Chapter II

The Dutch in English Literature

Hard things against the Dutch--Andrew Marvell's satire--The

iniquity of living below sea-level--Historic sarcasms--"Invent

a shovel and be a magistrate"--Heterogeneity--Foot warmers--A

champion of the Hollow Land--_The Dutch Drawn to the

Life_--Dutch suspicion--Sir William Temple's opinion--and Sir

Thomas Overbury's--Dr. Johnson's project--Dutch courtesy--Dutch

discourtesy--National manners--A few phrases--The origin of

"Dutch News"--A vindication of Dutch courage.

To say hard things of the Dutch was once a recognised literary

pastime. At the time of our war with Holland no poet of any pretensions

refrained from writing at least one anti-Batavian satire, the classical

example of which is Andrew Marvell's "Character of Holland" (following

Samuel Butler's), a pasquinade that contains enough wit and fancy

and contempt to stock a score of the nation's ordinary assailants. It

begins perfectly:--

HOLLAND, that scarce deserves the name of land,

As but th' off-scouring of the British sand,

And so much earth as was contributed

By English pilots when they heav'd the lead,

Or what by the ocean's slow alluvion fell

Of shipwrackt cockle and the muscle-shell:

This indigested vomit of the sea

Fell to the Dutch by just propriety.

Glad then, as miners who have found the ore

They, with mad labour, fish'd the land to shoar

And div'd as desperately for each piece

Of earth, as if't had been of ambergreece;

Collecting anxiously small loads of clay,

Less than what building swallows bear away;

Or than those pills which sordid beetles roul,

Transfusing into them their dunghil soul.

How did they rivet, with gigantick piles,

Thorough the center their new-catchèd miles;

And to the stake a struggling country bound,

Where barking waves still bait the forcèd ground;

Building their wat'ry Babel far more high

To reach the sea, than those to scale the sky!

Yet still his claim the injur'd ocean laid,

And oft at leap-frog ore their steeples plaid:

As if on purpose it on land had come

To show them what's their _mare liberum_.

A daily deluge over them does boyl;

The earth and water play at level-coyl.

The fish oft times the burger dispossest,

And sat, not as a meat, but as a guest,

And oft the Tritons and the sea-nymphs saw

Whole sholes of Dutch serv'd up for Cabillau;

Or, as they over the new level rang'd

For pickled herring, pickled _heeren_ chang'd.

Nature, it seem'd, asham'd of her mistake,

Would throw their land away at duck and drake.

The poor Dutch were never forgiven for living below the sea-level

and gaining their security by magnificent feats of engineering and

persistence. Why the notion of a reclaimed land should have seemed

so comic I cannot understand, but Marvell certainly justified the joke.

Later, Napoleon, who liked to sum up a nation in a phrase, accused

Holland of being nothing but a deposit of German mud, thrown there by

the Rhine: while the Duke of Alva remarked genially that the Dutch

were of all peoples those that lived nighest to hell; but Marvell's

sarcasms are the best. Indeed I doubt if the literature of droll

exaggeration has anything to compare with "The Character of Holland".

The satirist, now thoroughly warmed to his congenial task, continues:--

Therefore Necessity, that first made kings,

Something like government among them brings;

For, as with pygmees, who best kills the crane,

Among the hungry, he that treasures grain,

Among the blind, the one-ey'd blinkard reigns,

So rules among the drowned he that draines:

Not who first sees the rising sun, commands,

But who could first discern the rising lands;

Who best could know to pump an earth so leak,

Him they their Lord, and Country's Father, speak;

To make a bank, was a great plot of State,

Invent a shov'l, and be a magistrate.

So much for the conquest of Neptune, which in another nation were a

laudable enough enterprise. Marvell then passes on to the national

religion and the heterogeneity of Amsterdam:--

'Tis probable Religion, after this,

Came next in order, which they could not miss,

How could the Dutch but be converted, when

Th' Apostles were so many fishermen?

Besides, the waters of themselves did rise,

And, as their land, so them did re-baptize.

Though Herring for their God few voices mist,

And Poor-John to have been th' Evangelist,

Faith, that could never twins conceive before,

Never so fertile, spawn'd upon this shore

More pregnant than their Marg'ret, that laid down

For Hans-in-Kelder of a whole Hans-Town.

