THE WIDOWS.

Vauvenargues says that in public gardens there are alleys haunted

principally by thwarted ambition, by unfortunate inventors, by aborted

glories and broken hearts, and by all those tumultuous and contracted

souls in whom the last sighs of the storm mutter yet again, and who thus

betake themselves far from the insolent and joyous eyes of the

well-to-do. These shadowy retreats are the rendezvous of life's

cripples.

To such places above all others do the poet and philosopher direct their

avid conjectures. They find there an unfailing pasturage, for if there

is one place they disdain to visit it is, as I have already hinted, the

place of the joy of the rich. A turmoil in the void has no attractions

for them. On the contrary they feel themselves irresistibly drawn

towards all that is feeble, ruined, sorrowing, and bereft.

An experienced eye is never deceived. In these rigid and dejected

lineaments; in these eyes, wan and hollow, or bright with the last

fading gleams of the combat against fate; in these numerous profound

wrinkles and in the slow and troubled gait, the eye of experience

deciphers unnumbered legends of mistaken devotion, of unrewarded

effort, of hunger and cold humbly and silently supported.

Have you not at times seen widows sitting on the deserted benches? Poor

widows, I mean. Whether in mourning or not they are easily recognised.

Moreover, there is always something wanting in the mourning of the poor;

a lack of harmony which but renders it the more heart-breaking. It is

forced to be niggardly in its show of grief. They are the rich who

exhibit a full complement of sorrow.

Who is the saddest and most saddening of widows: she who leads by the

hand a child who cannot share her reveries, or she who is quite alone? I

do not know.... It happened that I once followed for several long hours

an aged and afflicted woman of this kind: rigid and erect, wrapped in a

little worn shawl, she carried in all her being the pride of stoicism.

She was evidently condemned by her absolute loneliness to the habits of

an ancient celibacy; and the masculine characters of her habits added to

their austerity a piquant mysteriousness. In what miserable café she

dines I know not, nor in what manner. I followed her to a reading-room,

and for a long time watched her reading the papers, her active eyes,

that once burned with tears, seeking for news of a powerful and personal

interest.

At length, in the afternoon, under a charming autumnal sky, one of those

skies that let fall hosts of memories and regrets, she seated herself

remotely in a garden, to listen, far from the crowd, to one of the

regimental bands whose music gratifies the people of Paris. This was

without doubt the small debauch of the innocent old woman (or the

purified old woman), the well-earned consolation for another of the

burdensome days without a friend, without conversation, without joy,

without a confidant, that God had allowed to fall upon her perhaps for

many years past--three hundred and sixty-five times a year!

Yet one more:

I can never prevent myself from throwing a glance, if not sympathetic at

least full of curiosity, over the crowd of outcasts who press around the

enclosure of a public concert. From the orchestra, across the night,

float songs of fête, of triumph, or of pleasure. The dresses of the

women sweep and shimmer; glances pass; the well-to-do, tired with doing

nothing, saunter about and make indolent pretence of listening to the

music. Here are only the rich, the happy; here is nothing that does not

inspire or exhale the pleasure of being alive, except the aspect of the

mob that presses against the outer barrier yonder, catching gratis, at

the will of the wind, a tatter of music, and watching the glittering

furnace within.

There is a reflection of the joy of the rich deep in the eyes of the

poor that is always interesting. But to-day, beyond this people dressed

in blouses and calico, I saw one whose nobility was in striking contrast

with all the surrounding triviality. She was a tall, majestic woman, and

so imperious in all her air that I cannot remember having seen the like

in the collections of the aristocratic beauties of the past. A perfume

of exalted virtue emanated from all her being. Her face, sad and worn,

was in perfect keeping with the deep mourning in which she was dressed.

She also, like the plebeians she mingled with and did not see, looked

upon the luminous world with a profound eye, and listened with a toss of

her head.

It was a strange vision. "Most certainly," I said to myself, "this

poverty, if poverty it be, ought not to admit of any sordid economy; so

noble a face answers for that. Why then does she remain in surroundings

with which she is so strikingly in contrast?"

But in curiously passing near her I was able to divine the reason. The

tall widow held by the hand a child dressed like herself in black.

Modest as was the price of entry, this price perhaps sufficed to pay

for some of the needs of the little being, or even more, for a

superfluity, a toy.

She will return on foot, dreaming and meditating--and alone, always

alone, for the child is turbulent and selfish, without gentleness or

patience, and cannot become, any more than another animal, a dog or a

cat, the confidant of solitary griefs.

The Poems and Prose Poems of Charles Baudelaire with an Introductory Preface by James Huneker · 第 95 / 97 题