“By _idiom_ is meant that _use_ of words which is peculiar to a particular

language. Two nations may have corresponding words for the same ideas, yet

differ altogether in their _mode of using_ those words. For instance, ‘et’

_means_ ‘and,’ yet it does not always admit of being used in Latin, where

‘and’ is used in English. ‘Faire’ may be French for ‘do’; yet in a

particular phrase, for ‘How do you _do_?’ ‘faire’ is not _used_, but ‘se

porter,’ _viz._, ‘Comment vous _portez-vous_?’ An Englishman or a

Frenchman would be almost unintelligible and altogether ridiculous to each

other, who used the French or English _words_, with the idioms or

_peculiar uses_ of his own language. Hence, the most complete and exact

acquaintance with dictionary and grammar will utterly fail to teach a

student to write or compose. Something more is wanted, _viz._, the

knowledge of the _use_ of words and constructions, or the knowledge of

_idiom_.

“Take the following English of a modern writer:

“ ‘This is a serious consideration:—Among men, as among wild beasts, the

taste of blood creates the appetite for it, and the appetite for it is

strengthened by indulgence.’

“Translate it word for word literally into Latin, thus:—

“ ‘Hæc est seria consideratio. Inter homines, ut inter feras, gustus

sanguinis creat ejus appetitum, et ejus appetitus indulgentiâ roboratur.’

“Purer Latin, as far as _diction_ is concerned, more correct, as far as

_syntax_, cannot be desired. Every word is classical, every construction

grammatical: yet Latinity it simply has none. From beginning to end it

follows the English _mode_ of speaking, or English idiom, not the Latin.

“In proportion, then, as a candidate advances from this Anglicism into

Latinity, so far does he write good Latin.

“We might make the following remarks upon the above literal version.

“1. ‘Consideratio’ is not ‘_a_ consideration;’ the Latins, having no

article, are driven to expedients to supply its place, _e.g._, _quidam_ is

sometimes used for _a_.

“2. ‘Consideratio’ is not ‘a consideration,’ _i.e._, a _thing_ considered,

or a subject; but the _act_ of considering.

“3. It must never be forgotten, that such words as ‘consideratio’ are

generally metaphorical, and therefore cannot be used _simply_, and without

limitation or explanation, in the English sense, according to which the

_mental_ act is primarily conveyed by the word. ‘Consideratio,’ it is

true, can be used absolutely, with greater propriety than most words of

the kind; but if we take a parallel case, for instance, ‘agitatio,’ we

could not use it at once in the mental sense for ‘agitation,’ but we

should be obliged to say ‘agitatio _mentis_, _animi_,’ etc., though even

then it would not answer to ‘agitation.’

“4. ‘Inter homines, gustus,’ etc. Here the English, as is not uncommon,

throws two ideas together. It means, first, that something _occurs_ among

men, and _occurs_ among wild beasts, and that it is the same thing which

occurs among both; and secondly that this something is, that the taste of

blood has a certain particular effect. In other words, it means, (1)

‘_this_ occurs among beasts and men,’ (2) _viz._, that the ‘taste of

blood,’ etc. Therefore, ‘inter homines, etc., gustus creat, etc.,’ does

not express the English _meaning_, it only translates its _expression_.

“5. ‘Inter homines’ is not the Latin phrase for ‘among.’ ‘Inter’ generally

involves some sense of _division_, _viz._, interruption, contrast,

rivalry, etc. Thus, with a singular noun, ‘inter cœnam hoc accidit,’

_i.e._, this _interrupted_ the supper. And so with two nouns, ‘inter me et

Brundusium Cæsar est.’ And so with a plural noun, ‘hoc _inter homines_

ambigitur,’ _i.e._, man with man. ‘Micat _inter omnes_ Julium sidus,’

_i.e._, in the rivalry of star against star. ‘Inter tot annos unus (vir)

inventus est,’ _i.e._, though all those years, one by one, put in their

claim, yet only one of them can produce a man, etc. ‘Inter se diligunt,’

they love each other. On the contrary, the Latin word for ‘among,’ simply

understood, is ‘in.’

“6. As a general rule, indicatives active followed by accusatives, are

foreign to the main structure of a Latin sentence.

