LETTER X.

Mechanical inventions of the ancients few in number--Ancient

and modern feats of strength--Feats of Eckeberg particularly

described--General explanation of them--Real feats of strength

performed by Thomas Topham--Remarkable power of lifting heavy

persons when the lungs are inflated--Belzoni’s feat of sustaining

pyramids of men--Deception of walking along the ceiling in an

inverted position--Pneumatic apparatus in the foot of the house-fly

for enabling it to walk in opposition to gravity--Description of

the analogous apparatus employed by the gecko lizard for the same

purpose--Apparatus used by the Echineis remora, or sucking-fish.

The mechanical knowledge of the ancients was principally theoretical,

and though they seem to have constructed some minor pieces of mechanism

which were sufficient to delude the ignorant, yet there is no reason

for believing that they had executed any machinery that was capable

of exciting much surprise, either by its ingenuity or its magnitude.

The properties of the mechanical powers, however, seem to have been

successfully employed in performing feats of strength which were beyond

the reach even of strong men, and which could not fail to excite the

greatest wonder when exhibited by persons of ordinary size.

Firmus, a native of Seleucia, who was executed by the Emperor Aurelian

for espousing the cause of Zenobia, was celebrated for his feats of

strength. In his account of the life of Firmus, who lived in the third

century, Vopiscus informs us, that he could suffer iron to be forged

upon an anvil placed upon his breast. In doing this he lay upon his

back, and resting his feet and shoulders against some support, his

whole body formed an arch, as we shall afterwards more particularly

explain. Until the end of the sixteenth century, the exhibition of

such feats does not seem to have been common. About the year 1703, a

native of Kent, of the name of Joyce, exhibited such feats of strength

in London and other parts of England, that he received the name of the

second Samson. His own personal strength was very great; but he had

also discovered, without the aid of theory, various positions of his

body in which men even of common strength could perform very surprising

feats. He drew against horses, and raised enormous weights; but as

he actually exhibited his power in ways which evinced the enormous

strength of his own muscles, all his feats were ascribed to the same

cause. In the course of eight or ten years, however, his methods

were discovered, and many individuals of ordinary strength exhibited

a number of his principal performances, though in a manner greatly

inferior to Joyce.

Some time afterwards, John Charles Van Eckeberg, a native of

Harzgerode, in Anhalt, travelled through Europe under the appellation

of Samson, exhibiting very remarkable examples of his strength.

This, we believe, is the same person whose feats are particularly

described by Dr. Desaguliers. He was a man of the middle size, and

of ordinary strength; and as Dr. Desaguliers was convinced that his

feats were exhibitions of skill and not of strength, he was desirous

of discovering his methods, and with this view he went to see him,

accompanied by the Marquis of Tullibardine, Dr. Alexander Stuart, and

Dr. Pringle, and his own mechanical operator. They placed themselves

round the German, so as to be able to observe accurately all that he

did, and their success was so great that they were able to perform most

of the feats the same evening by themselves, and almost all the rest

when they had provided the proper apparatus. Dr. Desaguliers exhibited

some of the experiments before the Royal Society, and has given such a

distinct explanation of the principles on which they depend, that we

shall endeavour to give a popular account of them.

[Illustration: _Fig. 52._]

1. The performer sat upon an inclined board A B, placed upon a frame

C D E, with his feet abutting against the upright board C. Round his

loins was placed a strong girdle F G, to the iron ring of which at G

was fastened a rope by means of a hook. The rope passed between his

legs through a hole in the board C, and several men or two horses,

pulling at the other end of the rope, were unable to draw the

performer out of his place. His hands at G seemed to pull against the

men, but they were of no advantage to him whatever.

[Illustration: _Fig. 53._]

2. Another of the German’s feats is shown in Fig. 53. Having fixed the

rope above-mentioned to a strong post at A, and made it pass through

a fixed iron eye at B, to the ring in his girdle, he planted his feet

against the post at B, and raised himself from the ground by the rope,

as shown in the figure. He then suddenly stretched out his legs, and

broke the rope, falling back on a feather-bed at C, spread out to

receive him.

3. In imitation of Firmus, he laid himself down on the ground, as shown

in Fig. 54, and when an anvil A was placed upon his breast, a man

hammered with all his force the piece of iron B, with a sledge hammer;

and sometimes two smiths cut in two with chisels a great cold bar of

iron laid upon the anvil. At other times a stone of huge dimensions,

half of which is shown at C, was laid upon his belly, and broken with a

blow of the great hammer.

[Illustration: _Fig. 54._]

4. The performer then placed his shoulders upon one chair and his

heels upon another, as in Fig. 55, forming, with his backbone, thighs,

and legs, an arch springing from its abutments at A and B. One or two

men then stood upon his belly, rising up and down while the performer

breathed. A stone, one and a half feet long, one foot broad, and

half a foot thick, was then laid upon his belly, and broken by a

sledge-hammer; an operation which may be performed with much less

danger than when his back touched the ground, as in Fig. 54.

