A SCRAP OF CURIOUS HISTORY

Marion City, on the Mississippi River, in the State of Missouri—a

village; time, 1845. La Bourboule-les-Bains, France—a village; time,

the end of June, 1894. I was in the one village in that early time; I

am in the other now. These times and places are sufficiently wide

apart, yet today I have the strange sense of being thrust back into

that Missourian village and of reliving certain stirring days that I

lived there so long ago.

Last Saturday night the life of the President of the French Republic

was taken by an Italian assassin. Last night a mob surrounded our

hotel, shouting, howling, singing the “Marseillaise,” and pelting our

windows with sticks and stones; for we have Italian waiters, and the

mob demanded that they be turned out of the house instantly—to be

drubbed, and then driven out of the village. Everybody in the hotel

remained up until far into the night, and experienced the several kinds

of terror which one reads about in books which tell of night attacks by

Italians and by French mobs: the growing roar of the oncoming crowd;

the arrival, with rain of stones and a crash of glass; the withdrawal

to rearrange plans—followed by a silence ominous, threatening, and

harder to bear than even the active siege and the noise. The landlord

and the two village policemen stood their ground, and at last the mob

was persuaded to go away and leave our Italians in peace. Today four of

the ringleaders have been sentenced to heavy punishment of a public

sort—and are become local heroes, by consequence.

That is the very mistake which was at first made in the Missourian

village half a century ago. The mistake was repeated and repeated—just

as France is doing in these latter months.

In our village we had our Ravochals, our Henrys, our Vaillants; and in

a humble way our Cesario—I hope I have spelled this name wrong. Fifty

years ago we passed through, in all essentials, what France has been

passing through during the past two or three years, in the matter of

periodical frights, horrors, and shudderings.

In several details the parallels are quaintly exact. In that day, for a

man to speak out openly and proclaim himself an enemy of negro slavery

was simply to proclaim himself a madman. For he was blaspheming against

the holiest thing known to a Missourian, and could NOT be in his right

mind. For a man to proclaim himself an anarchist in France, three years

ago, was to proclaim himself a madman—he could not be in his right

mind.

Now the original old first blasphemer against any institution

profoundly venerated by a community is quite sure to be in earnest; his

followers and imitators may be humbugs and self-seekers, but he himself

is sincere—his heart is in his protest.

Robert Hardy was our first _abolitionist_—awful name! He was a

journeyman cooper, and worked in the big cooper-shop belonging to the

great pork-packing establishment which was Marion City’s chief pride

and sole source of prosperity. He was a New-Englander, a stranger. And,

being a stranger, he was of course regarded as an inferior person—for

that has been human nature from Adam down—and of course, also, he was

made to feel unwelcome, for this is the ancient law with man and the

other animals. Hardy was thirty years old, and a bachelor; pale, given

to reverie and reading. He was reserved, and seemed to prefer the

isolation which had fallen to his lot. He was treated to many side

remarks by his fellows, but as he did not resent them it was decided

that he was a coward.

All of a sudden he proclaimed himself an abolitionist—straight out and

publicly! He said that negro slavery was a crime, an infamy. For a

moment the town was paralyzed with astonishment; then it broke into a

fury of rage and swarmed toward the cooper-shop to lynch Hardy. But the

Methodist minister made a powerful speech to them and stayed their

hands. He proved to them that Hardy was insane and not responsible for

his words; that no man _could _be sane and utter such words.

So Hardy was saved. Being insane, he was allowed to go on talking. He

was found to be good entertainment. Several nights running he made

abolition speeches in the open air, and all the town flocked to hear

and laugh. He implored them to believe him sane and sincere, and have

pity on the poor slaves, and take measures for the restoration of their

stolen rights, or in no long time blood would flow—blood, blood, rivers

of blood!

It was great fun. But all of a sudden the aspect of things changed. A

slave came flying from Palmyra, the county-seat, a few miles back, and

was about to escape in a canoe to Illinois and freedom in the dull

twilight of the approaching dawn, when the town constable seized him.

Hardy happened along and tried to rescue the negro; there was a

struggle, and the constable did not come out of it alive. Hardy crossed

the river with the negro, and then came back to give himself up. All

this took time, for the Mississippi is not a French brook, like the

Seine, the Loire, and those other rivulets, but is a real river nearly

a mile wide. The town was on hand in force by now, but the Methodist

preacher and the sheriff had already made arrangements in the interest

of order; so Hardy was surrounded by a strong guard and safely conveyed

to the village calaboose in spite of all the effort of the mob to get

hold of him. The reader will have begun to perceive that this Methodist

minister was a prompt man; a prompt man, with active hands and a good

headpiece. Williams was his name—Damon Williams; Damon Williams in

public, Damnation Williams in private, because he was so powerful on

that theme and so frequent.

