Where the dance is sweeping,

Through the greensward peeping,

Shall the soft lights start;

Laughing maids, unstaying,

Deeming it trick-playing,

High their robes upswaying,

O’er the lights shall dart;

And the woodland haunter

Shall not cease to saunter

When, far down some glade,

Of the great world’s burning,

One soft flame upturning

Seems, to his discerning,

Crocus in the shade.

FREDERICK LOCKER-LAMPSON

1821-1895

_746._ _At Her Window_

Beating Heart! we come again

Where my Love reposes:

This is Mabel’s window-pane;

These are Mabel’s roses.

Is she nested? Does she kneel

In the twilight stilly,

Lily clad from throat to heel,

She, my virgin Lily?

Soon the wan, the wistful stars,

Fading, will forsake her;

Elves of light, on beamy bars,

Whisper then, and wake her.

Let this friendly pebble plead

At her flowery grating;

If she hear me will she heed?

_Mabel, I am waiting._

Mabel will be deck’d anon,

Zoned in bride’s apparel;

Happy zone! O hark to yon

Passion-shaken carol!

Sing thy song, thou trancèd thrush,

Pipe thy best, thy clearest;--

Hush, her lattice moves, O hush--

_Dearest Mabel!--dearest ..._

MATTHEW ARNOLD

1822-1888

_747._ _The Forsaken Merman_

Come, dear children, let us away;

Down and away below.

Now my brothers call from the bay;

Now the great winds shoreward blow;

Now the salt tides seaward flow;

Now the wild white horses play,

Champ and chafe and toss in the spray.

Children dear, let us away.

This way, this way!

Call her once before you go.

Call once yet.

In a voice that she will know:

‘Margaret! Margaret!’

Children’s voices should be dear

(Call once more) to a mother’s ear;

Children’s voices, wild with pain.

Surely she will come again.

Call her once and come away.

This way, this way!

‘Mother dear, we cannot stay.’

The wild white horses foam and fret.

Margaret! Margaret!

Come, dear children, come away down.

Call no more.

One last look at the white-wall’d town,

And the little grey church on the windy shore.

Then come down.

She will not come though you call all day.

Come away, come away.

Children dear, was it yesterday

We heard the sweet bells over the bay?

In the caverns where we lay,

Through the surf and through the swell,

The far-off sound of a silver bell?

Sand-strewn caverns, cool and deep,

Where the winds are all asleep;

Where the spent lights quiver and gleam;

Where the salt weed sways in the stream;

Where the sea-beasts, ranged all round,

Feed in the ooze of their pasture-ground;

Where the sea-snakes coil and twine,

Dry their mail, and bask in the brine;

Where great whales come sailing by,

Sail and sail, with unshut eye,

Round the world for ever and aye?

When did music come this way?

Children dear, was it yesterday?

Children dear, was it yesterday

(Call yet once) that she went away?

Once she sate with you and me,

On a red gold throne in the heart of the sea,

And the youngest sate on her knee.

She comb’d its bright hair, and she tended it well,

When down swung the sound of the far-off bell.

She sigh’d, she look’d up through the clear green sea.

She said, ‘I must go, for my kinsfolk pray

In the little grey church on the shore to-day.

’Twill be Easter-time in the world--ah me!

And I lose my poor soul, Merman, here with thee.’

I said, ‘Go up, dear heart, through the waves.

Say thy prayer, and come back to the kind sea-caves.’

She smiled, she went up through the surf in the bay.

Children dear, was it yesterday?

Children dear, were we long alone?

‘The sea grows stormy, the little ones moan.

Long prayers,’ I said, ‘in the world they say.

Come,’ I said, and we rose through the surf in the bay.

We went up the beach, by the sandy down

Where the sea-stocks bloom, to the white-wall’d town.

Through the narrow paved streets, where all was still,

To the little grey church on the windy hill.

From the church came a murmur of folk at their prayers,

But we stood without in the cold-blowing airs.

We climb’d on the graves, on the stones worn with rains,

And we gazed up the aisle through the small leaded panes.

She sate by the pillar; we saw her clear:

‘Margaret, hist! come quick, we are here.

Dear heart,’ I said, ‘we are long alone.

The sea grows stormy, the little ones moan.’

But, ah! she gave me never a look,

For her eyes were seal’d to the holy book.

Loud prays the priest; shut stands the door.

Come away, children, call no more.

Come away, come down, call no more.

Down, down, down;

Down to the depths of the sea.

She sits at her wheel in the humming town,

Singing most joyfully.

Hark what she sings: ‘O joy, O joy,

For the humming street, and the child with its toy.

For the priest, and the bell, and the holy well.

For the wheel where I spun,

And the blessed light of the sun.’

And so she sings her fill,

Singing most joyfully,

Till the shuttle falls from her hand,

And the whizzing wheel stands still.

She steals to the window, and looks at the sand;

And over the sand at the sea;

And her eyes are set in a stare;

And anon there breaks a sigh,

And anon there drops a tear,

From a sorrow-clouded eye,

And a heart sorrow-laden,

A long, long sigh

For the cold strange eyes of a little Mermaiden,

And the gleam of her golden hair.

Come away, away, children.

Come children, come down.

The hoarse wind blows colder;

Lights shine in the town.

She will start from her slumber

When gusts shake the door;

She will hear the winds howling,

Will hear the waves roar.

We shall see, while above us

The waves roar and whirl,

A ceiling of amber,

A pavement of pearl.

Singing, ‘Here came a mortal,

But faithless was she:

And alone dwell for ever

The kings of the sea.’

But, children, at midnight,

When soft the winds blow;

When clear falls the moonlight;

When spring-tides are low:

When sweet airs come seaward

From heaths starr’d with broom;

And high rocks throw mildly

On the blanch’d sands a gloom:

Up the still, glistening beaches,

Up the creeks we will hie;

Over banks of bright seaweed

The ebb-tide leaves dry.

We will gaze, from the sand-hills,

At the white, sleeping town;

At the church on the hill-side--

And then come back down.

Singing, ‘There dwells a loved one,

But cruel is she.

She left lonely for ever

The kings of the sea.’

_748._ _The Song of Callicles_

Through the black, rushing smoke-bursts,

Thick breaks the red flame.

All Etna heaves fiercely

Her forest-clothed frame.

Not here, O Apollo!

Are haunts meet for thee.

But, where Helicon breaks down

In cliff to the sea.

Where the moon-silver’d inlets

Send far their light voice

Up the still vale of Thisbe,

O speed, and rejoice!

On the sward at the cliff-top,

Lie strewn the white flocks;

On the cliff-side, the pigeons

Roost deep in the rocks.

In the moonlight the shepherds,

Soft lull’d by the rills,

Lie wrapt in their blankets,

Asleep on the hills.

--What forms are these coming

So white through the gloom?

What garments out-glistening

The gold-flower’d broom?

What sweet-breathing Presence

Out-perfumes the thyme?

What voices enrapture

The night’s balmy prime?--

’Tis Apollo comes leading

His choir, The Nine.

--The Leader is fairest,

But all are divine.

They are lost in the hollows.

They stream up again.

What seeks on this mountain

The glorified train?--

They bathe on this mountain,

In the spring by their road.

Then on to Olympus,

Their endless abode.

--Whose praise do they mention

Of what is it told?--

What will be for ever.

What was from of old.

First hymn they the Father

Of all things: and then,

The rest of Immortals,

The action of men.

The Day in his hotness,

The strife with the palm;

The Night in her silence,

The Stars in their calm.

_749._ _To Marguerite_

Yes: in the sea of life enisled,

With echoing straits between us thrown.

Dotting the shoreless watery wild,

We mortal millions live _alone_.

The islands feel the enclasping flow,

And then their endless bounds they know.

But when the moon their hollows lights,

And they are swept by balms of spring,

And in their glens, on starry nights,

The nightingales divinely sing;

And lovely notes, from shore to shore,

Across the sounds and channels pour;

O then a longing like despair

Is to their farthest caverns sent!

For surely once, they feel, we were

Parts of a single continent.

Now round us spreads the watery plain--

O might our marges meet again!

Who order’d that their longing’s fire

Should be, as soon as kindled, cool’d?

Who renders vain their deep desire?--

A God, a God their severance ruled;

And bade betwixt their shores to be

The unplumb’d, salt, estranging sea.

_750._ _Requiescat_

Strew on her roses, roses,

And never a spray of yew.

In quiet she reposes:

Ah! would that I did too.

Her mirth the world required:

She bathed it in smiles of glee.

But her heart was tired, tired,

And now they let her be.

Her life was turning, turning,

In mazes of heat and sound.

But for peace her soul was yearning,

And now peace laps her round.

Her cabin’d, ample Spirit,

It flutter’d and fail’d for breath.

To-night it doth inherit

The vasty hall of Death.

_751._ _The Scholar-Gipsy_

Go, for they call you, Shepherd, from the hill;

Go, Shepherd, and untie the wattled cotes:

No longer leave thy wistful flock unfed,

Nor let thy bawling fellows rack their throats,

Nor the cropp’d grasses shoot another head.

But when the fields are still,

And the tired men and dogs all gone to rest,

And only the white sheep are sometimes seen

Cross and recross the strips of moon-blanch’d green;

Come, Shepherd, and again begin the quest.

Here, where the reaper was at work of late,

In this high field’s dark corner, where he leaves

His coat, his basket, and his earthen cruise,

And in the sun all morning binds the sheaves,

Then here, at noon, comes back his stores to use;

Here will I sit and wait,

While to my ear from uplands far away

The bleating of the folded flocks is borne,

With distant cries of reapers in the corn--

All the live murmur of a summer’s day.

Screen’d is this nook o’er the high, half-reap’d field,

And here till sundown, Shepherd, will I be.

Through the thick corn the scarlet poppies peep,

And round green roots and yellowing stalks I see

Pale blue convolvulus in tendrils creep:

And air-swept lindens yield

Their scent, and rustle down their perfumed showers

Of bloom on the bent grass where I am laid,

And bower me from the August sun with shade;

And the eye travels down to Oxford’s towers:

And near me on the grass lies Glanvil’s book--

Come, let me read the oft-read tale again:

The story of that Oxford scholar poor,

Of pregnant parts and quick inventive brain,

Who, tired of knocking at Preferment’s door,

One summer morn forsook

His friends, and went to learn the Gipsy lore,

And roam’d the world with that wild brotherhood,

And came, as most men deem’d, to little good,

But came to Oxford and his friends no more.

But once, years after, in the country lanes,

Two scholars, whom at college erst he knew,

Met him, and of his way of life inquired.

Whereat he answer’d that the Gipsy crew,

His mates, had arts to rule as they desired

The workings of men’s brains;

And they can bind them to what thoughts they will:

‘And I,’ he said, ‘the secret of their art,

When fully learn’d, will to the world impart:

But it needs Heaven-sent moments for this skill!’

This said, he left them, and return’d no more,

But rumours hung about the country-side,

That the lost Scholar long was seen to stray,

Seen by rare glimpses, pensive and tongue-tied,

In hat of antique shape, and cloak of grey,

The same the Gipsies wore.

Shepherds had met him on the Hurst in spring;

At some lone alehouse in the Berkshire moors,

On the warm ingle-bench, the smock-frock’d boors

Had found him seated at their entering,

But, ’mid their drink and clatter, he would fly:

And I myself seem half to know thy looks,

And put the shepherds, Wanderer, on thy trace;

And boys who in lone wheatfields scare the rooks

I ask if thou hast pass’d their quiet place;

Or in my boat I lie

Moor’d to the cool bank in the summer heats,

‘Mid wide grass meadows which the sunshine fills,

And watch the warm green-muffled Cumnor hills,

And wonder if thou haunt’st their shy retreats.

For most, I know, thou lov’st retirèd ground.

Thee, at the ferry, Oxford riders blithe,

Returning home on summer nights, have met

Crossing the stripling Thames at Bablock-hithe,

Trailing in the cool stream thy fingers wet,

As the slow punt swings round:

And leaning backwards in a pensive dream,

And fostering in thy lap a heap of flowers

Pluck’d in shy fields and distant Wychwood bowers,

And thine eyes resting on the moonlit stream:

And then they land, and thou art seen no more.

Maidens who from the distant hamlets come

To dance around the Fyfield elm in May,

Oft through the darkening fields have seen thee roam,

Or cross a stile into the public way.

Oft thou hast given them store

Of flowers--the frail-leaf’d, white anemone--

Dark bluebells drench’d with dews of summer eves,

And purple orchises with spotted leaves--

But none has words she can report of thee.

And, above Godstow Bridge, when hay-time’s here

In June, and many a scythe in sunshine flames,

Men who through those wide fields of breezy grass

Where black-wing’d swallows haunt the glittering Thames,

To bathe in the abandon’d lasher pass,

Have often pass’d thee near

Sitting upon the river bank o’ergrown:

Mark’d thine outlandish garb, thy figure spare,

Thy dark vague eyes, and soft abstracted air;

But, when they came from bathing, thou wert gone.

At some lone homestead in the Cumnor hills,

Where at her open door the housewife darns,

Thou hast been seen, or hanging on a gate

To watch the threshers in the mossy barns.

Children, who early range these slopes and late

For cresses from the rills,

Have known thee watching, all an April day,

The springing pastures and the feeding kine;

And mark’d thee, when the stars come out and shine,

Through the long dewy grass move slow away.

In autumn, on the skirts of Bagley Wood,

Where most the Gipsies by the turf-edged way

Pitch their smoked tents, and every bush you see

With scarlet patches tagg’d and shreds of gray,

Above the forest-ground call’d Thessaly--

The blackbird picking food

Sees thee, nor stops his meal, nor fears at all;

So often has he known thee past him stray

Rapt, twirling in thy hand a wither’d spray,

And waiting for the spark from Heaven to fall.

And once, in winter, on the causeway chill

Where home through flooded fields foot-travellers go,

Have I not pass’d thee on the wooden bridge

Wrapt in thy cloak and battling with the snow,

Thy face towards Hinksey and its wintry ridge?

And thou hast climb’d the hill

And gain’d the white brow of the Cumnor range;

Turn’d once to watch, while thick the snowflakes fall,

The line of festal light in Christ Church hall--

Then sought thy straw in some sequester’d grange.

But what--I dream! Two hundred years are flown

Since first thy story ran through Oxford halls,

And the grave Glanvil did the tale inscribe

That thou wert wander’d from the studious walls

To learn strange arts, and join a Gipsy tribe:

And thou from earth art gone

Long since, and in some quiet churchyard laid;

Some country nook, where o’er thy unknown grave

Tall grasses and white flowering nettles wave--

Under a dark red-fruited yew-tree’s shade.

--No, no, thou hast not felt the lapse of hours.

For what wears out the life of mortal men?

’Tis that from change to change their being rolls:

’Tis that repeated shocks, again, again,

Exhaust the energy of strongest souls,

And numb the elastic powers.

Till having used our nerves with bliss and teen,

And tired upon a thousand schemes our wit,

To the just-pausing Genius we remit

Our worn-out life, and are--what we have been.

Thou hast not lived, why shouldst thou perish, so?

Thou hadst _one_ aim, _one_ business, _one_ desire:

Else wert thou long since number’d with the dead--

Else hadst thou spent, like other men, thy fire.

The generations of thy peers are fled,

And we ourselves shall go;

But thou possessest an immortal lot,

And we imagine thee exempt from age

And living as thou liv’st on Glanvil’s page,

Because thou hadst--what we, alas, have not!

For early didst thou leave the world, with powers

Fresh, undiverted to the world without,

Firm to their mark, not spent on other things;

Free from the sick fatigue, the languid doubt,

Which much to have tried, in much been baffled, brings.

O Life unlike to ours!

Who fluctuate idly without term or scope,

Of whom each strives, nor knows for what he strives,

And each half lives a hundred different lives;

Who wait like thee, but not, like thee, in hope.

