To my true king I offer’d free from stain

Courage and faith; vain faith, and courage vain.

For him I threw lands, honours, wealth, away,

And one dear hope, that was more prized than they.

For him I languished in a foreign clime,

Gray-hair’d with sorrow in my manhood’s prime;

Heard on Lavernia Scargill’s whispering trees,

And pined by Arno for my lovelier Tees;

Beheld each night my home in fever’d sleep,

Each morning started from the dream to weep;

Till God, who saw me tried too sorely, gave

The resting-place I ask’d, an early grave.

O thou, whom chance leads to this nameless stone,

From that proud country which was once mine own,

By those white cliffs I never more must see,

By that dear language which I spake like thee,

Forget all feuds, and shed one English tear

O’er English dust. A broken heart lies here.

WILLIAM BARNES

1801-1886

_658._ _Mater Dolorosa_

I’d a dream to-night

As I fell asleep,

O! the touching sight

Makes me still to weep:

Of my little lad,

Gone to leave me sad,

Ay, the child I had,

But was not to keep.

As in heaven high,

I my child did seek,

There in train came by

Children fair and meek,

Each in lily white,

With a lamp alight;

Each was clear to sight,

But they did not speak.

Then, a little sad,

Came my child in turn,

But the lamp he had,

O it did not burn!

He, to clear my doubt,

Said, half turn’d about,

‘Your tears put it out;

Mother, never mourn.’

_659._ _The Wife a-lost_

Since I noo mwore do zee your feäce,

Up steärs or down below,

I’ll zit me in the lwonesome pleäce,

Where flat-bough’d beech do grow;

Below the beeches’ bough, my love,

Where you did never come,

An’ I don’t look to meet ye now,

As I do look at hwome.

Since you noo mwore be at my zide,

In walks in zummer het,

I’ll goo alwone where mist do ride,

Droo trees a-drippèn wet;

Below the rain-wet bough, my love,

Where you did never come,

An’ I don’t grieve to miss ye now,

As I do grieve at hwome.

Since now bezide my dinner-bwoard

Your vaïce do never sound,

I’ll eat the bit I can avword

A-vield upon the ground;

Below the darksome bough, my love,

Where you did never dine,

An’ I don’t grieve to miss ye now,

As I at hwome do pine.

Since I do miss your vaïce an’ feäce

In praÿer at eventide,

I’ll praÿ wi’ woone sad vaïce vor greäce

To goo where you do bide;

Above the tree an’ bough, my love,

Where you be gone avore,

An’ be a-waitèn vor me now,

To come vor evermwore.

WINTHROP MACKWORTH PRAED

1802-1839

_660._ _Fairy Song_

He has conn’d the lesson now;

He has read the book of pain:

There are furrows on his brow;

I must make it smooth again.

Lo! I knock the spurs away;

Lo! I loosen belt and brand;

Hark! I hear the courser neigh

For his stall in Fairy-land.

Bring the cap, and bring the vest;

Buckle on his sandal shoon;

Fetch his memory from the chest

In the treasury of the moon.

I have taught him to be wise

For a little maiden’s sake;--

Lo! he opens his glad eyes.

Softly, slowly: Minstrel, wake!

SARA COLERIDGE

1802-1850

_661._ _O sleep my Babe_

Sleep, my babe, hear not the rippling wave,

Nor feel the breeze that round thee ling’ring strays

To drink thy balmy breath,

And sigh one long farewell.

Soon shall it mourn above thy wat’ry bed,

And whisper to me, on the wave-beat shore,

Deep murm’ring in reproach,

Thy sad untimely fate.

Ere those dear eyes had open’d on the light,

In vain to plead, thy coming life was sold,

O waken’d but to sleep,

Whence it can wake no more!

A thousand and a thousand silken leaves

The tufted beech unfolds in early spring,

All clad in tenderest green,

All of the self-same shape:

A thousand infant faces, soft and sweet,

Each year sends forth, yet every mother views

Her last not least beloved

Like its dear self alone.

No musing mind hath ever yet foreshaped

The face to-morrow’s sun shall first reveal,

No heart hath e’er conceived

What love that face will bring.

O sleep, my babe, nor heed how mourns the gale

To part with thy soft locks and fragrant breath,

As when it deeply sighs

O’er autumn’s latest bloom.

_662._ _The Child_

See yon blithe child that dances in our sight!

Can gloomy shadows fall from one so bright?

Fond mother, whence these fears?

While buoyantly he rushes o’er the lawn,

Dream not of clouds to stain his manhood’s dawn,

Nor dim that sight with tears.

No cloud he spies in brightly glowing hours,

But feels as if the newly vested bowers

For him could never fade:

Too well we know that vernal pleasures fleet,

But having him, so gladsome, fair, and sweet,

Our loss is overpaid.

Amid the balmiest flowers that earth can give

Some bitter drops distil, and all that live

A mingled portion share;

But, while he learns these truths which we lament,

Such fortitude as ours will sure be sent,

Such solace to his care.

GERALD GRIFFIN

1803-1840

_663._ _Eileen Aroon_

When like the early rose,

Eileen Aroon!

Beauty in childhood blows,

Eileen Aroon!

When, like a diadem,

Buds blush around the stem,

Which is the fairest gem?--

Eileen Aroon!

Is it the laughing eye,

Eileen Aroon!

Is it the timid sigh,

Eileen Aroon!

Is it the tender tone,

Soft as the string’d harp’s moan?

O, it is truth alone,--

Eileen Aroon!

When like the rising day,

Eileen Aroon!

Love sends his early ray,

Eileen Aroon!

What makes his dawning glow,

Changeless through joy or woe?

Only the constant know:--

Eileen Aroon!

I know a valley fair,

Eileen Aroon!

I knew a cottage there,

Eileen Aroon!

Far in that valley’s shade

I knew a gentle maid,

Flower of a hazel glade,--

Eileen Aroon!

Who in the song so sweet?

Eileen Aroon!

Who in the dance so fleet?

Eileen Aroon!

Dear were her charms to me,

Dearer her laughter free,

Dearest her constancy,--

Eileen Aroon!

Were she no longer true,

Eileen Aroon!

What should her lover do?

Eileen Aroon!

Fly with his broken chain

Far o’er the sounding main,

Never to love again,--

Eileen Aroon!

Youth must with time decay,

Eileen Aroon!

Beauty must fade away,

Eileen Aroon!

Castles are sack’d in war,

Chieftains are scatter’d far,

Truth is a fixèd star,--

Eileen Aroon!

JAMES CLARENCE MANGAN

1803-1840

_664._ _Dark Rosaleen_

O my Dark Rosaleen,

Do not sigh, do not weep!

The priests are on the ocean green,

They march along the deep.

There’s wine from the royal Pope,

Upon the ocean green;

And Spanish ale shall give you hope,

My Dark Rosaleen!

My own Rosaleen!

Shall glad your heart, shall give you hope,

Shall give you health, and help, and hope,

My Dark Rosaleen!

Over hills, and thro’ dales,

Have I roam’d for your sake;

All yesterday I sail’d with sails

On river and on lake.

The Erne, at its highest flood,

I dash’d across unseen,

For there was lightning in my blood,

My Dark Rosaleen!

My own Rosaleen!

O, there was lightning in my blood,

Red lightning lighten’d thro’ my blood.

My Dark Rosaleen!

All day long, in unrest,

To and fro, do I move.

The very soul within my breast

Is wasted for you, love!

The heart in my bosom faints

To think of you, my Queen,

My life of life, my saint of saints,

My Dark Rosaleen!

My own Rosaleen!

To hear your sweet and sad complaints,

My life, my love, my saint of saints,

My Dark Rosaleen!

Woe and pain, pain and woe,

Are my lot, night and noon,

To see your bright face clouded so,

Like to the mournful moon.

But yet will I rear your throne

Again in golden sheen;

’Tis you shall reign, shall reign alone,

My Dark Rosaleen!

My own Rosaleen!

’Tis you shall have the golden throne,

’Tis you shall reign, and reign alone,

My Dark Rosaleen!

Over dews, over sands,

Will I fly, for your weal:

Your holy delicate white hands

Shall girdle me with steel.

At home, in your emerald bowers,

From morning’s dawn till e’en,

You’ll pray for me, my flower of flowers,

My Dark Rosaleen!

My fond Rosaleen!

You’ll think of me through daylight hours,

My virgin flower, my flower of flowers,

My Dark Rosaleen!

I could scale the blue air,

I could plough the high hills,

O, I could kneel all night in prayer,

To heal your many ills!

And one beamy smile from you

Would float like light between

My toils and me, my own, my true,

My Dark Rosaleen!

My fond Rosaleen!

Would give me life and soul anew,

A second life, a soul anew,

My Dark Rosaleen!

O, the Erne shall run red,

With redundance of blood,

The earth shall rock beneath our tread,

And flames wrap hill and wood,

And gun-peal and slogan-cry

Wake many a glen serene,

Ere you shall fade, ere you shall die,

My Dark Rosaleen!

My own Rosaleen!

The Judgement Hour must first be nigh,

Ere you can fade, ere you can die,

My Dark Rosaleen!

_665._ _The Nameless One_

Roll forth, my song, like the rushing river,

That sweeps along to the mighty sea;

God will inspire me while I deliver

My soul of thee!

Tell thou the world, when my bones lie whitening

Amid the last homes of youth and eld,

That once there was one whose veins ran lightning

No eye beheld.

Tell how his boyhood was one drear night-hour,

How shone for him, through his griefs and gloom,

No star of all heaven sends to light our

Path to the tomb.

Roll on, my song, and to after ages

Tell how, disdaining all earth can give,

He would have taught men, from wisdom’s pages,

The way to live.

And tell how trampled, derided, hated,

And worn by weakness, disease, and wrong,

He fled for shelter to God, who mated

His soul with song.

--With song which alway, sublime or vapid,

Flow’d like a rill in the morning beam,

Perchance not deep, but intense and rapid--

A mountain stream.

Tell how this Nameless, condemn’d for years long

To herd with demons from hell beneath,

Saw things that made him, with groans and tears, long

For even death.

Go on to tell how, with genius wasted,

Betray’d in friendship, befool’d in love,

With spirit shipwreck’d, and young hopes blasted,

He still, still strove;

Till, spent with toil, dreeing death for others

(And some whose hands should have wrought for him,

If children live not for sires and mothers),

His mind grew dim;

And he fell far through that pit abysmal,

The gulf and grave of Maginn and Burns,

And pawn’d his soul for the devil’s dismal

Stock of returns.

But yet redeemed it in days of darkness,

And shapes and signs of the final wrath,

When death, in hideous and ghastly starkness,

Stood on his path.

And tell how now, amid wreck and sorrow,

And want, and sickness, and houseless nights,

He bides in calmness the silent morrow,

That no ray lights.

And lives he still, then? Yes! Old and hoary

At thirty-nine, from despair and woe,

He lives, enduring what future story

Will never know.

Him grant a grave to, ye pitying noble,

Deep in your bosoms: there let him dwell!

He too, had tears for all souls in trouble,

Here and in hell.

THOMAS LOVELL BEDDOES

1803-1849

_666._ _Wolfram’s Dirge_

If thou wilt ease thine heart

Of love and all its smart,

Then sleep, dear, sleep;

And not a sorrow

Hang any tear on your eyelashes;

Lie still and deep,

Sad soul, until the sea-wave washes

The rim of the sun to-morrow,

In eastern sky.

But wilt thou cure thine heart

Of love and all its smart,

Then die, dear, die;

’Tis deeper, sweeter,

Than on a rose-bank to lie dreaming

With folded eye;

And there alone, amid the beaming

Of Love’s stars, thou’lt meet her

In eastern sky.

_667._ _Dream-Pedlary_

If there were dreams to sell,

What would you buy?

Some cost a passing bell;

Some a light sigh,

That shakes from Life’s fresh crown

Only a rose-leaf down.

If there were dreams to sell,

Merry and sad to tell,

And the crier rang the bell,

What would you buy?

A cottage lone and still,

With bowers nigh,

Shadowy, my woes to still,

Until I die.

Such pearl from Life’s fresh crown

Fain would I shake me down.

Were dreams to have at will,

This would best heal my ill,

This would I buy.

_668._ _Song_

How many times do I love thee, dear?

Tell me how many thoughts there be

In the atmosphere

Of a new-fall’n year,

Whose white and sable hours appear

The latest flake of Eternity:

So many times do I love thee, dear.

How many times do I love again?

Tell me how many beads there are

In a silver chain

Of evening rain,

Unravell’d from the tumbling main,

And threading the eye of a yellow star:

So many times do I love again.

RALPH WALDO EMERSON

1803-1882

_669._ _Give All to Love_

Give all to love;

Obey thy heart;

Friends, kindred, days,

Estate, good fame,

Plans, credit, and the Muse--

Nothing refuse.

’Tis a brave master;

Let it have scope:

Follow it utterly,

Hope beyond hope:

High and more high

It dives into noon,

With wing unspent,

Untold intent;

But it is a god,

Knows its own path,

And the outlets of the sky.

It was never for the mean;

It requireth courage stout,

Souls above doubt,

Valour unbending:

Such ’twill reward;--

They shall return

More than they were,

And ever ascending.

Leave all for love;

Yet, hear me, yet,

One word more thy heart behoved,

One pulse more of firm endeavour--

Keep thee to-day,

To-morrow, for ever,

Free as an Arab

Of thy beloved.

Cling with life to the maid;

But when the surprise,

First vague shadow of surmise,

Flits across her bosom young,

Of a joy apart from thee,

Free be she, fancy-free;

Nor thou detain her vesture’s hem,

Nor the palest rose she flung

From her summer diadem.

Though thou loved her as thyself,

As a self of purer clay;

Though her parting dims the day,

Stealing grace from all alive;

Heartily know,

When half-gods go

The gods arrive.

_670._ _Uriel_

It fell in the ancient periods

Which the brooding soul surveys,

Or ever the wild Time coin’d itself

Into calendar months and days.

This was the lapse of Uriel,

Which in Paradise befell.

Once, among the Pleiads walking,

Sayd overheard the young gods talking;

And the treason, too long pent,

To his ears was evident.

The young deities discuss’d

Laws of form, and metre just,

Orb, quintessence, and sunbeams,

What subsisteth, and what seems.

One, with low tones that decide,

And doubt and reverend use defied,

With a look that solved the sphere,

And stirr’d the devils everywhere,

Gave his sentiment divine

Against the being of a line.

