While the doctor leant back and rested, the hospital nurse examined

each student privately on the subject of the previous instructions. The

Signorina happened to be quite close to a little old lady with bonnet

and strings, and a small, eager, withered, agitated face under bands

of frizzled grey hair--the kind of little old lady who is always ready

to respond to the call of duty, and who is in the van of knitters for

“our dear, brave soldiers” or “our gallant tars.”

“What,” said the hospital nurse tenderly, “would you do for a bed-sore?”

The little old lady began to twitter and flutter:

“I would first wash the place with warm water, and--oh, dear me, dear

me, I _did_ know, I knew quite well a minute ago--with, with something

to disinfect.”

“It is something to disinfect, quite right,” approved the nurse.

“A salt, I think--I’m sure it was. I could get it at the chemist----”

“Certainly,” said the nurse, as if she were speaking to a child of two

years old, “the chemist would be sure to keep it. It’s quite a simple

thing. But you would have to know what to ask for, wouldn’t you?”

“Oh, dear me, yes. P--p-- or did it begin with an I?”

“Perchloride of mercury,” said the nurse, smothering a yawn.

“Oh yes,” cried the little old lady, delighted, “that’s it.”

“Well, now you know it, don’t you,” said the nurse brightly, wrote

“Passed” in her notebook, and turned to the next.

“How much liquid nourishment would you give a typhoid patient at a

time?”

This to a village girl, who looked blank, not to say terrified, and

wrung her hands in her lap.

“I mean,” helped the questioner, “if the patient were put on milk--a

milk diet, very usual in typhoid cases--how much milk would you give at

a time?”

The girl’s face lit up.

“Two quarts, miss,” she said with alacrity.

“Not at a time, I think,” corrected the examiner, quite unruffled. “Two

quarts, perhaps, in the twenty-four hours, if you could get the patient

to take it--that would be splendid. Typhoid is a very weakening malady.

It’s a good thing to keep the strength up--if you _can_, you know.”

The Signorina heard this optimist make her report a little later to the

charming daughter of the charming family, who had herself studied to

good purpose, but was too modest to undertake the instructions.

“They’ve all answered beautifully. Look at my notebook----”

It was “Passed,” “Passed,” to every name.

“That _is_ good,” said the gratified organizer. “We _have_ done well

to-day.”

* * * * *

No doubt one occasionally comes across odd specimens even among

professionals. Certainly, during a long illness with which the Signora

was afflicted a couple of years ago, three of the five nurses who

succeeded each other in attendance upon her cannot be said to have

lightened the burthen.

The first, sent for at eleven o’clock at night, distinguished herself

by instantly upsetting a basin of hot water into the patient’s bed.

As she repeated the process next night, and greeted the accident with

shrieks of laughter, it could scarcely be regarded as the exceptional

breach which proves the rule of excellence.

The Signora, who was not supposed to be moved at all, has, fortunately,

the sense of humour which helps one along the troublesome way of

life, in sickness as in health. She laughed too. The nurse, who was

an Irishwoman, immediately thought herself rather a wag. She was a

little, vivacious creature, ugly, but bright-eyed. She was extremely

talkative, and perhaps the most callous person the Signora has ever

come across. It is our experience that all nurses are talkative. If the

patient wants to make life endurable at all, the talk must be guided

into the least disagreeable channels.

The Signora’s dread is the tale of operations--“of practice in the

theatre,” which one of the nurses of her youth told her she considered

“an agreeable little change.”--This particular Dorcas’s favourite topic

was deathbeds. The patient was quite aware that the supreme experience

was a not at all impossible event for herself in the near future,

so she had a certain personal interest in the matter. Anyhow, she

permitted the discourse.

She heard at full length the narration of Nurse MacDermott’s first

deathbed in private nursing. It was a horrible anecdote, which might

have formed a chapter in a realistic novel. “A gentleman at Wimbledon

it was,” evidently of the well-to-do merchant class, and he seemed,

poor man! to have been the unhappy father of a family as cold-blooded

and heartless as the wife in Tolstoi’s painful story of death. But

here there was no one to care, not even a poor servant lad--not even

the nurse whose vocation it was to help him through the final agony.

