For example, when desire is for the love of a woman, it is for the

love of _this_ woman, not of _some_ woman. Ask such love what it sees

to love in this individual that could not just as well be found in

another, and the lover will laugh you out. You are not speaking his

language. You are looking for qualities, types, principles--what he

wants with all his soul is not a kind of a woman but just _his_ woman.

And to her he sings,

Who is it says the most? which can say more

Than this rich praise,--that you alone are you?

Or do you ask as the thing on which all your happiness hangs that death

keep his hands off just this child? Then what meaning would it have for

you if a condoling friend were to point out that you had other children

far more remarkable? It was not for his qualities you cared when

you cared for him, nor yet for his value as a unit in counting your

offspring.

I don’t pretend to explain why this is, or what it all means;[5]

but when Kant maintains that to will a principle and nothing but a

principle is not what we mean by willing, these instances of objects

of desire that are purely individual and can not be reduced to

principle naturally present themselves as facts of experience that may

help us to catch Kant’s meaning.

Of all principles of willing, the moral principle is the highest; but

the willing of individual human beings cannot from its very nature be

completely defined by principle. The only world in which will can have

an object; _i.e._, the only world in which there can be such a thing

as will, must be a world of individual things. If it is to be a moral

world, it must be possible to struggle for these individual things

without disobeying the law of duty.

Happiness, defined as getting the individual thing you want, must

be guaranteed, or else, since you can only want something that is

individual, willing is objectless. Who or what is to guarantee that

the world in which we willers of concrete things may will consistently

with moral principle exists? Not experience, surely; that has a way of

arranging things so that the woman one wants is just the one principle

denies one; the child one has set one’s heart on is just the one death

has set his seal on. The chapter of “life’s little ironies” is a full

one. Then does it not require the guarantee of a world maker or a world

ruler that life’s indifference or irony have not the last word? Does

not the possibility of a moral will hang upon the assurance of God? So

at least for Kant, God makes goodness possible.

* * * * *

“God, freedom and immortality,” these three are traits inseparable

from a world in which duty can speak and be obeyed; the Old Testament

world is not only _a_ moral world, it is _the only_ moral world. And

if, so far, Kant has clung very closely to the Old Testament, we should

find him in his later writing--his “Religion within the Domain of Pure

Reason”--clinging just as closely to the spirit of the New Testament.

Those who find his reasoning obscure and faulty, would explain all this

in terms of his personal psychology and his early environment, for

Kant was a child of that deep Pietism, one might say Quakerism, that

characterizes the Germany of the eighteenth century.

But if we look upon him as the child of his age in his devotion to

Christianity, he was no less profoundly influenced by that other

and equally characteristic movement of his day and generation--the

inheritance of Rationalism. The Old Testament and even the New

Testament world images may have deep truth hidden in their

symbolism--so the child of pietism would be likely to think--but the

authority of this truth was not to be sought in revelation. It must be

established, if at all, by one’s reason--so the disciple of rationalism

was bound to maintain. Now Kant is not only a rationalist, rejecting

revelation as a source of authority. He is also a critic, to whom the

arguments of rationalism for the existence of God appear flimsy and

irrational. Neither in reason nor in experience can we find grounds

for accepting the existence of God as a scientific fact. Hume could be

no more convinced than Kant that no aspect of the world with which our

experience acquaints us justifies a belief in divine purpose. Kant went

further--no extension of experience in future ages could give us the

assurance we now lack. God is unknown to our science and unknowable.

Well then, if neither the necessities of thought nor the facts of

experience, however we conceive our knowledge of them extended, can

force upon us a belief in God and all that hangs on him, what is left

of religion and of morality that cannot be separated from religion?

Kant’s answer to this question is so confusing that it is little wonder

the interpreters of Kant are confused, in disagreement with each

other and each doubtful of himself. I am obliged then, since we have

not the time to try out all the ifs and buts of the case, to present

dogmatically one line of thought that is to be found in Kant, the one

along which post-Kantian thought developed. If anyone tell me that he

fails to find this thought in his edition of Kant, or that he finds

others that do not run parallel with it, we shall not quarrel about a

matter commentators have always quarreled about.