‘Line in nature is not found;

Unit and universe are round;

In vain produced, all rays return;

Evil will bless, and ice will burn.’

As Uriel spoke with piercing eye,

A shudder ran around the sky;

The stern old war-gods shook their heads;

The seraphs frown’d from myrtle-beds;

Seem’d to the holy festival

The rash word boded ill to all;

The balance-beam of Fate was bent;

The bounds of good and ill were rent;

Strong Hades could not keep his own,

But all slid to confusion.

A sad self-knowledge withering fell

On the beauty of Uriel;

In heaven once eminent, the god

Withdrew that hour into his cloud;

Whether doom’d to long gyration

In the sea of generation,

Or by knowledge grown too bright

To hit the nerve of feebler sight.

Straightway a forgetting wind

Stole over the celestial kind,

And their lips the secret kept,

If in ashes the fire-seed slept.

But, now and then, truth-speaking things

Shamed the angels’ veiling wings;

And, shrilling from the solar course,

Or from fruit of chemic force,

Procession of a soul in matter,

Or the speeding change of water,

Or out of the good of evil born,

Came Uriel’s voice of cherub scorn,

And a blush tinged the upper sky,

And the gods shook, they knew not why.

_671._ _Bacchus_

Bring me wine, but wine which never grew

In the belly of the grape,

Or grew on vine whose tap-roots, reaching through

Under the Andes to the Cape,

Suffer’d no savour of the earth to ’scape.

Let its grapes the morn salute

From a nocturnal root,

Which feels the acrid juice

Of Styx and Erebus;

And turns the woe of Night,

By its own craft, to a more rich delight.

We buy ashes for bread;

We buy diluted wine;

Give me of the true,

Whose ample leaves and tendrils curl’d

Among the silver hills of heaven

Draw everlasting dew;

Wine of wine,

Blood of the world,

Form of forms, and mould of statures,

That I intoxicated,

And by the draught assimilated,

May float at pleasure through all natures;

The bird-language rightly spell,

And that which roses say so well:

Wine that is shed

Like the torrents of the sun

Up the horizon walls,

Or like the Atlantic streams, which run

When the South Sea calls.

Water and bread,

Food which needs no transmuting,

Rainbow-flowering, wisdom-fruiting,

Wine which is already man,

Food which teach and reason can.

Wine which Music is,--

Music and wine are one,--

That I, drinking this,

Shall hear far Chaos talk with me;

Kings unborn shall walk with me;

And the poor grass shall plot and plan

What it will do when it is man.

Quicken’d so, will I unlock

Every crypt of every rock.

I thank the joyful juice

For all I know;

Winds of remembering

Of the ancient being blow,

And seeming-solid walls of use

Open and flow.

Pour, Bacchus! the remembering wine;

Retrieve the loss of me and mine!

Vine for vine be antidote,

And the grape requite the lote!

Haste to cure the old despair;

Reason in Nature’s lotus drench’d--

The memory of ages quench’d--

Give them again to shine;

Let wine repair what this undid;

And where the infection slid,

A dazzling memory revive;

Refresh the faded tints,

Recut the agèd prints,

And write my old adventures with the pen

Which on the first day drew,

Upon the tablets blue,

The dancing Pleiads and eternal men.

_672._ _Brahma_

If the red slayer think he slays,

Or if the slain think he is slain,

They know not well the subtle ways

I keep, and pass, and turn again.

Far or forgot to me is near;

Shadow and sunlight are the same;

The vanish’d gods to me appear;

And one to me are shame and fame.

They reckon ill who leave me out;

When me they fly, I am the wings;

I am the doubter and the doubt,

And I the hymn the Brahmin sings.

The strong gods pine for my abode,

And pine in vain the sacred Seven;

But thou, meek lover of the good!

Find me, and turn thy back on heaven.

RICHARD HENRY HORNE

1803-1884

_673._ _The Plough_

A LANDSCAPE IN BERKSHIRE

Above yon sombre swell of land

Thou see’st the dawn’s grave orange hue,

With one pale streak like yellow sand,

And over that a vein of blue.

The air is cold above the woods;

All silent is the earth and sky,

Except with his own lonely moods

The blackbird holds a colloquy.

Over the broad hill creeps a beam,

Like hope that gilds a good man’s brow;

And now ascends the nostril-stream

Of stalwart horses come to plough.

Ye rigid Ploughmen, bear in mind

Your labour is for future hours:

Advance--spare not--nor look behind--

Plough deep and straight with all your powers!

ROBERT STEPHEN HAWKER

1804-1875

_674._ _King Arthur’s Waes-hael_

Waes-hael for knight and dame!

O merry be their dole!

Drink-hael! in Jesu’s name

We fill the tawny bowl;

But cover down the curving crest,

Mould of the Orient Lady’s breast.

Waes-hael! yet lift no lid:

Drain ye the reeds for wine.

Drink-hael! the milk was hid

That soothed that Babe divine;

Hush’d, as this hollow channel flows,

He drew the balsam from the rose.

Waes-hael! thus glow’d the breast

Where a God yearn’d to cling;

Drink-hael! so Jesu press’d

Life from its mystic spring;

Then hush and bend in reverent sign

And breathe the thrilling reeds for wine.

Waes-hael! in shadowy scene

Lo! Christmas children we:

Drink-hael! behold we lean

At a far Mother’s knee;

To dream that thus her bosom smiled,

And learn the lip of Bethlehem’s Child.

_675._ _Are they not all Ministering Spirits?_

We see them not--we cannot hear

The music of their wing--

Yet know we that they sojourn near,

The Angels of the spring!

They glide along this lovely ground

When the first violet grows;

Their graceful hands have just unbound

The zone of yonder rose.

I gather it for thy dear breast,

From stain and shadow free:

That which an Angel’s touch hath blest

Is meet, my love, for thee!

THOMAS WADE

1805-1875

_676._ _The Half-asleep_

O for the mighty wakening that aroused

The old-time Prophets to their missions high;

And to blind Homer’s inward sunlike eye

Show’d the heart’s universe where he caroused

Radiantly; the Fishers poor unhoused,

And sent them forth to preach divinity;

And made our Milton his great dark defy,

To the light of one immortal theme espoused!

But half asleep are those now most awake;

And save calm-thoughted Wordsworth, we have none

Who for eternity put time at stake,

And hold a constant course as doth the sun:

We yield but drops that no deep thirstings slake;

And feebly cease ere we have well begun.

FRANCIS MAHONY

1805-1866

_677._ _The Bells of Shandon_

With deep affection,

And recollection,

I often think of

Those Shandon bells,

Whose sounds so wild would,

In the days of childhood,

Fling around my cradle

Their magic spells.

On this I ponder

Where’er I wander,

And thus grow fonder,

Sweet Cork, of thee;

With thy bells of Shandon,

That sound so grand on

The pleasant waters

Of the River Lee.

I’ve heard bells chiming

Full many a clime in,

Tolling sublime in

Cathedral shrine,

While at a glib rate

Brass tongues would vibrate--

But all their music

Spoke naught like thine;

For memory, dwelling

On each proud swelling

Of the belfry knelling

Its bold notes free,

Made the bells of Shandon

Sound far more grand on

The pleasant waters

Of the River Lee.

I’ve heard bells tolling

Old Adrian’s Mole in,

Their thunder rolling

From the Vatican,

And cymbals glorious

Swinging uproarious

In the gorgeous turrets

Of Notre Dame;

But thy sounds were sweeter

Than the dome of Peter

Flings o’er the Tiber,

Pealing solemnly--

O, the bells of Shandon

Sound far more grand on

The pleasant waters

Of the River Lee.

There’s a bell in Moscow,

While on tower and kiosk O!

In Saint Sophia

The Turkman gets,

And loud in air

Calls men to prayer

From the tapering summits

Of tall minarets.

Such empty phantom

I freely grant them;

But there’s an anthem

More dear to me,--

’Tis the bells of Shandon,

That sound so grand on

The pleasant waters

Of the River Lee.

ELIZABETH BARRETT BROWNING

1806-1861

_678._ _Rosalind’s Scroll_

I left thee last, a child at heart,

A woman scarce in years:

I come to thee, a solemn corpse

Which neither feels nor fears.

I have no breath to use in sighs;

They laid the dead-weights on mine eyes

To seal them safe from tears.

Look on me with thine own calm look:

I meet it calm as thou.

No look of thine can change this smile,

Or break thy sinful vow:

I tell thee that my poor scorn’d heart

Is of thine earth--thine earth--a part:

It cannot vex thee now.

I have pray’d for thee with bursting sob

When passion’s course was free;

I have pray’d for thee with silent lips

In the anguish none could see;

They whisper’d oft, ‘She sleepeth soft’--

But I only pray’d for thee.

Go to! I pray for thee no more:

The corpse’s tongue is still;

Its folded fingers point to heaven,

But point there stiff and chill:

No farther wrong, no farther woe

Hath licence from the sin below

Its tranquil heart to thrill.

I charge thee, by the living’s prayer,

And the dead’s silentness,

To wring from out thy soul a cry

Which God shall hear and bless!

Lest Heaven’s own palm droop in my hand,

And pale among the saints I stand,

A saint companionless.

_679._ _The Deserted Garden_

I mind me in the days departed,

How often underneath the sun

With childish bounds I used to run

To a garden long deserted.

The beds and walks were vanish’d quite;

And wheresoe’er had struck the spade,

The greenest grasses Nature laid,

To sanctify her right.

I call’d the place my wilderness,

For no one enter’d there but I.

The sheep look’d in, the grass to espy,

And pass’d it ne’ertheless.

The trees were interwoven wild,

And spread their boughs enough about

To keep both sheep and shepherd out,

But not a happy child.

Adventurous joy it was for me;

I crept beneath the boughs, and found

A circle smooth of mossy ground

Beneath a poplar-tree.

Old garden rose-trees hedged it in;

Bedropt with roses waxen-white,

Well satisfied with dew and light,

And careless to be seen.

Long years ago, it might befall,

When all the garden flowers were trim,

The grave old gardener prided him

On these the most of all.

Some Lady, stately overmuch,

Here moving with a silken noise,

Has blush’d beside them at the voice

That liken’d her to such.

Or these, to make a diadem,

She often may have pluck’d and twined;

Half-smiling as it came to mind,

That few would look at _them_.

O, little thought that Lady proud,

A child would watch her fair white rose,

When buried lay her whiter brows,

And silk was changed for shroud!--

Nor thought that gardener (full of scorns

For men unlearn’d and simple phrase)

A child would bring it all its praise,

By creeping through the thorns!

To me upon my low moss seat,

Though never a dream the roses sent

Of science or love’s compliment,

I ween they smelt as sweet.

It did not move my grief to see

The trace of human step departed:

Because the garden was deserted,

The blither place for me!

Friends, blame me not! a narrow ken

Hath childhood ’twixt the sun and sward;

We draw the moral afterward--

We feel the gladness then.

And gladdest hours for me did glide

In silence at the rose-tree wall:

A thrush made gladness musical

Upon the other side.

Nor he nor I did e’er incline

To peck or pluck the blossoms white:--

How should I know but that they might

Lead lives as glad as mine?

To make my hermit-home complete,

I brought clear water from the spring

Praised in its own low murmuring,

And cresses glossy wet.

And so, I thought, my likeness grew

(Without the melancholy tale)

To ‘gentle hermit of the dale,’

And Angelina too.

For oft I read within my nook

Such minstrel stories; till the breeze

Made sounds poetic in the trees,

And then I shut the book.

If I shut this wherein I write,

I hear no more the wind athwart

Those trees, nor feel that childish heart

Delighting in delight.

My childhood from my life is parted,

My footstep from the moss which drew

Its fairy circle round: anew

The garden is deserted.

Another thrush may there rehearse

The madrigals which sweetest are;

No more for me!--myself afar

Do sing a sadder verse.

Ah me! ah me! when erst I lay

In that child’s-nest so greenly wrought,

I laugh’d unto myself and thought,

‘The time will pass away.’

And still I laugh’d, and did not fear

But that, whene’er was pass’d away

The childish time, some happier play

My womanhood would cheer.

I knew the time would pass away;

And yet, beside the rose-tree wall,

Dear God, how seldom, if at all,

Did I look up to pray!

The time is past: and now that grows

The cypress high among the trees,

And I behold white sepulchres

As well as the white rose,--

When wiser, meeker thoughts are given,

And I have learnt to lift my face,

Reminded how earth’s greenest place

The colour draws from heaven,--

It something saith for earthly pain,

But more for heavenly promise free,

That I who was, would shrink to be

That happy child again.

_680._ _Consolation_

All are not taken; there are left behind

Living Belovèds, tender looks to bring

And make the daylight still a happy thing,

And tender voices, to make soft the wind:

But if it were not so--if I could find

No love in all this world for comforting,

Nor any path but hollowly did ring

Where ‘dust to dust’ the love from life disjoin’d,

And if, before those sepulchres unmoving

I stood alone (as some forsaken lamb

Goes bleating up the moors in weary dearth)

Crying ‘Where are ye, O my loved and loving?’--

I know a voice would sound, ‘Daughter, I AM.

Can I suffice for Heaven and not for earth?’

_681._ _Grief_

I tell you, hopeless grief is passionless;

That only men incredulous of despair,

Half-taught in anguish, through the midnight air

Beat upward to God’s throne in loud access

Of shrieking and reproach. Full desertness

In souls as countries lieth silent-bare

Under the blanching, vertical eye-glare

Of the absolute Heavens. Deep-hearted man, express

Grief for thy Dead in silence like to death--

Most like a monumental statue set

In everlasting watch and moveless woe

Till itself crumble to the dust beneath.

Touch it; the marble eyelids are not wet:

If it could weep, it could arise and go.

_Sonnets from the Portuguese_

_682._ _i_

I thought once how Theocritus had sung

Of the sweet years, the dear and wish’d-for years,

Who each one in a gracious hand appears

To bear a gift for mortals old or young:

And, as I mused it in his antique tongue,

I saw in gradual vision through my tears

The sweet, sad years, the melancholy years--

Those of my own life, who by turns had flung

A shadow across me. Straightway I was ’ware,

So weeping, how a mystic Shape did move

Behind me, and drew me backward by the hair;

And a voice said in mastery, while I strove,

‘Guess now who holds thee?’--‘Death’ I said. But there

The silver answer rang--'Not Death, but Love.’

