreal

figures with which her world is peopled. If she ascends, not without a

stumble, the artificial rockwork, it is with the expressed solicitude

of a mother who guides an infant by the edge of a precipice; if she

raises her glance to the waving green overhead, it is with the cry

of pleasure exchanged by playmates who trip from home on a sunshiny

day. The older person is confined within the barriers of memory and

experience; the younger breathes the free air of creative fancy.

A little older grown, such a child becomes the inventor of legend.

Every house, every hill in the neighborhood, is the locality of an

adventure. Every drive includes spots already famous in supposed

history, and passes by the abodes of fancied acquaintances. Into a land

with few traditions the imagination of six years has introduced a whole

cycle of romance.

If the family or vicinity contains a group of such minds, fancy takes

outward form in dramatic performance. The school history is vitalized

into reality; wars are waged and battles performed in a more extended

version, while pins and beans signify squadrons and regiments. Romances

are acted, tales of adventure represented with distribution of rôles.

Thus, in a family of our acquaintance, the children treasured up

wood-engravings, especially such as were cut from the illustrated

journals: runaway horses, Indian chiefs, and trappers of the wilderness

were at an especial premium. These they stored in boxes, encamped

in different corners of the room, and performed a whole library of

sensational tales. A popular piece set forth the destruction of the

villain of the story by a shark, while navigating a _catamaran_. The

separated beds of the sleeping-room represented the open planks of

the raft; the gentlest and most compliant character personified the

malefactor; and the shark swam between the bedsteads.

Where sports require or allow such freedom, the ingenuity of children

puts to shame the dulness of later years, and many a young lady of

twenty would find it impossible to construct the dialogue which eight

summers will devise without an effort. It was a favorite amusement

of two girls just entering their teens to conduct a boarding-school.

The scholars and the teachers of the imaginary school were all named,

and these characters were taken in dialogue by the little actors,

each sustaining several perfectly well-defined parts. The pupils

pursued their pleasures and their studies according to their several

tastes; while their progress, their individual accomplishments and

offences, were subsequently gravely discussed by the instructors, and

the condition, prospects, and management of the institution talked

over. Thus, hour after hour, without hesitation or weariness, the

conversation proceeded, with the duo of friends for actors and audience!

Oftentimes, with young children, an outward support is required for

fancy, an object to be mentally transformed. One set of little girls

collected in the fall birch-leaves, changed to yellow, out of which

alone they created their little nursery. Another party employed pins,

which they inserted in a board, and called pin-fairies. By the aid

of these, long dramatizations were performed, costumes devised, and

palaces decorated, under regulations rigidly observed.

Such exercises of imagination are usually conducted in strict privacy,

and unremarked, or not understood, by parents; but when the attention

of the latter is directed to these performances, they are often

astonished by the readiness they disclose, and are apt to mistake for

remarkable talent what is only the ease of the winged fancy of youth,

which flies lightly to heights where later age must laboriously mount

step by step.

As infancy begins to speak by the free though unconscious combination

of linguistic elements, so childhood retains in language a measure

of freedom. A little attention to the jargons invented by children

might have been serviceable to certain philologists. Their love of

originality finds the tongue of their elders too commonplace; besides,

their fondness for mystery requires secret ways of communication. They

therefore often create (so to speak) new languages, which are formed by

changes in the mother-speech, but sometimes have quite complicated laws

of structure, and a considerable arbitrary element.

The most common of these, which are classified by young friends under

the general name of _gibberish_, goes in New England by the name of

"Hog Latin." It consists simply in the addition of the syllable _ery_,

preceded by the sound of hard _g_, to every word. Even this is puzzling

to older persons, who do not at first perceive that "Wiggery youggery

goggery wiggery miggery" means only "Will you go with me!" Children

sometimes use this device so perpetually that parents fear lest they

may never recover the command of their native English. When it ceases

to give pleasure, new dialects are devised. Certain young friends of

ours at first changed the termination thus--"Withus yoovus govus

withus meevus?" which must be answered, "Ivus withus govus withus

yoovus;" the language, seemingly, not admitting a direct affirmative.

The next step was to make a more complicated system by prefixing a

_u_ (or _oo_) sound with a vowel suffix. Thus, "Will you go with me

to lunch?" would be "Uwilla uoa ugoa uwitha umea utoa uluncha?" But

this contrivance, adopted by all the children of a neighborhood,[25]

was attended with variations incapable of reduction to rule, but

dependent on practice and instinct. The speech could be learned, like

any other, only by experience; and a little girl assured us that she

could not comprehend a single word until, in the course of a month, she

had learned it by ear. She added, in regard to a particular dialect,

that it was much harder than French, and that her brother had to think

a great deal when he used it. The application of euphonic rules was

more or less arbitrary. Thus, _understand_ would be _uery-uinste_.