“7. ‘Et;’ here two clauses are _connected_, having _different_ subjects or

nominatives; in the former ‘appetitus’ is in the nominative, and in the

latter in the accusative. It is usual in Latin to carry on the _same_

subject, in _connected_ clauses.

“8. ‘Et’ here connects two _distinct_ clauses. ‘Autem’ is more common.

“These being some of the faults of the literal version, I transcribe the

translations sent in to me by six of my pupils respectively, who, however

deficient in elegance of composition, and though more or less deficient in

hitting the Latin idiom, yet evidently know what idiom is.

“The first wrote:—Videte rem graviorem; quod feris, id hominibus quoque

accidit,—sanguinis sitim semel gustantibus intus concipi, plenè potantibus

maturari.

“The second wrote:—Res seria agitur; nam quod in feris, illud in hominibus

quoque cernitur, sanguinis appetitionem et suscitari lambendo et epulando

inflammari.

“The third:—Ecce res summâ consideratione digna; et in feris et in

hominibus, sanguinis semel delibati sitis est, sæpius hausti libido.

“The fourth:—Sollicitè animadvertendum est, cum in feris tum in hominibus

fieri, ut guttæ pariant appetitum sanguinis, frequentiores potus

ingluviem.

“And the fifth:—Perpende sedulo, gustum sanguinis tam in hominibus quam in

feris primæ appetitionem sui tandem cupidinem inferre.

“And the sixth:—Hoc grave est, quod hominibus cum feris videmus commune,

gustasse est appetere sanguinem, hausisse in deliciis habere.”

Mr. Black, junr., studies this paper, and considers that he has gained

something from it. Accordingly, when he sees his father, he mentions to

him Mr. White, his kindness, his papers, and especially the above, of

which he has taken a copy. His father begs to see it; and, being a bit of

a critic, forthwith delivers his judgment on it, and condescends to praise

it; but he says that it fails in this, _viz._, in overlooking the subject

of _structure_. He maintains that the turning-point of good or bad

Latinity is, not idiom, as Mr. White says, but structure. Then Mr. Black,

the father, is led on to speak of himself, and of his youthful studies;

and he ends by giving Harry a history of his own search after the knack of

writing Latin. I do not see quite how this is to the point of Mr. White’s

paper, which cannot be said to contradict Mr. Black’s narrative; but for

this very reason, I may consistently quote it, for from a different point

of view it may throw light on the subject treated in common by both these

literary authorities.

2.

_Old Mr. Black’s Confession of his search after a Latin style._

“The attempts and the failures and the successes of those who have gone

before, my dear son, are the direction-posts of those who come after; and,

as I am only speaking to you, it strikes me that I may, without egotism or

ostentation, suggest views or cautions, which might indeed be useful to

the University Student generally, by a relation of some of my own

endeavours to improve my own mind, and to increase my own knowledge in my

early life. I am no great admirer of self-taught geniuses; to be

self-taught is a misfortune, except in the case of those extraordinary

minds, to whom the title of genius justly belongs; for in most cases, to

be self-taught is to be badly grounded, to be slovenly finished, and to be

preposterously conceited. Nor, again, was that misfortune I speak of

really mine; but I have been left at times just so much to myself, as to

make it possible for young students to gain hints from the history of my

mind, which will be useful to themselves. And now for my subject.

“At school I was reckoned a sharp boy; I ran through its classes rapidly;

and by the time I was fifteen, my masters had nothing more to teach me,

and did not know what to do with me. I might have gone to a public school,

or to a private tutor for three or four years; but there were reasons

against either plan, and at the unusual age I speak of, with some inexact

acquaintance with Homer, Sophocles, Herodotus, and Xenophon, Horace,

Virgil, and Cicero, I was matriculated at the University. I had from a

child been very fond of composition, verse and prose, English and Latin,

and took especial interest in the subject of style; and one of the wishes

nearest my heart was to write Latin well. I had some idea of the style of

Addison, Hume, and Johnson, in English; but I had no idea what was meant

by good Latin style. I had read Cicero without learning what it was; the

books said, ‘This is neat Ciceronian language,’ ‘this is pure and elegant

Latinity,’ but they did not tell me why. Some persons told me to go by my

ear; to get Cicero by heart; and then I should know how to turn my

thoughts and marshal my words, nay, more, where to put subjunctive moods

and where to put indicative. In consequence I had a vague, unsatisfied

feeling on the subject, and kept grasping shadows, and had upon me

something of the unpleasant sensation of a bad dream.