_683._ _ii_

Unlike are we, unlike, O princely Heart!

Unlike our uses and our destinies.

Our ministering two angels look surprise

On one another, as they strike athwart

Their wings in passing. Thou, bethink thee, art

A guest for queens to social pageantries,

With gages from a hundred brighter eyes

Than tears even can make mine, to play thy part

Of chief musician. What hast thou to do

With looking from the lattice-lights at me--

A poor, tired, wandering singer, singing through

The dark, and leaning up a cypress tree?

The chrism is on thine head--on mine the dew--

And Death must dig the level where these agree.

_684._ _iii_

Go from me. Yet I feel that I shall stand

Henceforward in thy shadow. Nevermore

Alone upon the threshold of my door

Of individual life I shall command

The uses of my soul, nor lift my hand

Serenely in the sunshine as before,

Without the sense of that which I forbore--

Thy touch upon the palm. The widest land

Doom takes to part us, leaves thy heart in mine

With pulses that beat double. What I do

And what I dream include thee, as the wine

Must taste of its own grapes. And when I sue

God for myself, He hears that name of thine,

And sees within my eyes the tears of two.

_685._ _iv_

If thou must love me, let it be for naught

Except for love’s sake only. Do not say,

‘I love her for her smile--her look--her way

Of speaking gently,--for a trick of thought

That falls in well with mine, and certes brought

A sense of pleasant ease on such a day--

For these things in themselves, Belovèd, may

Be changed, or change for thee--and love, so wrought,

May be unwrought so. Neither love me for

Thine own dear pity’s wiping my cheeks dry:

A creature might forget to weep, who bore

Thy comfort long, and lose thy love thereby!

But love me for love’s sake, that evermore

Thou mayst love on, through love’s eternity.

_686._ _v_

When our two souls stand up erect and strong,

Face to face, silent, drawing nigh and nigher,

Until the lengthening wings break into fire

At either curving point,--what bitter wrong

Can the earth do us, that we should not long

Be here contented? Think! In mounting higher,

The angels would press on us, and aspire

To drop some golden orb of perfect song

Into our deep, dear silence. Let us stay

Rather on earth, Belovèd--where the unfit

Contrarious moods of men recoil away

And isolate pure spirits, and permit

A place to stand and love in for a day,

With darkness and the death-hour rounding it.

_687._ _A Musical Instrument_

What was he doing, the great god Pan,

Down in the reeds by the river?

Spreading ruin and scattering ban,

Splashing and paddling with hoofs of a goat,

And breaking the golden lilies afloat

With the dragon-fly on the river.

He tore out a reed, the great god Pan,

From the deep cool bed of the river;

The limpid water turbidly ran,

And the broken lilies a-dying lay,

And the dragon-fly had fled away,

Ere he brought it out of the river.

High on the shore sat the great god Pan,

While turbidly flow’d the river;

And hack’d and hew’d as a great god can

With his hard bleak steel at the patient reed,

Till there was not a sign of the leaf indeed

To prove it fresh from the river.

He cut it short, did the great god Pan

(How tall it stood in the river!),

Then drew the pith, like the heart of a man,

Steadily from the outside ring,

And notch’d the poor dry empty thing

In holes, as he sat by the river.

‘This is the way’ laugh’d the great god Pan

(Laugh’d while he sat by the river),

‘The only way, since gods began

To make sweet music, they could succeed.’

Then dropping his mouth to a hole in the reed,

He blew in power by the river.

Sweet, sweet, sweet, O Pan!

Piercing sweet by the river!

Blinding sweet, O great god Pan!

The sun on the hill forgot to die,

And the lilies revived, and the dragon-fly

Came back to dream on the river.

Yet half a beast is the great god Pan,

To laugh as he sits by the river,

Making a poet out of a man:

The true gods sigh for the cost and pain--

For the reed which grows nevermore again

As a reed with the reeds of the river.

FREDERICK TENNYSON

1807-1898

_688._ _The Holy Tide_

The days are sad, it is the Holy tide.

The Winter morn is short, the Night is long;

So let the lifeless Hours be glorified

With deathless thoughts and echo’d in sweet song:

And through the sunset of this purple cup

They will resume the roses of their prime,

And the old Dead will hear us and wake up,

Pass with dim smiles and make our hearts sublime!

The days are sad, it is the Holy tide:

Be dusky mistletoes and hollies strown,

Sharp as the spear that pierced His sacred side,

Red as the drops upon His thorny crown;

No haggard Passion and no lawless Mirth

Fright off the solemn Muse,--tell sweet old tales,

Sing songs as we sit brooding o’er the hearth,

Till the lamp flickers, and the memory fails.

HENRY WADSWORTH LONGFELLOW

1807-1882

_689._ _My Lost Youth_

Often I think of the beautiful town

That is seated by the sea;

Often in thought go up and down

The pleasant streets of that dear old town,

And my youth comes back to me.

And a verse of a Lapland song

Is haunting my memory still:

‘A boy’s will is the wind’s will,

And the thoughts of youth are long, long thoughts.’

I can see the shadowy lines of its trees,

And catch, in sudden gleams,

The sheen of the far-surrounding seas,

And islands that were the Hesperides

Of all my boyish dreams.

And the burden of that old song,

It murmurs and whispers still:

‘A Boy’s will is the wind’s will,

And the thoughts of youth are long, long thoughts.’

I remember the black wharves and the slips,

And the sea-tides tossing free;

And Spanish sailors with bearded lips,

And the beauty and mystery of the ships,

And the magic of the sea.

And the voice of that wayward song

Is singing and saying still:

‘A boy’s will is the wind’s will,

And the thoughts of youth are long, long thoughts.’

I remember the bulwarks by the shore,

And the fort upon the hill;

The sunrise gun with its hollow roar,

The drum-beat repeated o’er and o’er,

And the bugle wild and shrill.

And the music of that old song

Throbs in my memory still:

‘A boy’s will is the wind’s will,

And the thoughts of youth are long, long thoughts.’

I remember the sea-fight far away,

How it thunder’d o’er the tide!

And the dead sea-captains, as they lay

In their graves o’erlooking the tranquil bay

Where they in battle died.

And the sound of that mournful song

Goes through me with a thrill:

‘A boy’s will is the wind’s will,

And the thoughts of youth are long, long thoughts.’

I can see the breezy dome of groves,

The shadows of Deering’s woods;

And the friendships old and the early loves

Come back with a Sabbath sound, as of doves

In quiet neighbourhoods.

And the verse of that sweet old song,

It flutters and murmurs still:

‘A boy’s will is the wind’s will,

And the thoughts of youth are long, long thoughts.’

I remember the gleams and glooms that dart

Across the schoolboy’s brain;

The song and the silence in the heart,

That in part are prophecies, and in part

Are longings wild and vain.

And the voice of that fitful song

Sings on, and is never still:

‘A boy’s will is the wind’s will,

And the thoughts of youth are long, long thoughts.’

There are things of which I may not speak;

There are dreams that cannot die;

There are thoughts that make the strong heart weak,

And bring a pallor into the cheek,

And a mist before the eye.

And the words of that fatal song

Come over me like a chill:

‘A boy’s will is the wind’s will,

And the thoughts of youth are long, long thoughts.’

Strange to me now are the forms I meet

When I visit the dear old town;

But the native air is pure and sweet,

And the trees that o’ershadow each well-known street,

As they balance up and down,

Are singing the beautiful song,

Are sighing and whispering still:

‘A boy’s will is the wind’s will,

And the thoughts of youth are long, long thoughts.’

And Deering’s woods are fresh and fair,

And with joy that is almost pain

My heart goes back to wander there,

And among the dreams of the days that were

I find my lost youth again.

And the strange and beautiful song,

The groves are repeating it still:

‘A boy’s will is the wind’s will,

And the thoughts of youth are long, long thoughts.’

JOHN GREENLEAF WHITTIER

1807-1892

_690._ _Vesta_

O Christ of God! whose life and death

Our own have reconciled,

Most quietly, most tenderly

Take home thy star-named child!

Thy grace is in her patient eyes,

Thy words are on her tongue;

The very silence round her seems

As if the angels sung.

Her smile is as a listening child’s

Who hears its mother’s call;

The lilies of Thy perfect peace

About her pillow fall.

She leans from out our clinging arms

To rest herself in Thine;

Alone to Thee, dear Lord, can we

Our well-beloved resign.

O, less for her than for ourselves

We bow our heads and pray;

Her setting star, like Bethlehem’s,

To Thee shall point the way!

HELEN SELINA, LADY DUFFERIN

1807-1867

_691._ _Lament of the Irish Emigrant_

I’m sittin’ on the stile, Mary,

Where we sat side by side

On a bright May mornin’ long ago,

When first you were my bride;

The corn was springin’ fresh and green,

And the lark sang loud and high--

And the red was on your lip, Mary,

And the love-light in your eye.

The place is little changed, Mary,

The day is bright as then,

The lark’s loud song is in my ear,

And the corn is green again;

But I miss the soft clasp of your hand,

And your breath warm on my cheek,

And I still keep list’ning for the words

You never more will speak.

’Tis but a step down yonder lane,

And the little church stands near,

The church where we were wed, Mary,

I see the spire from here.

But the graveyard lies between, Mary,

And my step might break your rest--

For I’ve laid you, darling! down to sleep,

With your baby on your breast.

I’m very lonely now, Mary,

For the poor make no new friends,

But, O, they love the better still,

The few our Father sends!

And you were all _I_ had, Mary,

My blessin’ and my pride:

There’s nothin’ left to care for now,

Since my poor Mary died.

Yours was the good, brave heart, Mary,

That still kept hoping on,

When the trust in God had left my soul,

And my arm’s young strength was gone:

There was comfort ever on your lip,

And the kind look on your brow--

I bless you, Mary, for that same,

Though you cannot hear me now.

I thank you for the patient smile

When your heart was fit to break,

When the hunger pain was gnawin’ there,

And you hid it, for my sake!

I bless you for the pleasant word,

When your heart was sad and sore--

O, I’m thankful you are gone, Mary,

Where grief can’t reach you more!

I’m biddin’ you a long farewell,

My Mary--kind and true!

But I’ll not forget you, darling!

In the land I’m goin’ to;

They say there’s bread and work for all,

And the sun shines always there--

But I’ll not forget old Ireland,

Were it fifty times as fair!

And often in those grand old woods

I’ll sit, and shut my eyes,

And my heart will travel back again

To the place where Mary lies;

And I’ll think I see the little stile

Where we sat side by side:

And the springin’ corn, and the bright May morn,

When first you were my bride.

CAROLINE ELIZABETH SARAH NORTON

1808-1876

_692._ _I do not love Thee_

I do not love thee!--no! I do not love thee!

And yet when thou art absent I am sad;

And envy even the bright blue sky above thee,

Whose quiet stars may see thee and be glad.

I do not love thee!--yet, I know not why,

Whate’er thou dost seems still well done, to me:

And often in my solitude I sigh

That those I do love are not more like thee!

I do not love thee!--yet, when thou art gone,

I hate the sound (though those who speak be dear)

Which breaks the lingering echo of the tone

Thy voice of music leaves upon my ear.

I do not love thee!--yet thy speaking eyes,

With their deep, bright, and most expressive blue,

Between me and the midnight heaven arise,

Oftener than any eyes I ever knew.

I know I do not love thee! yet, alas!

Others will scarcely trust my candid heart;

And oft I catch them smiling as they pass,

Because they see me gazing where thou art.

CHARLES TENNYSON TURNER

1808-1879

_693._ _Letty’s Globe_

When Letty had scarce pass’d her third glad year,

And her young artless words began to flow,

One day we gave the child a colour’d sphere

Of the wide earth, that she might mark and know,

By tint and outline, all its sea and land.

She patted all the world; old empires peep’d

Between her baby fingers; her soft hand

Was welcome at all frontiers. How she leap’d,

And laugh’d and prattled in her world-wide bliss;

But when we turn’d her sweet unlearnèd eye

On our own isle, she raised a joyous cry--

‘Oh! yes, I see it, Letty’s home is there!’

And while she hid all England with a kiss,

Bright over Europe fell her golden hair.

EDGAR ALLAN POE

1809-1849

_694._ _To Helen_

Helen, thy beauty is to me

Like those Nicèan barks of yore

That gently, o’er a perfumed sea,

The weary way-worn wanderer bore

To his own native shore.

On desperate seas long wont to roam,

Thy hyacinth hair, thy classic face,

Thy Naiad airs have brought me home

To the glory that was Greece,

And the grandeur that was Rome.

Lo, in yon brilliant window-niche

How statue-like I see thee stand,

The agate lamp within thy hand,

Ah! Psyche, from the regions which

Are holy land!

_695._ _Annabel Lee_

It was many and many a year ago,

In a kingdom by the sea,

That a maiden there lived whom you may know

By the name of Annabel Lee.

And this maiden she lived with no other thought

Than to love and be loved by me.

I was a child and she was a child

In this kingdom by the sea:

But we loved with a love that was more than love--

I and my Annabel Lee,

With a love that the wingèd seraphs of heaven

Coveted her and me.

And this was the reason that, long ago,

In this kingdom by the sea,

A wind blew out of a cloud, chilling

My beautiful Annabel Lee,

So that her high-born kinsmen came

And bore her away from me,

To shut her up in a sepulchre

In this kingdom by the sea.

The angels, not half so happy in heaven,

Went envying her and me--

Yes! that was the reason (as all men know,

In this kingdom by the sea)

That the wind came out of the cloud one night,

Chilling and killing my Annabel Lee.

But our love it was stronger by far than the love

Of those who were older than we--

Of many far wiser than we--

And neither the angels in heaven above,

Nor the demons down under the sea,

Can ever dissever my soul from the soul

Of the beautiful Annabel Lee:

For the moon never beams without bringing me dreams

Of the beautiful Annabel Lee;

And the stars never rise, but I feel the bright eyes

Of the beautiful Annabel Lee;

And so, all the night-tide, I lie down by the side

Of my darling--my darling--my life and my bride,

In the sepulchre there by the sea,

In her tomb by the sounding sea.

_696._ _For Annie_

Thank Heaven! the crisis--

The danger is past,

And the lingering illness

Is over at last--

And the fever called ‘Living’

Is conquer’d at last.

Sadly, I know

I am shorn of my strength,

And no muscle I move

As I lie at full length:

But no matter--I feel

I am better at length.