Sure when Religion did itself imbark,

And from the East would Westward steer its ark,

It struck, and splitting on this unknown ground,

Each one thence pillag'd the first piece he found:

Hence Amsterdam, Turk-Christian-Pagan-Jew,

Staple of sects, and mint of schisme grew;

That bank of conscience, where not one so strange

Opinion but finds credit, and exchange.

In vain for Catholicks ourselves we bear;

The universal Church is only there.

Nor can civility there want for tillage,

Where wisely for their Court, they chose a village:

How fit a title clothes their governours,

Themselves the hogs, as all their subject bores!

Let it suffice to give their country fame,

That it had one Civilis call'd by name,

Some fifteen hundred and more years ago,

But surely never any that was so.

There is something rather splendid in the attitude of a man who can

take a whole nation as his butt and bend every circumstance to his

purpose of ridicule and attack. Our satirists to-day are contented to

pillory individuals or possibly a sect or clique. Marvell's enjoyment

in his own exuberance and ingenuity is so apparent and infectious

that it matters nothing to us whether he was fair or unfair.

The end is inconclusive, being a happy recollection that he had

omitted any reference to _stoofjes_, the footstools filled with

burning peat which are used to keep the feet warm in church. Such

a custom was of course not less reprehensible than the building of

dykes to keep out the sea. Hence these eight lines, which, however,

would have come better earlier in the poem:--

See but their mermaids, with their tails of fish,

Reeking at church over the chafing-dish!

A vestal turf, enshrin'd in earthen ware,

Fumes through the loopholes of a wooden square;

Each to the temple with these altars tend,

But still does place it at her western end;

While the fat steam of female sacrifice

Fills the priest's nostrils, and puts out his eyes.

Not all the poets, however, abused the Dutch. John Hagthorpe, in his

_England's Exchequer_ in 1625 (written before the war: hence, perhaps,

his kindness) thus addressed the "hollow land":--

Fair Holland, had'st thou England's chalky rocks,

To gird thy watery waist; her healthful mounts,

With tender grass to feed thy nibbling flocks:

Her pleasant groves, and crystalline clear founts,

Most happy should'st thou be by just accounts,

That in thine age so fresh a youth do'st feel

Though flesh of oak, and ribs of brass and steel.

But what hath prudent mother Nature held

From thee--that she might equal shares impart

Unto her other sons--that's not compell'd

To be the guèrdons of thy wit and art?

And industry, that brings from every part

Of every thing the fairest and the best,

Like the Arabian bird to build thy nest?

Like the Arabian bird thy nest to build,

With nimble wings thou flyest for Indian sweets,

And incense which the Sabáan forests yield,

And in thy nest the goods of each pole meets,--

Which thy foes hope, shall serve thy funeral rites--

But thou more wise, secur'd by thy deep skill,

Dost build on waves, from fires more safe than hill.

To return to the severer critics--in 1664 was published a little book

called _The Dutch Drawn to the Life_, a hostile work not improbably

written with the intention of exciting English animosity to the point

of war. A great deal was made of the success of the Dutch fisheries

and the mismanagement of our own. The nation was criticised in all

its aspects--"well nigh three millions of men, well-proportioned,

great lovers of our English beer". The following passage on the

drinking capacity of the Dutch would have to be modified to-day:--

By their Excise, which riseth with their charge, the more money

they pay, the more they receive again, in that insensible but

profitable way: what is exhaled up in clouds, falls back again

in showers: what the souldier receives in pay, he payes in

Drink: their very enemies, though they hate the State, yet love

their liquor, and pay excise: the most idle, slothful, and most

improvident, that selleth his blood for drink, and his flesh for

bread, serves at his own charge, for every pay day he payeth his

sutler, and he the common purse.

Here are other strokes assisting to the protraiture "to the life" of

this people: "Their habitations are kept handsomer than their bodies,

and their bodies than their soules".--"The Dutch man's building is

not large, but neat; handsome on the outside, on the inside hung

with pictures and tapestry. He that hath not bread to eat hath a

picture."--"They are seldom deceived, for they will trust nobody. They

may always deceive, for you must trust them, as for instance, if you

travel, to ask a bill of Particulars is to purre in a wasp's nest,

you must pay what they ask as sure as if it were the assessment of

a Subsidy."