“When I was sixteen, I fell upon an article in the _Quarterly_, which

reviewed a Latin history of (I think) the Rebellion of 1715; perhaps by

Dr. Whitaker. Years afterwards I learned that the critique was the writing

of a celebrated Oxford scholar; but at the time, it was the subject

itself, not the writer, that took hold of me. I read it carefully, and

made extracts which, I believe, I have to this day. Had I known more of

Latin writing, it would have been of real use to me; but as it was

concerned of necessity in verbal criticisms, it did but lead me deeper

into the mistake to which I had already been introduced,—that Latinity

consisted in using good phrases. Accordingly I began noting down, and

using in my exercises, idiomatic or peculiar expressions: such as ‘oleum

perdidi,’ ‘haud scio an non,’ ‘cogitanti mihi,’ ‘verum enimvero,’

‘equidem,’ ‘dixerim,’ and the like; and I made a great point of putting

the verb at the end of the sentence. What took me in the same direction

was Dumesnil’s Synonymes, a good book, but one which does not even profess

to teach Latin writing. I was aiming to be an architect by learning to

make bricks.

“Then I fell in with the _Germania_ and _Agricola_ of Tacitus, and was

very much taken by his style. Its peculiarities were much easier to

understand, and to copy, than Cicero’s: ‘decipit exemplar vitiis

imitabile;’ and thus, without any advance whatever in understanding the

genius of the language, or the construction of a Latin sentence, I added

to my fine words and cut-and-dried idioms, phrases smacking of Tacitus.

The Dialogues of Erasmus, which I studied, carried me in the same

direction; for dialogues, from the nature of the case, consist of words

and clauses, and smart, pregnant, or colloquial expressions, rather than

of sentences with an adequate structure.”

Mr. Black takes breath, and then continues:

“The labour, then, of years came to nothing, and when I was twenty I knew

no more of Latin composition than I had known at fifteen. It was then that

circumstances turned my attention to a volume of Latin Lectures, which had

been published by the accomplished scholar of whose critique in the

_Quarterly Review_ I have already spoken. The Lectures in question had

been delivered terminally while he held the Professorship of Poetry, and

were afterwards collected into a volume; and various circumstances

combined to give them a peculiar character. Delivered one by one at

intervals, to a large, cultivated, and critical audience, they both

demanded and admitted of special elaboration of the style. As coming from

a person of his high reputation for Latinity, they were displays of art;

and, as addressed to persons who had to follow _ex tempore_ the course of

a discussion delivered in a foreign tongue, they needed a style as neat,

pointed, lucid, and perspicuous as it was ornamental. Moreover, as

expressing modern ideas in an ancient language, they involved a new

development and application of its powers. The result of these united

conditions was a style less simple, less natural and fresh, than Cicero’s;

more studied, more ambitious, more sparkling; heaping together in a page

the flowers which Cicero scatters over a treatise; but still on that very

account more fitted for the purpose of inflicting upon the inquiring

student what Latinity was. Any how, such was its effect upon me; it was

like the ‘Open Sesame’ of the tale; and I quickly found that I had a new

sense, as regards composition, that I understood beyond mistake what a

Latin sentence should be, and saw how an English sentence must be fused

and remoulded in order to make it Latin. Henceforth Cicero, as an artist,

had a meaning, when I read him, which he never had had to me before; the

bad dream of seeking and never finding was over; and, whether I ever wrote

Latin or not, at least I knew what good Latin was.