Thou waitest for the spark from Heaven: and we,

Vague half-believers of our casual creeds,

Who never deeply felt, nor clearly will’d,

Whose insight never has borne fruit in deeds,

Whose weak resolves never have been fulfill’d;

For whom each year we see

Breeds new beginnings, disappointments new;

Who hesitate and falter life away,

And lose to-morrow the ground won to-day--

Ah, do not we, Wanderer, await it too?

Yes, we await it, but it still delays,

And then we suffer; and amongst us One,

Who most has suffer’d, takes dejectedly

His seat upon the intellectual throne;

And all his store of sad experience he

Lays bare of wretched days;

Tells us his misery’s birth and growth and signs,

And how the dying spark of hope was fed,

And how the breast was soothed, and how the head,

And all his hourly varied anodynes.

This for our wisest: and we others pine,

And wish the long unhappy dream would end,

And waive all claim to bliss, and try to bear,

With close-lipp’d Patience for our only friend,

Sad Patience, too near neighbour to Despair:

But none has hope like thine.

Thou through the fields and through the woods dost stray,

Roaming the country-side, a truant boy,

Nursing thy project in unclouded joy,

And every doubt long blown by time away.

O born in days when wits were fresh and clear,

And life ran gaily as the sparkling Thames;

Before this strange disease of modern life,

With its sick hurry, its divided aims,

Its heads o’ertax’d, its palsied hearts, was rife--

Fly hence, our contact fear!

Still fly, plunge deeper in the bowering wood!

Averse, as Dido did with gesture stern

From her false friend’s approach in Hades turn,

Wave us away, and keep thy solitude.

Still nursing the unconquerable hope,

Still clutching the inviolable shade,

With a free onward impulse brushing through,

By night, the silver’d branches of the glade--

Far on the forest-skirts, where none pursue.

On some mild pastoral slope

Emerge, and resting on the moonlit pales,

Freshen thy flowers, as in former years,

With dew, or listen with enchanted ears,

From the dark dingles, to the nightingales.

But fly our paths, our feverish contact fly!

For strong the infection of our mental strife,

Which, though it gives no bliss, yet spoils for rest;

And we should win thee from thy own fair life,

Like us distracted, and like us unblest.

Soon, soon thy cheer would die,

Thy hopes grow timorous, and unfix’d thy powers,

And thy clear aims be cross and shifting made:

And then thy glad perennial youth would fade,

Fade, and grow old at last, and die like ours.

Then fly our greetings, fly our speech and smiles!

--As some grave Tyrian trader, from the sea,

Descried at sunrise an emerging prow

Lifting the cool-hair’d creepers stealthily,

The fringes of a southward-facing brow

Among the Ægean isles;

And saw the merry Grecian coaster come,

Freighted with amber grapes, and Chian wine,

Green bursting figs, and tunnies steep’d in brine;

And knew the intruders on his ancient home,

The young light-hearted Masters of the waves;

And snatch’d his rudder, and shook out more sail,

And day and night held on indignantly

O’er the blue Midland waters with the gale,

Betwixt the Syrtes and soft Sicily,

To where the Atlantic raves

Outside the Western Straits, and unbent sails

There, where down cloudy cliffs, through sheets of foam,

Shy traffickers, the dark Iberians come;

And on the beach undid his corded bales.

_752._ _Philomela_

Hark! ah, the Nightingale!

The tawny-throated!

Hark! from that moonlit cedar what a burst!

What triumph! hark--what pain!

O Wanderer from a Grecian shore,

Still, after many years, in distant lands,

Still nourishing in thy bewilder’d brain

That wild, unquench’d, deep-sunken, old-world pain--

Say, will it never heal?

And can this fragrant lawn

With its cool trees, and night,

And the sweet, tranquil Thames,

And moonshine, and the dew,

To thy rack’d heart and brain

Afford no balm?

Dost thou to-night behold

Here, through the moonlight on this English grass,

The unfriendly palace in the Thracian wild?

Dost thou again peruse

With hot cheeks and sear’d eyes

The too clear web, and thy dumb Sister’s shame?

Dost thou once more assay

Thy flight, and feel come over thee,

Poor Fugitive, the feathery change

Once more, and once more seem to make resound

With love and hate, triumph and agony,

Lone Daulis, and the high Cephissian vale?

Listen, Eugenia--

How thick the bursts come crowding through the leaves

Again--thou hearest!

Eternal Passion!

Eternal Pain!

_753._ _Shakespeare_

Others abide our question. Thou art free.

We ask and ask: Thou smilest and art still,

Out-topping knowledge. For the loftiest hill

That to the stars uncrowns his majesty,

Planting his steadfast footsteps in the sea,

Making the heaven of heavens his dwelling-place.

Spares but the cloudy border of his base

To the foil’d searching of mortality;

And thou, who didst the stars and sunbeams know,

Self-school’d, self-scann’d, self-honour’d, self-secure,

Didst walk on earth unguess’d at. Better so!

All pains the immortal spirit must endure,

All weakness that impairs, all griefs that bow,

Find their sole voice in that victorious brow.

_754._ _From the Hymn of Empedocles_

Is it so small a thing

To have enjoy’d the sun,

To have lived light in the spring,

To have loved, to have thought, to have done;

To have advanced true friends, and beat down baffling foes;

That we must feign a bliss

Of doubtful future date,

And while we dream on this

Lose all our present state,

And relegate to worlds yet distant our repose?

Not much, I know, you prize

What pleasures may be had,

Who look on life with eyes

Estranged, like mine, and sad:

And yet the village churl feels the truth more than you;

Who’s loth to leave this life

Which to him little yields:

His hard-task’d sunburnt wife,

His often-labour’d fields;

The boors with whom he talk’d, the country spots he knew.

But thou, because thou hear’st

Men scoff at Heaven and Fate;

Because the gods thou fear’st

Fail to make blest thy state,

Tremblest, and wilt not dare to trust the joys there are.

I say, Fear not! life still

Leaves human effort scope.

But, since life teems with ill,

Nurse no extravagant hope.

Because thou must not dream, thou need’st not then despair.

WILLIAM BRIGHTY RANDS

1823-1880

_755._ _The Flowers_

When Love arose in heart and deed

To wake the world to greater joy,

‘What can she give me now?’ said Greed,

Who thought to win some costly toy.

He rose, he ran, he stoop’d, he clutch’d;

And soon the Flowers, that Love let fall,

In Greed’s hot grasp were fray’d and smutch’d,

And Greed said, ‘Flowers! Can this be all?’

He flung them down and went his way,

He cared no jot for thyme or rose;

But boys and girls came out to play,

And some took these and some took those--

Red, blue, and white, and green and gold;

And at their touch the dew return’d,

And all the bloom a thousandfold--

So red, so ripe, the roses burn’d!

_756._ _The Thought_

Into the skies, one summer’s day,

I sent a little Thought away;

Up to where, in the blue round,

The sun sat shining without sound.

Then my Thought came back to me.--

Little Thought, what did you see

In the regions whence you come?

And when I spoke, my Thought was dumb.

But she breathed of what was there,

In the pure bright upper air;

And, because my Thought so shone,

I knew she had been shone upon.

Next, by night a Thought I sent

Up into the firmament;

When the eager stars were out,

And the still moon shone about.

And my Thought went past the moon

In between the stars, but soon

Held her breath and durst not stir,

For the fear that covered her;

Then she thought, in this demur:

‘Dare I look beneath the shade,

Into where the worlds are made;

Where the suns and stars are wrought?

Shall I meet another Thought?

‘Will that other Thought have wings?

Shall I meet strange, heavenly things?

Thought of Thoughts, and Light of Lights,

Breath of Breaths, and Night of Nights?’

Then my Thought began to hark

In the illuminated dark,

Till the silence, over, under,

Made her heart beat more than thunder.

And my Thought, came trembling back,

But with something on her track,

And with something at her side;

Nor till she has lived and died,

Lived and died, and lived again,

Will that awful thing seem plain.

WILLIAM PHILPOT

1823-1889

_757._ _Maritæ Suæ_

I

Of all the flowers rising now,

Thou only saw’st the head

Of that unopen’d drop of snow

I placed beside thy bed.

In all the blooms that blow so fast,

Thou hast no further part,

Save those the hour I saw thee last,

I laid above thy heart.

Two snowdrops for our boy and girl,

A primrose blown for me,

Wreathed with one often-play’d-with curl

From each bright head for thee.

And so I graced thee for thy grave,

And made these tokens fast

With that old silver heart I gave,

My first gift--and my last.

II

I dream’d, her babe upon her breast,

Here she might lie and calmly rest

Her happy eyes on that far hill

That backs the landscape fresh and still.

I hoped her thoughts would thrid the boughs

Where careless birds on love carouse,

And gaze those apple-blossoms through

To revel in the boundless blue.

But now her faculty of sight

Is elder sister to the light,

And travels free and unconfined

Through dense and rare, through form and mind.

Or else her life to be complete

Hath found new channels full and meet--

Then, O, what eyes are leaning o’er,

If fairer than they were before!

WILLIAM (JOHNSON) CORY

1823-1892

_758._ _Mimnermus in Church_

You promise heavens free from strife,

Pure truth, and perfect change of will;

But sweet, sweet is this human life,

So sweet, I fain would breathe it still;

Your chilly stars I can forgo,

This warm kind world is all I know.

You say there is no substance here,

One great reality above:

Back from that void I shrink in fear,

And child-like hide myself in love:

Show me what angels feel. Till then

I cling, a mere weak man, to men.

You bid me lift my mean desires

From faltering lips and fitful veins

To sexless souls, ideal quires,

Unwearied voices, wordless strains:

My mind with fonder welcome owns

One dear dead friend’s remember’d tones.

Forsooth the present we must give

To that which cannot pass away;

All beauteous things for which we live

By laws of time and space decay.

But O, the very reason why

I clasp them, is because they die.

_759._ _Heraclitus_

They told me, Heraclitus, they told me you were dead,

They brought me bitter news to hear and bitter tears to shed.

I wept as I remember’d how often you and I

Had tired the sun with talking and sent him down the sky.

And now that thou art lying, my dear old Carian guest,

A handful of grey ashes, long, long ago at rest,

Still are thy pleasant voices, thy nightingales, awake;

For Death, he taketh all away, but them he cannot take.

COVENTRY PATMORE

1823-1896

_760._ _The Married Lover_

Why, having won her, do I woo?

Because her spirit’s vestal grace

Provokes me always to pursue,

But, spirit-like, eludes embrace;

Because her womanhood is such

That, as on court-days subjects kiss

The Queen’s hand, yet so near a touch

Affirms no mean familiarness;

Nay, rather marks more fair the height

Which can with safety so neglect

To dread, as lower ladies might,

That grace could meet with disrespect;

Thus she with happy favour feeds

Allegiance from a love so high

That thence no false conceit proceeds

Of difference bridged, or state put by;

Because although in act and word

As lowly as a wife can be,

Her manners, when they call me lord,

Remind me ’tis by courtesy;

Not with her least consent of will,

Which would my proud affection hurt,

But by the noble style that still

Imputes an unattain’d desert;

Because her gay and lofty brows,

When all is won which hope can ask,

Reflect a light of hopeless snows

That bright in virgin ether bask;

Because, though free of the outer court

I am, this Temple keeps its shrine

Sacred to Heaven; because, in short,

She’s not and never can be mine.

_761._ ‘_If I were dead_’

‘If I were dead, you’d sometimes say, Poor Child!’

The dear lips quiver’d as they spake,

And the tears brake

From eyes which, not to grieve me, brightly smiled.

Poor Child, poor Child!

I seem to hear your laugh, your talk, your song.

It is not true that Love will do no wrong.

Poor Child!

And did you think, when you so cried and smiled,

How I, in lonely nights, should lie awake,

And of those words your full avengers make?

Poor Child, poor Child!

And now, unless it be

That sweet amends thrice told are come to thee,

O God, have Thou _no_ mercy upon me!

Poor Child!

_762._ _Departure_

It was not like your great and gracious ways!

Do you, that have naught other to lament,

Never, my Love, repent

Of how, that July afternoon,

You went,

With sudden, unintelligible phrase,

And frighten’d eye,

Upon your journey of so many days

Without a single kiss, or a good-bye?

I knew, indeed, that you were parting soon;

And so we sate, within the low sun’s rays,

You whispering to me, for your voice was weak,

Your harrowing praise.

Well, it was well

To hear you such things speak,

And I could tell

What made your eyes a growing gloom of love,

As a warm South-wind sombres a March grove.

And it was like your great and gracious ways

To turn your talk on daily things, my Dear,

Lifting the luminous, pathetic lash

To let the laughter flash,

Whilst I drew near,

Because you spoke so low that I could scarcely hear.

But all at once to leave me at the last,

More at the wonder than the loss aghast,

With huddled, unintelligible phrase,

And frighten’d eye,

And go your journey of all days

With not one kiss, or a good-bye,

And the only loveless look the look with which you pass’d:

’Twas all unlike your great and gracious ways.

_763._ _The Toys_

My little Son, who look’d from thoughtful eyes

And moved and spoke in quiet grown-up wise,

Having my law the seventh time disobey’d,

I struck him, and dismissed

With hard words and unkiss’d,

--His Mother, who was patient, being dead.

Then, fearing lest his grief should hinder sleep,

I visited his bed,

But found him slumbering deep,

With darkened eyelids, and their lashes yet

From his late sobbing wet.

And I, with moan,

Kissing away his tears, left others of my own;

For, on a table drawn beside his head,

He had put, within his reach,

A box of counters and a red-vein’d stone,

A piece of glass abraded by the beach,

And six or seven shells,

A bottle with bluebells,

And two French copper coins, ranged there with careful art,

To comfort his sad heart.

So when that night I pray’d

To God, I wept, and said:

Ah, when at last we lie with trancèd breath,

Not vexing Thee in death,

And Thou rememberest of what toys

We made our joys,

How weakly understood

Thy great commanded good,

Then, fatherly not less

Than I whom Thou hast moulded from the clay,

Thou’lt leave Thy wrath, and say,

‘I will be sorry for their childishness.’

_764._ _A Farewell_

With all my will, but much against my heart,

We two now part.

My Very Dear,

Our solace is, the sad road lies so clear.

It needs no art,

With faint, averted feet

And many a tear,

In our opposèd paths to persevere.

Go thou to East, I West.

We will not say

There’s any hope, it is so far away.

But, O, my Best,

When the one darling of our widowhead,

The nursling Grief,

Is dead,

And no dews blur our eyes

To see the peach-bloom come in evening skies,

Perchance we may,

Where now this night is day,

And even through faith of still averted feet,

Making full circle of our banishment,

Amazèd meet;

The bitter journey to the bourne so sweet

Seasoning the termless feast of our content

With tears of recognition never dry.

SYDNEY DOBELL

1824-1874

_765._ _The Ballad of Keith of Ravelston_

The murmur of the mourning ghost

That keeps the shadowy kine,

‘O Keith of Ravelston,

The sorrows of thy line!’

Ravelston, Ravelston,

The merry path that leads

Down the golden morning hill,

And thro’ the silver meads;

Ravelston, Ravelston,

The stile beneath the tree,

The maid that kept her mother’s kine,

The song that sang she!

She sang her song, she kept her kine,

She sat beneath the thorn,

When Andrew Keith of Ravelston

Rode thro’ the Monday morn.

His henchmen sing, his hawk-bells ring,

His belted jewels shine;

O Keith of Ravelston,

The sorrows of thy line!

Year after year, where Andrew came,

Comes evening down the glade,

And still there sits a moonshine ghost

Where sat the sunshine maid.

Her misty hair is faint and fair,

She keeps the shadowy kine;

O Keith of Ravelston,

The sorrows of thy line!

I lay my hand upon the stile,

The stile is lone and cold,

The burnie that goes babbling by

Says naught that can be told.

Yet, stranger! here, from year to year,

She keeps her shadowy kine;

O Keith of Ravelston,

The sorrows of thy line!