If Kant as a critic has been keen to point out the inadequacy of any

proof of God, he has been no less earnest in his purpose of showing

that no disproof can come to us. This world is one that for aught we

know _may_ be God’s world, and if we choose to live as though it were

God’s world and we were of his kingdom, we need fear to meet no facts

that would block our way and deny us.

Doesn’t it lie near to hand to say--You can make this God’s world if

you want to? You can make yourself free, immortal and blest of heaven

if that is the deepest desire in you, for in all its moral aspects this

world of yours is a plastic world and will respond delicately to your

touch. Live then as though there were a God, and there will indeed be

one; the world will be divine.

I have called Kant’s world the Old Testament world and you have seen

in what sense it may be called so; but if you try to think of this

world as the mediaeval writers are supposed to have thought of it,

then Kant’s religion must be in flat contradiction with itself. If

God is such a God, if his creative act is such a gesture as a Michael

Angelo might paint, if life after death is such a life and spent in

such places as a Dante might describe, then all Kant’s religion is

but a leap in the dark. The thing reduces to something like Pascal’s

wager--bet on God, and if you lose you lose nothing; if you win you

win everything. If God, freedom, and immortality are facts hid behind

a curtain that we may never tear aside, we can only take a chance with

such facts. I have already made my bow to those who find other things

in Kant than the religion I pretend to have drawn from him--and I had

particularly in mind such as understand Kant throughout to be thinking

of the truths of religion as just such facts hid behind the curtain.

I have refused to quarrel with those interpreters because Kant does

think, because Kant can not cure himself of thinking in such terms

through many pages. But this I take to be obvious--if this fashion of

thinking were the only one possible in view of the situation in which

science and religion find themselves, if it is not merely a peculiarity

of the man Kant and his personal psychology, then those who followed on

him, Fichte, Schelling, Hegel, were deeply deceived in supposing that

Kant was their inspiration; the post-Kantian development was not a

development but a new creation.

* * * * *

Viewing Kant then in the light of the appeal which he made to his own

times, we may see that for him religion is not a matter of what one

decides to believe, but of what one decides to do. And the religious

consciousness may express the law of its doing in the determination to

live as though there were a God. But we must ask it of Kant to explain

to us what sort of a life this religious life would be.

One can quite make it out that the first condition to the living of

such a life is to obey the voice of duty as though it were the voice

of God. That is, to obey it without letting our obedience hang on our

insight into the purpose to be worked out, or on the satisfaction we

are to find in or because of the doing. Just so was the Decalogue

presented for the acceptance of the Children of Israel. But for them

the way of duty was revealed by God himself; for Kant it must be

revealed by the reason which accepts it. What sort of a law does this

“practical reason,” as Kant calls it, reveal?

Kant’s first formulation is imperfect enough, and seems to be based

on an effort to deduce the content of moral law from the meaning of

law itself--as though to say, the command “Be law-abiding” furnished

one with all needed information respecting the law by which one was

to abide. For, as Kant puts the matter, law must prescribe a type

of action that is possible for everybody--a meaning of law which

is well rendered by the common phrase, “What is right for one is

right for all.” And just as one might try to convince a man of the

iniquity of some particular act of his by putting to him the question,

Suppose everybody were to do that? so Kant at this stage feels that

we could try out the validity of any given type of act by putting

the same question to ourselves. Suppose the right to lie were up for

consideration; if lying is morally right, then it must be possible for

everybody to lie. But if everybody tried to lie, there would be no such

thing as a lie, for a lie requires someone to believe it as well as

someone to utter it. Universal lying would be impossible; the maxim,

“Be a good liar,” could not be generalized into a law.

“So act that the maxim of your conduct could become a universal

law.”[6] This is the formula that Kant finds first of all for the full

duty of man. But of course on this basis one could not sell a share of

stock, for if everybody were to try it, there would be no market. On

the other hand Kant himself has only a tortured and inadequate account

to give of the reason why one should not commit suicide, for it looks

as though we might all do that much together.