[Illustration: _Fig. 55._]

5. His next feat was to lie down on the ground, as in Fig. 56; a man

being then placed on his knees, he draws his heels towards his body,

and, raising his knees, he lifts up the man gradually, till having

brought his knees perpendicularly under him, as in Fig. 57, he raises

his own body up, and placing his arms round the man’s legs, he rises

with him, and sets him down on some low table or eminence of the same

height as his knees. This feat he sometimes performed with two men in

place of one.

[Illustration: _Fig. 56._]

[Illustration: _Fig. 57._]

6. The last and apparently the most wonderful performance of the German

is shown in Fig. 58, where he appears to raise a cannon A placed upon

a scale, the four ropes of the scale being fixed to a rope or chain

attached to his girdle in the manner already described. Previous to the

fixing of the ropes, the cannon and scale rest upon two rollers B, C;

but when all is ready, the two rollers are knocked from beneath the

scale, and the cannon is sustained by the strength of his loins.

[Illustration: _Fig. 58._]

The German also exhibited his strength in twisting into a screw a flat

piece of iron like A, Fig. 59. He first bent the iron into a right

angle as at B, and then wrapping his handkerchief about its broad upper

end, he held that end in his left hand, and with his right applied to

the other end, twisted about the angular point, as shown at C. Lord

Tullibardine succeeded in doing the same thing, and even untwisted one

of the irons which the German had twisted.

[Illustration: _Fig. 59._]

It would lead into details by no means popular were I to give a minute

explanation of the mechanical principles upon which these feats depend.

A few general observations will perhaps be sufficient for ordinary

readers. The feats Nos. 1, 2, and 6, depend entirely on the natural

strength of the bones of the pelvis, which form a double arch, which

it would require an immense force to break, by any external pressure

directed to the centre of the arch; and as the legs and thighs are

capable of sustaining four or five thousand pounds when they stand

quite upright, the performer has no difficulty in resisting the force

of two horses, or of sustaining the weight of a cannon weighing two or

three thousand pounds.

The feat of the anvil is certainly a very surprising one. The

difficulty, however, really consists in sustaining the anvil, for when

this is done, the effect of the hammering is nothing. If the anvil

were a thin piece of iron, or even two or three times heavier than the

hammer, the performer would be killed by a few blows; but the blows

are scarcely felt when the anvil is very heavy, for the more matter

the anvil has, the greater is its inertia, and it is the less liable

to be struck out of its place; for when it has received by the blow

the whole momentum of the hammer, its velocity will be so much less

than that of the hammer, as its quantity of matter is greater. When the

blow, indeed, is struck, the man feels less of the weight of the anvil

than he did before, because in the reaction of the stone all the parts

of it round about the hammer rise towards the blow. This property is

illustrated by the well-known experiment of laying a stick with its

ends upon two drinking-glasses full of water, and striking the stick

downwards in the middle with an iron bar. The stick will in this case

be broken without breaking the glasses or spilling the water. But if

the stick is struck upwards, as if to throw it up in the air, the

glasses will break if the blow be strong, and if the blow is not very

quick, the water will be spilt without breaking the glasses.

When the performer supports a man upon his belly as in Fig. 55, he does

it by means of the strong arch formed by his backbone, and the bones of

his legs and thighs. If there were room for them, he could bear three

or four, or, in their stead, a great stone to be broken with one blow.

A number of feats of real and extraordinary strength were exhibited,

about a century ago, in London, by Thomas Topham, who was five feet

ten inches high, and about thirty-one years of age. He was entirely

ignorant of any of the methods for making his strength appear more

surprising, and he often performed by his own natural powers what he

learned had been done by others by artificial means. A distressing

example of this occurred in his attempt to imitate the feat of the

German Samson, by pulling against horses. Ignorant of the method which

we have already described, he seated himself on the ground with his

feet against two stirrups, and by the weight of his body he succeeded

in pulling against a single horse; but in attempting to pull against

two horses, he was lifted out of his place, and one of his knees was

shattered against the stirrups, so as to deprive him of most of the

strength of one of his legs. The following are the feats of real

strength which Dr. Desaguliers saw him perform:--

1. Having rubbed his fingers with coal-ashes to keep them from

slipping, he rolled up a very strong and large pewter plate.

2. Having laid seven or eight short and strong pieces of tobacco-pipe

on the first and third finger, he broke them by the force of his middle

finger.

3. He broke the bowl of a strong tobacco-pipe placed between his first

and third finger, by pressing his fingers together sideways.

4. Having thrust such another bowl under his garter, his legs being

bent, he broke it to pieces by the tendons of his hams without altering

the bending of his leg.