Step out three steps, where Andrew stood--

Why blanch thy cheeks for fear?

The ancient stile is not alone,

’Tis not the burn I hear!

She makes her immemorial moan,

She keeps her shadowy kine;

O Keith of Ravelston,

The sorrows of thy line!

_766._ _Return!_

Return, return! all night my lamp is burning,

All night, like it, my wide eyes watch and burn;

Like it, I fade and pale, when day returning

Bears witness that the absent can return,

Return, return.

Like it, I lessen with a lengthening sadness,

Like it, I burn to waste and waste to burn,

Like it, I spend the golden oil of gladness

To feed the sorrowy signal for return,

Return, return.

Like it, like it, whene’er the east wind sings,

I bend and shake; like it, I quake and yearn,

When Hope’s late butterflies, with whispering wings,

Fly in out of the dark, to fall and burn--

Burn in the watchfire of return,

Return, return.

Like it, the very flame whereby I pine

Consumes me to its nature. While I mourn

My soul becomes a better soul than mine,

And from its brightening beacon I discern

My starry love go forth from me, and shine

Across the seas a path for thy return,

Return, return.

Return, return! all night I see it burn,

All night it prays like me, and lifts a twin

Of palmèd praying hands that meet and yearn--

Yearn to the impleaded skies for thy return.

Day, like a golden fetter, locks them in,

And wans the light that withers, tho’ it burn

As warmly still for thy return;

Still thro’ the splendid load uplifts the thin

Pale, paler, palest patience that can learn

Naught but that votive sign for thy return--

That single suppliant sign for thy return,

Return, return.

Return, return! lest haply, love, or e’er

Thou touch the lamp the light have ceased to burn,

And thou, who thro’ the window didst discern

The wonted flame, shalt reach the topmost stair

To find no wide eyes watching there,

No wither’d welcome waiting thy return!

A passing ghost, a smoke-wreath in the air,

The flameless ashes, and the soulless urn,

Warm with the famish’d fire that lived to burn--

Burn out its lingering life for thy return,

Its last of lingering life for thy return,

Its last of lingering life to light thy late return,

Return, return.

_767._ _A Chanted Calendar_

First came the primrose,

On the bank high,

Like a maiden looking forth

From the window of a tower

When the battle rolls below,

So look’d she,

And saw the storms go by.

Then came the wind-flower

In the valley left behind,

As a wounded maiden, pale

With purple streaks of woe,

When the battle has roll’d by

Wanders to and fro,

So totter’d she,

Dishevelled in the wind.

Then came the daisies,

On the first of May,

Like a banner’d show’s advance

While the crowd runs by the way,

With ten thousand flowers about them they came trooping through the fields.

As a happy people come,

So came they,

As a happy people come

When the war has roll’d away,

With dance and tabor, pipe and drum.

And all make holiday.

Then came the cowslip,

Like a dancer in the fair,

She spread her little mat of green,

And on it danced she.

With a fillet bound about her brow,

A fillet round her happy brow,

A golden fillet round her brow,

And rubies in her hair.

_768._ _Laus Deo_

In the hall the coffin waits, and the idle armourer stands.

At his belt the coffin nails, and the hammer in his hands.

The bed of state is hung with crape--the grand old bed where she was wed--

And like an upright corpse she sitteth gazing dumbly at the bed.

Hour by hour her serving-men enter by the curtain’d door,

And with steps of muffled woe pass breathless o’er the silent floor,

And marshal mutely round, and look from each to each with eyelids red;

‘Touch him not,’ she shriek’d and cried, ‘he is but newly dead!’

‘O my own dear mistress,’ the ancient Nurse did say,

‘Seven long days and seven long nights you have watch’d him where he lay.’

‘Seven long days and seven long nights,‘the hoary Steward said;

‘Seven long days and seven long nights,’ groan’d the Warrener gray;

‘Seven,’ said the old Henchman, and bow’d his aged head;

‘On your lives!’ she shriek’d and cried,‘he is but newly dead!’

Then a father Priest they sought,

The Priest that taught her all she knew,

And they told him of her loss.

‘For she is mild and sweet of will,

She loved him, and his words are peace,

And he shall heal her ill.’

But her watch she did not cease.

He bless’d her where she sat distraught,

And show’d her holy cross,--

The cross she kiss’d from year to year--

But she neither saw nor heard;

And said he in her deaf ear

All he had been wont to teach,

All she had been fond to hear,

Missall’d prayer, and solemn speech,

But she answer’d not a word.

Only when he turn’d to speak with those who wept about the bed,

‘On your lives!’ she shriek’d and cried, ‘he is but newly dead!’

Then how sadly he turn’d from her, it were wonderful to tell,

And he stood beside the death-bed as by one who slumbers well,

And he lean’d o’er him who lay there, and in cautious whisper low,

‘He is not dead, but sleepeth,’ said the Priest, and smooth’d his brow.

‘Sleepeth?’ said she, looking up, and the sun rose in her face!

‘He must be better than I thought, for the sleep is very sound.’

‘He is better,’ said the Priest, and call’d her maidens round.

With them came that ancient dame who nursed her when a child;

O Nurse!’ she sigh’d, ‘O Nurse!’ she cried, ‘O Nurse!’ and then she smiled,

And then she wept; with that they drew

About her, as of old;

Her dying eyes were sweet and blue,

Her trembling touch was cold;

But she said, ‘My maidens true,

No more weeping and well-away;

Let them kill the feast.

I would be happy in my soul.

“He is better,” saith the Priest;

He did but sleep the weary day,

And will waken whole.

Carry me to his dear side,

And let the halls be trim;

Whistly, whistly,’ said she,

‘I am wan with watching and wail,

He must not wake to see me pale,

Let me sleep with him.

See you keep the tryst for me,

I would rest till he awake

And rise up like a bride.

But whistly, whistly!’ said she.

‘Yet rejoice your Lord doth live;

And for His dear sake

Say _Laus, Domine_.’

Silent they cast down their eyes,

And every breast a sob did rive,

She lifted her in wild surprise

And they dared not disobey.

‘_Laus Deo_,’ said the Steward, hoary when her days were new;

‘_Laus Deo_,’ said the Warrener, whiter than the warren snows;

‘_Laus Deo_,’ the bald Henchman, who had nursed her on his knee.

The old Nurse moved her lips in vain,

And she stood among the train

Like a dead tree shaking dew.

Then the Priest he softly slept

Midway in the little band,

And he took the Lady’s hand.

‘_Laus Deo_,’ he said aloud,

‘_Laus Deo_,’ they said again,

Yet again, and yet again,

Humbly cross’d and lowly bow’d,

Till in wont and fear it rose

To the Sabbath strain.

But she neither turn’d her head

Nor ‘Whistly, whistly,’ said she.

Her hands were folded as in grace,

We laid her with her ancient race

And all the village wept.

WILLIAM ALLINGHAM

1824-1889

_769._ _The Fairies_

Up the airy mountain,

Down the rushy glen,

We daren’t go a-hunting

For fear of little men;

Wee folk, good folk,

Trooping all together;

Green jacket, red cap,

And white owl’s feather!

Down along the rocky shore

Some make their home,

They live on crispy pancakes

Of yellow tide-foam;

Some in the reeds

Of the black mountain lake,

With frogs for their watch-dogs,

All night awake.

High on the hill-top

The old King sits;

He is now so old and gray

He’s nigh lost his wits.

With a bridge of white mist

Columbkill he crosses,

On his stately journeys

From Slieveleague to Rosses;

Or going up with music

On cold starry nights

To sup with the Queen

Of the gay Northern Lights.

They stole little Bridget

For seven years long;

When she came down again

Her friends were all gone.

They took her lightly back,

Between the night and morrow,

They thought that she was fast asleep,

But she was dead with sorrow.

They have kept her ever since

Deep within the lake,

On a bed of flag-leaves,

Watching till she wake.

By the craggy hill-side,

Through the mosses bare,

They have planted thorn-trees

For pleasure here and there.

If any man so daring

As dig them up in spite,

He shall find their sharpest thorns

In his bed at night.

Up the airy mountain,

Down the rushy glen,

We daren’t go a-hunting

For fear of little men;

Wee folk, good folk,

Trooping all together;

Green jacket, red cap,

And white owl’s feather!

GEORGE MAC DONALD

1824-1905

_770._ _That Holy Thing_

They all were looking for a king

To slay their foes and lift them high:

Thou cam’st, a little baby thing

That made a woman cry.

O Son of Man, to right my lot

Naught but Thy presence can avail;

Yet on the road Thy wheels are not,

Nor on the sea Thy sail!

My how or when Thou wilt not heed,

But come down Thine own secret stair,

That Thou mayst answer all my need--

Yea, every bygone prayer.

DANTE GABRIEL ROSSETTI

1828-1882

_771._ _The Blessèd Damozel_

The blessèd Damozel lean’d out

From the gold bar of Heaven:

Her blue grave eyes were deeper much

Than a deep water, even.

She had three lilies in her hand,

And the stars in her hair were seven.

Her robe, ungirt from clasp to hem,

No wrought flowers did adorn,

But a white rose of Mary’s gift

On the neck meetly worn;

And her hair, lying down her back,

Was yellow like ripe corn.

Herseem’d she scarce had been a day

One of God’s choristers;

The wonder was not yet quite gone

From that still look of hers;

Albeit, to them she left, her day

Had counted as ten years.

(To _one_ it is ten years of years:

... Yet now, here in this place,

Surely she lean’d o’er me,--her hair

Fell all about my face....

Nothing: the Autumn-fall of leaves.

The whole year sets apace.)

It was the terrace of God’s house

That she was standing on,--

By God built over the sheer depth

In which Space is begun;

So high, that looking downward thence,

She scarce could see the sun.

It lies from Heaven across the flood

Of ether, as a bridge.

Beneath, the tides of day and night

With flame and darkness ridge

The void, as low as where this earth

Spins like a fretful midge.

But in those tracts, with her, it was

The peace of utter light

And silence. For no breeze may stir

Along the steady flight

Of seraphim; no echo there,

Beyond all depth or height.

Heard hardly, some of her new friends,

Playing at holy games,

Spake, gentle-mouth’d, among themselves,

Their virginal chaste names;

And the souls, mounting up to God,

Went by her like thin flames.

And still she bow’d herself, and stoop’d

Into the vast waste calm;

Till her bosom’s pressure must have made

The bar she lean’d on warm,

And the lilies lay as if asleep

Along her bended arm.

From the fixt lull of Heaven, she saw

Time, like a pulse, shake fierce

Through all the worlds. Her gaze still strove,

In that steep gulf, to pierce

The swarm; and then she spoke, as when

The stars sang in their spheres.

‘I wish that he were come to me,

For he will come,’ she said.

‘Have I not pray’d in solemn Heaven?

On earth, has he not pray’d?

Are not two prayers a perfect strength?

And shall I feel afraid?

‘When round his head the aureole clings,

And he is clothed in white,

I’ll take his hand, and go with him

To the deep wells of light,

And we will step down as to a stream

And bathe there in God’s sight.

‘We two will stand beside that shrine,

Occult, withheld, untrod,

Whose lamps tremble continually

With prayer sent up to God;

And where each need, reveal’d, expects

Its patient period.

‘We two will lie i’ the shadow of

That living mystic tree

Within whose secret growth the Dove

Sometimes is felt to be,

While every leaf that His plumes touch

Saith His name audibly.

‘And I myself will teach to him,--

I myself, lying so,--

The songs I sing here; which his mouth

Shall pause in, hush’d and slow,

Finding some knowledge at each pause,

And some new thing to know.’

(Alas! to _her_ wise simple mind

These things were all but known

Before: they trembled on her sense,--

Her voice had caught their tone.

Alas for lonely Heaven! Alas

For life wrung out alone!

Alas, and though the end were reach’d?...

Was _thy_ part understood

Or borne in trust? And for her sake

Shall this too be found good?--

May the close lips that knew not prayer

Praise ever, though they would?)

‘We two,’ she said, ‘will seek the groves

Where the lady Mary is,

With her five handmaidens, whose names

Are five sweet symphonies:--

Cecily, Gertrude, Magdalen,

Margaret and Rosalys.

‘Circle-wise sit they, with bound locks

And bosoms coverèd;

Into the fine cloth, white like flame,

Weaving the golden thread,

To fashion the birth-robes for them

Who are just born, being dead.

‘He shall fear, haply, and be dumb.

Then I will lay my cheek

To his, and tell about our love,

Not once abash’d or weak:

And the dear Mother will approve

My pride, and let me speak.

‘Herself shall bring us, hand in hand,

To Him round whom all souls

Kneel--the unnumber’d solemn heads

Bow’d with their aureoles:

And Angels, meeting us, shall sing

To their citherns and citoles.

‘There will I ask of Christ the Lord

Thus much for him and me:--

To have more blessing than on earth

In nowise; but to be

As then we were,--being as then

At peace. Yea, verily.

‘Yea, verily; when he is come

We will do thus and thus:

Till this my vigil seem quite strange

And almost fabulous;

We two will live at once, one life;

And peace shall be with us.’

She gazed, and listen’d, and then said,

Less sad of speech than mild,--

‘All this is when he comes.’ She ceased:

The light thrill’d past her, fill’d

With Angels, in strong level lapse.

Her eyes pray’d, and she smiled.

(I saw her smile.) But soon their flight

Was vague ’mid the poised spheres.

And then she cast her arms along

The golden barriers,

And laid her face between her hands,

And wept. (I heard her tears.)

GEORGE MEREDITH

1828-1909

_772._ _Love in the Valley_

Under yonder beech-tree single on the green-sward,

Couch’d with her arms behind her golden head,

Knees and tresses folded to slip and ripple idly,

Lies my young love sleeping in the shade.

Had I the heart to slide an arm beneath her,

Press her parting lips as her waist I gather slow,

Waking in amazement she could not but embrace me:

Then would she hold me and never let me go?

* * * * *

Shy as the squirrel and wayward as the swallow,

Swift as the swallow along the river’s light

Circleting the surface to meet his mirror’d winglets,

Fleeter she seems in her stay than in her flight.

Shy as the squirrel that leaps among the pine-tops,

Wayward as the swallow overhead at set of sun,

She whom I love is hard to catch and conquer,

Hard, but O the glory of the winning were she won!

* * * * *

When her mother tends her before the laughing mirror,

Tying up her laces, looping up her hair,

Often she thinks, were this wild thing wedded,

More love should I have, and much less care.

When her mother tends her before the lighted mirror,

Loosening her laces, combing down her curls,

Often she thinks, were this wild thing wedded,

I should miss but one for many boys and girls.

* * * * *

Heartless she is as the shadow in the meadows

Flying to the hills on a blue and breezy noon.

No, she is athirst and drinking up her wonder:

Earth to her is young as the slip of the new moon.

Deals she an unkindness, ’tis but her rapid measure,

Even as in a dance; and her smile can heal no less:

Like the swinging May-cloud that pelts the flowers with hailstones

Off a sunny border, she was made to bruise and bless.

* * * * *

Lovely are the curves of the white owl sweeping

Wavy in the dusk lit by one large star.

Lone on the fir-branch, his rattle-note unvaried,

Brooding o’er the gloom, spins the brown evejar.

Darker grows the valley, more and more forgetting:

So were it with me if forgetting could be will’d.

Tell the grassy hollow that holds the bubbling well-spring,

Tell it to forget the source that keeps it fill’d.

* * * * *

Stepping down the hill with her fair companions,

Arm in arm, all against the raying West,

Boldly she sings, to the merry tune she marches,

Brave is her shape, and sweeter unpossess’d.

Sweeter, for she is what my heart first awaking

Whisper’d the world was; morning light is she.

Love that so desires would fain keep her changeless;

Fain would fling the net, and fain have her free.

* * * * *

Happy happy time, when the white star hovers

Low over dim fields fresh with bloomy dew,

Near the face of dawn, that draws athwart the darkness,

Threading it with colour, like yewberries the yew.