“I had now learned that good Latinity lies in structure; that every word

of a sentence may be Latin, yet the whole sentence remain English; and

that dictionaries do not teach composition. Exulting in my discovery, I

next proceeded to analyze and to throw into the shape of science that idea

of Latinity to which I had attained. Rules and remarks, such as are

contained in works on composition, had not led me to master the idea; and

now that I really had gained it, it led me to form from it rules and

remarks for myself. I could now turn Cicero to account, and I proceeded to

make his writings the materials of an induction, from which I drew out and

threw into form what I have called a science of Latinity,—with its

principles and peculiarities, their connection and their consequences,—or

at least considerable specimens of such a science, the like of which I

have not happened to see in print. Considering, however, how much has been

done for scholarship since the time I speak of, and especially how many

German books have been translated, I doubt not I should now find my own

poor investigations and discoveries anticipated and superseded by works

which are in the hands of every school-boy. At the same time, I am quite

sure that I gained a very great deal in the way of precision of thought,

delicacy of judgment, and refinement of taste, by the processes of

induction to which I am referring. I kept blank books, in which every

peculiarity in every sentence of Cicero was minutely noted down, as I went

on reading. The force of words, their combination into phrases, their

collocation—the carrying on of one subject or nominative through a

sentence, the breaking up of a sentence into clauses, the evasion of its

categorical form, the resolution of abstract nouns into verbs and

participles;—what is possible in Latin composition and what is not, how to

compensate for want of brevity by elegance, and to secure perspicuity by

the use of figures, these, and a hundred similar points of art, I

illustrated with a diligence which even bordered on subtlety. Cicero

became a mere magazine of instances, and the main use of the river was to

feed the canal. I am unable to say whether these elaborate inductions

would profit any one else, but I have a vivid recollection of the great

utility they were at that time to my own mind.

“The general subject of Latin composition, my dear son, has ever

interested me much, and you see only one point in it has made me speak for

a quarter of an hour; but now that I have had my say about it, what is its

upshot? The great moral I would impress upon you is this, that in learning

to write Latin, as in all learning, you must not trust to books, but only

make use of them; not hang like a dead weight upon your teacher, but catch

some of his life; handle what is given you, not as a formula, but as a

pattern to copy and as a capital to improve; throw your heart and mind

into what you are about, and thus unite the separate advantages of being

tutored and of being self-taught,—self-taught, yet without oddities, and

tutorized, yet without conventionalities.”

“Why, my dear father,” says young Mr. Black, “you speak like a book. You

must let me ask you to write down for me what you have been giving out in

conversation.”

_I_ have had the advantage of the written copy.

§ 4.

General Religious Knowledge.

1.

It has been the custom in the English Universities to introduce religious

instruction into the School of Arts; and a very right custom it is, which

every University may well imitate. I have certainly felt it ought to have

a place in that School; yet the subject is not without its difficulty, and

I intend to say a few words upon it here. That place, if it has one,

should of course be determined on some intelligible principle, which,

while it justifies the introduction of Religion into a secular Faculty,

will preserve it from becoming an intrusion, by fixing the conditions

under which it is to be admitted. There are many who would make over the

subject of Religion to the theologian exclusively; there are others who

allow it almost unlimited extension in the province of Letters. The latter

of these two classes, if not large, at least is serious and earnest; it

seems to consider that the Classics should be superseded by the Scriptures

and the Fathers, and that Theology proper should be taught to the youthful

aspirant for University honours. I am not here concerned with opinions of

this character, which I respect, but cannot follow. Nor am I concerned

with that large class, on the other hand, who, in their exclusion of

Religion from the lecture-rooms of Philosophy and Letters (or of Arts, as

it used to be called), are actuated by scepticism or indifference; but

there are other persons, much to be consulted, who arrive at the same

practical conclusion as the sceptic and unbeliever, from real reverence

and pure zeal for the interests of Theology, which they consider sure to

suffer from the superficial treatment of lay-professors, and the

superficial reception of young minds, as soon as, and in whatever degree,

it is associated with classical, philosophical, and historical

studies;—and as very many persons of great consideration seem to be of

this opinion, I will set down the reasons why I follow the English

tradition instead, and in what sense I follow it.

I might appeal, I conceive, to authority in my favour, but I pass it over,

because mere authority, however sufficient for my own guidance, is not

sufficient for the definite direction of those who have to carry out the

matter of it in practice.

2.

In the first place, then, it is congruous certainly that youths who are

prepared in a Catholic University for the general duties of a secular

life, or for the secular professions, should not leave it without some

knowledge of their religion; and, on the other hand, it does, in matter of

fact, act to the disadvantage of a Christian place of education, in the

world and in the judgment of men of the world, and is a reproach to its

conductors, and even a scandal, if it sends out its pupils accomplished in

all knowledge except Christian knowledge; and hence, even though it were

impossible to rest the introduction of religious teaching into the secular

lecture-room upon any logical principle, the imperative necessity of its

introduction would remain, and the only question would be, what matter was

to be introduced, and how much.

