Everybody interested in Cowper has of course to make out, as best he

may, a picture of the poet for his own use. It is curious how sometimes

little scraps of things serve to do this better than deliberate efforts.

In 1800, the year of Cowper's death, his relative, a Dr. Johnson, wrote

a letter to John Newton, sending good wishes to the old gentleman, and

to his niece, Miss Catlett; and added: 'Poor dear Mr. Cowper, oh that he

were as tolerable as he was, even in those days when, dining at his

house in Buckinghamshire with you and that lady, I could not help

smiling to see his pleasant face when he said, "Miss Catlett, shall I

give you a piece of cutlet?"' It was a very small joke indeed, and it is

a very humble little quotation, but for me it has long served, in the

mind's eye, for a vignette of the poet, doomed yet _debonnaire_.

Romney's picture, with that frightful nightcap and eyes gleaming with

madness, is a pestilent thing one would forget if one could. Cowper's

pleasant face when he said, 'Miss Catlett, shall I give you a piece of

cutlet?' is a much more agreeable picture to find a small corner for in

one's memory.

GEORGE BORROW

Mr. Robert Louis Stevenson, in his delightful _Memories and Portraits_,

takes occasion to tell us, amongst a good many other things of the sort,

that he has a great fancy for _The Bible in Spain_, by Mr. George

Borrow. He has not, indeed, read it quite so often as he has Mr. George

Meredith's _Egoist_, but still he is very fond of it. It is interesting

to know this, interesting, that is, to the great Clan Stevenson who owe

suit and service to their liege lord; but so far as Borrow is concerned,

it does not matter, to speak frankly, two straws. The author of

_Lavengro_, _The Romany Rye_, _The Bible in Spain_, and _Wild Wales_ is

one of those kings of literature who never need to number their tribe.

His personality will always secure him an attendant company, who, when

he pipes, must dance. A queer company it is too, even as was the

company he kept himself, composed as it is of saints and sinners, gentle

and simple, master and man, mistresses and maids; of those who, learned

in the tongues, have read everything else, and of those who have read

nothing else and do not want to. People there are for whom Borrow's

books play the same part as did horses and dogs for the gentleman in the

tall white hat, whom David Copperfield met on the top of the Canterbury

coach. ''Orses and dorgs,' said that gentleman, 'is some men's fancy.

They are wittles and drink to me, lodging, wife and children, reading,

writing, and 'rithmetic, snuff, tobacker, and sleep.'

Nothing, indeed, is more disagreeable, even offensive, than to have

anybody else's favourite author thrust down your throat. 'Love me, love

my dog,' is a maxim of behaviour which deserves all the odium Charles

Lamb has heaped upon it. Still, it would be hard to go through life

arm-in-arm with anyone who had stuck in the middle of _Guy Mannering_,

or had bidden a final farewell to Jeannie Deans in the barn with the

robbers near Gunnerly Hill in Lincolnshire. But, oddly enough, Borrow

excites no such feelings. It is quite possible to live amicably in the

same house with a person who has stuck hopelessly in the middle of _Wild

Wales_, and who braves it out (what impudence!) by the assertion that

the book is full of things like this: 'Nothing worthy of commemoration

took place during the two following days, save that myself and family

took an evening walk on the Wednesday up the side of the Berwyn, for the

purpose of botanising, in which we were attended by John Jones. There,

amongst other plants, we found a curious moss which our good friend said

was called in Welsh Corn Carw, or deer's horn, and which he said the

deer were very fond of. On the Thursday he and I started on an

expedition on foot to Ruthyn, distant about fourteen miles, proposing to

return in the evening.'

The book _is_ full of things like this, and must be pronounced as arrant

a bit of book-making as ever was. But judgment is not always followed by

execution, and a more mirth-provoking error can hardly be imagined than

for anyone to suppose that the admission of the fact--sometimes

doubtless a damaging fact--namely, book-making, will for one moment

shake the faithful in their certitude that _Wild Wales_ is a delightful

book; not so delightful, indeed, as _Lavengro_, _The Romany_, or _The

Bible in Spain_, but still delightful because issuing from the same mint

as they, stamped with the same physiognomy, and bearing the same

bewitching inscription.