Thicker crowd the shades as the grave East deepens

Glowing, and with crimson a long cloud swells.

Maiden still the morn is; and strange she is, and secret;

Strange her eyes; her cheeks are cold as cold sea-shells.

* * * * *

Sunrays, leaning on our southern hills and lighting

Wild cloud-mountains that drag the hills along,

Oft ends the day of your shifting brilliant laughter

Chill as a dull face frowning on a song.

Ay, but shows the South-west a ripple-feather’d bosom

Blown to silver while the clouds are shaken and ascend

Scaling the mid-heavens as they stream, there comes a sunset

Rich, deep like love in beauty without end.

* * * * *

When at dawn she sighs, and like an infant to the window

Turns grave eyes craving light, released from dreams,

Beautiful she looks, like a white water-lily

Bursting out of bud in havens of the streams.

When from bed she rises clothed from neck to ankle

In her long nightgown sweet as boughs of May,

Beautiful she looks, like a tall garden-lily

Pure from the night, and splendid for the day.

* * * * *

Mother of the dews, dark eye-lash’d twilight,

Low-lidded twilight, o’er the valley’s brim,

Rounding on thy breast sings the dew-delighted skylark,

Clear as though the dewdrops had their voice in him.

Hidden where the rose-flush drinks the rayless planet,

Fountain-full he pours the spraying fountain-showers.

Let me hear her laughter, I would have her ever

Cool as dew in twilight, the lark above the flowers.

* * * * *

All the girls are out with their baskets for the primrose;

Up lanes, woods through, they troop in joyful bands.

My sweet leads: she knows not why, but now she loiters,

Eyes the bent anemones, and hangs her hands.

Such a look will tell that the violets are peeping,

Coming the rose: and unaware a cry

Springs in her bosom for odours and for colour,

Covert and the nightingale; she knows not why.

* * * * *

Kerchief’d head and chin she darts between her tulips,

Streaming like a willow gray in arrowy rain:

Some bend beaten cheek to gravel, and their angel

She will be; she lifts them, and on she speeds again.

Black the driving raincloud breasts the iron gateway:

She is forth to cheer a neighbour lacking mirth.

So when sky and grass met rolling dumb for thunder

Saw I once a white dove, sole light of earth.

* * * * *

Prim little scholars are the flowers of her garden,

Train’d to stand in rows, and asking if they please.

I might love them well but for loving more the wild ones:

O my wild ones! they tell me more than these.

You, my wild one, you tell of honied field-rose,

Violet, blushing eglantine in life; and even as they,

They by the wayside are earnest of your goodness,

You are of life’s, on the banks that line the way.

* * * * *

Peering at her chamber the white crowns the red rose,

Jasmine winds the porch with stars two and three.

Parted is the window; she sleeps; the starry jasmine

Breathes a falling breath that carries thoughts of me.

Sweeter unpossessed, have I said of her my sweetest?

Not while she sleeps: while she sleeps the jasmine breathes,

Luring her to love; she sleeps; the starry jasmine

Bears me to her pillow under white rose-wreaths.

* * * * *

Yellow with birdfoot-trefoil are the grass-glades;

Yellow with cinquefoil of the dew-gray leaf;

Yellow with stonecrop; the moss-mounds are yellow;

Blue-neck’d the wheat sways, yellowing to the sheaf.

Green-yellow, bursts from the copse the laughing yaffle;

Sharp as a sickle is the edge of shade and shine:

Earth in her heart laughs looking at the heavens,

Thinking of the harvest: I look and think of mine.

* * * * *

This I may know: her dressing and undressing

Such a change of light shows as when the skies in sport

Shift from cloud to moonlight; or edging over thunder

Slips a ray of sun; or sweeping into port

White sails furl; or on the ocean borders

White sails lean along the waves leaping green.

Visions of her shower before me, but from eyesight

Guarded she would be like the sun were she seen.

* * * * *

Front door and back of the moss’d old farmhouse

Open with the morn, and in a breezy link

Freshly sparkles garden to stripe-shadow’d orchard,

Green across a rill where on sand the minnows wink.

Busy in the grass the early sun of summer

Swarms, and the blackbird’s mellow fluting notes

Call my darling up with round and roguish challenge:

Quaintest, richest carol of all the singing throats!

* * * * *

Cool was the woodside; cool as her white dairy

Keeping sweet the cream-pan; and there the boys from school,

Cricketing below, rush’d brown and red with sunshine;

O the dark translucence of the deep-eyed cool!

Spying from the farm, herself she fetch’d a pitcher

Full of milk, and tilted for each in turn the beak.

Then a little fellow, mouth up and on tiptoe,

Said, ‘I will kiss you’: she laugh’d and lean’d her cheek.

* * * * *

Doves of the fir-wood walling high our red roof

Through the long noon coo, crooning through the coo.

Loose droop the leaves, and down the sleepy roadway

Sometimes pipes a chaffinch; loose droops the blue.

Cows flap a slow tail knee-deep in the river,

Breathless, given up to sun and gnat and fly.

Nowhere is she seen; and if I see her nowhere,

Lightning may come, straight rains and tiger sky.

* * * * *

O the golden sheaf, the rustling treasure-armful!

O the nutbrown tresses nodding interlaced!

O the treasure-tresses one another over

Nodding! O the girdle slack about the waist!

Slain are the poppies that shot their random scarlet

Quick amid the wheat-ears: wound about the waist,

Gathered, see these brides of Earth one blush of ripeness!

O the nutbrown tresses nodding interlaced!

* * * * *

Large and smoky red the sun’s cold disk drops,

Clipped by naked hills, on violet shaded snow:

Eastward large and still lights up a bower of moonrise,

Whence at her leisure steps the moon aglow.

Nightlong on black print-branches our beech-tree

Gazes in this whiteness: nightlong could I.

Here may life on death or death on life be painted.

Let me clasp her soul to know she cannot die!

* * * * *

Gossips count her faults; they scour a narrow chamber

Where there is no window, read not heaven or her.

‘When she was a tiny,’ one agèd woman quavers,

Plucks at my heart and leads me by the ear.

Faults she had once as she learn’d to run and tumbled:

Faults of feature some see, beauty not complete.

Yet, good gossips, beauty that makes holy

Earth and air, may have faults from head to feet.

Hither she comes; she comes to me; she lingers,

Deepens her brown eyebrows, while in new surprise

High rise the lashes in wonder of a stranger;

Yet am I the light and living of her eyes.

Something friends have told her fills her heart to brimming,

Nets her in her blushes, and wounds her, and tames.--

Sure of her haven, O like a dove alighting,

Arms up, she dropp’d: our souls were in our names.

* * * * *

Soon will she lie like a white frost sunrise.

Yellow oats and brown wheat, barley pale as rye,

Long since your sheaves have yielded to the thresher,

Felt the girdle loosen’d, seen the tresses fly.

Soon will she lie like a blood-red sunset.

Swift with the to-morrow, green-wing’d Spring!

Sing from the South-west, bring her back the truants,

Nightingale and swallow, song and dipping wing.

* * * * *

Soft new beech-leaves, up to beamy April

Spreading bough on bough a primrose mountain, you

Lucid in the moon, raise lilies to the skyfields,

Youngest green transfused in silver shining through:

Fairer than the lily, than the wild white cherry:

Fair as in image my seraph love appears

Borne to me by dreams when dawn is at my eyelids:

Fair as in the flesh she swims to me on tears.

* * * * *

Could I find a place to be alone with heaven,

I would speak my heart out: heaven is my need.

Every woodland tree is flushing like the dogwood,

Flashing like the whitebeam, swaying like the reed.

Flushing like the dogwood crimson in October;

Streaming like the flag-reed South-west blown;

Flashing as in gusts the sudden-lighted whitebeam:

All seem to know what is for heaven alone.

_773._ _Phœbus with Admetus_

When by Zeus relenting the mandate was revoked,

Sentencing to exile the bright Sun-God,

Mindful were the ploughmen of who the steer had yoked,

Who: and what a track show’d the upturn’d sod!

Mindful were the shepherds, as now the noon severe

Bent a burning eyebrow to brown evetide,

How the rustic flute drew the silver to the sphere,

Sister of his own, till her rays fell wide.

God! of whom music

And song and blood are pure,

The day is never darken’d

That had thee here obscure.

Chirping none, the scarlet cicalas crouch’d in ranks:

Slack the thistle-head piled its down-silk gray:

Scarce the stony lizard suck’d hollows in his flanks:

Thick on spots of umbrage our drowsed flocks lay.

Sudden bow’d the chestnuts beneath a wind unheard,

Lengthen’d ran the grasses, the sky grew slate:

Then amid a swift flight of wing’d seed white as curd,

Clear of limb a Youth smote the master’s gate.

God! of whom music

And song and blood are pure,

The day is never darken’d

That had thee here obscure.

Water, first of singers, o’er rocky mount and mead,

First of earthly singers, the sun-loved rill,

Sang of him, and flooded the ripples on the reed,

Seeking whom to waken and what ear fill.

Water, sweetest soother to kiss a wound and cool,

Sweetest and divinest, the sky-born brook,

Chuckled, with a whimper, and made a mirror-pool

Round the guest we welcomed, the strange hand shook.

God! of whom music

And song and blood are pure,

The day is never darken’d

That had thee here obscure.

Many swarms of wild bees descended on our fields:

Stately stood the wheatstalk with head bent high:

Big of heart we labour’d at storing mighty yields,

Wool and corn, and clusters to make men cry!

Hand-like rush’d the vintage; we strung the bellied skins

Plump, and at the sealing the Youth’s voice rose:

Maidens clung in circle, on little fists their chins;

Gentle beasties through push’d a cold long nose.

God! of whom music

And song and blood are pure,

The day is never darken’d

That had thee here obscure.

Foot to fire in snowtime we trimm’d the slender shaft:

Often down the pit spied the lean wolf’s teeth

Grin against his will, trapp’d by masterstrokes of craft;

Helpless in his froth-wrath as green logs seethe!

Safe the tender lambs tugg’d the teats, and winter sped

Whirl’d before the crocus, the year’s new gold.

Hung the hooky beak up aloft, the arrowhead

Redden’d through his feathers for our dear fold.

God! of whom music

And song and blood are pure,

The day is never darkened

That had thee here obscure.

Tales we drank of giants at war with gods above:

Rocks were they to look on, and earth climb’d air!

Tales of search for simples, and those who sought of love

Ease because the creature was all too fair.

Pleasant ran our thinking that while our work was good,

Sure as fruits for sweat would the praise come fast.

He that wrestled stoutest and tamed the billow-brood

Danced in rings with girls, like a sail-flapp’d mast.

God! of whom music

And song and blood are pure,

The day is never darken’d

That had thee here obscure.

Lo, the herb of healing, when once the herb is known,

Shines in shady woods bright as new-sprung flame.

Ere the string was tighten’d we heard the mellow tone,

After he had taught how the sweet sounds came.

Stretch’d about his feet, labour done, ’twas as you see

Red pomegranates tumble and burst hard rind.

So began contention to give delight and be

Excellent in things aim’d to make life kind.

God! of whom music

And song and blood are pure,

The day is never darken’d

That had thee here obscure.

You with shelly horns, rams! and, promontory goats,

You whose browsing beards dip in coldest dew!

Bulls, that walk the pastures in kingly-flashing coats!

Laurel, ivy, vine, wreathed for feasts not few!

You that build the shade-roof, and you that court the rays,

You that leap besprinkling the rock stream-rent:

He has been our fellow, the morning of our days;

Us he chose for housemates, and this way went.

God! of whom music

And song and blood are pure,

The day is never darken’d

That had thee here obscure.

_774._ _Tardy Spring_

Now the North wind ceases,

The warm South-west awakes;

Swift fly the fleeces,

Thick the blossom-flakes.

Now hill to hill has made the stride,

And distance waves the without-end:

Now in the breast a door flings wide;

Our farthest smiles, our next is friend.

And song of England’s rush of flowers

Is this full breeze with mellow stops,

That spins the lark for shine, for showers;

He drinks his hurried flight, and drops.

The stir in memory seem these things,

Which out of moisten’d turf and clay,

Astrain for light push patient rings,

Or leap to find the waterway.

’Tis equal to a wonder done,

Whatever simple lives renew

Their tricks beneath the father sun,

As though they caught a broken clue:

So hard was earth an eyewink back;

But now the common life has come,

The blotting cloud a dappled pack,

The grasses one vast underhum.

A City clothed in snow and soot,

With lamps for day in ghostly rows,

Breaks to the scene of hosts afoot,

The river that reflective flows:

And there did fog down crypts of street

Play spectre upon eye and mouth:--

Their faces are a glass to greet

This magic of the whirl for South.

A burly joy each creature swells

With sound of its own hungry quest;

Earth has to fill her empty wells,

And speed the service of the nest;

The phantom of the snow-wreath melt,

That haunts the farmer’s look abroad,

Who sees what tomb a white night built,

Where flocks now bleat and sprouts the clod.

For iron Winter held her firm;

Across her sky he laid his hand;

And bird he starved, he stiffen’d worm;

A sightless heaven, a shaven land.

Her shivering Spring feign’d fast asleep.

The bitten buds dared not unfold:

We raced on roads and ice to keep

Thought of the girl we love from cold.

But now the North wind ceases,

The warm South-west awakes,

The heavens are out in fleeces,

And earth’s green banner shakes.

_775._ _Love’s Grave_

Mark where the pressing wind shoots javelin-like,

Its skeleton shadow on the broad-back’d wave!

Here is a fitting spot to dig Love’s grave;

Here where the ponderous breakers plunge and strike,

And dart their hissing tongues high up the sand:

In hearing of the ocean, and in sight

Of those ribb’d wind-streaks running into white.

If I the death of Love had deeply plann’d,

I never could have made it half so sure,

As by the unblest kisses which upbraid

The full-waked sense; or failing that, degrade!

’Tis morning: but no morning can restore

What we have forfeited. I see no sin:

The wrong is mix’d. In tragic life, God wot,

No villain need be! Passions spin the plot:

We are betray’d by what is false within.

_776._ _Lucifer in Starlight_

On a starr’d night Prince Lucifer uprose.

Tired of his dark dominion swung the fiend

Above the rolling ball in cloud part screen’d,

Where sinners hugg’d their spectre of repose.

Poor prey to his hot fit of pride were those.

And now upon his western wing he lean’d,

Now his huge bulk o’er Afric’s sands careen’d,

Now the black planet shadow’d Arctic snows.

Soaring through wider zones that prick’d his scars

With memory of the old revolt from Awe,

He reach’d a middle height, and at the stars,

Which are the brain of heaven, he look’d, and sank.

Around the ancient track march’d, rank on rank,

The army of unalterable law.

ALEXANDER SMITH

1829-1867

_777._ _Love_

The fierce exulting worlds, the motes in rays,

The churlish thistles, scented briers,

The wind-swept bluebells on the sunny braes,

Down to the central fires,

Exist alike in Love. Love is a sea

Filling all the abysses dim

Of lornest space, in whose deeps regally

Suns and their bright broods swim.

This mighty sea of Love, with wondrous tides,

Is sternly just to sun and grain;

’Tis laving at this moment Saturn’s sides,

’Tis in my blood and brain.

All things have something more than barren use;

There is a scent upon the brier,

A tremulous splendour in the autumn dews,

Cold morns are fringed with fire.

The clodded earth goes up in sweet-breath’d flowers;

In music dies poor human speech,

And into beauty blow those hearts of ours

When Love is born in each.

Daisies are white upon the churchyard sod,

Sweet tears the clouds lean down and give.

The world is very lovely. O my God,

I thank Thee that I live!

_778._ _Barbara_

On the Sabbath-day,

Through the churchyard old and gray,

Over the crisp and yellow leaves I held my rustling way;

And amid the words of mercy, falling on my soul like balms,

’Mid the gorgeous storms of music--in the mellow organ-calms,

’Mid the upward-streaming prayers, and the rich and solemn psalms,

I stood careless, Barbara.