But the wittiest and shrewdest of the prose critics of Holland was Owen

Feltham, from whom I quote later. His little book on the Low Countries

is as packed with pointed phrase as a satire by Pope: the first half

of it whimsically destructive, the second half eulogistic. It is

he who charges the Dutch convivial spirits with drinking down the

Evening Starre and drinking up the Morning Starre.

The old literature tells us also that the Dutch were not

always clean. Indeed, their own painters prove this: Ostade

pre-eminently. There are many allusions in Elizabethan and early Stuart

literature to their dirt and rags. In Earle's _Microcosmography_,

for example, a younger brother's last refuge is said to be the Low

Countries, "where rags and linen are no scandal". But better testimony

comes perhaps from _The English Schole-Master_, a seventeenth-century

Dutch-English manual, from which I quote at some length later in this

book. Here is a specimen scrap of dialogue:--

S. May it please you to give me leave to go out?

M. Whither?

S. Home.

M. How is it that you goe so often home?

S. My mother commanded that I and my brother should come to her

this day.

M. For what cause?

S. That our mayd may beat out our clothes.

M. What is that to say? Are you louzie?

S. Yea, very louzie.

Sir William Temple, the patron of Swift, the husband of Dorothy

Osborne, and our ambassador at The Hague--where he talked horticulture,

cured his gout by the remedy known as Moxa, and collected materials

for the leisurely essays and memoirs that were to be written at Moor

Park--knew the Dutch well and wrote of them with much particularity. In

his _Observations upon the United Provinces_ he says this: "Holland

is a country, where the earth is better than the air, and profit more

in request than honour; where there is more sense than wit; more good

nature than good humour, and more wealth than pleasure: where a man

would chuse rather to travel than to live; shall find more things to

observe than desire; and more persons to esteem than to love. But

the same qualities and dispositions do not value a private man and

a state, nor make a conversation agreeable, and a government great:

nor is it unlikely, that some very great King might make but a very

ordinary private gentleman, and some very extraordinary gentleman

might be capable of making but a very mean Prince."

Among other travellers who have summed up the Dutch in a few

phrases is Sir Thomas Overbury, the author of some witty characters,

including that very charming one of a Happy Milk Maid. In 1609 he

thus generalised upon the Netherlander: "Concerning the people: they

are neither much devout, nor much wicked; given all to drink, and

eminently to no other vice; hard in bargaining, but just; surly and

respectless, as in all democracies; thirsty, industrious, and cleanly;

disheartened upon the least ill-success, and insolent upon good;

inventive in manufactures, and cunning in traffick: and generally,

for matter of action, that natural slowness of theirs, suits better

(by reason of the advisedness and perseverance it brings with it)

than the rashness and changeableness of the French and Florentine

wits; and the equality of spirits, which is among them and Switzers,

renders them so fit for a democracy: which kind of government, nations

of more stable wits, being once come to a consistent greatness,

have seldom long endured."

Many Englishmen have travelled in Holland and have set down the record

of their experiences, from Thomas Coryate downwards. But the country

has not been inspiring, and Dutch travels are poor reading. Had

Dr. Johnson lived to accompany Boswell on a projected journey we

should be the richer, but I doubt if any very interesting narrative

would have resulted. One of Johnson's contemporaries, Samuel Ireland,

the engraver, and the father of the fraudulent author of _Vortigern_,

wrote _A Picturesque Tour through Holland, Brabant, and part of

France_, in 1789, while a few years later one of Charles Lamb's

early "drunken companions," Fell, wrote _A Tour through the Batavian

Republic_, 1801; and both of these books yield a few experiences

not without interest. Fell's is the duller. I quote from them now

and again throughout this volume, but I might mention here a few of

their more general observations.

Fell, for example, was embarrassed by the very formal politeness

of the nation. "The custom of bowing in Holland," he writes, "is

extremely troublesome. It is not sufficient, as in England, that a

person slightly moves his hat, but he must take it off his head,

and continue uncovered till the man is past him to whom he pays

the compliment. The ceremony of bowing is more strictly observed

at Leyden and Haarlem, than at Rotterdam or The Hague. In either

of the former cities, a stranger of decent appearance can scarcely

walk in the streets without being obliged every minute to pull off

his hat, to answer some civility of the same kind which he receives;

and these compliments are paid him not only by opulent people, but by

mechanics and labourers, who bow with all the gravity and politeness

of their superiors."