She arrived at ten o’clock, and at eleven the doctor warned the family

that the patient would not pass the night. Thereupon everyone--the

wife, two daughters, and a son--retired to bed, and left the dying

man in charge of the newly arrived attendant, who sat down to watch,

reading a novel. About two o’clock the moribund began to make painful

efforts to speak.

“Charlie, Charlie,” he kept saying.

“Ah, the poor fellow!” said the little nurse, as she recounted

the story, “he had a son who was a scapegrace, it seems, off away

somewhere, and he wanted to send him a message. I ran and called the

wife out of her bed--what do you think? She’d put her hair in crimpers!

Upon my word, she had; they were bristling all round the head of her.

Well, I didn’t want to have him die on me while I was out of the room,

so I rushed back. And he made signs to me. The power of speech was

gone from him. He wanted to write. I had a bit of pencil, but there

wasn’t a scrap of paper that I could see, so there was nothing I could

give him but the fly-leaf of the book I was reading; and ah! the poor

fellow, it was only scrawls he could make after all. And sure, he was

dead before his wife came in. And she just gave one look at him, and,

‘I’m going back to bed,’ says she, and back to bed she went. But it was

the hair-curlers that did for me. I never can forget them.”

She was sitting at the end of the Signora’s bed, and doubled herself up

with laughter as she spoke. We have no doubt but that she went back to

her novel, scrawled with the dying father’s last futile effort.

We never knew anyone quite so frankly unmoved by the awful scenes it

was her trade to witness. She found vast amusement in the wanderings

of delirious patients. Whenever she wanted to cheer the other nurses

up, she informed us, in the Home where they dwelt together, she could

always make them laugh with little anecdotes from the typhoid ward; and

the “wanderings” from the different beds.

She tried to cheer the Signora up on these lines; and the Signora,

on wakeful nights, has to force her mind away from the “humorous”

memories. She infinitely preferred the story of Nurse McDermott’s

love affairs. Like many ugly people, the young woman believed herself

irresistible, and paid a great deal of attention to the conservation

of her charms. Once, having settled her patient for the night, she

reappeared unexpectedly _en robe de chambre_.

“I have just come to tell you how many creams I have put on myself,”

she cried to the bewildered lady. “I know it will amuse you! There’s

the pomade for my hair, and Valaze for my face, and the lanoline for my

neck. I do hate the mark of the collar--for evening dress, you know--it

gives one away so! And there’s the salve for my lips, and the cold

cream for my hands, and the polish for my nails----”

She went away in a hurry to a bad case at Liphurst, jubilating because

we were paying her journey, and she would get it out of the other lady

also, and the doctor had offered to send her in his car.

Of quite another type was Nurse Vischet. No one could say that she was

unaffected by her patient’s symptoms. They had the power of flinging

her into frenzy. Capable enough when things were going fairly well with

her charge, the first shadow of a change for the worse produced in her

what can only be described as fury. Her face would become convulsed,

her eyes would flame, she would knock the furniture about as she moved,

and could barely restrain herself from insulting the sufferer.

At first the Signora, who was very ill and weaker than it is possible

to describe, could not at all understand these outbursts. “What can

have annoyed Nurse?” she would wonder feebly to herself. But presently

she understood. It was really a mixed terror of, and repulsion from,

the sight of suffering. Why such a woman should have become a nurse,

and how she could continue in the service of the sick, feeling as she

did, remains a mystery. The key to her extraordinary behaviour was

given one day by a little dog, who happened to be seized with a very

common or garden fit of choking through the nose; such as affects

little dogs with slight colds in their heads. Nurse Vischet started

screaming.

“He’s all right,” said the Signora. “He only wants his nose rubbed.

Carry him over to me if you won’t do it yourself.”

“Ugh!” shrieked Nurse Vischet. “I think it’s dying. I wouldn’t touch it

for the world!”

One of the symptoms of the human patient’s illness were agonizing

headaches, during which she could scarcely bear a ray of light in

the room. In spite of frequent requests, Nurse Vischet always seized

the occasion to turn the ceiling electric light full on the bed, and

when at last forbidden to do so, she declined to enter a room in

which she could not see her way. The Signora gave her the name of

her “ministering devil.” She was a rabid Socialist, and had peculiar

theories, one of which we remember was that condemned criminals should

be handed over to the laboratories for vivisection.