My heart was otherwhere,

While the organ shook the air,

And the priest, with outspread hands, bless’d the people with a prayer;

But when rising to go homeward, with a mild and saint-like shine

Gleam’d a face of airy beauty with its heavenly eyes on mine--

Gleam’d and vanish’d in a moment--O that face was surely thine

Out of heaven, Barbara!

O pallid, pallid face!

O earnest eyes of grace!

When last I saw thee, dearest, it was in another place.

You came running forth to meet me with my love-gift on your wrist:

The flutter of a long white dress, then all was lost in mist--

A purple stain of agony was on the mouth I kiss’d,

That wild morning, Barbara.

I searched, in my despair,

Sunny noon and midnight air;

I could not drive away the thought that you were lingering there.

O many and many a winter night I sat when you were gone,

My worn face buried in my hands, beside the fire alone--

Within the dripping churchyard, the rain plashing on your stone,

You were sleeping, Barbara.

’Mong angels, do you think

Of the precious golden link

I clasp’d around your happy arm while sitting by yon brink?

Or when that night of gliding dance, of laughter and guitars,

Was emptied of its music, and we watch’d, through lattice-bars,

The silent midnight heaven creeping o’er us with its stars,

Till the day broke, Barbara?

In the years I’ve changed;

Wild and far my heart has ranged,

And many sins and errors now have been on me avenged;

But to you I have been faithful whatsoever good I lack’d:

I loved you, and above my life still hangs that love intact--

Your love the trembling rainbow, I the reckless cataract.

Still I love you, Barbara.

Yet, Love, I am unblest;

With many doubts opprest,

I wander like the desert wind without a place of rest.

Could I but win you for an hour from off that starry shore,

The hunger of my soul were still’d; for Death hath told you more

Than the melancholy world doth know--things deeper than all lore

You could teach me, Barbara.

In vain, in vain, in vain!

You will never come again.

There droops upon the dreary hills a mournful fringe of rain;

The gloaming closes slowly round, loud winds are in the tree,

Round selfish shores for ever moans the hurt and wounded sea;

There is no rest upon the earth, peace is with Death and thee--

Barbara!

CHRISTINA GEORGINA ROSSETTI

1830-1894

_779._ _Bride Song_

FROM ‘THE PRINCE’S PROGRESS’

Too late for love, too late for joy,

Too late, too late!

You loiter’d on the road too long,

You trifled at the gate:

The enchanted dove upon her branch

Died without a mate;

The enchanted princess in her tower

Slept, died, behind the grate;

Her heart was starving all this while

You made it wait.

Ten years ago, five years ago,

One year ago,

Even then you had arrived in time,

Though somewhat slow;

Then you had known her living face

Which now you cannot know:

The frozen fountain would have leap’d.

The buds gone on to blow,

The warm south wind would have awaked

To melt the snow.

Is she fair now as she lies?

Once she was fair;

Meet queen for any kingly king,

With gold-dust on her hair.

Now there are poppies in her locks,

White poppies she must wear;

Must wear a veil to shroud her face

And the want graven there:

Or is the hunger fed at length,

Cast off the care?

We never saw her with a smile

Or with a frown;

Her bed seem’d never soft to her,

Though toss’d of down;

She little heeded what she wore,

Kirtle, or wreath, or gown;

We think her white brows often ached

Beneath her crown,

Till silvery hairs show’d in her locks

That used to be so brown.

We never heard her speak in haste:

Her tones were sweet,

And modulated just so much

As it was meet:

Her heart sat silent through the noise

And concourse of the street.

There was no hurry in her hands,

No hurry in her feet;

There was no bliss drew nigh to her,

That she might run to greet.

You should have wept her yesterday,

Wasting upon her bed:

But wherefore should you weep to-day

That she is dead?

Lo, we who love weep not to-day,

But crown her royal head.

Let be these poppies that we strew,

Your roses are too red:

Let be these poppies, not for you

Cut down and spread.

_780._ _A Birthday_

My heart is like a singing bird

Whose nest is in a water’d shoot;

My heart is like an apple-tree

Whose boughs are bent with thick-set fruit;

My heart is like a rainbow shell

That paddles in a halcyon sea;

My heart is gladder than all these,

Because my love is come to me.

Raise me a daïs of silk and down;

Hang it with vair and purple dyes;

Carve it in doves and pomegranates,

And peacocks with a hundred eyes;

Work it in gold and silver grapes,

In leaves and silver fleurs-de-lys;

Because the birthday of my life

Is come, my love is come to me.

_781._ _Song_

When I am dead, my dearest,

Sing no sad songs for me;

Plant thou no roses at my head,

Nor shady cypress tree:

Be the green grass above me

With showers and dewdrops wet;

And if thou wilt, remember.

And if thou wilt, forget.

I shall not see the shadows,

I shall not feel the rain;

I shall not hear the nightingale

Sing on, as if in pain;

And dreaming through the twilight

That doth not rise nor set,

Haply I may remember,

And haply may forget.

_782._ _Twice_

I took my heart in my hand

(O my love, O my love),

I said: Let me fall or stand,

Let me live or die,

But this once hear me speak

(O my love, O my love)--

Yet a woman’s words are weak;

You should speak, not I.

You took my heart in your hand

With a friendly smile,

With a critical eye you scann’d,

Then set it down,

And said, ‘It is still unripe,

Better wait awhile;

Wait while the skylarks pipe,

Till the corn grows brown.’

As you set it down it broke--

Broke, but I did not wince;

I smiled at the speech you spoke,

At your judgement I heard:

But I have not often smiled

Since then, nor question’d since,

Nor cared for cornflowers wild,

Nor sung with the singing bird.

I take my heart in my hand,

O my God, O my God,

My broken heart in my hand:

Thou hast seen, judge Thou.

My hope was written on sand,

O my God, O my God:

Now let thy judgement stand--

Yea, judge me now.

This contemn’d of a man,

This marr’d one heedless day,

This heart take thou to scan

Both within and without:

Refine with fire its gold,

Purge Thou its dross away--

Yea, hold it in Thy hold,

Whence none can pluck it out.

I take my heart in my hand--

I shall not die, but live--

Before Thy face I stand;

I, for Thou callest such:

All that I have I bring,

All that I am I give,

Smile Thou and I shall sing,

But shall not question much.

_783._ _Uphill_

Does the road wind uphill all the way?

Yes, to the very end.

Will the day’s journey take the whole long day?

From morn to night, my friend.

But is there for the night a resting-place?

A roof for when the slow, dark hours begin.

May not the darkness hide it from my face?

You cannot miss that inn.

Shall I meet other wayfarers at night?

Those who have gone before.

Then must I knock, or call when just in sight?

They will not keep you waiting at that door.

Shall I find comfort, travel-sore and weak?

Of labour you shall find the sum.

Will there be beds for me and all who seek?

Yea, beds for all who come.

_784._ _Passing Away_

Passing away, saith the World, passing away:

Chances, beauty and youth sapp’d day by day:

Thy life never continueth in one stay.

Is the eye waxen dim, is the dark hair changing to gray

That hath won neither laurel nor bay?

I shall clothe myself in Spring and bud in May:

Thou, root-stricken, shalt not rebuild thy decay

On my bosom for aye.

Then I answer’d: Yea.

Passing away, saith my Soul, passing away:

With its burden of fear and hope, of labour and play,

Hearken what the past doth witness and say:

Rust in thy gold, a moth is in thine array,

A canker is in thy bud, thy leaf must decay.

At midnight, at cockcrow, at morning, one certain day,

Lo, the Bridegroom shall come and shall not delay:

Watch thou and pray.

Then I answer’d: Yea.

Passing away, saith my God, passing away:

Winter passeth after the long delay:

New grapes on the vine, new figs on the tender spray,

Turtle calleth turtle in Heaven’s May.

Though I tarry, wait for me, trust me, watch and pray.

Arise, come away; night is past, and lo, it is day;

My love, my sister, my spouse, thou shalt hear me say--

Then I answer’d: Yea.

_785._ _Marvel of Marvels_

Marvel of marvels, if I myself shall behold

With mine own eyes my King in His city of gold;

Where the least of lambs is spotless white in the fold,

Where the least and last of saints in spotless white is stoled,

Where the dimmest head beyond a moon is aureoled.

O saints, my belovèd, now mouldering to mould in the mould,

Shall I see you lift your heads, see your cerements unroll’d,

See with these very eyes? who now in darkness and cold

Tremble for the midnight cry, the rapture, the tale untold,--

_The Bridegroom cometh, cometh, His Bride to enfold!_

Cold it is, my belovèd, since your funeral bell was toll’d:

Cold it is, O my King, how cold alone on the wold!

_786._ _Is it Well with the Child?_

Safe where I cannot die yet,

Safe where I hope to lie too,

Safe from the fume and the fret;

You, and you,

Whom I never forget.

Safe from the frost and the snow,

Safe from the storm and the sun,

Safe where the seeds wait to grow

One by one,

And to come back in blow.

_787._ _Remember_

Remember me when I am gone away,

Gone far away into the silent land;

When you can no more hold me by the hand,

Nor I half turn to go, yet turning stay.

Remember me when no more day by day

You tell me of our future that you plann’d:

Only remember me; you understand

It will be late to counsel then or pray.

Yet if you should forget me for a while

And afterwards remember, do not grieve:

For if the darkness and corruption leave

A vestige of the thoughts that once I had,

Better by far you should forget and smile

Than that you should remember and be sad.

_788._ _Aloof_

The irresponsive silence of the land,

The irresponsive sounding of the sea,

Speak both one message of one sense to me:--

Aloof, aloof, we stand aloof, so stand

Thou too aloof, bound with the flawless band

Of inner solitude; we bind not thee;

But who from thy self-chain shall set thee free?

What heart shall touch thy heart? What hand thy hand?

And I am sometimes proud and sometimes meek,

And sometimes I remember days of old

When fellowship seem’d not so far to seek,

And all the world and I seem’d much less cold,

And at the rainbow’s foot lay surely gold,

And hope felt strong, and life itself not weak.

_789._ _Rest_

O Earth, lie heavily upon her eyes;

Seal her sweet eyes weary of watching, Earth;

Lie close around her; leave no room for mirth

With its harsh laughter, nor for sound of sighs.

She hath no questions, she hath no replies,

Hush’d in and curtain’d with a blessèd dearth

Of all that irk’d her from the hour of birth;

With stillness that is almost Paradise.

Darkness more clear than noonday holdeth her,

Silence more musical than any song;

Even her very heart has ceased to stir:

Until the morning of Eternity

Her rest shall not begin nor end, but be;

And when she wakes she will not think it long.

THOMAS EDWARD BROWN

1830-1897

_790._ _Dora_

She knelt upon her brother’s grave,

My little girl of six years old--

He used to be so good and brave,

The sweetest lamb of all our fold;

He used to shout, he used to sing,

Of all our tribe the little king--

And so unto the turf her ear she laid,

To hark if still in that dark place he play’d.

No sound! no sound!

Death’s silence was profound;

And horror crept

Into her aching heart, and Dora wept.

If this is as it ought to be,

My God, I leave it unto Thee.

_791._ _Jessie_

When Jessie comes with her soft breast,

And yields the golden keys,

Then is it as if God caress’d

Twin babes upon His knees--

Twin babes that, each to other press’d,

Just feel the Father’s arms, wherewith they both are bless’d.

But when I think if we must part,

And all this personal dream be fled--

O then my heart! O then my useless heart!

Would God that thou wert dead--

A clod insensible to joys and ills--

A stone remote in some bleak gully of the hills!

_792._ _Salve!_

To live within a cave--it is most good;

But, if God make a day,

And some one come, and say,

‘Lo! I have gather’d faggots in the wood!’

E’en let him stay,

And light a fire, and fan a temporal mood!

So sit till morning! when the light is grown

That he the path can read,

Then bid the man God-speed!

His morning is not thine: yet must thou own

They have a cheerful warmth--those ashes on the stone.

_793_. _My Garden_

A garden is a lovesome thing, God wot!

Rose plot,

Fringed pool,

Fern’d grot--

The veriest school

Of peace; and yet the fool

Contends that God is not--

Not God! in gardens! when the eve is cool?

Nay, but I have a sign;

’Tis very sure God walks in mine.

EDWARD ROBERT BULWER LYTTON, EARL OF LYTTON

1831-1892

_794._ _A Night in Italy_

Sweet are the rosy memories of the lips

That first kiss’d ours, albeit they kiss no more:

Sweet is the sight of sunset-sailing ships,

Altho’ they leave us on a lonely shore:

Sweet are familiar songs, tho’ Music dips

Her hollow shell in Thought’s forlornest wells:

And sweet, tho’ sad, the sound of midnight bells

When the oped casement with the night-rain drips.

There is a pleasure which is born of pain:

The grave of all things hath its violet.

Else why, thro’ days which never come again,

Roams Hope with that strange longing, like Regret?

Why put the posy in the cold dead hand?

Why plant the rose above the lonely grave?

Why bring the corpse across the salt sea-wave?

Why deem the dead more near in native land?

Thy name hath been a silence in my life

So long, it falters upon language now,

O more to me than sister or than wife,

Once ... and now--nothing! It is hard to know

That such things have been, and are not; and yet

Life loiters, keeps a pulse at even measure,

And goes upon its business and its pleasure,

And knows not all the depths of its regret....

Ah, could the memory cast her spots, as do

The snake’s brood theirs in spring! and be once more

Wholly renew’d, to dwell i’ the time that’s new,

With no reiterance of those pangs of yore.

Peace, peace! My wild song will go wandering

Too wantonly, down paths a private pain

Hath trodden bare. What was it jarr’d the strain?

Some crush’d illusion, left with crumpled wing

Tangled in Music’s web of twinèd strings--

That started that false note, and crack’d the tune

In its beginning. Ah, forgotten things

Stumble back strangely! and the ghost of June

Stands by December’s fire, cold, cold! and puts

The last spark out.--How could I sing aright

With those old airs haunting me all the night

And those old steps that sound when daylight shuts?

For back she comes, and moves reproachfully,

The mistress of my moods, and looks bereft

(Cruel to the last!) as tho’ ’twere I, not she,

That did the wrong, and broke the spell, and left

Memory comfortless.--Away! away!

Phantoms, about whose brows the bindweed clings,

Hopeless regret! In thinking of these things

Some men have lost their minds, and others may.

Yet, O for one deep draught in this dull hour!

One deep, deep draught of the departed time!

O for one brief strong pulse of ancient power,

To beat and breathe thro’ all the valves of rhyme!

Thou, Memory, with thy downward eyes, that art

The cup-bearer of gods, pour deep and long,

Brim all the vacant chalices of song

With health! Droop down thine urn. I hold my heart

One draught of what I shall not taste again

Save when my brain with thy dark wine is brimm’d,--

One draught! and then straight onward, spite of pain,

And spite of all things changed, with gaze undimm’d,

Love’s footsteps thro’ the waning Past to explore

Undaunted; and to carve in the wan light

Of Hope’s last outposts, on Song’s utmost height,

The sad resemblance of an hour or more.

Midnight, and love, and youth, and Italy!

Love in the land where love most lovely seems!

Land of my love, tho’ I be far from thee,

Lend, for love’s sake, the light of thy moonbeams,

The spirit of thy cypress-groves and all

Thy dark-eyed beauty for a little while

To my desire. Yet once more let her smile

Fall o’er me: o’er me let her long hair fall....

Under the blessèd darkness unreproved

We were alone, in that best hour of time

Which first reveal’d to us how much we loved,

’Neath the thick starlight. The young night sublime

Hung trembling o’er us. At her feet I knelt,

And gazed up from her feet into her eyes.

Her face was bow’d: we breathed each other’s sighs:

We did not speak: not move: we look’d: we felt.

The night said not a word. The breeze was dead.