Such civilities to strangers have become obsolete. So far from

courtesy being the rule of the street, it is now, as I have hinted

in the next chapter, impossible for an English-woman whose clothes

chance to differ in any particular from those of the Dutch to escape

embarrassing notice. Staring is carried to a point where it becomes

almost a blow, and laughter and humorous sallies resound. I am told

that the Boer war to a large extent broke down old habits of politeness

to the English stranger.

When one thinks of it, the Dutch habit of staring at the visitor until

he almost wishes the sea would roll in and submerge him, argues a

want of confidence in their country, tantamount to a confession of

failure. Had they a little more trust in the attractive qualities

of their land, a little more imagination to realise that in other

eyes its flatness and quaintness might be even alluring, they would

accept and acknowledge the compliment by doing as little as possible

to make their country's admirers uncomfortable.

"Dutch courage," to which I refer below, is not our only use of Dutch

as a contemptuous adjective. We say "Dutch Gold" for pinchbeck,

"Dutch Myrtle" for a weed. "I shall talk to you like a Dutch

uncle" is another saying, not in this case contemptuous but rather

complimentary--signifying "I'll dress you down to some purpose". One

piece of slang we share with Holland: the reference to the pawnbroker

as an uncle. In Holland the kindly friend at the three brass balls

(which it may not be generally known are the ancient arms of Lombardy,

the Lombards being the first money lenders,) is called Oom Jan or

Uncle John.

There is still another phrase, "Dutch news," which might be

explained. The term is given by printers to very difficult copy--Dean

Stanley's manuscript, for example, was probably known as Dutch news,

so terrible was his hand,--and also to "pie". The origin is to be

found in the following paragraph from _Notes and Queries_. (The Sir

Richard Phillips concerned was the vegetarian publisher so finely

touched off by Borrow in _Lavengro_.)

In his youth Sir Richard Phillips edited and published a paper at

Leicester, called the _Herald_. One day an article appeared in it

headed 'Dutch Mail,' and added to it was an announcement that it had

arrived too late for translation, and so had been cut up and printed

in the original. This wondrous article drove half of England crazy,

and for years the best Dutch scholars squabbled and pored over it

without being able to arrive at any idea of what it meant. This famous

'Dutch Mail' was, in reality, merely a column of pie. The story Sir

Richard tells of this particular pie he had a whole hand in is this:--

"One evening, before one of our publications, my men and a boy

overturned two or three columns of the paper in type. We had to

get ready in some way for the coaches, which, at four o'clock in the

morning, required four or five hundred papers. After every exertion we

were short nearly a column; but there stood on the galleys a tempting

column of pie. It suddenly struck me that this might be thought

Dutch. I made up the column, overcame the scruples of the foreman,

and so away the country edition went with its philological puzzle,

to worry the honest agricultural reader's head. There was plenty of

time to set up a column of plain English for the local edition." Sir

Richard tells of one man whom he met in Nottingham who for thirty-four

years preserved a copy of the Leicester _Herald_, hoping that some

day the matter would be explained.

I doubt if any one nation is braver than any other; and the fact that

from Holland we get the contemptuous term "Dutch courage," meaning

the courage which is dependent upon spirits (originally as supplied

to malefactors about to mount the scaffold), is no indication that

the Dutch lack bravery. To one who inquired as to the derivation of

the phrase a poet unknown to me thus replied, somewhen in the reign

of William IV. The retort, I think, was sound:--

Do _you_ ask what is Dutch courage?

Ask the Thames, and ask the fleet,

That, in London's fire and plague years,

With De Ruyter yards could mete:

Ask Prince Robert and d'Estrées,

Ask your Solebay and the Boyne,

Ask the Duke, whose iron valour

With our chivalry did join,

Ask your Wellington, oh ask him,

Of our Prince of Orange bold,

And a tale of nobler spirit

Will to wond'ring ears be told;

And if ever foul invaders

Threaten your King William's throne,

If dark Papacy be running,

Or if Chartists want your own,

Or whatever may betide you,

That needs rid of foreign will,

Only ask of your Dutch neighbours,

And you'll _see_ Dutch courage still.

A Wanderer in Holland · 第 2 / 20 章