MARRIAGE OF CHÚDÁLÁ WITH SIKHIDHWAJA.
Argument.--The Gandharva form of marriage, its Courtship and ceremonial
rites.
Vasishtha resumed:--After the lapse of some days in this manner,
Chúdálá thus bespoke to her husband, in her guise of the pretended
Bráhman boy (or Kumbha).
2. Hear me, O lotus eyed prince, she said, what I tell you in good
earnest; that since I am obliged to become a woman every night, and
continue to be so for ever more.
3. I wish to fulfill the part of my womanhood, by joining myself to a
husband by legal marriage for all that time.
4. I want to taste the pleasure of conjugal union, with a dear friend,
who is of his own accord so very friendly to me, and without any
endeavour on my part: so I hope you will interpose no difficulty in my
way.
5. So I choose you sir, as my husband, of all others in the three
worlds: therefore be pleased to accept me for your wife every night.
6. The delightsome pleasure of conjugal union, has come down to us ever
since the commencement of creation; and therefore our obedience to the
ordinance of nature, can entail no guilt on our part.
7. I desire this that we may do as we like, without desiring or
disliking anything; and be far from expecting the consequence of what
we like or dislike.
8. Sikhidhwaja answered:--I see friend, neither any good nor evil, of
accepting your proposal; so you are at liberty to do as you like.
9. Being possessed of the indifference of my mind, at every thing in
the world; I see everything in the same and in an equal light: so I let
you have your option as you may like.
10. Kumbha replied:--If so, then I say that this day is very
favourable for celebrating the marriage ceremony; it is the full moon
of Srávana, and all lucky asterism according to my best calculation.
11. On this day of the full moon, our marriage may take place both in
the day as well as night-time in the Gándharva form (by mutual choice
and consent).
12. It will be celebrated either on the summit of the Mahendra
mountain, or on the delightful table-land there abouts; or in the
grotto of some mineral mine, and in the light of the shining gems and
mineral ores in the mountain; (serving as lamps and candle lights in
the festivity).
13. The rows of stately trees all around, will shed their flowers at
the nuptial ceremony; and the twining creepers on them, will represent
the dance of _nanch_ girls by their tremulous shaking. (Dance and music
being necessary accompaniments of marriage festivities).
14. Let the bright luminary of the night, accompanied by his consort
train of shining stars, witness our marriage from the high sky with
their wide open and glaring eyes.
15. Rise, O prince, for your marriage; and let us both hie to cull the
forest flowers, and prepare the sandal paste and collect the scattered
gems, in order to deck our nuptial seats therewith.
16. Saying so, they both rose together, and culled the flowers and
collected the gems.
17. Then in a short time, they repaired to the gemming steppe, and
heaped it with flowers of various kinds.
18. They had their marriage vests and necklaces ready on the spot, and
the God of love helped with the supply of every thing required on the
occasion.
19. Having thus prepared the paraphernalia of their nuptials, and
stored them in a golden grotto of the mountain, they both repaired to
the sacred stream of the heavenly Ganges Mandákiní, for making their
holy ablutions therein.
20. Here Kumbha served as the priest, to lave the holy water profusely
on the lofty head and elevated shoulders of the prince; as the
elephantine clouds of Indra, pour the rain water in plenteous showers,
on the towering tops and height of hills.
21. So also did the prince act the part of the ministering prince, and
washed the body of his beloved princess now in the form of Kumbha. Thus
did the two friends anoint and absterge by turns, the persons of their
quondam and future consorts.
22. Bathed and purified, they adored the gods, the munis and the manes
of their ancestors, for the sake of their honour, and without any
desire of getting any good or gain from them: for they well knew that
they could benefit nothing their service, as the deities, the deified
spirits and the divine sages.
23. They took their frugal and repast, as their nature and the course
of the world required; and seasoned with the nectarine juice of their
good and refined intelligence.
24. They wore the whitish barks of Kalpa trees, as their clean marriage
raiments, and ate its fruits as their wedding cakes; then they repaired
to the altar for their nuptial ceremony.
25. At this time the sun descended below his setting mountain, as if to
consummate their conjugal union in secret.
26. As it now became dark and dusk they discharged their evening
service and offered their prayers; and groups of stars now appeared on
the plain of the firmament, to witness their union in marriage.
27. Then came the sable night the only friend of the happy pair,
spreading the veil of darkness over the face of nature, and smiling
with the blushing of snow white lotuses and lilies of the valley.
28. Kumbha collected the rich stones, and placed those gemming on the
table land of the mountain, while Brahmá lighted his two lamps of the
sun and moon together in the heavens.
29. Being then changed to the female form, Kumbha anointed the prince
with the fragrant sandal paste, agallochum, camphor powder and
pulverised musk.
30. She adorned his person with strings, bracelets and wristlets of
flowers, and dressed in a robe of the thin bark of Kalpa tree.
31. His body was also decorated with the filaments of Kalpa plant, and
clusters of _párijáta_ flowers and with many other flowers and gems
from his head to foot.
32. She appeared also at this time in her bridal garb and maiden like
figure, with her big and swollen breasts, and with all her youthful
grace and blandishments.
33. She thought that as she was now attired and appeared as a nuptial
bride, she must now offer herself to a husband worthy to her.
34. Here am I as a lovely bride, said she to herself, and there is my
husband in my presence; I must ask him to accept my hand, nor is this
time to be slipped from hand.
35. So saying, she approached her husband sitting apart from her in the
wood; and appeared as Rati--the goddess of love, was advancing towards
her loving Káma.
36. She went to him and said:--"I am Madaniká by name and thy loving
wife I therefore bow down at your feet, with the regard due to a
husband."