And next, considering that, as the mind is enlarged and cultivated

generally, it is capable, or rather is desirous and has need, of fuller

religious information, it is difficult to maintain that that knowledge of

Christianity which is sufficient for entrance at the University is all

that is incumbent on students who have been submitted to the academical

course. So that we are unavoidably led on to the further question, viz.,

shall we sharpen and refine the youthful intellect, and then leave it to

exercise its new powers upon the most sacred of subjects, as it will, and

with the chance of its exercising them wrongly; or shall we proceed to

feed it with divine truth, as it gains an appetite for knowledge?

Religious teaching, then, is urged upon us in the case of University

students, first, by its evident propriety; secondly, by the force of

public opinion; thirdly, from the great inconveniences of neglecting it.

And, if the subject of Religion is to have a real place in their course of

study, it must enter into the examinations in which that course results;

for nothing will be found to impress and occupy their minds but such

matters as they have to present to their Examiners.

Such, then, are the considerations which actually oblige us to introduce

the subject of Religion into our secular schools, whether it be logical or

not to do so; but next, I think that we can do so without any sacrifice of

principle or of consistency; and this, I trust, will appear, if I proceed

to explain the mode which I should propose to adopt for the purpose:—

I would treat the subject of Religion in the School of Philosophy and

Letters simply as a branch of knowledge. If the University student is

bound to have a knowledge of History generally, he is bound to have

inclusively a knowledge of sacred history as well as profane; if he ought

to be well instructed in Ancient Literature, Biblical Literature comes

under that general description as well as Classical; if he knows the

Philosophy of men, he will not be extravagating from his general subject,

if he cultivate also that Philosophy which is divine. And as a student is

not necessarily superficial, though he has not studied all the classical

poets, or all Aristotle’s philosophy, so he need not be dangerously

superficial, if he has but a parallel knowledge of Religion.

3.

However, it may be said that the risk of theological error is so serious,

and the effects of theological conceit are so mischievous, that it is

better for a youth to know nothing of the sacred subject, than to have a

slender knowledge which he can use freely and recklessly, for the very

reason that it is slender. And here we have the maxim in corroboration: “A

little learning is a dangerous thing.”

This objection is of too anxious a character to be disregarded. I should

answer it thus:—In the first place it is obvious to remark, that one great

portion of the knowledge here advocated is, as I have just said,

historical knowledge, which has little or nothing to do with doctrine. If

a Catholic youth mixes with educated Protestants of his own age, he will

find them conversant with the outlines and the characteristics of sacred

and ecclesiastical history as well as profane: it is desirable that he

should be on a par with them, and able to keep up a conversation with

them. It is desirable, if he has left our University with honours or

prizes, that he should know as well as they about the great primitive

divisions of Christianity, its polity, its luminaries, its acts, and its

fortunes; its great eras, and its course down to this day. He should have

some idea of its propagation, and of the order in which the nations, which

have submitted to it, entered its pale; and of the list of its Fathers,

and of its writers generally, and of the subjects of their works. He

should know who St. Justin Martyr was, and when he lived; what language

St. Ephraim wrote in; on what St. Chrysostom’s literary fame is founded;

who was Celsus, or Ammonius, or Porphyry, or Ulphilas, or Symmachus, or

Theodoric. Who were the Nestorians; what was the religion of the barbarian

nations who took possession of the Roman Empire: who was Eutyches, or

Berengarius, who the Albigenses. He should know something about the

Benedictines, Dominicans, or Franciscans, about the Crusades, and the

chief movers in them. He should be able to say what the Holy See has done

for learning and science; the place which these islands hold in the

literary history of the dark age; what part the Church had, and how her

highest interests fared, in the revival of letters; who Bessarion was, or

Ximenes, or William of Wykeham, or Cardinal Allen. I do not say that we

can insure all this knowledge in every accomplished student who goes from

us, but at least we can admit such knowledge, we can encourage it, in our

lecture-rooms and examination-halls.

The Idea of a University Defined and Illustrated In Nine Discourses Delivered to the Catholics of Dublin · 第 26 / 37 段