It is a mercy the people we love do not know how much we must forgive

them. Oh the liberties they would take, the things they would do, were

it to be revealed to them that their roots have gone far too deep into

our soil for us to disturb them under any provocation whatsoever!

George Borrow has to be forgiven a great deal. The Appendix to _The

Romany Rye_ contains an assault upon the memory of Sir Walter Scott, of

which every word is a blow. It is savage, cruel, unjustifiable. There is

just enough of what base men call truth in it, to make it one of the

most powerful bits of devil's advocacy ever penned. Had another than

Borrow written thus of the good Sir Walter, some men would travel far

to spit upon his tomb. Quick and easy would have been his descent to the

Avernus of oblivion. His books, torn from the shelf, should have long

stood neglected in the shop of the second-hand, till the hour came for

them to seek the stall, where, exposed to wind and weather, they should

dolefully await the sack of the paper-merchant, whose holy office it

should be to mash them into eternal pulp. But what rhodomontade is this!

No books are more, in the vile phrase of the craft, 'esteemed' than

Borrow's. The prices demanded for the early editions already impinge

upon the absurd, and are steadily rising. The fact is, there is no use

blinking it, mankind cannot afford to quarrel with George Borrow, and

will not do so. It is bad enough what he did, but when we remember that

whatever he had done, we must have forgiven him all the same, it is just

possible to thank Heaven (feebly) that it was no worse. He might have

robbed a church!

Borrow is indeed one of those lucky men who, in Bagehot's happy phrase,

'keep their own atmosphere,' and as a consequence, when in the destined

hour the born Borrovian--for men are born Borrovians, not made--takes up

a volume of him, in ten minutes (unless it be _Wild Wales_, and then

twenty must be allowed) the victory is won; down tumbles the standard of

Respectability which through a virtuous and perhaps long life has braved

the battle and the breeze; up flutters the lawless pennon of the Romany

Chal, and away skims the reader's craft over seas, hitherto untravelled,

in search of adventures, manifold and marvellous, nor in vain.

If one was in search of a single epithet most properly descriptive of

Borrow's effect upon his reader, perhaps it would best be found in the

word 'contagious.' He is one of the most 'catching' of our authors. The

most inconsistent of men, he compels those who are born subject to his

charm to share his inconsistencies. He was an agent of the Bible

Society, and his extraordinary adventures in Spain were encountered, so

at least his title-page would have us believe, in an attempt to

circulate the Scriptures in the Peninsula. He was a sound Churchman, and

would have nothing to do with Dissent, even in Wild Wales, but he had

also a passion for the ring. Mark his devastations. It is as bad as the

pestilence. A gentle lady, bred amongst the Quakers, a hater of physical

force, with eyes brimful of mercy, was lately heard to say, in

heightened tones, at a dinner-table, where the subject of momentary

conversation was a late prize-fight: 'Oh! pity was it that ever

corruption should have crept in amongst them.' 'Amongst whom?' inquired

her immediate neighbour. 'Amongst the bruisers of England,' was the

terrific rejoinder. Deep were her blushes--and yet how easy to forgive

her! The gentle lady spoke as one does in dreams; for, you must know,

she was born a Borrovian, and only that afternoon had read for the first

time the famous twenty-fifth chapter of _Lavengro_:

'But what a bold and vigorous aspect pugilism wore at that time! And the

great battle was just then coming off; the day had been decided upon,

and the spot--a convenient distance from the old town (Norwich); and to

the old town were now flocking the bruisers of England, men of

tremendous renown. Let no one sneer at the bruisers of England; what

were the gladiators of Rome, or the bull-fighters of Spain, in its

palmiest days, compared to England's bruisers? Pity that ever corruption

should have crept in amongst them--but of that I wish not to talk. There

they come, the bruisers from far London, or from wherever else they

might chance to be at the time, to the great rendezvous in the old city;

some came one way, some another: some of tip-top reputation came with

peers in their chariots, for glory and fame are such fair things that

even peers are proud to have those invested therewith by their sides;