And I rest so composedly

Now, in my bed,

That any beholder

Might fancy me dead--

Might start at beholding me,

Thinking me dead.

The moaning and groaning,

The sighing and sobbing,

Are quieted now,

With that horrible throbbing

At heart--ah, that horrible,

Horrible throbbing!

The sickness--the nausea--

The pitiless pain--

Have ceased, with the fever

That madden’d my brain--

With the fever called ‘Living’

That burn’d in my brain.

And O! of all tortures

That torture the worst

Has abated--the terrible

Torture of thirst

For the naphthaline river

Of Passion accurst--

I have drunk of a water

That quenches all thirst.

--Of a water that flows,

With a lullaby sound,

From a spring but a very few

Feet under ground--

From a cavern not very far

Down under ground.

And ah! let it never

Be foolishly said

That my room it is gloomy,

And narrow my bed;

For man never slept

In a different bed--

And, to _sleep_, you must slumber

In just such a bed.

My tantalized spirit

Here blandly reposes,

Forgetting, or never

Regretting its roses--

Its old agitations

Of myrtles and roses:

For now, while so quietly

Lying, it fancies

A holier odour

About it, of pansies--

A rosemary odour,

Commingled with pansies--

With rue and the beautiful

Puritan pansies.

And so it lies happily,

Bathing in many

A dream of the truth

And the beauty of Annie--

Drown’d in a bath

Of the tresses of Annie.

She tenderly kiss’d me,

She fondly caress’d,

And then I fell gently

To sleep on her breast--

Deeply to sleep

From the heaven of her breast.

When the light was extinguish’d,

She cover’d me warm,

And she pray’d to the angels

To keep me from harm--

To the queen of the angels

To shield me from harm.

And I lie so composedly,

Now, in my bed

(Knowing her love),

That you fancy me dead--

And I rest so contentedly,

Now, in my bed

(With her love at my breast),

That you fancy me dead--

That you shudder to look at me,

Thinking me dead.

But my heart it is brighter

Than all of the many

Stars in the sky,

For it sparkles with Annie--

It glows with the light

Of the love of my Annie--

With the thought of the light

Of the eyes of my Annie.

EDWARD FITZGERALD

1809-1883

_697._ _Old Song_

’Tis a dull sight

To see the year dying,

When winter winds

Set the yellow wood sighing:

Sighing, O sighing!

When such a time cometh

I do retire

Into an old room

Beside a bright fire:

O, pile a bright fire!

And there I sit

Reading old things,

Of knights and lorn damsels,

While the wind sings--

O, drearily sings!

I never look out

Nor attend to the blast;

For all to be seen

Is the leaves falling fast:

Falling, falling!

But close at the hearth,

Like a cricket, sit I,

Reading of summer

And chivalry--

Gallant chivalry!

Then with an old friend

I talk of our youth--

How ’twas gladsome, but often

Foolish, forsooth:

But gladsome, gladsome!

Or, to get merry,

We sing some old rhyme

That made the wood ring again

In summer time--

Sweet summer time!

Then go we smoking,

Silent and snug:

Naught passes between us,

Save a brown jug--

Sometimes!

And sometimes a tear

Will rise in each eye,

Seeing the two old friends

So merrily--

So merrily!

And ere to bed

Go we, go we,

Down on the ashes

We kneel on the knee,

Praying together!

Thus, then, live I

Till, ’mid all the gloom,

By Heaven! the bold sun

Is with me in the room

Shining, shining!

Then the clouds part,

Swallows soaring between;

The spring is alive,

And the meadows are green!

I jump up like mad,

Break the old pipe in twain,

And away to the meadows,

The meadows again!

_698._ _From Omar Khayyám_

I

A Book of Verses underneath the Bough,

A Jug of Wine, a Loaf of Bread--and Thou

Beside me singing in the Wilderness--

O. Wilderness were Paradise enow!

Some for the Glories of This World; and some

Sigh for the Prophet’s Paradise to come;

Ah, take the Cash, and let the Credit go,

Nor heed the rumble of a distant Drum!

Look to the blowing Rose about us--‘Lo,

Laughing,’ she says, ‘into the world I blow,

At once the silken tassel of my Purse

Tear, and its Treasure on the Garden throw.’

And those who husbanded the Golden grain

And those who flung it to the winds like Rain

Alike to no such aureate Earth are turn’d

As, buried once, Men want dug up again.

II

Think, in this batter’d Caravanserai

Whose Portals are alternate Night and Day,

How Sultán after Sultán with his Pomp

Abode his destined Hour, and went his way.

They say the Lion and the Lizard keep

The Courts where Jamshyd gloried and drank deep:

And Bahrám, that great Hunter--the wild Ass

Stamps o’er his Head, but cannot break his Sleep.

I sometimes think that never blows so red

The Rose as where some buried Cæsar bled;

That every Hyacinth the Garden wears

Dropt in her Lap from some once lovely Head.

And this reviving Herb whose tender Green

Fledges the River-Lip on which we lean--

Ah, lean upon it lightly! for who knows

From what once lovely Lip it springs unseen!

Ah, my Belovèd, fill the Cup that clears

TO-DAY of past Regrets and Future Fears:

_To-morrow!_--Why, To-morrow I may be

Myself with Yesterday’s Sev’n thousand Years.

For some we loved, the loveliest and the best

That from his Vintage rolling Time hath prest,

Have drunk their Cup a Round or two before,

And one by one crept silently to rest.

And we, that now make merry in the Room

They left, and Summer dresses in new bloom,

Ourselves must we beneath the Couch of Earth

Descend--ourselves to make a Couch--for whom?

Ah, make the most of what we yet may spend,

Before we too into the Dust descend;

Dust unto Dust, and under Dust to lie,

Sans Wine, sans Song, sans Singer, and--sans End!

III

Ah, with the Grape my fading Life provide,

And wash my Body whence the Life has died,

And lay me, shrouded in the living Leaf,

By some not unfrequented Garden-side....

Yon rising Moon that looks for us again--

How oft hereafter will she wax and wane;

How oft hereafter rising look for us

Through this same Garden--and for _one_ in vain!

And when like her, O Sákí, you shall pass

Among the Guests star-scatter’d on the Grass,

And in your joyous errand reach the spot

Where I made One--turn down an empty Glass!

ALFRED TENNYSON, LORD TENNYSON

1809-1892

_699._ _Mariana_

With blackest moss the flower-plots

Were thickly crusted, one and all:

The rusted nails fell from the knots

That held the pear to the gable-wall.

The broken sheds look’d sad and strange:

Unlifted was the clinking latch;

Weeded and worn the ancient thatch

Upon the lonely moated grange.

She only said, ‘My life is dreary,

He cometh not,’ she said;

She said, ‘I am aweary, aweary,

I would that I were dead!’

Her tears fell with the dews at even;

Her tears fell ere the dews were dried;

She could not look on the sweet heaven,

Either at morn or eventide.

After the flitting of the bats,

When thickest dark did trance the sky,

She drew her casement-curtain by,

And glanced athwart the glooming flats.

She only said, ‘The night is dreary,

He cometh not,’ she said;

She said, ‘I am aweary, aweary,

I would that I were dead!’

Upon the middle of the night,

Waking she heard the night-fowl crow:

The cock sung out an hour ere light:

From the dark fen the oxen’s low

Came to her: without hope of change,

In sleep she seem’d to walk forlorn,

Till cold winds woke the gray-eyed morn

About the lonely moated grange.

She only said, ‘The day is dreary,

He cometh not,’ she said;

She said, ‘I am aweary, aweary,

I would that I were dead!’

About a stone-cast from the wall

A sluice with blacken’d waters slept,

And o’er it many, round and small,

The cluster’d marish-mosses crept.

Hard by a poplar shook alway,

All silver-green with gnarlèd bark:

For leagues no other tree did mark

The level waste, the rounding gray.

She only said, ‘My life is dreary,

He cometh not,’ she said;

She said, ‘I am aweary, aweary,

I would that I were dead!’

And ever when the moon was low,

And the shrill winds were up and away,

In the white curtain, to and fro,

She saw the gusty shadow sway.

But when the moon was very low,

And wild winds bound within their cell,

The shadow of the poplar fell

Upon her bed, across her brow.

She only said, ‘The night is dreary,

He cometh not,’ she said;

She said, ‘I am aweary, aweary,

I would that I were dead!’

All day within the dreamy house,

The doors upon their hinges creak’d;

The blue fly sung in the pane; the mouse

Behind the mouldering wainscot shriek’d,

Or from the crevice peer’d about.

Old faces glimmer’d thro’ the doors,

Old footsteps trod the upper floors,

Old voices call’d her from without.

She only said, ‘My life is dreary,

He cometh not,’ she said;

She said, ‘I am aweary, aweary,’

I would that I were dead!’

The sparrow’s chirrup on the roof,

The slow clock ticking, and the sound

Which to the wooing wind aloof

The poplar made, did all confound

Her sense; but most she loathed the hour

When the thick-moted sunbeam lay

Athwart the chambers, and the day

Was sloping toward his western bower.

Then, said she, ‘I am very dreary,

He will not come,’ she said;

She wept, ‘I am aweary, aweary,

O God, that I were dead!’

_700.__The Lady of Shalott_

PART I

On either side the river lie

Long fields of barley and of rye,

That clothe the wold and meet the sky;

And thro’ the field the road runs by

To many-tower’d Camelot;

And up and down the people go,

Gazing where the lilies blow

Round an island there below,

The island of Shalott.

Willows whiten, aspens quiver,

Little breezes dusk and shiver

Thro’ the wave that runs for ever

By the island in the river

Flowing down to Camelot.

Four gray walls, and four gray towers,

Overlook a space of flowers,

And the silent isle imbowers

The Lady of Shalott.

By the margin, willow-veil’d,

Slide the heavy barges trail’d

By slow horses; and unhail’d

The shallop flitteth silken-sail’d

Skimming down to Camelot:

But who hath seen her wave her hand?

Or at the casement seen her stand?

Or is she known in all the land,

The Lady of Shalott?

Only reapers, reaping early

In among the bearded barley,

Hear a song that echoes cheerly

From the river winding clearly,

Down to tower’d Camelot:

And by the moon the reaper weary,

Piling sheaves in uplands airy,

Listening, whispers ‘’Tis the fairy

Lady of Shalott.’

PART II

There she weaves by night and day

A magic web with colours gay.

She has heard a whisper say,

A curse is on her if she stay

To look down to Camelot.

She knows not what the curse may be,

And so she weaveth steadily,

And little other care hath she,

The Lady of Shalott.

And moving thro’ a mirror clear

That hangs before her all the year,

Shadows of the world appear.

There she sees the highway near

Winding down to Camelot:

There the river eddy whirls,

And there the surly village-churls,

And the red cloaks of market girls,

Pass onward from Shalott.

Sometimes a troop of damsels glad,

An abbot on an ambling pad,

Sometimes a curly shepherd-lad,

Or long-hair’d page in crimson clad,

Goes by to tower’d Camelot;

And sometimes thro’ the mirror blue

The knights come riding two and two:

She hath no loyal knight and true,

The Lady of Shalott.

But in her web she still delights

To weave the mirror’s magic sights,

For often thro’ the silent nights

A funeral, with plumes and lights,

And music, went to Camelot:

Or when the moon was overhead,

Came two young lovers lately wed;

‘I am half sick of shadows,’ said

The Lady of Shalott.

PART III

A bow-shot from her bower-eaves,

He rode between the barley-sheaves,

The sun came dazzling thro’ the leaves,

And flamed upon the brazen greaves

Of bold Sir Lancelot.

A red-cross knight for ever kneel’d

To a lady in his shield,

That sparkled on the yellow field,

Beside remote Shalott.

The gemmy bridle glitter’d free,

Like to some branch of stars we see

Hung in the golden Galaxy.

The bridle bells rang merrily

As he rode down to Camelot;

And from his blazon’d baldric slung

A mighty silver bugle hung,

And as he rode his armour rung,

Beside remote Shalott.

All in the blue unclouded weather

Thick-jewell’d shone the saddle-leather,

The helmet and the helmet-feather

Burn’d like one burning flame together,

As he rode down to Camelot.

As often thro’ the purple night,

Below the starry clusters bright,

Some bearded meteor, trailing light,

Moves over still Shalott.

His broad clear brow in sunlight glow’d;

On burnish’d hooves his war-horse trode;

From underneath his helmet flow’d

His coal-black curls as on he rode,

As he rode down to Camelot.

From the bank and from the river

He flash’d into the crystal mirror,

‘Tirra lirra,’ by the river

Sang Sir Lancelot.

She left the web, she left the loom,

She made three paces thro’ the room,

She saw the water-lily bloom,

She saw the helmet and the plume,

She look’d down to Camelot.

Out flew the web and floated wide;

The mirror crack’d from side to side;

‘The curse is come upon me!’ cried

The Lady of Shalott.

PART IV

In the stormy east-wind straining,

The pale yellow woods were waning,

The broad stream in his banks complaining,

Heavily the low sky raining

Over tower’d Camelot;

Down she came and found a boat

Beneath a willow left afloat,

And round about the prow she wrote

_The Lady of Shalott_.

And down the river’s dim expanse--

Like some bold seer in a trance,

Seeing all his own mischance--

With a glassy countenance

Did she look to Camelot.

And at the closing of the day

She loosed the chain, and down she lay;

The broad stream bore her far away,

The Lady of Shalott.

Lying, robed in snowy white

That loosely flew to left and right--

The leaves upon her falling light--

Thro’ the noises of the night

She floated down to Camelot;

And as the boat-head wound along

The willowy hills and fields among,

They heard her singing her last song,

The Lady of Shalott.

Heard a carol, mournful, holy,

Chanted loudly, chanted lowly,

Till her blood was frozen slowly,

And her eyes were darkened wholly,

Turn’d to tower’d Camelot;

For ere she reach’d upon the tide

The first house by the water-side,

Singing in her song she died,

The Lady of Shalott.

Under tower and balcony,

By garden-wall and gallery,

A gleaming shape she floated by,

Dead-pale between the houses high,

Silent into Camelot.

Out upon the wharfs they came,

Knight and burgher, lord and dame,

And round the prow they read her name,

_The Lady of Shalott_.

Who is this? and what is here?

And in the lighted palace near

Died the sound of royal cheer;

And they cross’d themselves for fear,

All the knights at Camelot:

But Lancelot mused a little space;

He said, ‘She has a lovely face;

God in His mercy lend her grace,

The Lady of Shalott.’