The leaf lay without whispering on the tree,

As I lay at her feet. Droop’d was her head:

One hand in mine: and one still pensively

Went wandering through my hair. We were together.

How? Where? What matter? Somewhere in a dream,

Drifting, slow drifting down a wizard stream:

Whither? Together: then what matter whither?

It was enough for me to clasp her hand:

To blend with her love-looks my own: no more.

Enough (with thoughts like ships that cannot land,

Blown by faint winds about a magic shore)

To realize, in each mysterious feeling,

The droop of the warm cheek so near my own:

The cool white arm about my shoulder thrown:

Those exquisite fair feet where I was kneeling.

How little know they life’s divinest bliss,

That know not to possess and yet refrain!

Let the young Psyche roam, a fleeting kiss:

Grasp it--a few poor grains of dust remain.

See how those floating flowers, the butterflies,

Hover the garden thro’, and take no root!

Desire for ever hath a flying foot:

Free pleasure comes and goes beneath the skies.

Close not thy hand upon the innocent joy

That trusts itself within thy reach. It may,

Or may not, linger. Thou canst but destroy

The wingèd wanderer. Let it go or stay.

Love thou the rose, yet leave it on its stem.

Think! Midas starved by turning all to gold.

Blessèd are those that spare, and that withhold;

Because the whole world shall be trusted them.

The foolish Faun pursues the unwilling Nymph

That culls her flowers beside the precipice

Or dips her shining ankles in the lymph:

But, just when she must perish or be his,

Heaven puts an arm out. She is safe. The shore

Gains some new fountain; or the lilied lawn

A rarer sort of rose: but ah, poor Faun!

To thee she shall be changed for evermore.

Chase not too close the fading rapture. Leave

To Love his long auroras, slowly seen.

Be ready to release as to receive.

Deem those the nearest, soul to soul, between

Whose lips yet lingers reverence on a sigh.

Judge what thy sense can reach not, most thine own,

If once thy soul hath seized it. The unknown

Is life to love, religion, poetry.

The moon had set. There was not any light,

Save of the lonely legion’d watch-stars pale

In outer air, and what by fits made bright

Hot oleanders in a rosy vale

Searched by the lamping fly, whose little spark

Went in and out, like passion’s bashful hope.

Meanwhile the sleepy globe began to slope

A ponderous shoulder sunward thro’ the dark.

And the night pass’d in beauty like a dream.

Aloof in those dark heavens paused Destiny,

With her last star descending in the gleam

Of the cold morrow, from the emptied sky.

The hour, the distance from her old self, all

The novelty and loneness of the place

Had left a lovely awe on that fair face,

And all the land grew strange and magical.

As droops some billowy cloud to the crouch’d hill,

Heavy with all heaven’s tears, for all earth’s care,

She droop’d unto me, without force or will,

And sank upon my bosom, murmuring there

A woman’s inarticulate passionate words.

O moment of all moments upon earth!

O life’s supreme! How worth, how wildly worth,

Whole worlds of flame, to know this world affords.

What even Eternity can not restore!

When all the ends of life take hands and meet

Round centres of sweet fire. Ah, never more,

Ah never, shall the bitter with the sweet

Be mingled so in the pale after-years!

One hour of life immortal spirits possess.

This drains the world, and leaves but weariness,

And parching passion, and perplexing tears.

Sad is it, that we cannot even keep

That hour to sweeten life’s last toil: but Youth

Grasps all, and leaves us: and when we would weep,

We dare not let our tears fall, lest, in truth,

They fall upon our work which must be done.

And so we bind up our torn hearts from breaking:

Our eyes from weeping, and our brows from aching:

And follow the long pathway all alone.

_795._ _The Last Wish_

Since all that I can ever do for thee

Is to do nothing, this my prayer must be:

That thou mayst never guess nor ever see

The all-endured this nothing-done costs me.

JAMES THOMSON

1834-1882

_796._ _In the Train_

As we rush, as we rush in the Train,

The trees and the houses go wheeling back,

But the starry heavens above the plain

Come flying on our track.

All the beautiful stars of the sky,

The silver doves of the forest of Night,

Over the dull earth swarm and fly,

Companions of our flight.

We will rush ever on without fear;

Let the goal be far, the flight be fleet!

For we carry the Heavens with us, dear,

While the Earth slips from our feet!

_797._ _Sunday up the River_

My love o’er the water bends dreaming;

It glideth and glideth away:

She sees there her own beauty, gleaming

Through shadow and ripple and spray.

O tell her, thou murmuring river,

As past her your light wavelets roll,

How steadfast that image for ever

Shines pure in pure depths of my soul.

_798._ _Gifts_

Give a man a horse he can ride,

Give a man a boat he can sail;

And his rank and wealth, his strength and health,

On sea nor shore shall fail.

Give a man a pipe he can smoke,

Give a man a book he can read:

And his home is bright with a calm delight,

Though the room be poor indeed.

Give a man a girl he can love,

As I, O my love, love thee;

And his heart is great with the pulse of Fate,

At home, on land, on sea.

_799._ _The Vine_

The wine of Love is music,

And the feast of Love is song:

And when Love sits down to the banquet,

Love sits long:

Sits long and arises drunken,

But not with the feast and the wine;

He reeleth with his own heart,

That great, rich Vine.

WILLIAM MORRIS

1834-1896

_800._ _Summer Dawn_

Pray but one prayer for me ’twixt thy closed lips,

Think but one thought of me up in the stars.

The summer night waneth, the morning light slips

Faint and gray ’twixt the leaves of the aspen, betwixt the cloud-bars,

That are patiently waiting there for the dawn:

Patient and colourless, though Heaven’s gold

Waits to float through them along with the sun.

Far out in the meadows, above the young corn,

The heavy elms wait, and restless and cold

The uneasy wind rises; the roses are dun;

Through the long twilight they pray for the dawn

Round the lone house in the midst of the corn.

Speak but one word to me over the corn,

Over the tender, bow’d locks of the corn.

_801._ _Love is enough_

Love is enough: though the World be a-waning,

And the woods have no voice but the voice of complaining,

Though the sky be too dark for dim eyes to discover

The gold-cups and daisies fair blooming thereunder,

Though the hills be held shadows, and the sea a dark wonder,

And this day draw a veil over all deeds pass’d over,

Yet their hands shall not tremble, their feet shall not falter;

The void shall not weary, the fear shall not alter

These lips and these eyes of the loved and the lover.

_802._ _The Nymph’s Song to Hylas_

I know a little garden-close

Set thick with lily and red rose,

Where I would wander if I might

From dewy dawn to dewy night,

And have one with me wandering.

And though within it no birds sing,

And though no pillar’d house is there,

And though the apple boughs are bare

Of fruit and blossom, would to God,

Her feet upon the green grass trod,

And I beheld them as before!

There comes a murmur from the shore,

And in the place two fair streams are,

Drawn from the purple hills afar,

Drawn down unto the restless sea;

The hills whose flowers ne’er fed the bee,

The shore no ship has ever seen,

Still beaten by the billows green,

Whose murmur comes unceasingly

Unto the place for which I cry.

For which I cry both day and night,

For which I let slip all delight,

That maketh me both deaf and blind,

Careless to win, unskill’d to find,

And quick to lose what all men seek.

Yet tottering as I am, and weak,

Still have I left a little breath

To seek within the jaws of death

An entrance to that happy place;

To seek the unforgotten face

Once seen, once kiss’d, once reft from me

Anigh the murmuring of the sea.

RODEN BERKELEY WRIOTHESLEY NOEL

1834-1894

_803._ _The Water-Nymph and the Boy_

I flung me round him,

I drew him under;

I clung, I drown’d him,

My own white wonder!...

Father and mother,

Weeping and wild,

Came to the forest,

Calling the child,

Came from the palace,

Down to the pool,

Calling my darling,

My beautiful!

Under the water,

Cold and so pale!

Could it be love made

Beauty to fail?

Ah me for mortals!

In a few moons,

If I had left him,

After some Junes

He would have faded,

Faded away,

He, the young monarch, whom

All would obey,

Fairer than day;

Alien to springtime,

Joyless and gray,

He would have faded,

Faded away,

Moving a mockery,

Scorn’d of the day!

Now I have taken him

All in his prime,

Saved from slow poisoning

Pitiless Time,

Fill’d with his happiness,

One with the prime,

Saved from the cruel

Dishonour of Time.

Laid him, my beautiful,

Laid him to rest,

Loving, adorable,

Softly to rest,

Here in my crystalline,

Here in my breast!

_804._ _The Old_

They are waiting on the shore

For the bark to take them home:

They will toil and grieve no more;

The hour for release hath come.

All their long life lies behind

Like a dimly blending dream:

There is nothing left to bind

To the realms that only seem.

They are waiting for the boat;

There is nothing left to do:

What was near them grows remote,

Happy silence falls like dew;

Now the shadowy bark is come,

And the weary may go home.

By still water they would rest

In the shadow of the tree:

After battle sleep is best,

After noise, tranquillity.

THOMAS ASHE

1836-1889

_805._ _Meet We no Angels, Pansie?_

Came, on a Sabbath noon, my sweet,

In white, to find her lover;

The grass grew proud beneath her feet,

The green elm-leaves above her:--

Meet we no angels, Pansie?

She said, ‘We meet no angels now’;

And soft lights stream’d upon her;

And with white hand she touch’d a bough;

She did it that great honour:--

What! meet no angels, Pansie?

O sweet brown hat, brown hair, brown eyes,

Down-dropp’d brown eyes, so tender!

Then what said I? Gallant replies

Seem flattery, and offend her:--

But--meet no angels, Pansie?

_806._ _To Two Bereaved_

You must be sad; for though it is to Heaven,

’Tis hard to yield a little girl of seven.

Alas, for me ’tis hard my grief to rule,

Who only met her as she went to school;

Who never heard the little lips so sweet

Say even ‘Good-morning,’ though our eyes would meet

As whose would fain be friends! How must you sigh,

Sick for your loss, when even so sad am I,

Who never clasp’d the small hands any day!

Fair flowers thrive round the little grave, I pray.

THEODORE WATTS-DUNTON

1836-1914

_807._ _Wassail Chorus at the Mermaid Tavern_

Christmas knows a merry, merry place,

Where he goes with fondest face,

Brightest eye, brightest hair:

Tell the Mermaid where is that one place,

Where?

_Raleigh._

’Tis by Devon’s glorious halls,

Whence, dear Ben, I come again:

Bright of golden roofs and walls--

El Dorado’s rare domain--

Seem those halls when sunlight launches

Shafts of gold thro’ leafless branches,

Where the winter’s feathery mantle blanches

Field and farm and lane.

CHORUS. Christmas knows a merry, merry place, &c.

_Drayton._

’Tis where Avon’s wood-sprites weave

Through the boughs a lace of rime,

While the bells of Christmas Eve

Fling for Will the Stratford-chime

O’er the river-flags emboss’d

Rich with flowery runes of frost--

O’er the meads where snowy tufts are toss’d--

Strains of olden time.

CHORUS. Christmas knows a merry, merry place, &c.

_Shakespeare’s Friend._

’Tis, methinks, on any ground

Where our Shakespeare’s feet are set.

There smiles Christmas, holly-crown’d

With his blithest coronet:

Friendship’s face he loveth well:

’Tis a countenance whose spell

Sheds a balm o’er every mead and dell

Where we used to fret.

CHORUS. Christmas knows a merry, merry place, &c.

_Heywood._

More than all the pictures, Ben,

Winter weaves by wood or stream,

Christmas loves our London, when

Rise thy clouds of wassail-steam--

Clouds like these, that, curling, take

Forms of faces gone, and wake

Many a lay from lips we loved, and make

London like a dream.

CHORUS. Christmas knows a merry, merry place, &c.

_Ben Jonson._

Love’s old songs shall never die,

Yet the new shall suffer proof:

Love’s old drink of Yule brew I

Wassail for new love’s behoof.

Drink the drink I brew, and sing

Till the berried branches swing,

Till our song make all the Mermaid ring--

Yea, from rush to roof.

FINALE.

Christmas loves this merry, merry place;

Christmas saith with fondest face,

Brightest eye, brightest hair:

‘Ben, the drink tastes rare of sack and mace;

Rare!’

ALGERNON CHARLES SWINBURNE

1837-1909

_808._ _Chorus from ‘Atalanta’_

When the hounds of spring are on winter’s traces,

The mother of months in meadow or plain

Fills the shadows and windy places

With lisp of leaves and ripple of rain;

And the brown bright nightingale amorous

Is half assuaged for Itylus,

For the Thracian ships and the foreign faces.

The tongueless vigil, and all the pain.

Come with bows bent and with emptying of quivers,

Maiden most perfect, lady of light,

With a noise of winds and many rivers,

With a clamour of waters, and with might;

Bind on thy sandals, O thou most fleet,

Over the splendour and speed of thy feet;

For the faint east quickens, the wan west shivers,

Round the feet of the day and the feet of the night.

Where shall we find her, how shall we sing to her,

Fold our hands round her knees, and cling?

O that man’s heart were as fire and could spring to her,

Fire, or the strength of the streams that spring!

For the stars and the winds are unto her

As raiment, as songs of the harp-player;

For the risen stars and the fallen cling to her,

And the southwest-wind and the west-wind sing.

For winter’s rains and ruins are over,

And all the season of snows and sins;

The days dividing lover and lover,

The light that loses, the night that wins;

And time remember’d is grief forgotten,

And frosts are slain and flowers begotten,

And in green underwood and cover

Blossom by blossom the spring begins.

The full streams feed on flower of rushes,

Ripe grasses trammel a travelling foot,

The faint fresh flame of the young year flushes

From leaf to flower and flower to fruit;

And fruit and leaf are as gold and fire,

And the oat is heard above the lyre,

And the hoofèd heel of a satyr crushes

The chestnut-husk at the chestnut-root.

And Pan by noon and Bacchus by night,

Fleeter of foot than the fleet-foot kid,

Follows with dancing and fills with delight

The Mænad and the Bassarid;

And soft as lips that laugh and hide

The laughing leaves of the trees divide,

And screen from seeing and leave in sight

The god pursuing, the maiden hid.

The ivy falls with the Bacchanal’s hair

Over her eyebrows hiding her eyes;

The wild vine slipping down leaves bare

Her bright breast shortening into sighs;

The wild vine slips with the weight of its leaves,

But the berried ivy catches and cleaves

To the limbs that glitter, the feet that scare

The wolf that follows, the fawn that flies.

_809._ _Hertha_

I am that which began;

Out of me the years roll;

Out of me God and man;

I am equal and whole;

God changes, and man, and the form of them bodily; I am the soul.

Before ever land was,

Before ever the sea,

Or soft hair of the grass,

Or fair limbs of the tree,

Or the flesh-colour’d fruit of my branches, I was, and thy soul was in me.

First life on my sources

First drifted and swam;

Out of me are the forces

That save it or damn;

Out of me man and woman, and wild-beast and bird: before God was, I am.

Beside or above me

Naught is there to go;

Love or unlove me,

Unknow me or know,

I am that which unloves me and loves; I am stricken, and I am the blow.

I the mark that is miss’d

And the arrows that miss,

I the mouth that is kiss’d

And the breath in the kiss,

The search, and the sought, and the seeker, the soul and the body that is.

I am that thing which blesses

My spirit elate;

That which caresses

With hands uncreate

My limbs unbegotten that measure the length of the measure of fate.

But what thing dost thou now,

Looking Godward, to cry,

‘I am I, thou art thou,

I am low, thou art high’?

I am thou, whom thou seekest to find him; find thou but thyself, thou art I.

I the grain and the furrow,

The plough-cloven clod

And the ploughshare drawn thorough,

The germ and the sod,

The deed and the doer, the seed and the sower, the dust which is God.

Hast thou known how I fashion’d thee,

Child, underground?

Fire that impassion’d thee,

Iron that bound,

Dim changes of water, what thing of all these hast thou known of or found?