others came in their own gigs, driving their own bits of blood; and I

heard one say: "I have driven through at a heat the whole hundred and

eleven miles, and only stopped to bait twice!" Oh! the blood horses of

old England! but they too have had their day--for everything beneath the

sun there is a season and a time.... So the bruisers of England are come

to be present at the grand fight speedily coming off; there they are

met in the precincts of the old town, near the field of the chapel,

planted with tender saplings at the restoration of sporting Charles,

which are now become venerable elms, as high as many a steeple; there

they are met at a fitting rendezvous, where a retired coachman with one

leg keeps an hotel and a bowling-green. I think I now see them upon the

bowling-green, the men of renown, amidst hundreds of people with no

renown at all, who gaze upon them with timid wonder. Fame, after all, is

a glorious thing, though it lasts only for a day. There's Cribb, the

champion of England, and perhaps the best man in England--there he is,

with his huge, massive figure, and face wonderfully like that of a lion.

There is Belcher the younger--not the mighty one, who is gone to his

place, but the Teucer Belcher, the most scientific pugilist that ever

entered a ring, only wanting strength to be--I won't say what.... But

how shall I name them all? They were there by dozens, and all tremendous

in their way. There was Bulldog Hudson and fearless Scroggins, who beat

the conqueror of Sam the Jew. There was Black Richmond--no, he was not

there, but I knew him well. He was the most dangerous of blacks, even

with a broken thigh. There was Purcell, who could never conquer till all

seemed over with him. There was--what! shall I name thee last? Ay, why

not? I believe that thou art the last of all that strong family still

above the sod, where may'st thou long continue--true piece of English

stuff, Tom of Bedford, sharp as Winter, kind as Spring!'

No wonder the gentle lady was undone. It is as good as Homer.

Diderot, it will be remembered, once wrote a celebrated eulogium on

Richardson, which some have thought exaggerated, because he says in it

that, on the happening of certain events, in themselves improbable, he

would keep _Clarissa_ and _Sir Charles_ on the same shelf with the

writings of Moses, Homer, Euripides, and Sophocles. Why a literary man

should not be allowed to arrange his library as he chooses, without

being exposed to so awful a charge as that of exaggeration, it is hard

to say. But no doubt the whole eulogium is pitched in too high a key for

modern ears; still, it contains sensible remarks, amongst them this one:

that he had observed that in a company where the writings of Richardson

were being read, either privately or aloud, the conversation became at

once interesting and animated. Books cannot be subjected to a truer

test. Will they bear talking about? A parcel of friends can talk about

Borrow's books for ever. The death of his father, as told in the last

chapter of _Lavengro_. Is there anything of the kind more affecting in

the library? Somebody is almost sure to say, 'Yes, the death of Le Fevre

in _Tristram Shandy_.' A third, who always (provoking creature) likes

best what she read last, will wax eloquent over the death of the little

princess in Tolstoi's great book. The character-sketch of Borrow's elder

brother, the self-abnegating artist who declined to paint the portrait

of the Mayor of Norwich because he thought a friend of his could do it

better, suggests De Quincey's marvellous sketch of his elder brother.

And then, what about Benedict Moll, Joey the dog-fancier of Westminster,

and that odious wretch the London publisher? You had need to be a deaf

mute to avoid taking part in a conversation like this. Who was Mary

Fulcher? All the clocks in the parish will have struck midnight before

that question has been answered. It is not to take a gloomy view of the

world to say that there are few pleasanter things in it than a good talk

about George Borrow.

For invalids and delicate persons leading retired lives, there are no

books like Borrow's. Lassitude and Languor, horrid hags, simply pick up

their trailing skirts and scuttle out of any room into which he enters.

They cannot abide him. A single chapter of Borrow is air and exercise;

and, indeed, the exercise is not always gentle. 'I feel,' said an

invalid, laying down _The Bible in Spain_, as she spoke, upon the

counterpane, 'as if I had been gesticulating violently for the space of

two hours.' She then sank into deep sleep, and is now hale and hearty.