More interesting is Kant’s second attempt to formulate the law of duty.

Almost against his will, one would say, Kant is forced to consider the

act from the point of view of its purpose. The purpose of a moral act

must be such that everybody may pursue the same purpose.[7] An immoral

world is one in which many want a thing that can not be shared--Kant

recalls with humor the remark of King Francis, that he and his brother

Charles were in perfect accord for both wanted the same thing--namely

the possession of Milan. A moral world is one in which no desires are

contradictory.

The moment Kant has said this he has made the moral world an ideal,

an image of a world not identical with this present one, but into

which our faith demands that the present one may by our effort evolve.

It is impossible so far as I can see to make Kant’s first impression

of duty square with this account of it. It cannot be that duty is a

simple certain command that the humblest understanding can grasp.

It must be that duty is a more or less vague striving toward this

ideal, a striving to make the world in which we live with one another

approximate more and more closely to this beautiful republic whose

motto might be modeled after Rabelais, “‘Fays ce que vouldras,’ et

ne nuis pas à ton voisin.”[8] Religion then is the determination to

allow nothing to divert us from this struggle which it would not be

out of place to call the struggle after divinity. Immortality would be

a direction, not a condition. Happiness--the religious happiness--the

sense of the progress to which we are contributing. All this seems

to flow naturally from the Kantian conception, but Kant has that in

him which will not let such results follow. He stands divided against

himself. His theory of duty as decalogue law, his less confident but

no less enduring conception of the object of religion as facts behind

a veil, stand in contradiction with his view of duty as a struggle

that must be more or less blind, baffled, and empirical toward a goal

infinitely remote.

* * * * *

In this contradiction we must leave him. Religion, as the name for a

search after the kind of reality in which the multiple strivings that

leave us divided each within himself and one from another, was the

deep inspiration of those who followed Kant. They thought they owed

this inspiration to the master, and so indeed they did; but it is

not surprising that Kant himself refused to recognize his immediate

offspring (Fichte) and would probably have been greatly shocked at the

speculations of his more remote progeny. Nor is it surprising to one

accustomed to the disappointments of which the history of thought is

the living chronicle that one of those inspired by Kant to this very

search should have ended his seeking with the tragic finding that the

harmonious will is an illusion and a contradiction. Will is essentially

war, cries Schopenhauer. There is that in the experience of every man

which forces him to give ear to this cry, voicing though it does the

deepest and final denial of all that is religious.

VI

ARTHUR SCHOPENHAUER

1788-1860

We live in a room that has a dark corner. The shadows are there and we

know they are there; but we will not look their way. We busy ourselves

with a thousand things that are doubtless important; we sit by the lamp

and are doubtless full of cheerful thoughts. It is held to be wise

to behave in this way, and if the things we busy ourselves with are

really important then it may be admitted that our conduct is really

wise. But back there among the shadows, the darkest of them all, lurks

the spirit of questioning. “What is the use?” it keeps asking, “What

is the use?” If we listen we are lost, yet those who have listened and

lost themselves tell us that there is such peace to be had of knowing

the worst that compared with it the prizes of struggling life are but

children’s toys.

“To see where the worst problems of life lie,” writes a philosopher of

our own day, “is a very black experience. And yet, so much does human

reason live on insight that I have never met a man who was alive to

those deepest problems and who repented him of his insight.”[9]

Now the one to whom of all men this insight into the deep abyss has

been vouchsafed was Arthur Schopenhauer. According to the older ideas

of tragedy, the world has at times and in spots seemed sad enough; but

Schopenhauer invented a new conception of tragedy, more ingeniously

painful than any that had gone before, and then he showed that the play

which most completely set forth this idea was just the whole of life.

The work in which this thought is most systematically developed bears

the double title, “On the World as Will and Idea (Vorstellung),” whose

first edition appeared in 1818. We may safely confine ourselves to this

single work in our present study of Schopenhauer, for his life was one

of those lives that move rapidly to a moment of maturity then subside

into a ruminating reflection on their achievement.

