IV

Lydia Protheroe, whose mind worked instinctively in terms of drama,

always saw herself afterwards, in retrospect, standing alone in the rain

on the pavement outside her father’s house wondering where she should

go. She had not expected events to be so rapid or so complete. She had

foreseen long weeks of argument, during which her family would slowly be

worn down to some reluctant compromise, and although this had not been

much to her satisfaction as a prospect, she had resigned herself to hope

for nothing more. She found herself now, triumphant indeed, but a little

disconcerted, with no luggage and too much pride to slip into the house

again in order to pack. No doubt they counted on her doing so; no doubt

their ultimatum had been but bluff. Probably they were even now sitting

expectant, waiting to hear her key in the door, waiting to rush out and

overwhelm her in the passage, and to pull her in with cries of “Alice,

dear, we didn’t mean it!” Let them wait! She started down the wet

street, where the gas-lamps shone reflected in the roadway, and as she

went she turned up the collar of the overcoat she had snatched off the

row of hooks in the passage, for the rain was dripping into her neck. It

then occurred to her that the overcoat was not her own. She had taken

her own hat, cramming it down as far as her eyebrows; but she had got

the wrong coat. She investigated it: it was her brother’s—Bertie’s. This

seemed to her to be an extremely good joke—and Bertie, too, was always

so particular about his things. She felt quite disproportionately

heartened by this occurrence, and as she thrust her hands into the

pockets to keep them dry she pretended to herself that she was a man, to

give herself additional courage; she even affected a masculine stride,

and whispered to herself, “Lydia Protheroe ... Richard Protheroe ... who

am I?” and she skipped two or three paces in her excitement and

trepidation. There was a pipe in the pocket of the coat; she curved her

fingers round its little friendly bowl, and for a minute she even took

it out and stuck it in her mouth, sucking at it as she had seen Bertie

do, but almost immediately she slipped it back again with a guilty air

and the sense of having done something inordinately daring, grotesque,

and improper. The extravagance of her adventure was indeed going to her

head. She had been for so long enveloped in the cotton-wool of her

family that to be free of it was, simply, incredible. No father, no

mother, no Bertie, to madden her with their injunctions and their

restrictions. She skipped again, another two or three paces. But in the

meantime she had no idea of where she was going or of what she meant to

do. This irresponsibility was all very well, this release very

delightful, but from Lydia Protheroe masquerading down a dark wet street

in her brother’s overcoat, to Lydia Protheroe the proprietress of a

flourishing theatrical business, with her name over the door and fat

ledgers on her desk, was a far cry; and she had nowhere to sleep that

night.

She turned towards the station. Where did the next train go to? There

would she go, even if it carried her to Wick or Thurso. Since she had

abjured all the common prudences, she would allow fate to decide for her

hap-hazard: fate was a Bohemian, if ever there was one, overthrowing

careful plans and disregarding probabilities—a random deity which must

henceforth be her guide. Before very long, she reflected, scoffing,

though a little uncertainly, at herself meanwhile, she would be ordering

her life by the spin of a coin or the conjunction of the planets, since

here she was already, with not ten minutes of liberty behind her,

resigning her destination into the keeping of Bradshaw. She hurried on

towards the station, huddled inside the coat that was much too big for

her, frightened but indomitable: still pretending to herself that she

was a man—a boy, rather, and such phrases as “He ran away to sea” kept

flitting through her mind, inconsequent but vaguely inspiriting—and

although she was thereby transporting herself into a world of pretence,

she could not help feeling, with exultation, that she had discarded for

ever the world of true pretence, of casuistry and circumspection,

growing richer, more emancipated by the exchange. Presently she stood

upon the railway bridge, looking down upon the station, an etching in

silver-point never by her forgotten. The rails were lines of polished

silver, the low black sheds of the station were spanned by girders

against a black and silver sky. Only a few yellow lights gave colour;

and, high up, the light of a signal, like a high and isolated ruby,

burned deep upon the wrack of the silver-rifted clouds.

V

The difficulties of life had not sobered her. On the contrary, as she

disencumbered herself more and more from the oppression of the

traditions in which she had been brought up, her mettle had risen with

proportionate buoyancy. She soared, as the weights dropped from her. She

fled from these realities with increasing determination into the realms

of make-believe. In her worst moments—for there had been bad moments,

hours in her career which would have seemed to anyone else unpromisingly

dark, hours when dishonesty saddened and failure discouraged her—she

could always say to herself, “I don’t exist at all. There’s no such

person as Lydia Protheroe.” And she thought of all the parish ledgers,

serious and civic, in which the birth, baptism, and other _faits et

gestes_ of Lydia Protheroe ought properly to be recorded, and from which

Lydia Protheroe was so gratifyingly absent. This habit of mind grew upon

her, until every suggestion of her actual existence as a citizen and a

ratepayer was enough to throw her into a state of indignation. Who was

Lydia Protheroe, that unsubstantial and fantastic being, that she should

be bound down to the orthodoxy of an urban district council form for the

payment of property-tax or house-duty? that she should be asked to

account for her income and to contribute a shilling in the pound towards

the upkeep of her country? she who had no country, no status? she who

was so impudently and audaciously a myth? It was manifestly impossible

to induce the tax-collectors to take this view. It would have entailed,

moreover, the betrayal of Lydia Protheroe’s secret, and the asking of

questions leading inevitably to the resurrection of Alice Jennings. She

consoled herself, therefore, in the midst of her mortification as she

filled in her forms (never until “third application” glared across the

top of the paper), by reflecting that she was playing a trick on the

authorities with her tongue well thrust into her cheek. But there was

nothing she would not do to evade the census returns, when they came

round in 1891, and again in 1901, and again in 1911.

The heir: A love story · 第 27 / 49 题