TO J. D. ESQ., M. P.

I had just finished my last by the beams of a gloriously setting sun,

when I was startled by a pebble being thrown in at my window. I looked

out, and perceived Father John in the act of flinging up another, which

the hand of Glorvina (who was leaning on his arm) prevented.

“If you are not engaged in writing to your mistress,” said he, “come

down and join us in a ramble.”

“And though I were,” I replied, “I could not resist your challenge.”

And down I flew--Glorvina laughing, sent me back for my hat, and we

proceeded on our walk.

“This is an evening,” said I, looking at Glorvina, “worthy of the

morning of the first of May, and we have seized it in that happy moment

so exquisitly described by Collins:

-“'While now the bright hair’d sun

Sits on yon western tent, whose cloudy skirts

With brede etherial wove,

O’erhang his wavy bed.’” >

“O! that beautiful ode!” exclaimed Glorvina, with all her wildest

enthusiasm--“never can I read--never hear it repeated but with emotion.

The perusal of Ossian’s ‘Song of Other Times,’ the breezy respiration

of my harp at twilight, the last pale rose that outlives its season,

and bears on its faded breast the frozen tears of the wintry dawn, and

Collins’s ‘Ode to Evening,’ awaken in my heart and fancy the same train

of indescribable feeling, of exquisite, yet unspeakable sensation. Alas!

the solitary pleasure of feeling thus alone the utter impossibility of

conveying to the bosom of another those ecstatic emotions by which our

own is sublimed.”

While my very soul followed this brilliant comet to her perihelion of

sentiment and imagination, I fixed my eyes on her “mind-illumin’d face,”

and said, “And is expression then necessary for the conveyance of such

profound, such exquisite feeling? May not the similarity of a refined

organization exist between souls, and produce that mutual intelligence

which sets the necessity of cold, verbal expression at defiance? May not

the sympathy of a kindred sensibility in the bosom of another, meet and

enjoy those delicious feelings by which yours is warmed, and, sinking

beneath the inadequacy of language to give them birth, feel like you, in

silent and sacred emotion?”

“Perhaps,” said the priest, with his usual simplicity, “this sacred

sympathy, between two refined and elevated souls, in the sublime and

beautiful of the moral and natural world, approaches nearest to the

rapturous and pure emotions which uncreated spirits may be supposed to

feel in their heavenly communion, than any other human sentiment with

which we are acquainted.”

For all the looks of blandishment which ever flung their spell from

beauty’s eye, I would not have exchanged the glance which Glorvina

at that moment cast on me. While the priest, who seemed to have

been following up the train of thought awakened by our preceding

observations, abruptly added, after a silence of some minutes--

“There is a species of metaphorical taste, if I may be allowed the

expression, whose admiration for certain objects is not deducible from

the established rules of beauty, order, or even truth; which _should_ be

the basis of our approbation; yet which ever brings with it a sensation

of more lively pleasure; as for instance, a chromatic passion in

music will awaken a thrill of delight which a simple chord could never

effect.”

“Nor would the most self-evident truth,” said I, “awaken so vivid a

sensation, as when we find some sentiment of the soul illustrated by

some law or principle in science. To an axiom we announce our assent,

but we lavish our most enthusiastic approbation when Rosseau tells us

that ‘Les ames humaines veulent etre accomplies pour valoir toute leurs

prix, et la force unie des ames _comme celles des l’armes d’un aimant

artificiel_, est incomparablement plus grands que la somme de leurs

force particulier.’”

As this quotation was meant _all_ for Glorvina, I looked earnestly

at her as I repeated it. A crimson torrent rushed to her cheek, and

convinced me that she felt the full force of a sentiment so applicable

to us both.

“And why,” said I, addressing her in a low voice, “was Rosseau excluded

from the sacred coalition with Ossian, Collins, your twilight harp, and

winter rose?”

Glorvina made no reply; but turned full on me her “eyes of dewy light.”

Mine almost sunk beneath the melting ardour of their soul-beaming o o

glance.

Oh! child of Nature! child of genius and of passion! why was I withheld

from throwing myself at thy feet; from offering thee the homage of that

soul thou hast awakened; from covering thy hands with my kisses, and

bathing them with tears of such delicious emotion, as thou only hast

power to inspire?