To have reached at thirty a life-view from which one never afterwards

departs might be taken to argue either a certain shallowness of mind

or an unusual depth of conviction. One recalls the sixty-year-old

Kant, painfully struggling with a bare theory of method, and then for

some twenty years more laboring to apply this method to the problems

of life with results so vigorously reacting on the method itself as

to have created a suspicion of change of view. It is certain that in

contrast with Kant, Schopenhauer leaves an impression of facility in

thought and style. This effect is no doubt partly to be accounted for

by a difference in upbringing and in the circumstances surrounding

production. Kant was the very complete university professor;

Schopenhauer, a man of the world whose one early experiment in academic

life was a most convincing failure. He alone of all the great names

that recognize Kant as master--Fichte, Schelling, Hegel--had the

assured position and material means to spare himself the laborious

training of one who would enter the academic lists. Free then to live

as he would, he develops the tastes and the methods of the private

scholar of means, reflecting the experience of an easy bachelor

existence of inns, and travel, and wide unsystematic reading.

It is the early training doubtless of one intended for a higher social

stratum, that imposes on Schopenhauer a sense of obligation to be

lordly; a style that is free, rather grand, perhaps a bit overdressed;

a certain insolence of tone from which even his friends suffer at

times, and which when it is question of his enemies sinks to a level of

abuse whose epithets must be shadowed forth with initial and dash.

But apart from these external conditions, one recognizes in

Schopenhauer the spirit of the fighter rather than that of the critic.

He is a man of one idea, embraced as soon as encountered, then defended

with boldness and eloquence and wit. Such a character hardly develops

the great thinker; but it may well be possessed of a great thought. The

thought of Schopenhauer is none the less great for being gloomy and

repellant.

* * * * *

The double title, “The World as Will and Idea,” hints at a double

aspect that experience presents, the one to the eye of the observer,

the other to the mind of the thinker. To the observing eye, it is a

spread of bodies in space and time, obeying the laws of mechanical

necessity; just such a world as Kant has described in his “Kritik der

reinen Vernunft.” Schopenhauer, following Kant, calls this the world of

appearance, the phenomenal world.

But when we say “a world of appearances” we seem to hint at a something

that appears, and appears not to the eye that follows the mechanical

behavior of bodies in space and time but as revealed to the thought of

one who asks: Wherefore this agitated phenomenon? Just as, watching my

neighbor move and gesticulate, I ask myself: What is it all about? so,

seeing Nature a-quiver, I ask myself: What does she mean? And just as

my neighbor’s conduct is understood when I have caught the purpose,

the motive that inspires it, so I may be expected to have reached the

“real nature” of the fleeting world if I can but find the _will_ which

it expresses.

It is then the World as Will that profoundly interests Schopenhauer, as

it has profoundly interested all men, from the most primitive that have

implored the gods, to the most cautiously reflective who, like Kant,

have felt confident of at least this much, that no definition of a good

life was possible that did not postulate a world-purpose.

Now the plainest man can assure himself that there are enough--alas,

too many--purposes to be found in nature for the looking. There are

mine and yours, that of our country, of our human race, of other races

too, for the lower animals have disputed the world with us, as the

vegetables have disputed it with them. But when one asks oneself:

What ultimate purpose is served by all this disputing for a foothold?

then indeed one’s imagination is put to the test. There are too many

purposes, there is too little purpose, to let this search for nature’s

will with us end in a quick and happy finding.

All this is matter of common knowledge and common experience, yet how

few have had the courage to give up hope in an ultimate happy finding,

and how easily is this hope deceived with dreams, how willingly does

it dispense with proof. Here indeed is the region in which “the heart

has its reasons that the reason does not understand.” Well, it is

Schopenhauer’s great act of courage that the purpose he was unable

to find he refused to hope for; the reason that the reason could not

understand he closed his heart to. Resolutely, he searched the dark

corner and finally stared at the shadow.