Miss Martineau, in her _Life in the Sick Room_, invokes a blessing upon

the head of Christopher North. But there were always those who refused

to believe in Miss Martineau's illness, and certainly her avowed

preference for the man whom Macaulay in his wrath, writing to Napier in

Edinburgh, called 'your grog-drinking, cock-fighting, cudgel-playing

Professor of Moral Philosophy,' is calculated to give countenance to

this unworthy suspicion. It was an odd taste for an invalid who, whilst

craving for vigour, must necessarily hate noise. Borrow is a vigorous

writer, Wilson a noisy one. It was, however, his _Recreations_ and not

the _Noctes Ambrosianæ_, that Miss Martineau affected. Still the

_Recreations_ are noisy too, and Miss Martineau must find her best

excuse, and I am determined to find an excuse for her--for did she not

write the _Feats on the Fiord_?--in the fact, that when she wrote her

_Life in the Sick Room_ (a dear little book to read when in rude

health), Borrow had published nothing of note. Had he done so, she would

have been of my way of thinking.

How much of Borrow is true and how much is false, is one of those

questions which might easily set all mankind by the ears, but for the

pleasing circumstance that it does not matter a dump. Few things are

more comical than to hear some douce body, unread in Borrow, gravely

inquiring how far his word may be relied upon. The sole possible

response takes the exceptionable shape of loud peals of laughter. And

yet, surely, it is a most reasonable question, or query, as the Scotch

say. So it is; but after you have read your author you won't ask it--you

won't want to. The reader can believe what he likes, and as much as he

likes. In the old woman on London Bridge and her convict son, in the man

in black (how unlike Goldsmith's!), in the _Flaming Tinman_, in Ursula,

the wife of Sylvester. There is but one person in whom you must believe,

every hour of the day and of the night, else are you indeed

unworthy--you must believe in Isopel Berners. A stranger and more

pathetic figure than she is not to be seen flitting about in the great

shadow-dance men call their life. Born and bred though she was in a

workhouse, where she learnt to read and sew, fear God, and take her own

part, a nobler, more lovable woman never crossed man's path. Her

introduction to her historian was quaint. 'Before I could put myself on

my guard, she struck me a blow on the face, which had nearly brought me

to the ground.' Alas, poor Isopel! Borrow returned the blow, a deadlier,

fiercer blow, aimed not at the face but at the heart. Of their life in

the Dingle let no man speak; it must be read in the last chapters of

_Lavengro_, and the early ones of _The Romany Rye_. Borrow was certainly

irritating. One longs to shake him. He was what children call 'a tease.'

He teased poor Isopel with his confounded philology. Whether he simply

made a mistake, or whether the girl was right in her final surmise, that

he was 'at the root mad,' who can say? He offered her his hand, but at

too late a stage in the proceedings. Isopel Berners left the Dingle to

go to America, and we hear of her no more. That she lived to become a

happy 'housemother,' and to start a line of brave men and chaste women,

must be the prayer of all who know what it is to love a woman they have

never seen. Of the strange love-making that went on in the Dingle no

idea can or ought to be given save from the original.

'Thereupon I descended into the Dingle. Belle was sitting before the

fire, at which the kettle was boiling. "Were you waiting for me?" I

inquired. "Yes," said Belle, "I thought you would come, and I waited for

you." "That was very kind," said I. "Not half so kind," said she, "as it

was of you to get everything ready for me in the dead of last night,

when there was scarcely a chance of my coming." The tea-things were

brought forward, and we sat down. "Have you been far?" said Belle.