The excitement was prodigious. The constable was the first man who had

ever been killed in the town. The event was by long odds the most

imposing in the town’s history. It lifted the humble village into

sudden importance; its name was in everybody’s mouth for twenty miles

around. And so was the name of Robert Hardy—Robert Hardy, the stranger,

the despised. In a day he was become the person of most consequence in

the region, the only person talked about. As to those other coopers,

they found their position curiously changed—they were important people,

or unimportant, now, in proportion as to how large or how small had

been their intercourse with the new celebrity. The two or three who had

really been on a sort of familiar footing with him found themselves

objects of admiring interest with the public and of envy with their

shopmates.

The village weekly journal had lately gone into new hands. The new man

was an enterprising fellow, and he made the most of the tragedy. He

issued an extra. Then he put up posters promising to devote his whole

paper to matters connected with the great event—there would be a full

and intensely interesting biography of the murderer, and even a

portrait of him. He was as good as his word. He carved the portrait

himself, on the back of a wooden type—and a terror it was to look at.

It made a great commotion, for this was the first time the village

paper had ever contained a picture. The village was very proud. The

output of the paper was ten times as great as it had ever been before,

yet every copy was sold.

When the trial came on, people came from all the farms around, and from

Hannibal, and Quincy, and even from Keokuk; and the court-house could

hold only a fraction of the crowd that applied for admission. The trial

was published in the village paper, with fresh and still more trying

pictures of the accused.

Hardy was convicted, and hanged—a mistake. People came from miles

around to see the hanging; they brought cakes and cider, also the women

and children, and made a picnic of the matter. It was the largest crowd

the village had ever seen. The rope that hanged Hardy was eagerly

bought up, in inch samples, for everybody wanted a memento of the

memorable event.

Martyrdom gilded with notoriety has its fascinations. Within one week

afterward four young lightweights in the village proclaimed themselves

abolitionists! In life Hardy had not been able to make a convert;

everybody laughed at him; but nobody could laugh at his legacy. The

four swaggered around with their slouch-hats pulled down over their

faces, and hinted darkly at awful possibilities. The people were

troubled and afraid, and showed it. And they were stunned, too; they

could not understand it. “Abolitionist” had always been a term of shame

and horror; yet here were four young men who were not only not ashamed

to bear that name, but were grimly proud of it. Respectable young men

they were, too—of good families, and brought up in the church. Ed

Smith, the printer’s apprentice, nineteen, had been the head

Sunday-school boy, and had once recited three thousand Bible verses

without making a break. Dick Savage, twenty, the baker’s apprentice;

Will Joyce, twenty-two, journeyman blacksmith; and Henry Taylor,

twenty-four, tobacco-stemmer—were the other three. They were all of a

sentimental cast; they were all romance-readers; they all wrote poetry,

such as it was; they were all vain and foolish; but they had never

before been suspected of having anything bad in them.

They withdrew from society, and grew more and more mysterious and

dreadful. They presently achieved the distinction of being denounced by

names from the pulpit—which made an immense stir! This was grandeur,

this was fame. They were envied by all the other young fellows now.

This was natural. Their company grew—grew alarmingly. They took a name.

It was a secret name, and was divulged to no outsider; publicly they

were simply the abolitionists. They had pass-words, grips, and signs;

they had secret meetings; their initiations were conducted with gloomy

pomps and ceremonies, at midnight.

They always spoke of Hardy as “the Martyr,” and every little while they

moved through the principal street in procession—at midnight,

black-robed, masked, to the measured tap of the solemn drum—on

pilgrimage to the Martyr’s grave, where they went through with some

majestic fooleries and swore vengeance upon his murderers. They gave

previous notice of the pilgrimage by small posters, and warned

everybody to keep indoors and darken all houses along the route, and

leave the road empty. These warnings were obeyed, for there was a skull

and crossbones at the top of the poster.