She had also to an acute degree the hospital nurse’s capacity for

upsetting the household. Our butler, a hot-tempered man, happened to

drop a stray “damn” in the hearing of the under-housemaid, and Vischet,

hanging on the landing over the kitchen regions, as she was fond of

doing, overheard the dread word. The whole establishment was turned

upside down. Maggie was told that she “owed it to her womanhood” not to

allow foul language in her presence. Maggie gave notice, but being,

after all, an Irish girl with a sense of humour, was as easily soothed

down as she had been worked up. Certainly, however, if we had kept

Nurse Vischet, we should have lost, one by one, our excellent staff of

servants. Besides playing on their feelings against each other, she had

a horrible trick of telling them they were at the last gasp upon the

smallest ailment. She did not like her patient to have symptoms; but

she encouraged the domestics to fly to her with theirs.

Irish Maggie had an indigestion. Vischet declared her condition to be

of extreme gravity. She rushed to the Signora with her tale. Maggie was

ordered to bed. Vischet produced an immense tin of antiphlogistine with

which to arrest “the mischief.”

The daughter of the house went up to visit the sick girl, and came down

laughing to console her mother.

“You needn’t worry about Maggie,” she said, and gave a pleasant little

description of the scene and the invalid’s remarks.

“Ah, sure I’m all right, miss. It’s all along of a bit of green apple.

Sure, Mrs. MacComfort has just given me a drop of ginger, and it’s

done me a lot of good already. Do you see what Nurse is after bringing

me? God bless us all, wouldn’t I rather die itself than be spreading

that putty on me! I’ll be up for tea, miss.”

“She looks as rosy as possible,” went on the comforter, “and ever so

nice with her hair in a great thick plait tied with ribbons, grass

green, for Ireland.”

Through one recollection Vischet will always remain endeared to the

mind of her victim; and that was for her singular pronunciation. There

was a story to which the Signora was fond of leading up relating to

por-poises, (pronounced to rhyme with noises), and another connected

with a tor-toise, which happened to be the pet of a recent “case.”

There was also a little tale of a dog: “I was out walking on the

embankment,” said Vischet, “and I saw a man coming along leading

two dogs--one was a great bulldog, and the other was one of those

queer creatures you call a dashun” (the Signora prides herself on

her intelligence for instantly discovering that the narrator meant a

dachshund). “And there was running about loose the queerest animal ever

I saw,” went on the nurse; “it had the head of a bulldog and the legs

of a dashun.”

The third nurse was very different. The daughter of an officer, who was

seeking the most genteel way to make her living, she frankly handed

over the chief of the attendance to the Signora’s own devoted maid;

which, on the Signora becoming aware of her incapacity, she was on the

whole glad that she should do. Nurse Fraser was a tall, handsome girl,

who was fond of sitting on the sofa at the foot of the patient’s bed,

her hands clasped round her knees, staring into space. She was by no

means unamiable, but she was bored; and the Signora, who rather liked

her, was not averse to screening her deficiencies. When the doctor

inquired after the temperature that had never been taken, she herself

would declare it had been normal; and she was amused when Nurse Fraser

would next vouch for a “splendid breakfast.” She not having appeared in

her patient’s room till noon.

She made no attempt to conceal her complete inefficiency in the

treatment of the case.

“Oh, _do_ tell me what I’m to do,” she had cried on arrival to the

district nurse who had come in as a stopgap. “I’m sure if I ever knew

anything about the illness I’ve quite forgotten.”

One day--she, too, was garrulous--she informed her patient that her

mother had shares in Kentish Mines. “If ever they work out, we may get

a lot of money, and then,” she cried, quite unconscious of offence, “no

more beastly sick people for me!”

She left us in tears. She had enjoyed herself very much.

It would seem as if our experience had been unfortunate, and yet it is

not so; for surely to have known two perfect nurses one after another

is sufficient to re-establish the balance. Chief of these, first and

dearest, was Nurse Dove. She was the district nurse, called in, as we

have said, in a moment of emergency. How Miss Nightingale would have

loved her! Blessed little creature, it was enough to restore anybody’s

heart to see her come into the sick-room, quiet, capable, tender, her

eyes shining with compassion for the sufferer and eagerness to relieve.

She was as gentle as she was skilful: to anyone who did not know her

it would be impossible to convey the extent of the virtue contained

in this phrase. The Signora would have placed herself, or, what

means a great deal more, her nearest and dearest, with the completest

confidence in her hands alone, in any dangerous illness.