While we thus “_buvames a longs traits le philtre de l’amour,_” Father

John gradually restored us to commonplace existence, by a commonplace

conversation on the fineness of the weather, promising aspect of the

season, &c., until the moon, as it rose sublimely above the summit of

the mountain, called forth the melting tones of my Glorvina’s syren

voice.

Casting up her eyes to that Heaven whence they seem to have caught their

emanation, she said, “I do not wonder that unenlightened nations should

worship the moon. Our ideas are so intimately connected with our senses,

so ductilely transferable from cause to effect, that the abstract

thought may readily subside in the sensible image which awakens it.

When, in the awful stillness of a calm night, I fix my eyes on the mild

and beautiful orb, the _created_ has become the awakening medium of that

adoration I offered to the _Creator_.”

“Yes,” said the priest, “I remember that even in your childhood, you

used to fix your eyes on the moon, and gaze and wonder. I believe it

would have been no difficult matter to have plunged you back into the

heathenism of your ancestors, and to have made it one of the gods of

your idolatry.”

“And was the chaste Luna in the _album sanctorum_ of your Druidical

mythology?” said I.

“Undoubtedly,” said the priest, “we read in the life of our celebrated

saint, St. Columba, that on the altar-piece of a Druidical temple,

the sun, moon, and stars were curiously depicted; and the form of the

ancient Irish oath of allegiance, was to swear by the sun, moon, and

stars, and other deities, celestial as well as terrestrial.”

“How,” said I, “did your mythology touch so closely on that of the

Greeks? Had you also your Pans and your Daphnes, as well as your Dians

and Apollos?”

“Here is a curious anecdote that evinces it,” returned the priest--“It

is many years since I read it in a black-letter memoir of St. Patrick.

The Saint, says the biographer, attended by three bishops, and some less

dignified of his brethren, being in this very province, arose early one

morning, and with his pious associates, placed himself near a fountain

or well, and began to chant a hymn. In the neighbourhood of this

honoured fountain stood the palace of _Cruachan_, where the two

daughters of the Emperor Laogare were educating in retirement; and as

the saints sung by no means _sotto voce_, * their pious strains caught

the attention of the royal fair ones, who were enjoying an early ramble,

and who immediately sought the sanctified choristers. Full of that

curiosity so natural to the youthful recluses, they were by no means

sparing of interrogations to the Saint, and among other questions

demanded, ‘and who is your God? Where dwells he, in heaven or on the

earth, or beneath the earth, or in the mountain, or in the valley, or

the sea, or the stream?’--And indeed, even to this day, we have Irish

for a river god, which we call _Divona_.--You perceive, therefore, that

our ancient religion was by no means an unpoetical one.”

* A musical voice was an indispensable quality in an Irish

Saint, and “lungs of leather” no trivial requisite towards

obtaining canonization. St. Columbkill, we are told, sung so

loud, that, according to an old Irish poem, called “Amhra

Chioluim chille,” or The Vision of Columbkill, “His hallow’d

voice beyond a mile was heard.”

While we spoke, we observed a figure emerging from a coppice towards a

small well, which issued beneath the roots of a blasted oak. The priest

motioned us to stop, and be silent--the figure (which was that of an

ancient female wrapped in a long cloak,) approached, and having drank

of the well out of a little cup, she went three times round it on her

knees, praying with great fervency over her beads; then rising after

this painful ceremony, she tore a small part of her under garb, and hung

it on the branch of the tree which shaded the well.

“This ceremony, I perceive,” said the priest, “surprises you; but you

have now witnessed the remains of one of our ancient superstitions. The

ancient Irish, like the Greeks, were religiously attached to the

consecrated fountain, the _Vel expiatoria_; and our early missionaries,

discovering the fondness of the natives for these sanctified springs,

artfully diverted the course of their superstitious faith, and dedicated

them to Christian saints.”

“There is really,” said I, “something truly classic in this spot; and

here is this little shrine of Christian superstition hung with the same

votive gifts as Pausanius informs us obscured the statue of Hygeia in

Secyonia.”