_701._ _The Miller’s Daughter_

It is the miller’s daughter,

And she is grown so dear, so dear,

That I would be the jewel

That trembles in her ear:

For hid in ringlets day and night,

I’d touch her neck so warm and white.

And I would be the girdle

About her dainty dainty waist,

And her heart would beat against me,

In sorrow and in rest:

And I should know if it beat right,

I’d clasp it round so close and tight.

And I would be the necklace,

And all day long to fall and rise

Upon her balmy bosom,

With her laughter or her sighs:

And I would lie so light, so light,

I scarce should be unclasp’d at night.

_702._ _Song of the Lotos-Eaters_

There is sweet music here that softer falls

Than petals from blown roses on the grass,

Or night-dews on still waters between walls

Of shadowy granite, in a gleaming pass;

Music that gentlier on the spirit lies,

Than tired eyelids upon tired eyes;

Music that brings sweet sleep down from the blissful skies.

Here are cool mosses deep,

And thro’ the moss the ivies creep,

And in the stream the long-leaved flowers weep,

And from the craggy ledge the poppy hangs in sleep.

Why are we weigh’d upon with heaviness,

And utterly consumed with sharp distress,

While all things else have rest from weariness?

All things have rest: why should we toil alone,

We only toil, who are the first of things,

And make perpetual moan,

Still from one sorrow to another thrown:

Nor ever fold our wings,

And cease from wanderings,

Nor steep our brows in slumber’s holy balm;

Nor harken what the inner spirit sings,

‘There is no joy but calm!’--

Why should we only toil, the roof and crown of things?

Lo! in the middle of the wood,

The folded leaf is woo’d from out the bud

With winds upon the branch, and there

Grows green and broad, and takes no care,

Sun-steep’d at noon, and in the moon

Nightly dew-fed; and turning yellow

Falls, and floats adown the air.

Lo! sweeten’d with the summer light,

The full-juiced apple, waxing over-mellow,

Drops in a silent autumn night.

All its allotted length of days,

The flower ripens in its place,

Ripens and fades, and falls, and hath no toil,

Fast-rooted in the fruitful soil.

Hateful is the dark-blue sky,

Vaulted o’er the dark-blue sea.

Death is the end of life; ah, why

Should life all labour be?

Let us alone. Time driveth onward fast,

And in a little while our lips are dumb.

Let us alone. What is it that will last?

All things are taken from us, and become

Portions and parcels of the dreadful Past.

Let us alone. What pleasure can we have

To war with evil? Is there any peace

In ever climbing up the climbing wave?

All things have rest, and ripen toward the grave

In silence; ripen, fall and cease:

Give us long rest or death, dark death, or dreamful ease.

How sweet it were, hearing the downward stream,

With half-shut eyes ever to seem

Falling asleep in a half-dream!

To dream and dream, like yonder amber light,

Which will not leave the myrrh-bush on the height;

To hear each other’s whisper’d speech;

Eating the Lotos day by day,

To watch the crisping ripples on the beach,

And tender curving lines of creamy spray;

To lend our hearts and spirits wholly

To the influence of mild-minded melancholy;

To muse and brood and live again in memory,

With those old faces of our infancy

Heap’d over with a mound of grass,

Two handfuls of white dust, shut in an urn of brass!

Dear is the memory of our wedded lives,

And dear the last embraces of our wives

And their warm tears: but all hath suffer’d change;

For surely now our household hearths are cold:

Our sons inherit us: our looks are strange:

And we should come like ghosts to trouble joy.

Or else the island princes over-bold

Have eat our substance, and the minstrel sings

Before them of the ten years’ war in Troy,

And our great deeds, as half-forgotten things.

Is there confusion in the little isle?

Let what is broken so remain.

The Gods are hard to reconcile:

’Tis hard to settle order once again.

There _is_ confusion worse than death,

Trouble on trouble, pain on pain,

Long labour unto agèd breath,

Sore task to hearts worn out with many wars

And eyes grown dim with gazing on the pilot-stars.

But, propt on beds of amaranth and moly,

How sweet (while warm airs lull us, blowing lowly)

With half-dropt eyelids still,

Beneath a heaven dark and holy,

To watch the long bright river drawing slowly

His waters from the purple hill--

To hear the dewy echoes calling

From cave to cave thro’ the thick-twinèd vine--

To watch the emerald-colour’d water falling

Thro’ many a wov’n acanthus-wreath divine!

Only to hear and see the far-off sparkling brine,

Only to hear were sweet, stretch’d out beneath the pine.

The Lotos blooms below the barren peak:

The Lotos blows by every winding creek:

All day the wind breathes low with mellower tone:

Thro’ every hollow cave and alley lone

Round and round the spicy downs the yellow Lotos-dust is blown.

We have had enough of action, and of motion we,

Roll’d to starboard, roll’d to larboard, when the surge was seething free,

Where the wallowing monster spouted his foam-fountains in the sea.

Let us swear an oath, and keep it with an equal mind,

In the hollow Lotos-land to live and lie reclined

On the hills like Gods together, careless of mankind.

For they lie beside their nectar, and the bolts are hurl’d

Far below them in the valleys, and the clouds are lightly curl’d

Round their golden houses, girdled with the gleaming world:

Where they smile in secret, looking over wasted lands,

Blight and famine, plague and earthquake, roaring deeps and fiery sands,

Clanging fights, and flaming towns, and sinking ships, and praying hands.

But they smile, they find a music centred in a doleful song

Steaming up, a lamentation and an ancient tale of wrong,

Like a tale of little meaning tho’ the words are strong;

Chanted from an ill-used race of men that cleave the soil,

Sow the seed, and reap the harvest with enduring toil,

Storing yearly little dues of wheat, and wine and oil;

Till they perish and they suffer--some, ’tis whisper’d--down in hell

Suffer endless anguish, others in Elysian valleys dwell,

Resting weary limbs at last on beds of asphodel.

Surely, surely, slumber is more sweet than toil, the shore

Than labour in the deep mid-ocean, wind and wave and oar;

O rest ye, brother mariners, we will not wander more.

_703._ _St. Agnes’ Eve_

Deep on the convent-roof the snows

Are sparkling to the moon:

My breath to heaven like vapour goes:

May my soul follow soon!

The shadows of the convent-towers

Slant down the snowy sward,

Still creeping with the creeping hours

That lead me to my Lord:

Make Thou my spirit pure and clear

As are the frosty skies,

Or this first snowdrop of the year

That in my bosom lies.

As these white robes are soil’d and dark,

To yonder shining ground;

As this pale taper’s earthly spark,

To yonder argent round;

So shows my soul before the Lamb,

My spirit before Thee;

So in mine earthly house I am,

To that I hope to be.

Break up the heavens, O Lord! and far,

Thro’ all yon starlight keen,

Draw me, thy bride, a glittering star,

In raiment white and clean.

He lifts me to the golden doors;

The flashes come and go;

All heaven bursts her starry floors,

And strows her lights below,

And deepens on and up! the gates

Roll back, and far within

For me the Heavenly Bridegroom waits,

To make me pure of sin.

The sabbaths of Eternity,

One sabbath deep and wide--

A light upon the shining sea--

The Bridegroom with his bride!

_704._ _Blow, Bugle, blow_

The splendour falls on castle walls

And snowy summits old in story:

The long light shakes across the lakes,

And the wild cataract leaps in glory.

Blow, bugle, blow, set the wild echoes flying,

Blow, bugle; answer, echoes, dying, dying, dying.

O hark, O hear! how thin and clear,

And thinner, clearer, farther going!

O sweet and far from cliff and scar

The horns of Elfland faintly blowing!

Blow, let us hear the purple glens replying:

Blow, bugle; answer, echoes, dying, dying, dying.

O love, they die in yon rich sky,

They faint on hill or field or river:

Our echoes roll from soul to soul,

And grow for ever and for ever.

Blow, bugle, blow, set the wild echoes flying,

And answer, echoes, answer, dying, dying, dying.

_705._ _Summer Night_

Now sleeps the crimson petal, now the white;

Nor waves the cypress in the palace walk;

Nor winks the gold fin in the porphyry font:

The firefly wakens: waken thou with me.

Now droops the milk-white peacock like a ghost,

And like a ghost she glimmers on to me.

Now lies the Earth all Danaë to the stars,

And all thy heart lies open unto me.

Now slides the silent meteor on, and leaves

A shining furrow, as thy thoughts in me.

Now folds the lily all her sweetness up,

And slips into the bosom of the lake:

So fold thyself, my dearest, thou, and slip

Into my bosom and be lost in me.

_706._ _Come down, O Maid_

Come down, O maid, from yonder mountain height:

What pleasure lives in height (the shepherd sang).

In height and cold, the splendour of the hills?

But cease to move so near the Heavens, and cease

To glide a sunbeam by the blasted Pine,

To sit a star upon the sparkling spire;

And come, for Love is of the valley, come,

For Love is of the valley, come thou down

And find him; by the happy threshold, he,

Or hand in hand with Plenty in the maize,

Or red with spirted purple of the vats,

Or foxlike in the vine; nor cares to walk

With Death and Morning on the silver horns,

Nor wilt thou snare him in the white ravine,

Nor find him dropt upon the firths of ice,

That huddling slant in furrow-cloven falls

To roll the torrent out of dusky doors:

But follow; let the torrent dance thee down

To find him in the valley; let the wild

Lean-headed Eagles yelp alone, and leave

The monstrous ledges there to slope, and spill

Their thousand wreaths of dangling water-smoke,

That like a broken purpose waste in air:

So waste not thou; but come; for all the vales

Await thee; azure pillars of the hearth

Arise to thee; the children call, and I

Thy shepherd pipe, and sweet is every sound,

Sweeter thy voice, but every sound is sweet;

Myriads of rivulets hurrying thro’ the lawn,

The moan of doves in immemorial elms,

And murmuring of innumerable bees.

_707._ _From ‘In Memoriam’_

(ARTHUR HENRY HALLAM, MDCCCXXXIII)

I

Fair ship, that from the Italian shore

Sailest the placid ocean-plains

With my lost Arthur’s loved remains,

Spread thy full wings, and waft him o’er.

So draw him home to those that mourn

In vain; a favourable speed

Ruffle thy mirror’d mast, and lead

Thro’ prosperous floods his holy urn.

All night no ruder air perplex

Thy sliding keel, till Phosphor, bright

As our pure love, thro’ early light

Shall glimmer on the dewy decks.

Sphere all your lights around, above;

Sleep, gentle heavens, before the prow;

Sleep, gentle winds, as he sleeps now,

My friend, the brother of my love;

My Arthur, whom I shall not see

Till all my widow’d race be run;

Dear as the mother to the son,

More than my brothers are to me.

II

I hear the noise about thy keel;

I hear the bell struck in the night;

I see the cabin-window bright;

I see the sailor at the wheel.

Thou bring’st the sailor to his wife,

And travell’d men from foreign lands;

And letters unto trembling hands;

And, thy dark freight, a vanish’d life.

So bring him: we have idle dreams:

This look of quiet flatters thus

Our home-bred fancies: O to us,

The fools of habit, sweeter seems

To rest beneath the clover sod,

That takes the sunshine and the rains,

Or where the kneeling hamlet drains

The chalice of the grapes of God;

Than if with thee the roaring wells

Should gulf him fathom-deep in brine;

And hands so often clasp’d in mine,

Should toss with tangle and with shells.

III

Calm is the morn without a sound,

Calm as to suit a calmer grief,

And only thro’ the faded leaf

The chestnut pattering to the ground:

Calm and deep peace on this high wold,

And on these dews that drench the furze,

And all the silvery gossamers

That twinkle into green and gold:

Calm and still light on yon great plain

That sweeps with all its autumn bowers,

And crowded farms and lessening towers,

To mingle with the bounding main:

Calm and deep peace in this wide air,

These leaves that redden to the fall;

And in my heart, if calm at all,

If any calm, a calm despair:

Calm on the seas, and silver sleep,

And waves that sway themselves in rest,

And dead calm in that noble breast

Which heaves but with the heaving deep.

IV

To-night the winds begin to rise

And roar from yonder dropping day:

The last red leaf is whirl’d away,

The rooks are blown about the skies;

The forest crack’d, the waters curl’d,

The cattle huddled on the lea;

And wildly dash’d on tower and tree

The sunbeam strikes along the world:

And but for fancies, which aver

That all thy motions gently pass

Athwart a plane of molten glass,

I scarce could brook the strain and stir

That makes the barren branches loud;

And but for fear it is not so,

The wild unrest that lives in woe

Would dote and pore on yonder cloud

That rises upward always higher,

And onward drags a labouring breast,

And topples round the dreary west,

A looming bastion fringed with fire.

V

Thou comest, much wept for: such a breeze

Compell’d thy canvas, and my prayer

Was as the whisper of an air

To breathe thee over lonely seas.

For I in spirit saw thee move

Thro’ circles of the bounding sky,

Week after week: the days go by:

Come quick, thou bringest all I love.

Henceforth, wherever thou mayst roam

My blessing, like a line of light,

Is on the waters day and night,

And like a beacon guards thee home.

So may whatever tempest mars

Mid-ocean, spare thee, sacred bark;

And balmy drops in summer dark

Slide from the bosom of the stars.

So kind an office hath been done,

Such precious relics brought by thee;

The dust of him I shall not see

Till all my widow’d race be run.

VI

Now, sometimes in my sorrow shut,

Or breaking into song by fits,

Alone, alone, to where he sits,

The Shadow cloak’d from head to foot,

Who keeps the keys of all the creeds,

I wander, often falling lame,

And looking back to whence I came,

Or on to where the pathway leads;

And crying, How changed from where it ran

Thro’ lands where not a leaf was dumb;

But all the lavish hills would hum

The murmur of a happy Pan:

When each by turns was guide to each,

And Fancy light from Fancy caught,

And Thought leapt out to wed with Thought

Ere Thought could wed itself with Speech;

And all we met was fair and good,

And all was good that Time could bring,

And all the secret of the Spring

Moved in the chambers of the blood;

And many an old philosophy

On Argive heights divinely sang,

And round us all the thicket rang

To many a flute of Arcady.

VII

How fares it with the happy dead?

For here the man is more and more;

But he forgets the days before

God shut the doorways of his head.