37. So saying, the beauteous lady, bent down her head with female
bashfulness; and made her obeisance to her lord, with the pendant locks
on her head.
38. And then she said to him:--"O thou my lord! do thou adorn me
with ornaments also, and then light the nuptial fire, to attest thy
acceptance of my hand."
39. Thou appearest as exceedingly fair to my eyes, and makest me quite
fond of thee; and thou seemest to me to surpass the God of love in the
beauty of person, even when he wedded his Rati at first in his youthful
bloom.
40. O prince, these wreathed flowers on thy person, appear as the
brightsome beams in the body of the moon; and those strings of flowers
pendant on thy bosom, seem to me as the stream of Ganges, gliding on
the breast of the Sumeru mountain.
41. With the flowing braided hairs on thy head, thou appearest as the
mount of Mandara, with the clusters of creepers hanging down from its
top; while thy head itself appears as golden lotus, with its hanging
hairs resembling the filaments of the flower, and studded with strings
of blackening bees.
42. The gemming ornaments and flowery decorations of thy person, add to
it the lustre and gracefulness of the mount Meru, with its mineral ores
on one side and its floral beauty on the other.
43. After her flattering speech was over, the new bride and bridegroom,
and future husband and wife sat contented together, unmindful and
forgetful of their past conjugal relation.
44. The brave princess now Madaniká by name, and the noble prince
Sikhidhwaja the saint, both sat together on a golden seat (of the
mineral mountain); which added fresh lustre to the beauty and
decoration of their persons.
45. They were bedecked with their head dresses, garlands of flowers
and ornaments of gems and pearls, and were furnished with flowers and
ointments, and clad in fine cloths all over their bodies.
46. The young lady Madaniká blazed as Venus with her maddening beauty,
and appeared as the goddess Gowrí--the surpassing paragon of beauty, at
her wedding festivity.
47. The noble lord having embellished his noble lady with his own
hands, thus spoke to her after her toilet; "O thou fawn eyed fairy,
thou art as graceful as the goddess of grace and prosperity".
48. I pray for all that prosperity to attend on thee, as it does with
Sachí.--The queen of heaven, in the company of her lord Indra; and as
it subsisted between the mutual pairs of Hara and Gowrí; and Hari and
his consort Lakshmí--the goddess of fortune.
49. Thou appearest as a limpid lake of lotuses, with thy breasts
blooming like lotus buds; and thy black blue eyes resembling the
cerulean lotuses (nilumbiums); and the sweet fragrance of thy lotus
like person, inviting the buzzing bees fluttering all about thee.
50. Thou appearest likewise as a tender shoot of the Kalpa plant of
Cupid, with thy rubicund palms resembling its reddish leaves; and thy
swollen breasts likening to its blooming buds, and every part of thy
body, is as delicate as its delicious fruits.
51. With thy cold and cooling body, and thy moon like face and its
smiles as moon beams, thou art as beautiful as the full-moon, and
equally delightful to sight.
52. Rise therefore my beauteous lady and ascend on the matrimonial
altar, and there perform the marriage ceremony, standing on the slab
of stone, marked with creeping plants and their fruits. (The gloss
says, that this stone or stool, is also painted with the colours of the
nine sorts of precious gems _nava-ratna_, that are sacred to the nine
planets).
53. Vasishtha said:--The altar was studded with strings of pearls,
and bunches of flowers suspended on all sides; and it had four large
cocoanut fruits, hang over the four sides of its square.
54. There were pots filled with the holy water of Gangá set about it,
and the sacred matrimonial fire was lighted amidst it, and fed with the
fuel of the sandal wood and other fragrances.
55. They turned round the flaming fire by the right hand side, and then
sat on seats of leaves with their faces turned towards the east.
56. After sitting on the altar, the matrimonial couple kindled the
nuptial fire, and made offerings of sesame seeds, and fried rice upon
its flames.
57. The married pair turned again about the sacred fire, and offered to
each other their own selves and loves as their marriage dowries.
58. They showed to one another their shining faces, as their nuptial
presents; and completed the ceremony by going round the fire, and
scattering the fried rice upon it.
59. The husband and wife now parted other hands, from their hold of the
palms of one another; and their smiling faces, appeared as the lunar
disk on the new moon.
60. After this they went to sleep on a flowery bedstead which they had
newly prepared before, when the moon had already run her course of the
first watch of the night.
61. She cast her beams to fall aslant on the bedstead, as when the
attendant women cast their glances askance on the bridal bed.
62. She next spread her bright beams all about the leafy bower of the
pair; as if to listen to the pleasant conversation, of the new married
couple.
63. The pair having sat there awhile, in the light of the mineral
lamps, retired to their sleeping bed, which they had prepared
beforehand in a secluded spot.
64. It was a bedding of flowers, and beset by heaps of flowers of
various kinds. (It is called the pushpa-talpa and is still in vogue
even in the present form of marriage).
65. There were heaps of lotuses of golden hue, as also mandára and
other sorts of flowers, to drive away fatigue by their fragrance.
66. The flat of the flowery bed of the bridal pair, resembled the
plane of the broad and bright moon, and a level surface covered by the
cooling ice.
67. It bore likewise the resemblance of the wide sea, whose waters are
impregnated by the bright moon, and whose surface supplies a bed to
Ananta--the sleeping spirit of the endless God.
68. The loving pair then lay themselves down, and rolled upon their
snow white bed of flowers; as when Mandara mountain, rolled about and
churned the Milky ocean.
69. They passed their bridal night in mutual caresses and conversation
on topics of love, and the live long night glided before them as a few
moments only.