The following will answer for a specimen of a conversation between a

child and a nurse who has learned the tongue: "Uery uisy uemy uity?"

"Up-stairs, on the screen in your room." The child had asked, "Where is

my hat?"

A group of children living near Boston invented the _cat language_,

so called because its object was to admit of free intercourse with

cats, to whom it was mostly talked, and by whom it was presumed to be

comprehended. In this tongue the cat was naturally the chief subject

of nomenclature; all feline positions were observed and named, and the

language was rich in such epithets, as Arabic contains a vast number

of expressions for _lion_. Euphonic changes were very arbitrary and

various, differing for the same termination; but the adverbial ending

_ly_ was always _osh_; _terribly_, _tirriblosh_. A certain percentage

of words were absolutely independent, or at least of obscure origin.

The grammar tended to Chinese or infantine simplicity; _ta_ represented

any case of any personal pronoun. A proper name might vary in sound

according to the euphonic requirement of the different Christian-names

by which it was preceded. There were two dialects, one, however,

stigmatized as _provincial_.

This invention of language must be very common, since other cases have

fallen under our notice in which children have composed dictionaries of

such.

It would be strange if children who exhibit so much inventive talent

did not contrive new games; and we find accordingly that in many

families a great part of the amusements of the children are of their

own devising. The earliest age of which the writer has authentic record

of such ingenuity is two and a half years.

Considering the space which our Indian tribes occupy in the imagination

of young Americans, it is remarkable that the red man has no place

whatever in the familiar and authorized sports. On the other hand,

savage life has often furnished material for individual and local

amusements.

Near the country place of a family within our knowledge was a patch of

brushwood containing about forty acres, and furnishing an admirable

ground for savage warfare. Accordingly, a regular game was devised.

The players were divided into Indians and hunters, the former uttering

their war-cry in such dialect as youthful imagination regarded as

aboriginal. The players laid ambushes for each other in the forest, and

the game ended with the extermination of one party or the other. This

warfare was regulated by strict rules, the presentation of a musket at

a fixed distance being regarded as equivalent to death.

In a town of Massachusetts, some thirty years since, it was customary

for the school-girls, during recess, to divide themselves into separate

tribes. Shawls spread over tent-poles represented Indian lodges, and

a girl always resorted to her allotted habitation. This was kept up

for the whole summer, and carried out with such earnestness that girls

belonging to hostile tribes, though otherwise perfectly good friends,

would often not speak to each other for weeks, in or out of school.

In the same town was a community of "Friends," or "Quakers." It was the

custom for children of these to play at meeting. Sitting about the room

on a "First-day" gathering, one of them would be moved by the spirit,

rise, and exhort in the sing-song tone common to the meeting-house.

There was a regular formula for this amusement--a speech which the

children had somewhere heard and found laughable: "My de-ar friends,

I've been a thinking and a thinking and a thinking; I see the blinking

and the winking; pennyroyal tea is very good for a cold."

A young lady of our acquaintance, as a child, invented a game of

pursuit, which she called Spider and Fly. The Flies, sitting on the

house-stairs, buzzed in and out of the door, where they were exposed

to the surprise of the Spider. The children of the neighborhood still

maintain the sport, which is almost the exact equivalent of a world-old

game whose formula is given in our collection.

We need not go on to illustrate our thesis. But it remains true that

the great mass of the sports here presented are not merely old, but

have existed in many countries, with formulas which have passed from

generation to generation. How are we to reconcile this fact with the

quick invention we ascribe to children?

The simple reason why the amusements of children are inherited is the

same as the reason why language is inherited. It is the necessity of

general currency, and the difficulty of obtaining it, which restricts

the variation of one and of the other. If a sport is familiar only to

one locality or one set of children, it passes away as soon as the

youthful fancy of that region grows weary of it. Besides, the old

games, which have prevailed and become familiar by a process of natural

selection, are usually better adapted to children's taste than any new

inventions can be; they are recommended by the quaintness of formulas

which come from the remote past, and strike the young imagination as a

sort of sacred law. From these causes, the same customs have survived

for centuries through all changes of society, until the present age has

involved all popular traditions, those of childhood as of maturity, in

a general ruin.

Games and songs of American children · 第 41 / 186 题