Canst thou say in thine heart

Thou hast seen with thine eyes

With what cunning of art

Thou wast wrought in what wise,

By what force of what stuff thou wast shapen, and shown on my breast to the skies?

Who hath given, who hath sold it thee,

Knowledge of me?

Has the wilderness told it thee?

Hast thou learnt of the sea?

Hast thou communed in spirit with night? have the winds taken counsel with thee?

Have I set such a star

To show light on thy brow

That thou sawest from afar

What I show to thee now?

Have ye spoken as brethren together, the sun and the mountains and thou?

What is here, dost thou know it?

What was, hast thou known?

Prophet nor poet

Nor tripod nor throne

Nor spirit nor flesh can make answer, but only thy mother alone.

Mother, not maker,

Born, and not made;

Though her children forsake her,

Allured or afraid,

Praying prayers to the God of their fashion, she stirs not for all that have pray’d.

A creed is a rod,

And a crown is of night;

But this thing is God,

To be man with thy might,

To grow straight in the strength of thy spirit, and live out thy life as the light.

I am in thee to save thee,

As my soul in thee saith;

Give thou as I gave thee,

Thy life-blood and breath,

Green leaves of thy labour, white flowers of thy thought, and red fruit of thy death.

Be the ways of thy giving

As mine were to thee;

The free life of thy living,

Be the gift of it free;

Not as servant to lord, nor as master to slave, shalt thou give thee to me.

O children of banishment,

Souls overcast,

Were the lights ye see vanish meant

Alway to last,

Ye would know not the sun overshining the shadows and stars overpast.

I that saw where ye trod

The dim paths of the night

Set the shadow call’d God

In your skies to give light;

But the morning of manhood is risen, and the shadowless soul is in sight.

The tree many-rooted

That swells to the sky

With frondage red-fruited,

The life-tree am I;

In the buds of your lives is the sap of my leaves: ye shall live and not die.

But the Gods of your fashion

That take and that give,

In their pity and passion

That scourge and forgive,

They are worms that are bred in the bark that falls off; they shall die and not live.

My own blood is what stanches

The wounds in my bark;

Stars caught in my branches

Make day of the dark,

And are worshipp’d as suns till the sunrise shall tread out their fires as a spark.

Where dead ages hide under

The live roots of the tree,

In my darkness the thunder

Makes utterance of me;

In the clash of my boughs with each other ye hear the waves sound of the sea.

That noise is of Time,

As his feathers are spread

And his feet set to climb

Through the boughs overhead,

And my foliage rings round him and rustles, and branches are bent with his tread.

The storm-winds of ages

Blow through me and cease,

The war-wind that rages,

The spring-wind of peace,

Ere the breath of them roughen my tresses, ere one of my blossoms increase.

All sounds of all changes,

All shadows and lights

On the world’s mountain-ranges

And stream-riven heights,

Whose tongue is the wind’s tongue and language of storm-clouds on earth-shaking nights;

All forms of all faces,

All works of all hands

In unsearchable places

Of time-stricken lands,

All death and all life, and all reigns and all ruins, drop through me as sands.

Though sore be my burden

And more than ye know,

And my growth have no guerdon

But only to grow,

Yet I fail not of growing for lightnings above me or deathworms below.

These too have their part in me,

As I too in these;

Such fire is at heart in me,

Such sap is this tree’s,

Which hath in it all sounds and all secrets of infinite lands and of seas.

In the spring-colour’d hours

When my mind was as May’s

There brake forth of me flowers

By centuries of days,

Strong blossoms with perfume of manhood, shot out from my spirit as rays.

And the sound of them springing

And smell of their shoots

Were as warmth and sweet singing

And strength to my roots;

And the lives of my children made perfect with freedom of soul were my fruits.

I bid you but be;

I have need not of prayer;

I have need of you free

As your mouths of mine air;

That my heart may be greater within me, beholding the fruits of me fair.

More fair than strange fruit is

Of faiths ye espouse;

In me only the root is

That blooms in your boughs;

Behold now your God that ye made you, to feed him with faith of your vows.

In the darkening and whitening

Abysses adored,

With dayspring and lightning

For lamp and for sword,

God thunders in heaven, and his angels are red with the wrath of the Lord.

O my sons, O too dutiful

Toward Gods not of me,

Was not I enough beautiful?

Was it hard to be free?

For behold, I am with you, am in you and of you; look forth now and see.

Lo, wing’d with world’s wonders,

With miracles shod,

With the fires of his thunders

For raiment and rod,

God trembles in heaven, and his angels are white with the terror of God.

For his twilight is come on him,

His anguish is here;

And his spirits gaze dumb on him,

Grown gray from his fear;

And his hour taketh hold on him stricken, the last of his infinite year.

Thought made him and breaks him,

Truth slays and forgives;

But to you, as time takes him,

This new thing it gives,

Even love, the belovèd Republic, that feeds upon freedom and lives.

For truth only is living,

Truth only is whole,

And the love of his giving

Man’s polestar and pole;

Man, pulse of my centre, and fruit of my body, and seed of my soul.

One birth of my bosom;

One beam of mine eye;

One topmost blossom

That scales the sky;

Man, equal and one with me, man that is made of me, man that is I.

_810._ _Ave atque Vale_

(IN MEMORY OF CHARLES BAUDELAIRE)

Shall I strew on thee rose or rue or laurel,

Brother, on this that was the veil of thee?

Or quiet sea-flower moulded by the sea,

Or simplest growth of meadow-sweet or sorrel,

Such as the summer-sleepy Dryads weave,

Waked up by snow-soft sudden rains at eve?

Or wilt thou rather, as on earth before,

Half-faded fiery blossoms, pale with heat

And full of bitter summer, but more sweet

To thee than gleanings of a northern shore

Trod by no tropic feet?

For always thee the fervid languid glories

Allured of heavier suns in mightier skies;

Thine ears knew all the wandering watery sighs

Where the sea sobs round Lesbian promontories,

The barren kiss of piteous wave to wave

That knows not where is that Leucadian grave

Which hides too deep the supreme head of song.

Ah, salt and sterile as her kisses were,

The wild sea winds her and the green gulfs bear

Hither and thither, and vex and work her wrong,

Blind gods that cannot spare.

Thou sawest, in thine old singing season, brother,

Secrets and sorrows unbeheld of us:

Fierce loves, and lovely leaf-buds poisonous,

Bare to thy subtler eye, but for none other

Blowing by night in some unbreathed-in clime;

The hidden harvest of luxurious time,

Sin without shape, and pleasure without speech;

And where strange dreams in a tumultuous sleep

Make the shut eyes of stricken spirits weep;

And with each face thou sawest the shadow on each,

Seeing as men sow men reap.

O sleepless heart and sombre soul unsleeping,

That were athirst for sleep and no more life

And no more love, for peace and no more strife!

Now the dim gods of death have in their keeping

Spirit and body and all the springs of song,

Is it well now where love can do no wrong,

Where stingless pleasure has no foam or fang

Behind the unopening closure of her lips?

Is it not well where soul from body slips

And flesh from bone divides without a pang

As dew from flower-bell drips?

It is enough; the end and the beginning

Are one thing to thee, who art past the end.

O hand unclasp’d of unbeholden friend,

For thee no fruits to pluck, no palms for winning,

No triumph and no labour and no lust,

Only dead yew-leaves and a little dust.

O quiet eyes wherein the light saith naught,

Whereto the day is dumb, nor any night

With obscure finger silences your sight,

Nor in your speech the sudden soul speaks thought,

Sleep, and have sleep for light.

Now all strange hours and all strange loves are over,

Dreams and desires and sombre songs and sweet,

Hast thou found place at the great knees and feet

Of some pale Titan-woman like a lover,

Such as thy vision here solicited,

Under the shadow of her fair vast head,

The deep division of prodigious breasts,

The solemn slope of mighty limbs asleep,

The weight of awful tresses that still keep

The savour and shade of old-world pine-forests

Where the wet hill-winds weep?

Hast thou found any likeness for thy vision?

O gardener of strange flowers, what bud, what bloom,

Hast thou found sown, what gather’d in the gloom?

What of despair, of rapture, of derision,

What of life is there, what of ill or good?

Are the fruits gray like dust or bright like blood?

Does the dim ground grow any seed of ours,

The faint fields quicken any terrene root,

In low lands where the sun and moon are mute

And all the stars keep silence? Are there flowers

At all, or any fruit?

Alas, but though my flying song flies after,

O sweet strange elder singer, thy more fleet

Singing, and footprints of thy fleeter feet,

Some dim derision of mysterious laughter

From the blind tongueless warders of the dead,

Some gainless glimpse of Proserpine’s veil’d head,

Some little sound of unregarded tears

Wept by effaced unprofitable eyes,

And from pale mouths some cadence of dead sighs--

These only, these the hearkening spirit hears,

Sees only such things rise.

Thou art far too far for wings of words to follow,

Far too far off for thought or any prayer.

What ails us with thee, who art wind and air?

What ails us gazing where all seen is hollow?

Yet with some fancy, yet with some desire,

Dreams pursue death as winds a flying fire,

Our dreams pursue our dead and do not find.

Still, and more swift than they, the thin flame flies,

The low light fails us in elusive skies,

Still the foil’d earnest ear is deaf, and blind

Are still the eluded eyes.

Not thee, O never thee, in all time’s changes,

Not thee, but this the sound of thy sad soul,

The shadow of thy swift spirit, this shut scroll

I lay my hand on, and not death estranges

My spirit from communion of thy song--

These memories and these melodies that throng

Veil’d porches of a Muse funereal--

These I salute, these touch, these clasp and fold

As though a hand were in my hand to hold,

Or through mine ears a mourning musical

Of many mourners roll’d.

I among these, I also, in such station

As when the pyre was charr’d, and piled the sods.

And offering to the dead made, and their gods,

The old mourners had, standing to make libation,

I stand, and to the Gods and to the dead

Do reverence without prayer or praise, and shed

Offering to these unknown, the gods of gloom,

And what of honey and spice my seed-lands bear,

And what I may of fruits in this chill’d air,

And lay, Orestes-like, across the tomb

A curl of sever’d hair.

But by no hand nor any treason stricken,

Not like the low-lying head of Him, the King,

The flame that made of Troy a ruinous thing,

Thou liest and on this dust no tears could quicken.

There fall no tears like theirs that all men hear

Fall tear by sweet imperishable tear

Down the opening leaves of holy poets’ pages.

Thee not Orestes, not Electra mourns;

But bending us-ward with memorial urns

The most high Muses that fulfil all ages

Weep, and our God’s heart yearns.

For, sparing of his sacred strength, not often

Among us darkling here the lord of light

Makes manifest his music and his might

In hearts that open and in lips that soften

With the soft flame and heat of songs that shine.

Thy lips indeed he touch’d with bitter wine,

And nourish’d them indeed with bitter bread;

Yet surely from his hand thy soul’s food came,

The fire that scarr’d thy spirit at his flame

Was lighted, and thine hungering heart he fed

Who feeds our hearts with fame.

Therefore he too now at thy soul’s sunsetting,

God of all suns and songs, he too bends down

To mix his laurel with thy cypress crown,

And save thy dust from blame and from forgetting.

Therefore he too, seeing all thou wert and art,

Compassionate, with sad and sacred heart,

Mourns thee of many his children the last dead,

And hallows with strange tears and alien sighs

Thine unmelodious mouth and sunless eyes,

And over thine irrevocable head

Sheds light from the under skies.

And one weeps with him in the ways Lethean,

And stains with tears her changing bosom chill;

That obscure Venus of the hollow hill,

That thing transformed which was the Cytherean,

With lips that lost their Grecian laugh divine

Long since, and face no more call’d Erycine--

A ghost, a bitter and luxurious god.

Thee also with fair flesh and singing spell

Did she, a sad and second prey, compel

Into the footless places once more trod,

And shadows hot from hell.

And now no sacred staff shall break in blossom,

No choral salutation lure to light

A spirit sick with perfume and sweet night

And love’s tired eyes and hands and barren bosom.

There is no help for these things; none to mend,

And none to mar; not all our songs, O friend,

Will make death clear or make life durable.

Howbeit with rose and ivy and wild vine

And with wild notes about this dust of thine

At least I fill the place where white dreams dwell

And wreathe an unseen shrine.

Sleep; and if life was bitter to thee, pardon,

If sweet, give thanks; thou hast no more to live;

And to give thanks is good, and to forgive.

Out of the mystic and the mournful garden

Where all day through thine hands in barren braid

Wove the sick flowers of secrecy and shade,

Green buds of sorrow and sin, and remnants gray,

Sweet-smelling, pale with poison, sanguine-hearted,

Passions that sprang from sleep and thoughts that started,

Shall death not bring us all as thee one day

Among the days departed?

For thee, O now a silent soul, my brother,

Take at my hands this garland, and farewell.

Thin is the leaf, and chill the wintry smell,

And chill the solemn earth, a fatal mother,

With sadder than the Niobean womb,

And in the hollow of her breasts a tomb.

Content thee, howsoe’er, whose days are done;

There lies not any troublous thing before,

Nor sight nor sound to war against thee more,

For whom all winds are quiet as the sun,

All waters as the shore.

_811._ _Itylus_

Swallow, my sister, O sister swallow,

How can thine heart be full of the spring?

A thousand summers are over and dead.

What hast thou found in the spring to follow?

What hast thou found in thine heart to sing?

What wilt thou do when the summer is shed?

O swallow, sister, O fair swift swallow,

Why wilt thou fly after spring to the south,

The soft south whither thine heart is set?

Shall not the grief of the old time follow?

Shall not the song thereof cleave to thy mouth?

Hast thou forgotten ere I forget?

Sister, my sister, O fleet sweet swallow,

Thy way is long to the sun and the south;

But I, fulfill’d of my heart’s desire,

Shedding my song upon height, upon hollow,

From tawny body and sweet small mouth

Feed the heart of the night with fire.

I the nightingale all spring through,

O swallow, sister, O changing swallow,

All spring through till the spring be done,

Clothed with the light of the night on the dew,

Sing, while the hours and the wild birds follow,

Take flight and follow and find the sun.

Sister, my sister, O soft light swallow,

Though all things feast in the spring’s guest-chamber,

How hast thou heart to be glad thereof yet?

For where thou fliest I shall not follow,

Till life forget and death remember,

Till thou remember and I forget.

Swallow, my sister, O singing swallow,

I know not how thou hast heart to sing.

Hast thou the heart? is it all past over?

Thy lord the summer is good to follow,

And fair the feet of thy lover the spring:

But what wilt thou say to the spring thy lover?

O swallow, sister, O fleeting swallow,

My heart in me is a molten ember

And over my head the waves have met.

But thou wouldst tarry or I would follow

Could I forget or thou remember,

Couldst thou remember and I forget.

O sweet stray sister, O shifting swallow,

The heart’s division divideth us.

Thy heart is light as a leaf of a tree;

But mine goes forth among sea-gulfs hollow

To the place of the slaying of Itylus,

The feast of Daulis, the Thracian sea.

O swallow, sister, O rapid swallow,

I pray thee sing not a little space.

Are not the roofs and the lintels wet?

The woven web that was plain to follow,

The small slain body, the flower-like face,

Can I remember if thou forget?

O sister, sister, thy first-begotten!

The hands that cling and the feet that follow,

The voice of the child’s blood crying yet,

_Who hath remember’d me? who hath forgotten?_

Thou hast forgotten, O summer swallow,

But the world shall end when I forget.

WILLIAM DEAN HOWELLS

b. 1837

_812._ _Earliest Spring_

Tossing his mane of snows in wildest eddies and tangles,

Lion-like March cometh in, hoarse, with tempestuous breath,

Through all the moaning chimneys, and ’thwart all the hollows and angles

Round the shuddering house, threating of winter and death.

