I have the set of pearls for you. But how can I send them?

When I leave the prison I shall go and see Madame Kisseleff. That will

be number two of my chances.

Apropos, if you find a safe opportunity remember my tea, for there is

none good in Paris. I tasted yours (Russian, I mean) a few days ago,

and I am shameless enough to remind you of this. "Norma" has had little

success here.

The gracefulness you have put into your last letter received here,

to console me for the grief of knowing that the "Lys" was published

in its first proof [in Russia] I cannot accept as author. The French

language admits nothing that comforts the heart of M. Honoré de Balzac.

You will say so with me when you hold the book and read it. However it

be, the Apollo and the Diana are more beautiful than blocks of marble.

The young man, the Oaristes, is more graceful than a skeleton, and we

prefer the peach to the peach-stone, though that may contain a million

of peaches.

I have much distress, even enormous distress in the direction of Madame

de Berny; not from her directly, but from her family. It is not of a

nature to be written. Some evening at Wierzchownia, when the wounds are

scars, I will tell it to you in murmurs that the spiders cannot hear,

for my voice shall go from my lips to your heart. They are dreadful

things, that scoop into life to the bone, deflowering all, and making

one doubt of all, except of you for whom I reserve these sighs.

Oh! what repressions there are in my heart! Since I left Vienna all my

sufferings, of all kinds, of all natures, have redoubled. Sighs sent

through space, sufferings endured in secret, sufferings unperceived! My

God! I who have never done ill, how many times have I said to myself,

"One year of Diodati, and the lake!" How often have I thought, "Why not

be dead on such a day, at such an hour?" Who is in the secret of so

many inward storms, of so much passion lost in secret? Why are the fine

years going, pursuing hope, which escapes, leaving nought behind but an

indefatigable ardour of re-hoping? During this burning year, when at

every moment all seems ending, and no end comes, desires lay hold upon

me to flee this crater which makes me fear a withered end--to flee it

to the ends of the earth.

I am the Wandering Jew of Thought, always afoot, always marching,

without rest, without enjoyments of the heart, with nothing but that

which leaves a memory both rich and poor, with nothing that I can wrest

from the future. I beg from the future, I stretch my hands to it. It

casts me--not an obole, but--a smile that says, "To-morrow."

PARIS, May 1, 1836.

This is the day on which last year I said to myself, "I am going

there!" Last evening, I left my window for sadness overcame me. Sleep

drove away the grief.

I have worked much to-day. I shall close this letter this evening; I

will see if I have forgotten to tell you any facts of the last twenty

days, when I have been like a shuttlecock between two battledores.

I am going to set to work at the difficult passages in the "Lys." I

must finish the chapter entitled, "First Loves." I think that I have

undertaken literary effects that are extremely difficult to render.

What work! What ideas are buried in this book! It is the poetic

pendant of the "Médecin de campagne." I like all you write to me of

the little events of your existence at Kiew: the name of Vandernesse,

the little lady, etc. But I would like your letters still better if

you would write me ten lines a day; no, not ten lines, but a word, a

sentence. You have all your time, and I have only hours stolen from

sleep to offer you. You are the luxury of the heart, the only luxury

that does not ruin, but brings with it nature's own simplicity, riches,

poverty,--in short, all!

Alas! not being at home to-day I cannot enclose to you any autograph,

and I have some interesting ones: Talma, Mademoiselle Mars, all sorts

of people; I shall have one of Napoleon, one of Murat, etc. You

will see that when a matter concerns the documentary treasures of

Wierzchownia we have great constancy in our ideas.

To-day I have worked much; I shall spend the night on the completion

of the "Lys;" for I have still thirty _feuilles_ of my writing to

do, which is one quarter of the book. After that I must finish the

"Héritiers Boirouge" for Madame Bêchet, who is married and become

Madame Jacquillart; and next, give "La Torpille" in June to the

"Chronique," without which we go to the bad. You see it is impossible

that I should budge from here before September; there is nothing to

be said; those things must be done. After that I shall have no money,

I shall only have fulfilled my engagements. So I don't know which way

to turn; what with notes falling due, no receipts, and no friend to

advance me funds, what will become of me? Either some lucky chance or

perish. Hitherto luck has served me.

Just now I am particularly overwhelmed because I counted on the

conclusion of the affair of the "Cent Contes Drolatiques" which gave

me thirty thousand francs and would have quieted everything. But the

longer it goes, the less it ends. I am more than disheartened, I am

crazy about it.

There, then, are my affairs. Much work to finish, no money to receive,

much money to pay. Am I to be stopped in the midst of my career? What

can I attempt?

My brother-in-law came back this morning. M. Lainé de Villevêque asks

to reflect upon this sale, he asks three days; and that is the least

a man should take to decide so important a matter. I have offered him

twenty thousand ducats for his position as grantee, but in ready money.

I hope that Rossini will get Aguado to lend it to me, and that I can

then resell the position to Rothschild for the double or treble, out

of which those scamps will still make five or six millions. There's a

pretty smile; the first that fortune has bestowed upon me.

You see that in my next letter I shall have very interesting things to

tell you: the canal affair; my lawsuit and the "Lys," and finally "Les

Drolatiques," which will be either a complete failure or a piece of

business done; in such matters I must have a "yes" or a "no."

Adieu, _cara_; do not make yourself unhappy about all this. I have

broad shoulders, the courage of a lion, strength of character, and if,

at times, melancholy lays hold upon me, I look at the future, I believe

in something good--though the years do pass with cruel rapidity; and

what years! Ah, the beautiful years! Shall I ever again see the Lake of

Geneva, or Neufchâtel?

Well, adieu; till ten days hence. You will know all that should be said

for me and of me to those about you.

Letters to Madame Hanska, born Countess Rzewuska, afterwards Madame Honoré de Balzac, 1833-1846 · 第 59 / 103 题