“This is nothing extraordinary here,” said the priest; “these

consecrated wells are to be found in every part of the kingdom. But of

all our _Acquo Sanctificato_, Lough Derg is the most celebrated. It is

the _Loretto_ of Ireland, and votarists from every part of the kingdom

resort to it. So great, indeed, is the still-existing veneration among

the lower orders for these holy wells, that those who live at too

great a distance to make a pilgrimage to one, are content to purchase

a species of amulet made of a sliver of the tree which shades the well,

(and imbued with its waters,) which they wear round their necks. These

curious amulets are sold at fairs, by a species of sturdy beggar, called

a _Bacagh_, who stands with a long pole, with a box fixed at the top

of it, for the reception of alms; while he alternately extols the

miraculous property of the amulet, and details his own miseries; thus

at once endeavouring to interest the faith and charity of the always

benevolent, always credulous multitude.”

“Strange,” said I, “that religion in all ages and in all countries

should depend so much on the impositions of one half of mankind, and the

credulity and indolence of the other. Thus the Egyptians (to whom even

Greece herself stood indebted for the principles of those arts and

sciences by which she became the most illustrious country in the world)

resigned themselves so entirely to the impositions of their priests, as

to believe that the safety and happiness of life itself depended on the

motions of an ox, or the tameness of a crocodile.”

“Stop, stop,” interrupted Father John, smiling; “you forget, that though

you wear the _San-Benito_, or robe of heresy yourself, you are in the

company of those who----”

“Exactly think on _certain points_,” interrupted I, “even as my

heretical self.”

This observation led to a little controversial dialogue, which, as it

would stand a very poor chance of being read by you, will stand none at

all of being transcribed by me.

When we returned home we found the Prince impatiently watching for us

at the window, fearful lest the dews of heaven should have fallen

too heavily on the head of his heart’s idol, who finished her walk in

silence; either, I believe, not much pleased with the turn given to the

conversation by the priest, or not sufficiently interested in it.

*****

I know not how it is, but since the morning of the first of May, I feel

as though my soul had entered into a covenant with hers; as though our

very beings were indissolubly interwoven with each other. And yet the

freedom which once existed in our intercourse is fled. I approach her

trembling; and she repels the most distant advances with such dignified

softness, such chastely modest reserve, that the restraint I sometimes

labour under in her presence, is almost concomitant to the bliss it

bestows.

This morning, when she came to her drawing-desk, she held a volume of

_De Moustier_ in her hand--“I have brought this,” said she, “for ou _bon

Pere Directeur_ to read out to us.”

“He has commissioned me,” said I, “to make his excuses; he is gone to

visit a sick man on the other side of the mountain.”

At this intelligence she blushed to the eyes; but suddenly recovering

herself, she put the book into my hands, and said with a smile, “then

you must officiate for him.”

As soon as she was seated at the drawing-desk, I opened the book, and by

chance at the beautiful description of the _Boudoir_:

“J’amie une boudoir étroite qu’un demi jour eclaire,

La mon cour est chez lui, le premier demi jour

Fruit par la volupté, menage pour l’amour,

La discrete amitié, veut aussi du mystère,

Cluand de nos bons amis dans un lieu limitie,

Le cercle peu nombreux près de nous rassemble

Le sentiment, la paix, la franche liberté

Preside en commun,” &c.

I wish you could see this creature, when anything is said or read

that comes home to her heart, or strikes in immediate unison with the

exquisite tone of her feelings. Never sure was there a finer commentary

than her looks and gestures passed on any work of interest which engages

her attention. Before I had finished the perusal of this charming little

fragment, the pencil had dropped from her fingers; and often she waved

her beautiful head and smiled, and breathed a faint exclamation of

delight; and when I laid down the book, she said, while she leaned her

face on her clasped hands----

“And I too have a boudoir!--but even a _bou-doir_ may become a dreary

solitude, except”----she paused; and I added, from the poem I had just

read, “except that within its social little limits

“La confidence ingénu rapproche deux amis.”

Her eyes, half raised to mine, suddenly cast down, beamed a tender

acquiescence to the sentiment.

“But,” said I, “if the being worthy of sharing the bliss such an

intercourse in such a place must confer, is yet to be found, is its

hallowed circle inviolable to the intrusive footstep of an inferior,

though perhaps not less ardent votarist?”

“Since you have been here,” said she, “I have scarcely ever visited this

once favourite retreat myself.”

“Am I to take that as a compliment or otherwise?” said I.