But in my heart I feel the life of the wood and the meadow

Thrilling the pulses that own kindred with fibres that lift

Bud and blade to the sunward, within the inscrutable shadow,

Deep in the oak’s chill core, under the gathering drift.

Nay, to earth’s life in mine some prescience, or dream, or desire

(How shall I name it aright?) comes for a moment and goes--

Rapture of life ineffable, perfect--as if in the brier,

Leafless there by my door, trembled a sense of the rose.

BRET HARTE

1839-1902

_813._ _What the Bullet sang_

O joy of creation,

To be!

O rapture, to fly

And be free!

Be the battle lost or won,

Though its smoke shall hide the sun,

I shall find my love--the one

Born for me!

I shall know him where he stands

All alone,

With the power in his hands

Not o’erthrown;

I shall know him by his face,

By his godlike front and grace;

I shall hold him for a space

All my own!

It is he--O my love!

So bold!

It is I--all thy love

Foretold!

It is I--O love, what bliss!

Dost thou answer to my kiss?

O sweetheart! what is this

Lieth there so cold?

JOHN TODHUNTER

1839-1916

_814._ _Maureen_

O you plant the pain in my heart with your wistful eyes,

Girl of my choice, Maureen!

Will you drive me mad for the kisses your shy, sweet mouth denies,

Maureen?

Like a walking ghost I am, and no words to woo,

White rose of the West, Maureen:

For it’s pale you are, and the fear that’s on you is over me too,

Maureen!

Sure it’s one complaint that’s on us, asthore, this day,

Bride of my dreams, Maureen:

The smart of the bee that stung us his honey must cure, they say,

Maureen!

I’ll coax the light to your eyes, and the rose to your face,

Mavourneen, my own Maureen!

When I feel the warmth of your breast, and your nest is my arm’s embrace,

Maureen!

O where was the King o’ the World that day--only me?

My one true love, Maureen!

And you the Queen with me there, and your throne in my heart, machree,

Maureen!

_815._ _Aghadoe_

There’s a glade in Aghadoe, Aghadoe, Aghadoe,

There’s a green and silent glade in Aghadoe,

Where we met, my love and I, Love’s fair planet in the sky,

O’er that sweet and silent glade in Aghadoe.

There’s a glen in Aghadoe, Aghadoe, Aghadoe,

There’s a deep and secret glen in Aghadoe,

Where I hid from the eyes of the red-coats and their spies,

That year the trouble came to Aghadoe.

O, my curse on one black heart in Aghadoe, Aghadoe,

On Shaun Dhu, my mother’s son in Aghadoe!

When your throat fries in hell’s drouth, salt the flame be in your mouth,

For the treachery you did in Aghadoe!

For they track’d me to that glen in Aghadoe, Aghadoe,

When the price was on his head in Aghadoe:

O’er the mountain, through the wood, as I stole to him with food,

Where in hiding lone he lay in Aghadoe.

But they never took him living in Aghadoe, Aghadoe;

With the bullets in his heart in Aghadoe,

There he lay, the head, my breast keeps the warmth of where ’twould rest,

Gone, to win the traitor’s gold, from Aghadoe!

I walk’d to Mallow town from Aghadoe, Aghadoe,

Brought his head from the gaol’s gate to Aghadoe;

Then I cover’d him with fern, and I piled on him the cairn,

Like an Irish King he sleeps in Aghadoe.

O, to creep into that cairn in Aghadoe, Aghadoe!

There to rest upon his breast in Aghadoe!

Sure your dog for you could die with no truer heart than I,

Your own love, cold on your cairn in Aghadoe.

WILFRID SCAWEN BLUNT

b. 1840

_816._ _Song_

O fly not, Pleasure, pleasant-hearted Pleasure;

Fold me thy wings, I prithee, yet and stay:

For my heart no measure

Knows, nor other treasure

To buy a garland for my love to-day.

And thou, too, Sorrow, tender-hearted Sorrow,

Thou gray-eyed mourner, fly not yet away:

For I fain would borrow

Thy sad weeds to-morrow,

To make a mourning for love’s yesterday.

The voice of Pity, Time’s divine dear Pity,

Moved me to tears: I dared not say them nay,

But passed forth from the city,

Making thus my ditty

Of fair love lost for ever and a day.

_817._ _The Desolate City_

Dark to me is the earth. Dark to me are the heavens.

Where is she that I loved, the woman with eyes like stars?

Desolate are the streets. Desolate is the city.

A city taken by storm, where none are left but the slain.

Sadly I rose at dawn, undid the latch of my shutters,

Thinking to let in light, but I only let in love.

Birds in the boughs were awake; I listen’d to their chaunting;

Each one sang to his love; only I was alone.

This, I said in my heart, is the hour of life and of pleasure.

Now each creature on earth has his joy, and lives in the sun,

Each in another’s eyes finds light, the light of compassion,

This is the moment of pity, this is the moment of love.

Speak, O desolate city! Speak, O silence in sadness!

Where is she that I loved in my strength, that spoke to my soul?

Where are those passionate eyes that appeal’d to my eyes in passion?

Where is the mouth that kiss’d me, the breast I laid to my own?

Speak, thou soul of my soul, for rage in my heart is kindled.

Tell me, where didst thou flee in the day of destruction and fear?

See, my arms still enfold thee, enfolding thus all heaven,

See, my desire is fulfill’d in thee, for it fills the earth.

Thus in my grief I lamented. Then turn’d I from the window,

Turn’d to the stair, and the open door, and the empty street,

Crying aloud in my grief, for there was none to chide me,

None to mock my weakness, none to behold my tears.

Groping I went, as blind. I sought her house, my belovèd’s.

There I stopp’d at the silent door, and listen’d and tried the latch.

Love, I cried, dost thou slumber? This is no hour for slumber,

This is the hour of love, and love I bring in my hand.

I knew the house, with its windows barr’d, and its leafless fig-tree,

Climbing round by the doorstep, the only one in the street;

I knew where my hope had climb’d to its goal and there encircled

All that those desolate walls once held, my belovèd’s heart.

There in my grief she consoled me. She loved me when I loved not.

She put her hand in my hand, and set her lips to my lips.

She told me all her pain and show’d me all her trouble.

I, like a fool, scarce heard, hardly return’d her kiss.

Love, thy eyes were like torches. They changed as I beheld them.

Love, thy lips were like gems, the seal thou settest on my life.

Love, if I loved not then, behold this hour thy vengeance;

This is the fruit of thy love and thee, the unwise grown wise.

Weeping strangled my voice. I call’d out, but none answer’d;

Blindly the windows gazed back at me, dumbly the door;

She whom I love, who loved me, look’d not on my yearning,

Gave me no more her hands to kiss, show’d me no more her soul.

Therefore the earth is dark to me, the sunlight blackness,

Therefore I go in tears and alone, by night and day;

Therefore I find no love in heaven, no light, no beauty,

A heaven taken by storm, where none are left but the slain!

_818._ _With Esther_

He who has once been happy is for aye

Out of destruction’s reach. His fortune then

Holds nothing secret; and Eternity,

Which is a mystery to other men,

Has like a woman given him its joy.

Time is his conquest. Life, if it should fret,

Has paid him tribute. He can bear to die,

He who has once been happy! When I set

The world before me and survey its range,

Its mean ambitions, its scant fantasies,

The shreds of pleasure which for lack of change

Men wrap around them and call happiness,

The poor delights which are the tale and sum

Of the world’s courage in its martyrdom;

When I hear laughter from a tavern door,

When I see crowds agape and in the rain

Watching on tiptoe and with stifled roar

To see a rocket fired or a bull slain,

When misers handle gold, when orators

Touch strong men’s hearts with glory till they weep,

When cities deck their streets for barren wars

Which have laid waste their youth, and when I keep

Calmly the count of my own life and see

On what poor stuff my manhood’s dreams were fed

Till I too learn’d what dole of vanity

Will serve a human soul for daily bread,

--Then I remember that I once was young

And lived with Esther the world’s gods among.

_819._ _To Manon, on his Fortune in loving Her_

I did not choose thee, dearest. It was Love

That made the choice, not I. Mine eyes were blind

As a rude shepherd’s who to some lone grove

His offering brings and cares not at what shrine

He bends his knee. The gifts alone were mine;

The rest was Love’s. He took me by the hand,

And fired the sacrifice, and poured the wine,

And spoke the words I might not understand.

I was unwise in all but the dear chance

Which was my fortune, and the blind desire

Which led my foolish steps to Love’s abode,

And youth’s sublime unreason’d prescience

Which raised an altar and inscribed in fire

Its dedication _To the Unknown God_.

_820._ _St. Valentines Day_

To-day, all day, I rode upon the down,

With hounds and horsemen, a brave company

On this side in its glory lay the sea,

On that the Sussex weald, a sea of brown.

The wind was light, and brightly the sun shone,

And still we gallop’d on from gorse to gorse:

And once, when check’d, a thrush sang, and my horse

Prick’d his quick ears as to a sound unknown.

I knew the Spring was come. I knew it even

Better than all by this, that through my chase

In bush and stone and hill and sea and heaven

I seem’d to see and follow still your face.

Your face my quarry was. For it I rode,

My horse a thing of wings, myself a god.

_821._ _Gibraltar_

Seven weeks of sea, and twice seven days of storm

Upon the huge Atlantic, and once more

We ride into still water and the calm

Of a sweet evening, screen’d by either shore

Of Spain and Barbary. Our toils are o’er,

Our exile is accomplish’d. Once again

We look on Europe, mistress as of yore

Of the fair earth and of the hearts of men.

Ay, this is the famed rock which Hercules

And Goth and Moor bequeath’d us. At this door

England stands sentry. God! to hear the shrill

Sweet treble of her fifes upon the breeze,

And at the summons of the rock gun's roar

To see her red coats marching from the hill!

_822._ _Written at Florence_

O world, in very truth thou art too young;

When wilt thou learn to wear the garb of age?

World, with thy covering of yellow flowers,

Hast thou forgot what generations sprung

Out of thy loins and loved thee and are gone?

Hast thou no place in all their heritage

Where thou dost only weep, that I may come

Nor fear the mockery of thy yellow flowers?

O world, in very truth thou art too young.

The heroic wealth of passionate emprize

Built thee fair cities for thy naked plains:

How hast thou set thy summer growth among

The broken stones which were their palaces!

Hast thou forgot the darkness where _he_ lies

Who made thee beautiful, or have thy bees

Found out his grave to build their honeycombs?

O world, in very truth thou art too young:

They gave thee love who measured out thy skies,

And, when they found for thee another star,

Who made a festival and straightway hung

The jewel on thy neck. O merry world,

Hast thou forgot the glory of those eyes

Which first look'd love in thine? Thou hast not furl'd

One banner of thy bridal car for them.

O world, in very truth thou art too young.

There was a voice which sang about thy spring,

Till winter froze the sweetness of his lips,

And lo, the worms had hardly left his tongue

Before thy nightingales were come again.

O world, what courage hast thou thus to sing?

Say, has thy merriment no secret pain,

No sudden weariness that thou art young?

_823._ _The Two Highwaymen_

I long have had a quarrel set with Time

Because he robb’d me. Every day of life

Was wrested from me after bitter strife:

I never yet could see the sun go down

But I was angry in my heart, nor hear

The leaves fall in the wind without a tear

Over the dying summer. I have known

No truce with Time nor Time’s accomplice, Death.

The fair world is the witness of a crime

Repeated every hour. For life and breath

Are sweet to all who live; and bitterly

The voices of these robbers of the heath

Sound in each ear and chill the passer-by.

--What have we done to thee, thou monstrous Time?

What have we done to Death that we must die?

HENRY AUSTIN DOBSON

b. 1840

_824._ _A Garden Song_

Here in this sequester’d close

Bloom the hyacinth and rose,

Here beside the modest stock

Flaunts the flaring hollyhock;

Here, without a pang, one sees

Ranks, conditions, and degrees.

All the seasons run their race

In this quiet resting-place;

Peach and apricot and fig

Here will ripen and grow big;

Here is store and overplus,—

More had not Alcinoüs!

Here, in alleys cool and green,

Far ahead the thrush is seen;

Here along the southern wall

Keeps the bee his festival;

All is quiet else—afar

Sounds of toil and turmoil are.

Here be shadows large and long;

Here be spaces meet for song;

Grant, O garden-god, that I,

Now that none profane is nigh,—

Now that mood and moment please,—

Find the fair Pierides!

_825._ _Urceus Exit_

_Triolet_

I intended an Ode,

And it turn’d to a Sonnet

It began _à la mode_,

I intended an Ode;

But Rose crossed the road

In her latest new bonnet;

I intended an Ode;

And it turn’d to a Sonnet.

_826._ _In After Days_

_Rondeau_

In after days when grasses high

O’er-top the stone where I shall lie,

Though ill or well the world adjust

My slender claim to honour’d dust,

I shall not question nor reply.

I shall not see the morning sky;

I shall not hear the night-wind sigh;

I shall be mute, as all men must

In after days!

But yet, now living, fain would I

That some one then should testify,

Saying--‘He held his pen in trust

To Art, not serving shame or lust.’

Will none?--Then let my memory die

In after days!

HENRY CLARENCE KENDALL

1841-1882

_827._ _Mooni_

He that is by Mooni now

Sees the water-sapphires gleaming

Where the River Spirit, dreaming,

Sleeps by fall and fountain streaming

Under lute of leaf and bough!--

Hears what stamp of Storm with stress is,

Psalms from unseen wildernesses

Deep amongst far hill-recesses--

He that is by Mooni now.

Yea, for him by Mooni’s marge

Sings the yellow-hair’d September,

With the face the gods remember,

When the ridge is burnt to ember,

And the dumb sea chains the barge!

Where the mount like molten brass is,

Down beneath fern-feather’d passes

Noonday dew in cool green grasses

Gleams on him by Mooni’s marge.

Who that dwells by Mooni yet,

Feels in flowerful forest arches

Smiting wings and breath that parches

Where strong Summer’s path of march is,

And the suns in thunder set!

Housed beneath the gracious kirtle

Of the shadowy water-myrtle--

Winds may kiss with heat and hurtle,

He is safe by Mooni yet!

Days there were when he who sings

(Dumb so long through passion’s losses)

Stood where Mooni’s water crosses

Shining tracks of green-hair’d mosses,

Like a soul with radiant wings:

Then the psalm the wind rehearses--

Then the song the stream disperses--

Lent a beauty to his verses,

Who to-night of Mooni sings.

Ah, the theme--the sad, gray theme!

Certain days are not above me,

Certain hearts have ceased to love me,

Certain fancies fail to move me,

Like the effluent morning dream.

Head whereon the white is stealing,

Heart whose hurts are past all healing,

Where is now the first, pure feeling?

Ah, the theme--the sad, gray theme!

* * * * *

Still to be by Mooni cool--

Where the water-blossoms glister,

And by gleaming vale and vista

Sits the English April’s sister,

Soft and sweet and wonderful!

Just to rest beneath the burning

Outer world--its sneers and spurning--

Ah, my heart--my heart is yearning

Still to be by Mooni cool!

ARTHUR WILLIAM EDGAR O’SHAUGHNESSY

1844-1881

_828._ _Ode_

We are the music-makers,

And we are the dreamers of dreams,

Wandering by lone sea-breakers,

And sitting by desolate streams;

World-losers and world-forsakers,

On whom the pale moon gleams:

Yet we are the movers and shakers

Of the world for ever, it seems.

With wonderful deathless ditties

We build up the world’s great cities,

And out of a fabulous story

We fashion an empire’s glory:

One man with a dream, at pleasure,

Shall go forth and conquer a crown;

And three with a new song’s measure

Can trample an empire down.

We, in the ages lying

In the buried past of the earth,

Built Nineveh with our sighing,

And Babel itself with our mirth;

And o’erthrew them with prophesying

To the old of the new world’s worth;

For each age is a dream that is dying,

Or one that is coming to birth.

The Oxford Book of English Verse, 1250-1900 · 第 9 / 10 章