The days have vanish’d, tone and tint,

And yet perhaps the hoarding sense

Gives out at times (he knows not whence)

A little flash, a mystic hint;

And in the long harmonious years

(If Death so taste Lethean springs)

May some dim touch of earthly things

Surprise thee ranging with thy peers.

If such a dreamy touch should fall,

O turn thee round, resolve the doubt;

My guardian angel will speak out

In that high place, and tell thee all.

VIII

The wish, that of the living whole

No life may fail beyond the grave,

Derives it not from what we have

The likest God within the soul?

Are God and Nature then at strife,

That Nature lends such evil dreams?

So careful of the type she seems,

So careless of the single life;

That I, considering everywhere

Her secret meaning in her deeds,

And finding that of fifty seeds

She often brings but one to bear,

I falter where I firmly trod,

And falling with my weight of cares

Upon the great world’s altar-stairs

That slope thro’ darkness up to God,

I stretch lame hands of faith, and grope,

And gather dust and chaff, and call

To what I feel is Lord of all,

And faintly trust the larger hope.

IX

‘So careful of the type?’ but no.

From scarpèd cliff and quarried stone

She cries, ‘A thousand types are gone

I care for nothing, all shall go.

Thou makest thine appeal to me:

I bring to life, I bring to death:

The spirit does but mean the breath:

I know no more.’ And he, shall he,

Man, her last work, who seem’d so fair,

Such splendid purpose in his eyes,

Who roll’d the psalm to wintry skies,

Who built him fanes of fruitless prayer,

Who trusted God was love indeed

And love Creation’s final law--

Tho’ Nature, red in tooth and claw

With ravine, shriek’d against his creed--

Who loved, who suffer’d countless ills,

Who battled for the True, the Just,

Be blown about the desert dust,

Or seal’d within the iron hills?

No more? A monster then, a dream,

A discord. Dragons of the prime,

That tare each other in their slime,

Were mellow music matched with him.

O life as futile, then as frail!

O for thy voice to soothe and bless!

What hope of answer, or redress?

Behind the veil, behind the veil.

X

Unwatch’d, the garden bough shall sway,

The tender blossom flutter down;

Unloved, that beech will gather brown,

This maple burn itself away;

Unloved, the sunflower, shining fair,

Ray round with flames her disk of seed,

And many a rose-carnation feed

With summer spice the humming air;

Unloved, by many a sandy bar,

The brook shall babble down the plain,

At noon or when the lesser wain

Is twisting round the polar star;

Uncared for, gird the windy grove,

And flood the haunts of hern and crake;

Or into silver arrows break

The sailing moon in creek and cove;

Till from the garden and the wild

A fresh association blow,

And year by year the landscape grow

Familiar to the stranger’s child;

As year by year the labourer tills

His wonted glebe, or lops the glades;

And year by year our memory fades

From all the circle of the hills.

XI

Now fades the last long streak of snow,

Now burgeons every maze of quick

About the flowering squares, and thick

By ashen roots the violets blow.

Now rings the woodland loud and long,

The distance takes a lovelier hue,

And drown’d in yonder living blue

The lark becomes a sightless song.

Now dance the lights on lawn and lea,

The flocks are whiter down the vale,

And milkier every milky sail

On winding stream or distant sea;

Where now the seamew pipes, or dives

In yonder greening gleam, and fly

The happy birds, that change their sky

To build and brood; that live their lives

From land to land; and in my breast

Spring wakens too; and my regret

Becomes an April violet,

And buds and blossoms like the rest.

XII

Love is and was my Lord and King,

And in his presence I attend

To hear the tidings of my friend,

Which every hour his couriers bring.

Love is and was my King and Lord,

And will be, tho’ as yet I keep

Within his court on earth, and sleep

Encompass’d by his faithful guard,

And hear at times a sentinel

Who moves about from place to place,

And whispers to the worlds of space,

In the deep night, that all is well.

_708._ _Maud_

Come into the garden, Maud,

For the black bat, Night, has flown,

Come into the garden, Maud,

I am here at the gate alone;

And the woodbine spices are wafted abroad,

And the musk of the roses blown.

For a breeze of morning moves,

And the planet of Love is on high,

Beginning to faint in the light that she loves

On a bed of daffodil sky,

To faint in the light of the sun she loves,

To faint in his light, and to die.

All night have the roses heard

The flute, violin, bassoon;

All night has the casement jessamine stirr’d

To the dancers dancing in tune;

Till a silence fell with the waking bird,

And a hush with the setting moon.

I said to the lily, ‘There is but one

With whom she has heart to be gay.

When will the dancers leave her alone?

She is weary of dance and play.’

Now half to the setting moon are gone,

And half to the rising day;

Low on the sand and loud on the stone

The last wheel echoes away.

I said to the rose, ‘The brief night goes

In babble and revel and wine.

O young lord-lover, what sighs are those

For one that will never be thine?

But mine, but mine,’ so I sware to the rose,

‘For ever and ever, mine.’

And the soul of the rose went into my blood,

As the music clash’d in the hall;

And long by the garden lake I stood,

For I heard your rivulet fall

From the lake to the meadow and on to the wood,

Our wood, that is dearer than all;

From the meadow your walks have left so sweet

That whenever a March-wind sighs

He sets the jewel-print of your feet

In violets blue as your eyes,

To the woody hollows in which we meet

And the valleys of Paradise.

The slender acacia would not shake

One long milk-bloom on the tree;

The white lake-blossom fell into the lake,

As the pimpernel dozed on the lea;

But the rose was awake all night for your sake,

Knowing your promise to me;

The lilies and roses were all awake,

They sigh’d for the dawn and thee.

Queen rose of the rosebud garden of girls,

Come hither, the dances are done,

In gloss of satin and glimmer of pearls,

Queen lily and rose in one;

Shine out, little head, sunning over with curls.

To the flowers, and be their sun.

There has fallen a splendid tear

From the passion-flower at the gate.

She is coming, my dove, my dear;

She is coming, my life, my fate;

The red rose cries, ‘She is near, she is near;’

And the white rose weeps, ‘She is late,’

The larkspur listens, ‘I hear, I hear;’

And the lily whispers, ‘I wait.’

She is coming, my own, my sweet;

Were it ever so airy a tread,

My heart would hear her and beat,

Were it earth in an earthy bed;

My dust would hear her and beat,

Had I lain for a century dead;

Would start and tremble under her feet,

And blossom in purple and red.

_709._ _O that ’twere possible_

O that ’twere possible

After long grief and pain

To find the arms of my true love

Round me once again!...

A shadow flits before me,

Not thou, but like to thee:

Ah, Christ! that it were possible

For one short hour to see

The souls we loved, that they might tell us

What and where they be!

RICHARD MONCKTON MILNES, LORD HOUGHTON

1809-1885

_710._ _Shadows_

They seem’d, to those who saw them meet,

The casual friends of every day;

Her smile was undisturb’d and sweet,

His courtesy was free and gay.

But yet if one the other’s name

In some unguarded moment heard,

The heart you thought so calm and tame

Would struggle like a captured bird:

And letters of mere formal phrase

Were blister’d with repeated tears,--

And this was not the work of days,

But had gone on for years and years!

Alas, that love was not too strong

For maiden shame and manly pride!

Alas, that they delay’d so long

The goal of mutual bliss beside!

Yet what no chance could then reveal,

And neither would be first to own,

Let fate and courage now conceal,

When truth could bring remorse alone.

HENRY ALFORD

1810-1871

_711._ _The Bride_

‘Rise,’ said the Master, ‘come unto the feast.’

She heard the call and rose with willing feet;

But thinking it not otherwise than meet

For such a bidding to put on her best,

She is gone from us for a few short hours

Into her bridal closet, there to wait

For the unfolding of the palace gate

That gives her entrance to the blissful bowers.

We have not seen her yet, though we have been

Full often to her chamber door, and oft

Have listen’d underneath the postern green,

And laid fresh flowers, and whisper’d short and soft.

But she hath made no answer, and the day

From the clear west is fading fast away.

SIR SAMUEL FERGUSON

1810-1886

_712._ _Cean Dubh Deelish_

Put your head, darling, darling, darling,

Your darling black head my heart above;

O mouth of honey, with thyme for fragrance,

Who, with heart in breast, could deny you love?

O many and many a young girl for me is pining.

Letting her locks of gold to the cold wind free,

For me, the foremost of our gay young fellows;

But I’d leave a hundred, pure love, for thee!

_712._ _Cean dubh deelish_] darling black head.

Then put your head, darling, darling, darling,

Your darling black head my heart above;

O mouth of honey, with thyme for fragrance,

Who, with heart in breast, could deny you love?

_713._ _Cashel of Munster_

FROM THE IRISH

I’d wed you without herds, without money or rich array.

And I’d wed you on a dewy morn at day-dawn gray;

My bitter woe it is, love, that we are not far away

In Cashel town, tho’ the bare deal board were our marriage-bed this day!

O fair maid, remember the green hill-side,

Remember how I hunted about the valleys wide;

Time now has worn me; my locks are turn’d to gray;

The year is scarce and I am poor--but send me not, love, away!

O deem not my blood is of base strain, my girl;

O think not my birth was as the birth of a churl;

Marry me and prove me, and say soon you will

That noble blood is written on my right side still.

My purse holds no red gold, no coin of the silver white;

No herds are mine to drive through the long twilight;

But the pretty girl that would take me, all bare tho’ I be and lone,

O, I’d take her with me kindly to the county Tyrone!

O my girl, I can see ’tis in trouble you are;

And O my girl, I see ’tis your people’s reproach you bear!

--_I am a girl in trouble for his sake with whom I fly,_

_And, O, may no other maiden know such reproach as I!_

_714._ _The Fair Hills of Ireland_

FROM THE IRISH

A plenteous place is Ireland for hospitable cheer,

_Uileacan dubh O!_

Where the wholesome fruit is bursting from the yellow barley ear;

_Uileacan dubh O!_

There is honey in the trees where her misty vales expand,

And her forest paths in summer are by falling waters fann’d,

There is dew at high noontide there, and springs i’ the yellow sand,

On the fair hills of holy Ireland.

Curl’d he is and ringleted, and plaited to the knee--

_Uileacan dubh O!_

Each captain who comes sailing across the Irish Sea;

_Uileacan dubh O!_

And I will make my journey, if life and health but stand,

Unto that pleasant country, that fresh and fragrant strand,

And leave your boasted braveries, your wealth and high command,

For the fair hills of holy Ireland.

Large and profitable are the stacks upon the ground,

_Uileacan dubh O!_

The butter and the cream do wondrously abound;

_Uileacan dubh O!_

The cresses on the water and the sorrels are at hand,

And the cuckoo’s calling daily his note of music bland,

And the bold thrush sings so bravely his song i’ the forests grand,

On the fair hills of holy Ireland.

ROBERT BROWNING

1812-1889

_715._ _Song from ‘Paracelsus’_

Heap cassia, sandal-buds and stripes

Of labdanum, and aloe-balls,

Smear’d with dull nard an Indian wipes

From out her hair: such balsam falls

Down sea-side mountain pedestals,

From tree-tops where tired winds are fain,

Spent with the vast and howling main,

To treasure half their island-gain.

And strew faint sweetness from some old

Egyptian’s fine worm-eaten shroud

Which breaks to dust when once unroll’d;

Or shredded perfume, like a cloud

From closet long to quiet vow’d,

With moth’d and dropping arras hung,

Mouldering her lute and books among,

As when a queen, long dead, was young.

_716._ _The Wanderers_

Over the sea our galleys went,

With cleaving prows in order brave

To a speeding wind and a bounding wave--

A gallant armament:

Each bark built out of a forest-tree

Left leafy and rough as first it grew,

And nail’d all over the gaping sides,

Within and without, with black bull-hides,

Seethed in fat and suppled in flame,

To bear the playful billows’ game;

So, each good ship was rude to see,

Rude and bare to the outward view.

But each upbore a stately tent

Where cedar pales in scented row

Kept out the flakes of the dancing brine,

And an awning droop’d the mast below,

In fold on fold of the purple fine,

That neither noontide nor star-shine

Nor moonlight cold which maketh mad,

Might pierce the regal tenement.

When the sun dawn’d, O, gay and glad

We set the sail and plied the oar;

But when the night-wind blew like breath,

For joy of one day’s voyage more,

We sang together on the wide sea,

Like men at peace on a peaceful shore;

Each sail was loosed to the wind so free,

Each helm made sure by the twilight star,

And in a sleep as calm as death,

We, the voyagers from afar,

Lay stretch’d along, each weary crew

In a circle round its wondrous tent

Whence gleam’d soft light and curl’d rich scent,

And with light and perfume, music too:

So the stars wheel’d round, and the darkness past,

And at morn we started beside the mast,

And still each ship was sailing fast!

Now, one morn, land appear’d--a speck

Dim trembling betwixt sea and sky--

‘Avoid it,’ cried our pilot, ‘check

The shout, restrain the eager eye!’

But the heaving sea was black behind

For many a night and many a day,

And land, though but a rock, drew nigh

So we broke the cedar pales away,

Let the purple awning flap in the wind,

And a statue bright was on every deck!

We shouted, every man of us,

And steer’d right into the harbour thus,

With pomp and pæan glorious.

A hundred shapes of lucid stone!

All day we built its shrine for each,

A shrine of rock for every one,

Nor paused till in the westering sun

We sat together on the beach

To sing because our task was done;

When lo! what shouts and merry songs!

What laughter all the distance stirs!

A loaded raft with happy throngs

Of gentle islanders!

‘Our isles are just at hand,’ they cried,

‘Like cloudlets faint in even sleeping;

Our temple-gates are open’d wide,

Our olive-groves thick shade are keeping

For these majestic forms’--they cried.

O, then we awoke with sudden start

From our deep dream, and knew, too late,

How bare the rock, how desolate,

Which had received our precious freight:

Yet we call’d out--‘Depart!

Our gifts, once given, must here abide:

Our work is done; we have no heart

To mar our work,’--we cried.

_717._ _Thus the Mayne glideth_

Thus the Mayne glideth

Where my Love abideth;

Sleep’s no softer: it proceeds

On through lawns, on through meads,

On and on, whate’er befall.