“Just as it is meant,” said she--“as a fact;” and she added, with an

inadvertent simplicity, into which the ardour of her temper often

betrays her--“I never can devote myself partially to anything--I am

either all enthusiasm or all indifference.”

Not for the world would I have made her _feel_ the full force of this

avowal; but requested permission to visit this now deserted boudoir.

“Certainly,” she replied--“it is a little closet in that ruined tower,

which terminates the corridor in which your apartment lies.”

“Then, I am privileged?” said I.

“Undoubtedly,” she returned; and the Prince who had risen unusually

early, entered the room at that moment, and joined us at the

drawing-desk.

*****

The absence of the good priest left me to a solitary dinner. Glorvina

(as is usual with her) spent the first part of the evening in her

father’s room; and thus denied her society, I endeavoured to supply its

want--its soul-felt want, by a visit to her boudoir.

There is a certain tone of feeling when fancy is in its acme, when

sentiment holds the senses in subordination, and the visionary joys

which float in the imagination shed a livelier bliss on the soul, than

the best pleasures cold reality ever conferred. Then, even the presence

of a beloved object is not more precious to the heart than the spot

consecrated to her memory; where we fancy the very air is impregnated

with her respiration; every object is hallowed by her recent touch, and

that all around breathes of her.

In such a mood of mind, I ascended to Glor-vina’s boudoir; and I really

believe, that had she accompanied, I should have felt less than when

alone and unseen I stole to the asylum of her pensive thoughts. It

lay as she had described; and almost as I passed its threshold, I was

sensibly struck by the incongruity of its appearance--it seemed to me as

though it had been partly furnished in the beginning of one century, and

finished in the conclusion of another. The walls were rudely wainscotted

with oak, black with age; yet the floor was covered with a Turkey

carpet, rich, new, and beautiful--better adapted to cover a Parisian

dressing-room than the closet of a ruined tower. The casements were high

and narrow, but partly veiled with a rich drapery of scarlet silk: a few

old chairs, heavy and cumbrous, were interspersed with stools of an

antique form; one of which lay folded upon the ground, so as to be

portable in a travelling trunk. On a ponderous Gothic table (which

seemed a fixture coeval with the building) was placed a silver

_escritoire_, of curious and elegant workmanship, and two small, but

beautiful antique vases (filled with flowers) of Etrurian elegance. Two

little book-shelves, elegantly designed, but most clumsily executed,

(probably by some hedge-carpenter) were filled with the best French,

English, and Italian poets; and, to my utter astonishment, not only some

new publications scarce six months old, but two London newspapers of no

distant date, lay scattered on the table, with some MS. music, and some

unfinished drawings.

Having gratified my curiosity, by examining the singular incongruities

of this paradoxical boudoir, I leaned for some time against one of the

windows, endeavouring to make out some defaced lines cut on its panes

with a diamond, when Glorvina herself entered the room.

As I stood concealed by the silken drapery, she did not perceive me. A

basket of flowers hung on her arm, from which she replenished the vases,

having first flung away their faded treasures. As she stood thus engaged

and cheering her sweet employment with a murmured song, I stole softly

behind her, and my breath disturbing the ringlets which had escaped

from the bondage of her bodkin, and seemed to cling to her neck for

protection, she turned quickly round, and with a start, a blush, and a

smile, said, “Ah! _so soon_ here!”

“You perceive,” said I, “your immunity was not lost on me! I have been

here this half hour!”

“Indeed!” she replied, and casting round a quick inquiring glance,

hastily collected the scattered papers, and threw them into a drawer;

adding, “I intended to have made some arrangements in this deserted

little place, that you might see it in its best garb; but had scarcely

begun the necessary reform this morning, when I was suddenly called

to my father, and could not till this moment find leisure to return

hither.”

While she spoke I gazed earnestly at her. It struck me there was a

something of mystery over this apartment, yet wherefore should mystery

dwell where all breathes the ingenuous simplicity of the golden age?

Glorvina moved towards the casement, threw open the sash, and laid her

fresh gathered flowers on the seat. Their perfume scented the room; and

a new fallen shower still glittered on the honeysuckle which she was

endeavouring to entice through the window round which it crept.

The sun was setting with rather a mild than a dazzling splendour, and

the landscape was richly impurpled with its departing beams, which, as

they darted through the scarlet drapery of the curtain, shed warmly over

the countenance and figure of Glorvina “_Love’s proper hue_.”

