MALATI-MADHAVA.

The marriage dress of high-born females described in the sixth act is

well worthy of our observation. It consisted of a corset of white silk

and a fine red upper garment, besides the usual lower dress, ornaments,

and a chaplet of flowers. It has received several modifications since

the days of Bhavabhuti.

The sacrifice of good-looking girls, alluded to in the fifth act, was

common in his time and other authors allude to it. The seventh story of

Dasakumar Charita is just like it, when a prince rescues a princess from

a similar Sanyasi and afterwards marries her.

The story of "Malati and Madhava" is one of pure invention. The manners

described are purely Hindu without any foreign admixture. The appearance

of women of rank in public, and their exemption from any personal

restraint in their own habitations, are very incompatible with the

presence of Muhammedan rulers. The licensed existence of Buddha

ascetics, their access to the great, and their employment as teachers of

science, are other peculiarities characteristic of an early date; whilst

the worship of Siva in his terrific forms, and the prevalance of the

practices of the Yoga, are indications of a similar tendency.

Tales from the Hindu Dramatists · 第 124 / 143 题