Among the poor she was an apostle. It seemed to have been her fate

that, during her brief stay in our village, several young mothers found

themselves in mortal extremity. She never lost a life. We think now

with longing of what she would have been among the wounded. Alas! we

were not destined to keep such perfection with us. It was Cupid, not

death, that robbed us of this treasure--if Cupid, indeed, it can be

called, the dingy, doubtful imp that took her away from her wonderful

work among us. Alas! charming, devoted, exquisite being as she was, she

had a very human side. We fear there was a touch of “pike,” as the old

gardener had it, in the business, but in spite of all our efforts a

“coloured gentleman,” an invalid to boot, a shifty elderly fellow with

an Oriental glibness of tongue, carried her off away with him back to

India. She has since written to us describing her palatial abode on the

borders of a lake with a horde of servants and a private steam-launch,

but we strongly suspect that if the pen was the pen of Nurse Dove, the

words were the words of the coloured gentleman.

The individual was a Baboo, a clerk in the Madras Post Office, and had

already been invalided out of the service before he left England. We

cannot believe that the pension of an underling in the Indian Civil

Service runs to these Rajah-like splendours. Moreover, there was a

tragic little postcard, sent to a humble friend, which did not at all

correspond with the highflown letter above-mentioned: “The world is a

very sad place; we must all be prepared for disappointments.”

There is one thing quite certain--wherever she goes she will be doing

good.

Curiously enough, the second perfect nurse resembled her in dark pallor

of skin, splendour of raven tresses, and thoughtful brilliance of brown

eyes; but she was younger and more timid. She will want a few more

years of experience and self-reliance before she can develop into a

Nurse Dove.

But nevertheless, resembling her in countenance, she had the same

deep womanly heart for her patients. Suffering in their sufferings,

she would spare no pains to relieve them. And she had the touch of

imaginative genius and the courage to act on her own responsibility

which made her presence in a house of sickness a comfort and a

strength. In fact, the life was to her a vocation. She nursed to help

others, not herself. She had not grown callous through the sight of

agonies, only more urgent to be of use.

God send many such to our men in their need to-day!

IV

“CONSIDER THE LILIES”

“For the first time the Lamb shall be dyed red....”

_Brother Johannes’ Prophecy._

“Consider the lilies, how they grow....”

The sad thing is that with us they decline to grow. When we bought the

small, high-perched house and grounds on the Surrey hills there is

no doubt that the thought of lilies in those terraced gardens was no

unimportant part of the programme. Oddly, the little house had from the

first an Italian look, which we have not been slow to cultivate.

Now we were haunted by a picture of an Italian garden: a

pergola--vine-covered, it was--with two serried ranks of Madonna

lilies growing inside the arches; flagged as to pathway, with probably

fragrant tufts of mint and thyme between the stones. In the land of its

conception this vision of shadowy green and exquisite white, cool yet

shining, as if snow-fashioned, must have given upon some stretch of

quivering, heat-baked country.

Without being able to provide such an antithesis, the

garden-plotter--she means the dreadful quip--otherwise the mistress of

the English Villino, with a vivid and charming picture in her mind’s

eye, fondly imaged a very effective outlook upon the great shouldering

moors that rise startlingly across the narrow valley at the bottom of

her garden. But the lilies refused to grow.

She tried them in border after border. She set clumps of Auratums under

the dining-room between the heliotrope and the Nicotianas, which swing

such gushes of fragrance into the little house all the hot summer days.

She got monster bulbs of Madonnas from the first specialist in the

kingdom, and put them singly between the red and white roses against

the upper terrace wall. She ran amok upon luscious spotted darlings;

Pardelinum and Monadelphum, Polyphyllum and Parryi, and had them placed

in a cool, shady walk against a background of delphiniums. She thrust

Harrisi under the drawing-room bow; and the glorious scarlet-trumpeted

Thunbergianum where they would flame in the middle distance. They

showed many varied forms of disapproval, but were unanimous in

declining to remain with us. Some were a little more polite than

the others. The great trumpets blew fiercely for one season, almost

as with a sound of glorious brass, in their dim nook; and a single

exquisite, perfect stem of Krameri rose intact amid a dying sisterhood,

and swayed, delicately proud, faintly flushed, a very princess among

flowers, one long, golden September fortnight. But such meteors only

make our persistent gloom, where lilies are concerned, the more signal.