“Everywhere in nature we see strife, conflict and alternation of

victory.”

“Every kind of being fights for the matter, the space, and the time

of the others. This strife may be followed throughout the whole of

nature, but most distinctly in the animal kingdom. For the animals have

the whole of the vegetable kingdom for their food, while within the

animal kingdom every beast is the prey and food of another. So does

the will to live everywhere prey upon itself till finally we come to

the human race. This, because it subdues all others, regards nature as

a manufactory of things for its use. Yet even the human race reveals

within itself with terrible distinctness the same conflict; the same

variance with itself of the will to live, and we cry _homo homini

lupus_.”[10]

This picture of universal warfare is the first scene in Schopenhauer’s

world-tragedy; but it is far from the climax. It is in itself not even

tragic, for is it not an aspect of nature that however much it may

suggest of defeat and suffering it must reveal just as much of triumph

and glory? For every victim a victor, and may we not suppose that some

principle of justice awards the pains and pleasures of it all?

But no, Schopenhauer goes relentlessly on. The conqueror is crowned

with vanity and his spoils are illusions:

“The inner being of nature is a striving without rest and without

respite.... a willing and striving that may very well be compared

to an unquenchable thirst. But since the basis of all willing is

need, deficiency and thus pain, the nature of brute and man alike

is originally and of its very essence subject to pain. If on the

other hand, it is deprived of objects of desire through too easy

satisfaction, such void and ennui fills the heart that existence

becomes an unbearable burden to it. Thus life swings like a pendulum

from pain to ennui, from ennui to pain.” And Schopenhauer finds an

odd unconscious recognition of this truth in the popular imaginings

concerning heaven and hell. “After man had transferred all pain and

torments to hell,” he notes with an amused cynicism, “there then

remained nothing but ennui to furnish heaven with.”

The survivor of the struggle for existence is on these terms hardly

a being to be envied, and the “_terque quaterque beati_” must often

come to his lips as he recalls those who have fallen. Indeed, it is

exactly that place in the scale of existence which gives advantage in

the struggle, that brings with it a consciousness of the vanity of this

same struggle. It is exactly to man, who in his moment of pride has

thought nature a “manufactory of things for his use,” that is given

the most poignant sense of alternating hunger and satiety. This most

necessitous of all beings “stands upon the earth, left to himself,

uncertain about everything except his own lack and misery. Consequently

the care for the maintenance of that existence under exacting demands

which are renewed every day occupies as a rule the whole of human life.

To this is directly related a second claim, the propagation of the

species. Here he is threatened from all sides by the most different

kinds of danger, from which it requires constant watchfulness to

escape. With cautious steps and casting anxious glances around he

pursues his path--thus he went as a savage, thus he goes in civilized

life; and there is no security for him.

“Qualibus in tenebris vitae, quantisque periclis

Degitur hoc oevi, quodcumquest.

“Life is a sea full of rocks and whirlpools which man avoids with

the greatest care and solicitude, although he knows that even if he

succeeds in getting through with all his efforts and skill, he comes

thus but the nearer at every tack to the greatest, the total, the

inevitable shipwreck, death.”

And Schopenhauer rounds off the whole with these lines, “Thus, between

desiring and attaining all human life flows on. The wish is in its

nature pain, the attainment ... satiety: the end is an illusion and

possession takes away charm. The wish, the need, presents itself under

a new form, or when it does not, follows desolateness, emptiness,

ennui against which the conflict is just as painful as against want.”

And just as the superior animal is the most suffering of all animals,

so the superior man is the most suffering of all men. The calm joy of

science, the pleasure of the beautiful, the delight in art--“these

things demanding rare talents are granted to very few, and to those few

only as a passing dream. And then even these few on account of their

higher intellectual power are made susceptible of far greater suffering

than duller minds can ever feel. Moreover such men are placed in lonely

isolation by a nature obviously different from that of others, so that

here too accounts are squared.”

Modern thinkers and present problems · 第 7 / 15 段