V.--HIGURASHI, OR "KANA-KANA."

THIS insect, whose name signifies "day-darkening," is the most

remarkable of all the Japanese cicadae. It is not the finest singer

among them; but even as a melodist it ranks second only to the

_tsuku-tsuku-boshi_. It is the special minstrel of twilight,

singing only at dawn and sunset; whereas most of the other semi

make their music only in the full blaze of day, pausing even when

rain-clouds obscure the sun. In Tokyo the _higurashi_ usually

appears about the end of June, or the beginning of July. Its wonderful

cry,--_kana-kana-kana-kana-kana_,--beginning always in a very high

clear key, and slowly descending, is almost exactly like the sound of

a good hand-bell, very quickly rung. It is not a clashing sound, as of

violent ringing; it is quick, steady, and of surprising sonority. I

believe that a single _higurashi_ can be plainly heard a quarter of a

mile away; yet, as the old Japanese poet Yayu observed, "no matter

how many _higurashi_ be singing together, we never find them noisy."

Though powerful and penetrating as a resonance of metal, the

_higurashi's_ call is musical even to the degree of sweetness; and

there is a peculiar melancholy in it that accords with the hour of

gloaming. But the most astonishing fact in regard to the cry of the

_higurashi_ is the individual quality characterizing the note of each

insect. No two _higurashi_ sing precisely in the same tone. If you

hear a dozen of them singing at once, you will find that the timbre of

each voice is recognizably different from every other. Certain notes

ring like silver, others vibrate like bronze; and, besides varieties

of timbre suggesting bells of various weight and composition, there

are even differences in tone, that suggest different _forms_ of bell.

I have already said that the name _higurashi_ means "day-darkening,"--in

the sense of twilight, gloaming, dusk; and there are many Japanese

verses containing plays on the word,--the poets affecting to believe, as

in the following example, that the crying of the insect hastens the

coming of darkness:--

Higurashi ya!

Suteteoitemo

Kururu hi wo.

O Higurashi!--even if you let it alone, day darkens fast

enough!

This, intended to express a melancholy mood, may seem to the Western

reader far-fetched. But another little poem--referring to the effect of

the sound upon the conscience of an idler--will be appreciated by any

one accustomed to hear the _higurashi_. I may observe, in this

connection, that the first clear evening cry of the insect is quite as

startling as the sudden ringing of a bell:--

Higurashi ya!

Kyo no ketai wo

Omou-toki.

--RIKEI.

Already, O Higurashi, your call announces the evening!

Alas, for the passing day, with its duties left undone!

Shadowings · 第 40 / 128 题