When this kind of thing had been going on about eight weeks, a quite

natural thing happened. A few men of character and grit woke up out of

the nightmare of fear which had been stupefying their faculties, and

began to discharge scorn and scoffings at themselves and the community

for enduring this child’s-play; and at the same time they proposed to

end it straightway. Everybody felt an uplift; life was breathed into

their dead spirits; their courage rose and they began to feel like men

again. This was on a Saturday. All day the new feeling grew and

strengthened; it grew with a rush; it brought inspiration and cheer

with it. Midnight saw a united community, full of zeal and pluck, and

with a clearly defined and welcome piece of work in front of it. The

best organizer and strongest and bitterest talker on that great

Saturday was the Presbyterian clergyman who had denounced the original

four from his pulpit—Rev. Hiram Fletcher—and he promised to use his

pulpit in the public interest again now. On the morrow he had

revelations to make, he said—secrets of the dreadful society.

But the revelations were never made. At half past two in the morning

the dead silence of the village was broken by a crashing explosion, and

the town patrol saw the preacher’s house spring in a wreck of whirling

fragments into the sky. The preacher was killed, together with a negro

woman, his only slave and servant.

The town was paralyzed again, and with reason. To struggle against a

visible enemy is a thing worth while, and there is a plenty of men who

stand always ready to undertake it; but to struggle against an

invisible one—an invisible one who sneaks in and does his awful work in

the dark and leaves no trace—that is another matter. That is a thing to

make the bravest tremble and hold back.

The cowed populace were afraid to go to the funeral. The man who was to

have had a packed church to hear him expose and denounce the common

enemy had but a handful to see him buried. The coroner’s jury had

brought in a verdict of “death by the visitation of God,” for no

witness came forward; if any existed they prudently kept out of the

way. Nobody seemed sorry. Nobody wanted to see the terrible secret

society provoked into the commission of further outrages. Everybody

wanted the tragedy hushed up, ignored, forgotten, if possible.

And so there was a bitter surprise and an unwelcome one when Will

Joyce, the blacksmith’s journeyman, came out and proclaimed himself the

assassin! Plainly he was not minded to be robbed of his glory. He made

his proclamation, and stuck to it. Stuck to it, and insisted upon a

trial. Here was an ominous thing; here was a new and peculiarly

formidable terror, for a motive was revealed here which society could

not hope to deal with successfully—_vanity_, thirst for notoriety. If

men were going to kill for notoriety’s sake, and to win the glory of

newspaper renown, a big trial, and a showy execution, what possible

invention of man could discourage or deter them? The town was in a sort

of panic; it did not know what to do.

However, the grand jury had to take hold of the matter—it had no

choice. It brought in a true bill, and presently the case went to the

county court. The trial was a fine sensation. The prisoner was the

principal witness for the prosecution. He gave a full account of the

assassination; he furnished even the minutest particulars: how he

deposited his keg of powder and laid his train—from the house to

such-and-such a spot; how George Ronalds and Henry Hart came along just

then, smoking, and he borrowed Hart’s cigar and fired the train with

it, shouting, “Down with all slave-tyrants!” and how Hart and Ronalds

made no effort to capture him, but ran away, and had never come forward

to testify yet.

But they had to testify now, and they did—and pitiful it was to see how

reluctant they were, and how scared. The crowded house listened to

Joyce’s fearful tale with a profound and breathless interest, and in a

deep hush which was not broken till he broke it himself, in concluding,

with a roaring repetition of his “Death to all slave-tyrants!”—which

came so unexpectedly and so startlingly that it made everyone present

catch his breath and gasp.

The trial was put in the paper, with biography and large portrait, with

other slanderous and insane pictures, and the edition sold beyond

imagination.

The execution of Joyce was a fine and picturesque thing. It drew a vast

crowd. Good places in trees and seats on rail fences sold for half a

dollar apiece; lemonade and gingerbread-stands had great prosperity.

Joyce recited a furious and fantastic and denunciatory speech on the

scaffold which had imposing passages of school-boy eloquence in it, and

gave him a reputation on the spot as an orator, and his name, later, in

the society’s records, of the “Martyr Orator.” He went to his death

breathing slaughter and charging his society to “avenge his murder.” If

he knew anything of human nature he knew that to plenty of young

fellows present in that great crowd he was a grand hero—and enviably

situated.

He was hanged. It was a mistake. Within a month from his death the

society which he had honored had twenty new members, some of them

earnest, determined men. They did not court distinction in the same

way, but they celebrated his martyrdom. The crime which had been

obscure and despised had become lofty and glorified.

Such things were happening all over the country. Wild-brained martyrdom

was succeeded by uprising and organization. Then, in natural order,

followed riot, insurrection, and the wrack and restitutions of war. It

was bound to come, and it would naturally come in that way. It has been

the manner of reform since the beginning of the world.

What Is Man? and Other Essays · 第 47 / 84 题