GIUSEPPE PARINI

I

In 1748 began for Italy a peace of nearly fifty years, when the Wars

of the Succession, with which the contesting strangers had ravaged

her soil, absolutely ceased. In Lombardy the Austrian rulers who had

succeeded the Spaniards did and suffered to be done many things for

the material improvement of a province which they were content to

hold, while leaving the administration mainly to the Lombards; the

Spanish Bourbon at Naples also did as little harm and as much good to

his realm as a Bourbon could; Pier Leopoldo of Tuscany, Don Filippo I.

of Parma, Francis III. of Modena, and the Popes Benedict XIV., Clement

XIV., and Pius VI. were all disposed to be paternally beneficent to

their peoples, who at least had repose under them, and in this period

gave such names to science as those of Galvani and Volta, to humanity

that of Beccaria, to letters those of Alfieri, Filicaja, Goldoni,

Parini, and many others.

But in spite of the literary and scientific activity of the period,

Italian society was never quite so fantastically immoral as in this

long peace, which was broken only by the invasions of the French

republic. A wide-spread sentimentality, curiously mixed of love and

letters, enveloped the peninsula. Commerce, politics, all the business

of life, went on as usual under the roseate veil which gives its hue

to the social history of the time; but the idea which remains in

the mind is one of a tranquillity in which every person of breeding

devoted himself to the cult of some muse or other, and established

himself as the conventional admirer of his neighbor's wife. The

great Academy of Arcadia, founded to restore good taste in poetry,

prescribed conditions by which everybody, of whatever age or sex,

could become a poetaster, and good society expected every gentleman

and lady to be in love. The Arcadia still exists, but that gallant

society hardly survived the eighteenth century. Perhaps the greatest

wonder about it is that it could have lasted so long as it did. Its

end was certainly not delayed for want of satirists who perceived its

folly and pursued it with scorn. But this again only brings one doubt,

often felt, whether satire ever accomplished anything beyond a lively

portraiture of conditions it proposed to reform.

It is the opinion of some Italian critics that Italian demoralization

began with the reaction against Luther, when the Jesuits rose to

supreme power in the Church and gathered the whole education of the

young into the hands of the priests. Cesare Cantù, whose book on

_Parini ed il suo Secolo_ may be read with pleasure and instruction by

such as like to know more fully the time of which I speak, was of this

mind; he became before his death a leader of the clerical party in

Italy, and may be supposed to be without unfriendly prejudice. He

alleges that the priestly education made the Italians _literati_

rather than citizens; Latinists, poets, instead of good magistrates,

workers, fathers of families; it cultivated the memory at the expense

of the judgment, the fancy at the cost of the reason, and made them

selfish, polished, false; it left a boy “apathetic, irresolute,

thoughtless, pusillanimous; he flattered his superiors and hated his

fellows, in each of whom he dreaded a spy.” He knew the beautiful and

loved the grandiose; his pride of family and ancestry was inordinately

pampered. What other training he had was in the graces and

accomplishments; he was thoroughly instructed in so much of warlike

exercise as enabled him to handle a rapier perfectly and to conduct or

fight a duel with punctilio.

But he was no warrior; his career was peace. The old medieval Italians

who had combated like lions against the French and Germans and against

each other, when resting from the labors and the high conceptions

which have left us the chief sculptures and architecture of the

Peninsula, were dead; and their posterity had almost ceased to know

war. Italy had indeed still remained a battle-ground, but not for

Italian quarrels nor for Italian swords; the powers which, like

Venice, could afford to have quarrels of their own, mostly hired other

people to fight them out. All the independent states of the Peninsula

had armies, but armies that did nothing; in Lombardy, neither

Frenchman, Spaniard, nor Austrian had been able to recruit or draft

soldiers; the flight of young men from the conscription depopulated

the province, until at last Francis II. declared it exempt from

military service; Piedmont, the Macedon, the Boeotia of that Greece,

alone remained warlike, and Piedmont was alone able, when the hour

came, to show Italy how to do for herself.

Yet, except in the maritime republics, the army, idle and unwarlike as

it was in most cases, continued to be one of the three careers open to

the younger sons of good family; the civil service and the Church were

the other two. In Genoa, nobles had engaged in commerce with equal

honor and profit; nearly every argosy that sailed to or from the port

of Venice belonged to some lordly speculator; but in Milan a noble who

descended to trade lost his nobility, by a law not abrogated till the

time of Charles IV. The nobles had therefore nothing to do. They could

not go into business; if they entered the army it was not to fight;

the civil service was of course actually performed by subordinates;

there were not cures for half the priests, and there grew up that odd,

polite rabble of _abbati_, like our good Frugoni, priests without

cures, sometimes attached to noble families as chaplains, sometimes

devoting themselves to literature or science, sometimes leading lives

of mere leisure and fashion; they were mostly of plebeian origin when

they did anything at all besides pay court to the ladies.

In Milan the nobles were exempt from many taxes paid by the plebeians;

they had separate courts of law, with judges of their own order,

before whom a plebeian plaintiff appeared with what hope of justice

can be imagined. Yet they were not oppressive; they were at worst only

insolent to their inferiors, and they commonly used them with the

gentleness which an Italian can hardly fail in. There were many ties

of kindness between the classes, the memory of favors and services

between master and servant, landlord and tenant, in relations which

then lasted a life-time, and even for generations. In Venice, where it

was one of the high privileges of the patrician to spit from his box

at the theater upon the heads of the people in the pit, the familiar

bond of patron and client so endeared the old republican nobles to the

populace that the Venetian poor of this day, who know them only by

tradition, still lament them. But, on the whole, men have found it

at Venice, as elsewhere, better not to be spit upon, even by an

affectionate nobility.

The patricians were luxurious everywhere. In Rome they built splendid

palaces, in Milan they gave gorgeous dinners. Goldoni, in his charming

memoirs, tells us that the Milanese of his time never met anywhere

without talking of eating, and they did eat upon all possible

occasions, public, domestic, and religious; throughout Italy they have

yet the nickname of _lupi lombardi_ (Lombard wolves) which their

good appetites won them. The nobles of that gay old Milan were very

hospitable, easy of access to persons of the proper number of

descents, and full of invitations for the stranger. A French writer

found their cooking delicate and estimable as that of his own nation;

but he adds that many of these friendly, well-dining aristocrats had

not good _ton_. One can think of them at our distance of time and

place with a kindness which Italian critics, especially those of the

bitter period of struggle about the middle of this century, do not

affect. Emiliani-Giudici, for example, does not, when he calls them

and their order throughout Italy an aristocratic leprosy. He assures

us that at the time of that long peace “the moral degradation of what

the French call the great world was the inveterate habit of centuries;

the nobles wallowed in their filth untouched by remorse”; and he

speaks of them as “gilded swine, vain of the glories of their blazons,

which they dragged through the mire of their vices.”

Modern Italian Poets; Essays and Versions · 第 45 / 127 题