5. He lifted with his teeth, and held in a horizontal position for a

considerable time, a table six feet long, with half a hundred weight

hanging at the end of it. The feet of the table rested against his

knees.

6. Holding in his right hand an iron kitchen poker three feet long and

three inches round, he struck upon his bare left arm, between the elbow

and the wrist, till he bent the poker nearly to a right angle.

7. Taking a similar poker and holding the ends of it in his hands, and

the middle against the back of his neck, he brought both ends of it

together before him, and he then pulled it almost straight again. This

last feat was the most difficult, because the muscles which separate

the arms horizontally from each other are not so strong as those which

bring them together.

8. He broke a rope about two inches in circumference, which was partly

wound about a cylinder four inches in diameter, having fastened the

other end of it to straps that went over his shoulder.

9. Dr. Desaguliers saw him lift a rolling-stone of about 800lb. weight

with his hands only, standing in a frame above it, and taking hold

of a frame fastened to it. Hence Dr. Desaguliers gives the following

relative view of the strengths of individuals:--

Strength of the weakest men 125lbs.

Strength of very strong men 400

Strength of Topham 800

The weight of Topham was about 200.

One of the most remarkable and inexplicable experiments relative to the

strength of the human frame, which you have yourself seen and admired,

is that in which a heavy man is raised with the greatest facility, when

he is lifted up the instant that his own lungs and those of the persons

who raise him are inflated with air. This experiment was, I believe,

first shown in England a few years ago by Major H. who saw it performed

in a large party at Venice, under the direction of an officer of the

American Navy. As Major H. performed it more than once in my presence,

I shall describe as nearly as possible the method which he prescribed.

The heaviest person in the party lies down upon two chairs, his legs

being supported by the one and his back by the other. Four persons,

one at each leg and one at each shoulder, then try to raise him, and

they find his dead weight to be very great, from the difficulty they

experience in supporting him. When he is replaced in the chair, each

of the four persons takes hold of the body as before, and the person

to be lifted gives two signals by clapping his hands. At the first

signal he himself and the four lifters begin to draw a long and full

breath, and when the inhalation is completed, or the lungs filled,

the second signal is given for raising the person from the chair. To

his own surprise and that of his bearers, he rises with the greatest

facility, as if he were no heavier than a feather. On several occasions

I have observed that when one of the bearers performs his part ill,

by making the inhalation out of time, the part of the body which he

tries to raise is left as it were behind. As you have repeatedly seen

this experiment, and have performed the part both of the load and of

the bearer, you can testify how remarkable the effects appear to all

parties, and how complete is the conviction, either that the load has

been lightened, or the bearer strengthened by the prescribed process.

At Venice, the experiment was performed in a much more imposing

manner. The heaviest man in the party was raised and sustained upon

the points of the fore-fingers of six persons. Major H. declared that

the experiment would not succeed if the person lifted were placed upon

a board, and the strength of the individuals applied to the board. He

conceived it necessary that the bearers should communicate directly

with the body to be raised. I have not had an opportunity of making any

experiments relative to these curious facts; but whether the general

effect is an illusion, or the result of known or of new principles, the

subject merits a careful investigation.

Among the remarkable exhibitions of mechanical strength and dexterity,

we may enumerate that of supporting pyramids of men. This exhibition

is a very ancient one. It is described, though not very clearly, by

the Roman poet Claudian, and it has derived some importance in modern

times, in consequence of its having been performed in various parts of

Great Britain by the celebrated traveller Belzoni, before he entered

upon the more estimable career of an explorer of Egyptian antiquities.

The simplest form of this feat consists in placing a number of men on

each other’s shoulders, so that each row consists of a man fewer till

they form a pyramid terminating in a single person, upon whose head a

boy is sometimes placed with his feet upwards.

Among the displays of mechanical dexterity, though not grounded on any

scientific principle, may be mentioned the art of walking along the

ceiling of an apartment with the head downwards. This exhibition,

which we have witnessed in one of the London Theatres, never failed

to excite the wonder of the audience, although the movements of the

inverted performer were not such as to inspire us with any high

ideas of the mechanism by which they were effected. The following

was probably the method by which the performer was carried along the

ceiling. Two parallel grooves or openings were made in the ceiling at

the same distance as the foot-tracks of a person walking on sand. These

grooves were narrower than the human foot, so as to permit a rope,

or chain, or strong wire, attached to the feet of the performer, to

pass through the ceiling, where they were held by two or more persons

above it. In this way the inverted performer might be carried along

by a sliding or shuffling motion, similar to that which is adopted in

walking in the dark, and in which the feet are lifted from the ground.