Meandering and musical,

Though the niggard pasturage

Bears not on its shaven ledge

Aught but weeds and waving grasses

To view the river as it passes,

Save here and there a scanty patch

Of primroses too faint to catch

A weary bee.... And scarce it pushes

Its gentle way through strangling rushes

Where the glossy kingfisher

Flutters when noon-heats are near,

Glad the shelving banks to shun,

Red and steaming in the sun,

Where the shrew-mouse with pale throat

Burrows, and the speckled stoat;

Where the quick sandpipers flit

In and out the marl and grit

That seems to breed them, brown as they;

Naught disturbs its quiet way,

Save some lazy stork that springs,

Trailing it with legs and wings,

Whom the shy fox from the hill

Rouses, creep he ne’er so still.

_718._ _Pippa’s Song_

The year’s at the spring,

And day’s at the morn;

Morning’s at seven;

The hill-side’s dew-pearl’d;

The lark’s on the wing;

The snail’s on the thorn;

God’s in His heaven--

All’s right with the world!

_719._ _You’ll love Me yet_

You’ll love me yet!--and I can tarry

Your love’s protracted growing:

June rear’d that bunch of flowers you carry,

From seeds of April’s sowing.

I plant a heartful now: some seed

At least is sure to strike,

And yield--what you’ll not pluck indeed,

Not love, but, may be, like.

You’ll look at least on love’s remains,

A grave’s one violet:

Your look?--that pays a thousand pains.

What’s death? You’ll love me yet!

_720._ _Porphyria’s Lover_

The rain set early in to-night,

The sullen wind was soon awake,

It tore the elm-tops down for spite,

And did its worst to vex the lake:

I listen’d with heart fit to break.

When glided in Porphyria; straight

She shut the cold out and the storm,

And kneel’d and made the cheerless grate

Blaze up, and all the cottage warm;

Which done, she rose, and from her form

Withdrew the dripping cloak and shawl,

And laid her soil’d gloves by, untied

Her hat and let the damp hair fall,

And, last, she sat down by my side

And call’d me. When no voice replied,

She put my arm about her waist,

And made her smooth white shoulder bare,

And all her yellow hair displaced,

And, stooping, made my cheek lie there,

And spread, o’er all, her yellow hair,

Murmuring how she loved me--she

Too weak, for all her heart’s endeavour,

To set its struggling passion free

From pride, and vainer ties dissever,

And give herself to me for ever.

But passion sometimes would prevail,

Nor could to-night’s gay feast restrain

A sudden thought of one so pale

For love of her, and all in vain:

So, she was come through wind and rain.

Be sure I look’d up at her eyes

Happy and proud; at last I knew

Porphyria worshipp’d me; surprise

Made my heart swell, and still it grew

While I debated what to do.

That moment she was mine, mine, fair,

Perfectly pure and good: I found

A thing to do, and all her hair

In one long yellow string I wound

Three times her little throat around,

And strangled her. No pain felt she;

I am quite sure she felt no pain.

As a shut bud that holds a bee,

I warily oped her lids: again

Laugh’d the blue eyes without a stain.

And I untighten’d next the tress

About her neck; her cheek once more

Blush’d bright beneath my burning kiss:

I propp’d her head up as before,

Only, this time my shoulder bore

Her head, which droops upon it still:

The smiling rosy little head,

So glad it has its utmost will,

That all it scorn’d at once is fled,

And I, its love, am gain’d instead!

Porphyria’s love: she guess’d not how

Her darling one wish would be heard.

And thus we sit together now,

And all night long we have not stirr’d,

And yet God has not said a word!

_721._ _Song_

Nay but you, who do not love her,

Is she not pure gold, my mistress?

Holds earth aught--speak truth--above her?

Aught like this tress, see, and this tress,

And this last fairest tress of all,

So fair, see, ere I let it fall?

Because, you spend your lives in praising;

To praise, you search the wide world over:

Then why not witness, calmly gazing,

If earth holds aught--speak truth--above her?

Above this tress, and this, I touch

But cannot praise, I love so much!

_722._ _Earl Mertoun’s Song_

There’s a woman like a dewdrop, she’s so purer than the purest;

And her noble heart’s the noblest, yes, and her sure faith’s the surest:

And her eyes are dark and humid, like the depth on depth of lustre

Hid i’ the harebell, while her tresses, sunnier than the wild-grape cluster,

Gush in golden-tinted plenty down her neck’s rose-misted marble:

Then her voice’s music ... call it the well’s bubbling, the bird’s warble!

And this woman says, ‘My days were sunless and my nights were moonless,

Parch’d the pleasant April herbage, and the lark’s heart’s outbreak tuneless,

If you loved me not!’ And I who (ah, for words of flame!) adore her,

Who am mad to lay my spirit prostrate palpably before her--

I may enter at her portal soon, as now her lattice takes me,

And by noontide as by midnight make her mine, as hers she makes me!

_723._ _In a Gondola_

The moth’s kiss, first!

Kiss me as if you made me believe

You were not sure, this eve,

How my face, your flower, had pursed

Its petals up; so, here and there

You brush it, till I grow aware

Who wants me, and wide ope I burst.

The bee’s kiss, now!

Kiss me as if you enter’d gay

My heart at some noonday,

A bud that dares not disallow

The claim, so all is render’d up,

And passively its shatter’d cup

Over your head to sleep I bow.

_724._ _Meeting at Night_

The gray sea and the long black land;

And the yellow half-moon large and low;

And the startled little waves that leap

In fiery ringlets from their sleep,

As I gain the cove with pushing prow,

And quench its speed i’ the slushy sand.

Then a mile of warm sea-scented beach;

Three fields to cross till a farm appears;

A tap at the pane, the quick sharp scratch

And blue spurt of a lighted match,

And a voice less loud, thro’ its joys and fears,

Than the two hearts beating each to each!

_725._ _Parting at Morning_

Round the cape of a sudden came the sea,

And the sun look’d over the mountain’s rim

And straight was a path of gold for him,

And the need of a world of men for me.

_726._ _The Lost Mistress_

All’s over, then: does truth sound bitter

As one at first believes?

Hark, ’tis the sparrows’ good-night twitter

About your cottage eaves!

And the leaf-buds on the vine are woolly,

I noticed that, to-day;

One day more bursts them open fully

--You know the red turns gray.

To-morrow we meet the same then, dearest?

May I take your hand in mine?

Mere friends are we,--well, friends the merest

Keep much that I resign:

For each glance of the eye so bright and black,

Though I keep with heart’s endeavour,--

Your voice, when you wish the snowdrops back,

Though it stay in my soul for ever!--

Yet I will but say what mere friends say,

Or only a thought stronger;

I will hold your hand but as long as all may,

Or so very little longer!

_727._ _The Last Ride together_

I said--Then, dearest, since ’tis so,

Since now at length my fate I know,

Since nothing all my love avails,

Since all, my life seem’d meant for, fails,

Since this was written and needs must be--

My whole heart rises up to bless

Your name in pride and thankfulness!

Take back the hope you gave,--I claim

Only a memory of the same,

--And this beside, if you will not blame;

Your leave for one more last ride with me.

My mistress bent that brow of hers,

Those deep dark eyes where pride demurs

When pity would be softening through,

Fix’d me a breathing-while or two

With life or death in the balance: right!

The blood replenish’d me again;

My last thought was at least not vain:

I and my mistress, side by side

Shall be together, breathe and ride,

So, one day more am I deified.

Who knows but the world may end to-night?

Hush! if you saw some western cloud

All billowy-bosom’d, over-bow’d

By many benedictions--sun’s

And moon’s and evening-star’s at once--

And so, you, looking and loving best,

Conscious grew, your passion drew

Cloud, sunset, moonrise, star-shine too,

Down on you, near and yet more near,

Till flesh must fade for heaven was here!--

Thus leant she and linger’d--joy and fear!

Thus lay she a moment on my breast.

Then we began to ride. My soul

Smooth’d itself out, a long-cramp’d scroll

Freshening and fluttering in the wind.

Past hopes already lay behind.

What need to strive with a life awry?

Had I said that, had I done this,

So might I gain, so might I miss.

Might she have loved me? just as well

She might have hated, who can tell!

Where had I been now if the worst befell?

And here we are riding, she and I.

Fail I alone, in words and deeds?

Why, all men strive and who succeeds?

We rode; it seem’d my spirit flew,

Saw other regions, cities new,

As the world rush’d by on either side.

I thought,--All labour, yet no less

Bear up beneath their unsuccess.

Look at the end of work, contrast

The petty done, the undone vast,

This present of theirs with the hopeful past!

I hoped she would love me; here we ride.

What hand and brain went ever pair’d?

What heart alike conceived and dared?

What act proved all its thought had been?

What will but felt the fleshly screen?

We ride and I see her bosom heave.

There’s many a crown for who can reach.

Ten lines, a statesman’s life in each!

The flag stuck on a heap of bones,

A soldier’s doing! what atones?

They scratch his name on the Abbey-stones.

My riding is better, by their leave.

What does it all mean, poet? Well,

Your brains beat into rhythm, you tell

What we felt only; you express’d

You hold things beautiful the best,

And pace them in rhyme so, side by side.

’Tis something, nay ’tis much: but then,

Have you yourself what’s best for men?

Are you--poor, sick, old ere your time--

Nearer one whit your own sublime

Than we who never have turn’d a rhyme?

Sing, riding’s a joy! For me, I ride.

And you, great sculptor--so, you gave

A score of years to Art, her slave,

And that’s your Venus, whence we turn

To yonder girl that fords the burn!

You acquiesce, and shall I repine?

What, man of music, you grown gray

With notes and nothing else to say,

Is this your sole praise from a friend,

‘Greatly his opera’s strains intend,

But in music we know how fashions end!’

I gave my youth: but we ride, in fine.

Who knows what’s fit for us? Had fate

Proposed bliss here should sublimate

My being--had I sign’d the bond--

Still one must lead some life beyond,

Have a bliss to die with, dim-descried.

This foot once planted on the goal,

This glory-garland round my soul,

Could I descry such? Try and test!

I sink back shuddering from the quest.

Earth being so good, would heaven seem best?

Now, heaven and she are beyond this ride.

And yet--she has not spoke so long!

What if heaven be that, fair and strong

At life’s best, with our eyes upturn’d

Whither life’s flower is first discern’d,

We, fix’d so, ever should so abide?

What if we still ride on, we two

With life for ever old yet new,

Changed not in kind but in degree,

The instant made eternity,--

And heaven just prove that I and she

Ride, ride together, for ever ride?

_728._ _Misconceptions_

This is a spray the Bird clung to,

Making it blossom with pleasure,

Ere the high tree-top she sprung to,

Fit for her nest and her treasure.

O, what a hope beyond measure

Was the poor spray’s, which the flying feet hung to,--

So to be singled out, built in, and sung to!

This is a heart the Queen leant on,

Thrill’d in a minute erratic,

Ere the true bosom she bent on,

Meet for love’s regal dalmatic.

O, what a fancy ecstatic

Was the poor heart’s, ere the wanderer went on--

Love to be saved for it, proffer’d to, spent on!

_729._ _Home-thoughts, from Abroad_

O to be in England

Now that April’s there,

And whoever wakes in England

Sees, some morning, unaware,

That the lowest boughs and the brushwood sheaf

Round the elm-tree bole are in tiny leaf,

While the chaffinch sings on the orchard bough

In England--now!

And after April, when May follows,

And the whitethroat builds, and all the swallows!

Hark, where my blossom’d pear-tree in the hedge

Leans to the field and scatters on the clover

Blossoms and dewdrops--at the bent spray’s edge--

That’s the wise thrush; he sings each song twice over,

Lest you should think he never could recapture

The first fine careless rapture!

And though the fields look rough with hoary dew,

All will be gay when noontide wakes anew

The buttercups, the little children’s dower

--Far brighter than this gaudy melon-flower!

_730._ _Home-thoughts, from the Sea_

Nobly, nobly Cape Saint Vincent to the North-west died away;

Sunset ran, one glorious blood-red, reeking into Cadiz Bay;

Bluish ’mid the burning water, full in face Trafalgar lay;

In the dimmest North-east distance dawn’d Gibraltar grand and gray;

‘Here and here did England help me: how can I help England?’--say,

Whoso turns as I, this evening, turn to God to praise and pray,

While Jove’s planet rises yonder, silent over Africa.

WILLIAM BELL SCOTT

1812-1890

_731._ _The Witch’s Ballad_

O I hae come from far away,

From a warm land far away,

A southern land across the sea,

With sailor-lads about the mast,

Merry and canny, and kind to me.

And I hae been to yon town

To try my luck in yon town;

Nort, and Mysie, Elspie too.

Right braw we were to pass the gate,

Wi’ gowden clasps on girdles blue.

Mysie smiled wi’ miminy mouth,

Innocent mouth, miminy mouth;

_731._ miminy] prim, demure.

Elspie wore a scarlet gown,

Nort’s grey eyes were unco’ gleg.

My Castile comb was like a crown.

We walk’d abreast all up the street,

Into the market up the street;

Our hair with marigolds was wound,

Our bodices with love-knots laced,

Our merchandise with tansy bound.

Nort had chickens, I had cocks,

Gamesome cocks, loud-crowing cocks;

Mysie ducks, and Elspie drakes,--

For a wee groat or a pound;

We lost nae time wi’ gives and takes.

--Lost nae time, for well we knew,

In our sleeves full well we knew,

When the gloaming came that night,

Duck nor drake, nor hen nor cock

Would be found by candle-light.

And when our chaffering all was done,

All was paid for, sold and done,

We drew a glove on ilka hand,

We sweetly curtsied, each to each,

And deftly danced a saraband.

The market-lassies look’d and laugh’d,

Left their gear, and look’d and laugh’d;

They made as they would join the game,

But soon their mithers, wild and wud,

With whack and screech they stopp’d the same.

gleg] bright, sharp. wud] mad.

Sae loud the tongues o’ randies grew,

The flytin’ and the skirlin’ grew,

At all the windows in the place,

Wi’ spoons or knives, wi’ needle or awl,

Was thrust out every hand and face.

And down each stair they throng’d anon,

Gentle, semple, throng’d anon:

Souter and tailor, frowsy Nan,

The ancient widow young again,

Simpering behind her fan.

Without a choice, against their will,

Doited, dazed, against their will,

The market lassie and her mither,

The farmer and his husbandman,

Hand in hand dance a’ thegither.

Slow at first, but faster soon,

Still increasing, wild and fast,

Hoods and mantles, hats and hose,

Blindly doff’d and cast away,

Left them naked, heads and toes.