The pergola had to go the way of so many cherished dreams. Yet there is

an exception. With just an occasional threat of disease, there is one

border favoured by the tiger-lily. She is not a very choice creature,

of course; she has neither the fragrance nor the mystic grace of her

cousins; but such as she is, she is welcome in our midst. On our third

terrace there is a stretch of turf, curved outwards like a half-moon,

against a new yew hedge: we call it the Hemicycle. In spring it is a

jocund pleasaunce for crocus and scylla and flowering trees--almond,

_Pyrus floribunda_, and peach; in summer the weeping standards hold

the field, set between the pots of climbing geraniums. That is on the

outward curve. A rough wall, overhung with Dorothy Perkins, clothed

from the base with Rêve d’Or, runs straightly on the inner side. It is

in the border underneath this wall that the tiger-ladies condescend to

us.

Last year, by a somewhat accidental development of seeds, we had a

marvellous post-impressionist effect along the line, for all the stocks

there planted, between the Tigrinum, turned out to be purple and mauve.

They grew tall, with immense heads of bloom: drawn up by the wall, we

think. Over the orange and violet row the Dorothy Perkins showered

masses of vivid pink. A narrow ribbon of bright pale yellow violas ran

between the border and the turf. To connect this mass of startling

colour, an intermediate regiment of lavender-bushes and the cream hues

of the Rêve d’Or roses against their grey-green foliage acted very

successfully. It is not a scheme that one would perhaps have tried

deliberately, but we could not regret it. It does one good sometimes to

steep the senses in such a fine tangle of elementary colour. The shock

is bracing, as of a sea wave; like the march of a military band, we

could enjoy it, in the open air and sunshine, just where it was placed;

away from the house, with its distant background of fir-trees and moors.

Yet it is a mistake to use the word “post-impressionist” in connection

with our border; for that movement, with all its pretended revival of

the old pagan spirit of joy, was only an effort to conceal fundamental

misery. The tango is no dance of gods and nymphs, but a dreadful

merry-go-round of lost souls. The post-impressionist painting is not

a flag of radiant defiance--youth challenging the unbelieved gloom of

life--but a kind of outbreak as of disease: something spotty, fungoid,

shaped like germs under the microscope.

Let us come back to the lilies. Come out of the fever-room into the

garden.

We once tried to make a field of lilies. Our lowest garden has a

different kind of soil fortunately from the greensand which makes the

upper terrace beds such rapacious devourers of manure and fertilizers,

and all the other necessary and unfragrant riches. The Signora took

thought with herself and made a kind of nursery plantation at one end

of the vegetable garden, to the meek despair of our gardener, who,

like all other gardeners, cherishes a cabbage-patch with a passionate

preference. She invested in a good three thousand bulbs, among others,

hundreds of Candidums. Was it a punishment for her extravagance? Many

years of life and experience have taught her that where we sin we are

punished, by as inevitable a law as that of cause and effect. Or was it

just the cursed spite of those wandering devils who, Indian and Irish

folk alike believe, are always hovering ready to pounce upon success?

Whether justice or malice, it is immaterial; the result was disaster.

They had sent up straight spikes of vivid green, untouched by a trace

of the horrible bilious complexion that bespeaks the prevalent disease,

when the May frost came and laid them flat and seared.

After all, they would hardly have been much use in that especial spot,

as far as garden perspective is concerned; and except for the hall and

staircase lilies are not indoor flowers. The Signora loves the warm

fragrance to gush up diffused through the house, but in any room it

becomes overwhelming, almost gross. She does not even care for them

pictorially at close quarters, meaning here the larger kind, including

Candidum. They are essentially open-air flowers; they need the sun and

the wind about them, background and space. It seems almost blasphemous

to say so, but on the nearer sight their appearance becomes like their

scent, a little coarse.

On an altar, once again, they assume their proper proportions; and,

carved in stone, they are decorative and satisfying. But the Arum

lily, which is not a lily at all, long-stemmed, in a vase, with its

own gorgeous leaves about it, is something to sit and gaze at with

ever-increasing content!

A Little House in War Time · 第 4 / 12 段