A more regular motion, however, might be produced by a contrivance for

attaching the rope or chain to the sole of the foot, at each step, and

subsequently detaching it. In this way, when the performer is pulled

against the ceiling by his left foot, he would lift his right foot,

and having made a step with it, and planted it against the grooves,

the rope would be attached to it, and when the rope was detached from

the left foot, it would make a similar step, while the right foot was

pulled against the ceiling. These effects might be facilitated and

rendered more natural, by attaching to the body or to the feet of

the performer strong wires invisible to the audience, and by using

friction-wheels, if a sliding motion only is required.

[Illustration: _Fig. 60._]

A more scientific method of walking upon the ceiling is suggested by

those beautiful pneumatic contrivances by which insects, fishes, and

even some lizards are enabled to support the weight of their bodies

against the force of gravity. The house-fly is well known to have the

power of walking in an inverted position upon the ceilings of rooms,

as well as upon the smoothest surfaces. In this case the fly does not

rest upon its legs, and must therefore adhere to the ceiling, either by

some glutinous matter upon its feet, or by the aid of some apparatus

given it for that purpose. In examining the foot of the fly with a

powerful microscope, it is found to consist of two concavities, as

shown in Figs. 60 and 61, the first of which is copied from a drawing

by G. Adams, published in 1746, and the second by J. C. Keller, a

painter at Nuremberg, who drew it for a work published in 1766. The

author of this work maintains that these concavities are only used when

the fly moves horizontally, and that, when it moves perpendicularly or

on the ceiling, they are turned up out of the way, and the progressive

motion is effected by fixing the claws shown in the figure into the

irregularities of the surface upon which the fly moves, whether it is

glass, porcelain, or any other substance. Sir Everard Home, however,

supposes, with great reason, that these concave surfaces are (like

the leathern suckers used by children for lifting stones) employed to

form a vacuum, so that the foot adheres, as it were, by suction to

the ceiling, and enables the insect to support itself in an inverted

position.

[Illustration: _Fig. 61._]

This conclusion Sir Everard has been led to draw from an examination

of the foot of the Lacerta Gecko. Sir Joseph Banks had mentioned to him

in the year 1815, that this lizard, which is a native of the island of

Java, comes out in the evening from the roofs of the houses, and walks

down the smooth hard-polished chunam walls in search of the flies which

settle upon them, and which are its natural food. When Sir Joseph was

at Batavia, he amused himself in catching this lizard. He stood close

to the wall at some distance from the animal, and by suddenly scraping

the wall with a long flattened pole, he was able to bring the animal to

the ground.

Having procured from Sir Joseph a very large specimen of the Gecko,

which weighed 5¾ ounces avoirdupois, Sir Everard Home was enabled

to ascertain the peculiar mechanism by which the feet of this animal

have the power of keeping hold of a smooth hard perpendicular wall, and

carry up so heavy a weight as that of its body.

[Illustration: _Fig. 62._]

[Illustration: _Fig. 63._]

The foot of the Gecko has five toes (as shown in Fig. 62), and at

the end of each of them, except the thumb, is a very sharp and

highly-curved claw. On the under surface of each toe are sixteen

transverse slits, leading to as many cavities or pockets, the depth of

which is nearly equal to the length of the slit that forms the surface.

[Illustration: _Fig. 64._]

This structure is shown in Figs. 63 and 64, the former representing the

under surface of one of the toes of the natural size, and the latter

a toe dissected and highly magnified, to show the appearance of the

cavities in its under surface, their fringed edge, the depth of the

cavities, and the small muscles by which they are drawn open. The edge

of the pockets or cavities is composed of rows of a beautiful fringe

which are applied to the surface on which the animal walks against

gravity, while the pockets themselves are pulled up by the muscles

attached to them, so as to form the cavities into suckers.

This structure Sir Everard Home found to bear a considerable

resemblance to that portion of the head of the _Echineis Remora_, or

sucking-fish, by which it attaches itself to the shark, or the bottoms

of ships. This apparatus is shown in Fig. 65: it is an oval form, and

is surrounded by a broad loose moveable edge, capable of applying

itself closely to the surface on which it is set. It consists of two

rows of cartilaginous plates connected by one edge to the surface on

which they are placed, the other, on the external edge, being serrated

like that in the cavities of the feet of the Gecko. The two rows are

separated by a thin ligamentous partition, and the plates, being raised

or depressed by the voluntary muscles, form so many vacua, by means of

which the adhesion of the fish is effected.

[Illustration: _Fig. 65._]

These beautiful contrivances of Divine Wisdom cannot fail to arrest the

attention and excite the admiration of the reader; but though there

can be little doubt that they are pneumatic suckers wrought by the

voluntary muscles of the animals to which they belong, yet we would

recommend the further examination of them to the attention of those who

have good microscopes at their command.

Letters on Natural Magic; Addressed to Sir Walter Scott, Bart. · 第 38 / 133 题