They would have torn us limb from limb,

Dainty limb from dainty limb;

But never one of them could win

Across the line that I had drawn

With bleeding thumb a-widdershin.

But there was Jeff the provost’s son,

Jeff the provost’s only son;

randies] viragoes. flytin’] scolding. skirlin’] shrieking. souter]

cobbler. doited] mazed. a-widdershin] the wrong way of the sun: or

E. to W. through N.

There was Father Auld himsel’,

The Lombard frae the hostelry,

And the lawyer Peter Fell.

All goodly men we singled out,

Waled them well, and singled out,

And drew them by the left hand in;

Mysie the priest, and Elspie won

The Lombard, Nort the lawyer carle,

I mysel’ the provost’s son.

Then, with cantrip kisses seven,

Three times round with kisses seven,

Warp’d and woven there spun we

Arms and legs and flaming hair,

Like a whirlwind on the sea.

Like a wind that sucks the sea,

Over and in and on the sea,

Good sooth it was a mad delight;

And every man of all the four

Shut his eyes and laugh’d outright.

Laugh’d as long as they had breath,

Laugh’d while they had sense or breath;

And close about us coil’d a mist

Of gnats and midges, wasps and flies,

Like the whirlwind shaft it rist.

Drawn up I was right off my feet,

Into the mist and off my feet;

And, dancing on each chimney-top,

I saw a thousand darling imps

Keeping time with skip and hop.

waled] chose. cantrip] magic.

And on the provost’s brave ridge-tile,

On the provost’s grand ridge-tile,

The Blackamoor first to master me

I saw, I saw that winsome smile,

The mouth that did my heart beguile,

And spoke the great Word over me,

In the land beyond the sea.

I call’d his name, I call’d aloud,

Alas! I call’d on him aloud;

And then he fill’d his hand with stour,

And threw it towards me in the air;

My mouse flew out, I lost my pow’r!

My lusty strength, my power were gone;

Power was gone, and all was gone.

He will not let me love him more!

Of bell and whip and horse’s tail

He cares not if I find a store.

But I am proud if he is fierce!

I am as proud as he is fierce;

I’ll turn about and backward go,

If I meet again that Blackamoor,

And he’ll help us then, for he shall know

I seek another paramour.

And we’ll gang once more to yon town,

Wi’ better luck to yon town;

We’ll walk in silk and cramoisie,

And I shall wed the provost’s son

My lady of the town I’ll be!

stour] dust. cramoisie] crimson.

For I was born a crown’d king’s child,

Born and nursed a king’s child,

King o’ a land ayont the sea,

Where the Blackamoor kiss’d me first,

And taught me art and glamourie.

Each one in her wame shall hide

Her hairy mouse, her wary mouse.

Fed on madwort and agramie,--

Wear amber beads between her breasts,

And blind-worm’s skin about her knee.

The Lombard shall be Elspie’s man,

Elspie’s gowden husband-man;

Nort shall take the lawyer’s hand;

The priest shall swear another vow:

We’ll dance again the saraband!

ayont] beyond. glamourie] wizardry.

AUBREY DE VERE

1814-1902

_732._ _Serenade_

Softly, O midnight Hours!

Move softly o’er the bowers

Where lies in happy sleep a girl so fair!

For ye have power, men say,

Our hearts in sleep to sway,

And cage cold fancies in a moonlight snare.

Round ivory neck and arm

Enclasp a separate charm;

Hang o’er her poised, but breathe nor sigh nor prayer

Silently ye may smile,

But hold your breath the while,

And let the wind sweep back your cloudy hair!

Bend down your glittering urns,

Ere yet the dawn returns,

And star with dew the lawn her feet shall tread;

Upon the air rain balm,

Bid all the woods be calm,

Ambrosial dreams with healthful slumbers wed;

That so the Maiden may

With smiles your care repay,

When from her couch she lifts her golden head;

Waking with earliest birds,

Ere yet the misty herds

Leave warm ’mid the gray grass their dusky bed.

_733._ _Sorrow_

Count each affliction, whether light or grave,

God’s messenger sent down to thee; do thou

With courtesy receive him; rise and bow;

And, ere his shadow pass thy threshold, crave

Permission first his heavenly feet to lave;

Then lay before him all thou hast; allow

No cloud of passion to usurp thy brow,

Or mar thy hospitality; no wave

Of mortal tumult to obliterate

The soul’s marmoreal calmness: Grief should be,

Like joy, majestic, equable, sedate;

Confirming, cleansing, raising, making free;

Strong to consume small troubles; to commend

Great thoughts, grave thoughts, thoughts lasting to the end.

GEORGE FOX

1815-?

_734._ _The County of Mayo_

FROM THE IRISH OF THOMAS LAVELLE

On the deck of Patrick Lynch’s boat I sat in woful plight,

Through my sighing all the weary day and weeping all the night;

Were it not that full of sorrow from my people forth I go,

By the blessèd sun! ’tis royally I’d sing thy praise, Mayo!

When I dwelt at home in plenty, and my gold did much abound,

In the company of fair young maids the Spanish ale went round--

’Tis a bitter change from those gay days that now I’m forced to go

And must leave my bones in Santa Cruz, far from my own Mayo.

They are alter’d girls in Irrul now; ’tis proud they’re grown and high,

With their hair-bags and their top-knots, for I pass their buckles by--

But it’s little now I heed their airs, for God will have it so,

That I must depart for foreign lands and leave my sweet Mayo.

’Tis my grief that Patrick Loughlin is not Earl of Irrul still,

And that Brian Duff no longer rules as Lord upon the hill:

And that Colonel Hugh McGrady should be lying dead and low,

And I sailing, sailing swiftly from the county of Mayo.

EMILY BRONTË

1818-1848

_735._ _My Lady’s Grave_

The linnet in the rocky dells,

The moor-lark in the air,

The bee among the heather bells

That hide my lady fair:

The wild deer browse above her breast;

The wild birds raise their brood;

And they, her smiles of love caress’d,

Have left her solitude!

I ween that when the grave’s dark wall

Did first her form retain,

They thought their hearts could ne’er recall

The light of joy again.

They thought the tide of grief would flow

Uncheck’d through future years;

But where is all their anguish now,

And where are all their tears?

Well, let them fight for honour’s breath,

Or pleasure’s shade pursue--

The dweller in the land of death

Is changed and careless too.

And if their eyes should watch and weep

Till sorrow’s source were dry,

She would not, in her tranquil sleep,

Return a single sigh!

Blow, west wind, by the lonely mound:

And murmur, summer streams!

There is no need of other sound

To soothe my lady’s dreams.

_736._ _Remembrance_

Cold in the earth--and the deep snow piled above thee,

Far, far removed, cold in the dreary grave!

Have I forgot, my only Love, to love thee,

Sever’d at last by Time’s all-severing wave?

Now, when alone, do my thoughts no longer hover

Over the mountains, on that northern shore,

Resting their wings where heath and fern-leaves cover

Thy noble heart for ever, ever more?

Cold in the earth--and fifteen wild Decembers

From those brown hills have melted into spring:

Faithful, indeed, is the spirit that remembers

After such years of change and suffering!

Sweet Love of youth, forgive, if I forget thee,

While the world’s tide is bearing me along;

Other desires and other hopes beset me,

Hopes which obscure, but cannot do thee wrong!

No later light has lighten’d up my heaven,

No second morn has ever shone for me;

All my life’s bliss from thy dear life was given,

All my life’s bliss is in the grave with thee.

But when the days of golden dreams had perish’d,

And even Despair was powerless to destroy;

Then did I learn how existence could be cherish’d,

Strengthen’d and fed without the aid of joy.

Then did I check the tears of useless passion--

Wean’d my young soul from yearning after thine;

Sternly denied its burning wish to hasten

Down to that tomb already more than mine.

And, even yet, I dare not let it languish,

Dare not indulge in memory’s rapturous pain;

Once drinking deep of that divinest anguish,

How could I seek the empty world again?

_737._ _The Prisoner_

Still let my tyrants know, I am not doom’d to wear

Year after year in gloom and desolate despair;

A messenger of Hope comes every night to me,

And offers for short life, eternal liberty.

He comes with Western winds, with evening’s wandering airs,

With that clear dusk of heaven that brings the thickest stars:

Winds take a pensive tone, and stars a tender fire,

And visions rise, and change, that kill me with desire.

Desire for nothing known in my maturer years,

When Joy grew mad with awe, at counting future tears:

When, if my spirit’s sky was full of flashes warm,

I knew not whence they came, from sun or thunder-storm.

But first, a hush of peace--a soundless calm descends;

The struggle of distress and fierce impatience ends.

Mute music soothes my breast--unutter’d harmony

That I could never dream, till Earth was lost to me.

Then dawns the Invisible; the Unseen its truth reveals;

My outward sense is gone, my inward essence feels;

Its wings are almost free--its home, its harbour found,

Measuring the gulf, it stoops, and dares the final bound.

O dreadful is the check--intense the agony--

When the ear begins to hear, and the eye begins to see;

When the pulse begins to throb--the brain to think again--

The soul to feel the flesh, and the flesh to feel the chain.

Yet I would lose no sting, would wish no torture less;

The more that anguish racks, the earlier it will bless;

And robed in fires of hell, or bright with heavenly shine,

If it but herald Death, the vision is divine.

_738._ _Last Lines_

No coward soul is mine,

No trembler in the world’s storm-troubled sphere:

I see Heaven’s glories shine,

And faith shines equal, arming me from fear.

O God within my breast,

Almighty, ever-present Deity!

Life--that in me has rest,

As I--undying Life--have power in Thee!

Vain are the thousand creeds

That move men’s hearts: unutterably vain;

Worthless as wither’d weeds,

Or idlest froth amid the boundless main,

To waken doubt in one

Holding so fast by Thine infinity;

So surely anchor’d on

The steadfast rock of immortality.

With wide-embracing love

Thy Spirit animates eternal years,

Pervades and broods above,

Changes, sustains, dissolves, creates, and rears.

Though earth and man were gone,

And suns and universes cease to be,

And Thou were left alone,

Every existence would exist in Thee.

There is not room for Death,

Nor atom that his might could render void:

Thou--Thou art Being and Breath,

And what Thou art may never be destroyed.

CHARLES KINGSLEY

1819-1875

_739._ _Airly Beacon_

Airly Beacon, Airly Beacon;

O the pleasant sight to see

Shires and towns from Airly Beacon,

While my love climb’d up to me!

Airly Beacon, Airly Beacon;

O the happy hours we lay

Deep in fern on Airly Beacon,

Courting through the summer’s day!

Airly Beacon, Airly Beacon;

O the weary haunt for me,

All alone on Airly Beacon,

With his baby on my knee!

_740._ _The Sands of Dee_

‘O Mary, go and call the cattle home,

And call the cattle home,

And call the cattle home,

Across the sands of Dee.’

The western wind was wild and dark with foam,

And all alone went she.

The western tide crept up along the sand,

And o’er and o’er the sand,

And round and round the sand,

As far as eye could see.

The rolling mist came down and hid the land:

And never home came she.

‘O is it weed, or fish, or floating hair--

A tress of golden hair,

A drownèd maiden’s hair,

Above the nets at sea?’

Was never salmon yet that shone so fair

Among the stakes of Dee.

They row’d her in across the rolling foam,

The cruel crawling foam,

The cruel hungry foam,

To her grave beside the sea.

But still the boatmen hear her call the cattle home,

Across the sands of Dee.

ARTHUR HUGH CLOUGH

1819-1861

_741._ _Say not the Struggle Naught availeth_

Say not the struggle naught availeth,

The labour and the wounds are vain,

The enemy faints not, nor faileth,

And as things have been they remain.

If hopes were dupes, fears may be liars;

It may be, in yon smoke conceal’d,

Your comrades chase e’en now the fliers,

And, but for you, possess the field.

For while the tired waves, vainly breaking,

Seem here no painful inch to gain,

Far back, through creeks and inlets making,

Comes silent, flooding in, the main.

And not by eastern windows only,

When daylight comes, comes in the light;

In front the sun climbs slow, how slowly!

But westward, look, the land is bright!

WALT WHITMAN

1819-1892

_742._ _The Imprisoned Soul_

At the last, tenderly,

From the walls of the powerful, fortress’d house,

From the clasp of the knitted locks--from the keep of the well-closed doors,

Let me be wafted.

Let me glide noiselessly forth;

With the key of softness unlock the locks--with a whisper

Set ope the doors, O soul!

Tenderly! be not impatient!

(Strong is your hold, O mortal flesh!

Strong is your hold, O love!)

_743._ _O Captain! My Captain!_

O Captain! my Captain! our fearful trip is done,

The ship has weather’d every rack, the prize we sought is won,

The port is near, the bells I hear, the people all exulting,

While follow eyes the steady keel, the vessel grim and daring;

But O heart! heart! heart!

O the bleeding drops of red!

Where on the deck my Captain lies,

Fallen cold and dead.

O Captain! my Captain! rise up and hear the bells;

Rise up--for you the flag is flung--for you the bugle trills,

For you bouquets and ribbon’d wreaths--for you the shores crowding,

For you they call, the swaying mass, their eager faces turning;

Here, Captain! dear father!

This arm beneath your head!

It is some dream that on the deck

You’ve fallen cold and dead.

My Captain does not answer, his lips are pale and still,

My father does not feel my arm, he has no pulse nor will;

The ship is anchor’d safe and sound, its voyage closed and done,

From fearful trip the victor ship comes in with object won;

Exult, O shores! and ring, O bells!

But I, with mournful tread,

Walk the deck my Captain lies,

Fallen cold and dead.

JOHN RUSKIN

1819-1900

_744._ _Trust Thou Thy Love_

Trust thou thy Love: if she be proud, is she not sweet?

Trust thou thy Love: if she be mute, is she not pure?

Lay thou thy soul full in her hands, low at her feet;

Fail, Sun and Breath!--yet, for thy peace, She shall endure.

EBENEZER JONES

1820-1860

_745._ _When the World is burning_

When the world is burning,

Fired within, yet turning

Round with face unscathed;

Ere fierce flames, uprushing,

O’er all lands leap, crushing,

Till earth fall, fire-swathed;

Up amidst the meadows,

Gently through the shadows,

Gentle flames will glide,

Small, and blue, and golden.

Though by bard beholden,

When in calm dreams folden,--

Calm his dreams will bide.

The Oxford Book of English Verse, 1250-1900 · 第 8 / 10 章