We both remained silent, until her eye accidentally meeting mine, a

more “celestial rosy red” invested her cheek. She seated herself in the

window, and I drew a chair and sat near her. All within was the softest

gloom--all without the most solemn stillness. The gray vapours of

twilight were already stealing amidst the illumined clouds that floated

in the atmosphere--the sun’s golden beams no longer scattered round

their rich suffusion; and the glow of retreating day was fading even

from the horizon where its parting glories faintly lingered.

“It is a sweet hour,” said Glorvina, softly sighing.

“It is a _boudoirizing_ hour,” said I.

“It is a golden one for a poetic heart,” she added.

“Or an enamoured one,” I returned. “It is the hour in which the soul

best knows itself; when every low-thoughted care is excluded, and the

pensive pleasures take possession of the dis solving heart.

“Ces douces lumières

Ces sombre certes

Sont les jours de la volupté.”

And what was the _voluptas_ of Epicurus, but those refined and elegant

enjoyments which must derive their spirit from virtue and from health;

from a vivid fancy, susceptible feelings, and a cultivated mind; and

which are never so fully tasted as in this sweet season of the day; then

the influence of sentiment is buoyant over passion; the soul, alive to

the sublimest impression, expands in the region of pure and elevated

meditation: the passions, slumbering in the soft repose of Nature,

leave the heart free to the reception of the purest, warmest, tenderest

sentiments--when all is delicious melancholy, or pensive softness; when

every vulgar wish is hushed, and a rapture, an indefinable rapture,

thrills with sweet vibration on every nerve.”

“It is thus I have felt,” said the all-impassioned Glorvina, clasping

her hands and fixing her humid eyes on mine--“thus, in the dearth of all

_kindred_ feeling, have I felt. But never, oh! till _now--never!_”--and

she abruptly paused, and drooped her head on the back of my chair, over

which my hand rested, and felt the soft pressure of her glowing cheek,

while her balmy sigh breathed its odour on my lip.

Oh had not her celestial confidence, her angelic purity, sublimed every

thought, restrained every wish; at that moment; that too fortunate; too

dangerous moment!!!--Yet even as it was, in the delicious agony of my

soul, I secretly exclaimed with the legislator of Lesbos--“_It is too

difficult to be always virtuous!_” while I half audibly breathed on the

ear of Glorvina--

“Nor I, O first of all created beings! never, never till I beheld thee,

did I know the pure rapture which the intercourse of a kindred soul

awakens--of that sacred communion with a superior intelligence, which,

while it raises me in my own estimation, tempts me to emulate that

excellence I adore.”

Glorvina raised her head--her melting eyes met mine, and her cheek

rivalled the snow of that hand which was pressed with passionate ardour

on my lips. Then her eyes were bashfully withdrawn; she again drooped

her head--not on the chair, but on my shoulder. What followed, angels

might have attested--but the eloquence of bliss is silence.

Suffice it to say, that I am now certain of at least being understood;

and that in awakening her comprehension, I have roused my own. In a

word, I _now_ feel I love!!--for the first time I feel it. For the first

time my heart is alive to the most profound, the most delicate, the most

ardent, and most refined of all human passions. I am now conscious that

I have hitherto mistaken the senses for the heart, and the blandishments

of a vitiated imagination for the pleasures of the soul. In short, I

now feel myself in that state of beatitude, when the fruition of all the

heart’s purest wishes leaves me nothing to desire, and the innocence of

those wishes nothing to fear. You know but little of the sentiment which

now pervades my whole being, and blends with every atom of my frame, if

you suppose I have formally told Glorvina I loved her, or that I appear

even to suspect that I am (rapturous thought!) beloved in return. On

the contrary, the same mysterious delicacy, the same delicious reserve

still exist. It is a sigh, a glance, a broken sentence, an imperceptible

motion, (imperceptible to all eyes but our own) that betrays us to each

other. Once I used to fall at the feet of the “_Cynthia of the moment_,”

avow my passion, and swear eternal truth. Now I make no genuflection,

offer no vows, and swear no oaths; and yet feel more than

ever.--More!--dare I then place in the scale of comparison what I now

feel with what I ever felt before? The thought is sacrilege!

The Wild Irish Girl: A National Tale · 第 14 / 24 段