"Merely to that public-house," said I, "to which you directed me on the

second day of our acquaintance." "Young men should not make a habit of

visiting public-houses," said Belle; "they are bad places." "They may be

so to some people," said I, "but I do not think the worst public-house

in England could do me any harm." "Perhaps you are so bad already," said

Belle with a smile, "that it would be impossible to spoil you." "How

dare you catch at my words?" said I; "come, I will make you pay for

doing so--you shall have this evening the longest lesson in Armenian

which I have yet inflicted upon you." "You may well say inflicted," said

Belle, "but pray spare me. I do not wish to hear anything about Armenian,

especially this evening." "Why this evening?" said I. Belle made no

answer. "I will not spare you," said I; "this evening I intend to make

you conjugate an Armenian verb." "Well, be it so," said Belle, "for this

evening you shall command." "To command is hramahyel," said I. "Ram her

ill indeed," said Belle, "I do not wish to begin with that." "No," said

I, "as we have come to the verbs we will begin regularly: hramahyel is a

verb of the second conjugation. We will begin with the first." "First of

all, tell me," said Belle, "what a verb is?" "A part of speech," said I,

"which, according to the dictionary, signifies some action or passion;

for example, 'I command you, or I hate you.'" "I have given you no

cause to hate me," said Belle, looking me sorrowfully in the face.

'"I was merely giving two examples," said I, "and neither was directed

at you. In those examples, to command and hate are verbs. Belle, in

Armenian there are four conjugations of verbs; the first ends in al, the

second in yel, the third in oul, and the fourth in il. Now, have you

understood me?"

'"I am afraid, indeed, it will all end ill," said Belle. "Hold your

tongue!" said I, "or you will make me lose my patience." "You have

already made me nearly lose mine," said Belle. "Let us have no

unprofitable interruptions," said I. "The conjugations of the Armenian

verbs are neither so numerous nor so difficult as the declensions of the

nouns. Hear that and rejoice. Come, we will begin with the verb hntal, a

verb of the first conjugation, which signifies to rejoice. Come along:

hntam, I rejoice; hyntas, thou rejoicest. Why don't you follow, Belle?"

'"I am sure I don't rejoice, whatever you may do," said Belle. "The

chief difficulty, Belle," said I, "that I find in teaching you the

Armenian grammar proceeds from your applying to yourself and me every

example I give. Rejoice, in this instance, is merely an example of an

Armenian verb of the first conjugation, and has no more to do with your

rejoicing than lal, which is also a verb of the first conjugation, and

which signifies to weep, would have to do with your weeping, provided I

made you conjugate it. Come along: hntam, I rejoice; hntas, thou

rejoicest; hnta, he rejoices; hntamk, we rejoice. Now repeat those

words." "I can't bear this much longer," said Belle. "Keep yourself

quiet," said I. "I wish to be gentle with you, and to convince you, we

will skip hntal, and also, for the present, verbs of the first

conjugation, and proceed to the second. Belle, I will now select for you

to conjugate the prettiest verb in Armenian, not only of the second, but

also of all the four conjugations. That verb is siriel. Here is the

present tense: siriem, siries, sire, siriemk, sirèk, sirien. Come on,

Belle, and say siriem." Belle hesitated. "Pray oblige me, Belle, by

saying siriem." Belle still appeared to hesitate. "You must admit, Belle,

that it is softer than hntam." "It is so," said Belle, "and to oblige

you I will say siriem." "Very well indeed, Belle," said I, "and now to

show you how verbs act upon pronouns in Armenian, I will say siriem

zkiez. Please to repeat siriem zkiez." "Siriem zkiez," said Belle; "that

last word is very hard to say." "Sorry that you think so, Belle," said

I. "Now, please to say siriá zis." Belle did so. "Exceedingly well,"

said I. "Now say girani thè sireir zis." "Girane thè sireir zis," said

Belle. "Capital!" said I. "You have now said I love you--love me. Ah!

would that you would love me!"

'"And I have said all these things?" said Belle. "Yes," said I. "You have

said them in Armenian." "I would have said them in no language that I

understood," said Belle. "And it was very wrong of you to take advantage

of my ignorance, and make me say such things!" "Why so?" said I. "If

you said them, I said them too."'

'Was ever woman in this humour wooed?'

It is, I believe, the opinion of the best critics that _The Bible in

Spain_ is Borrow's masterpiece. It very likely is so. At the present

moment I feel myself even more than usually disqualified for so grave a

consideration by my over-powering delight in its dear, deluding title. A

quarter of a century ago, in all decent homes, a boy's reading was, by

the stern decree of his elders, divided rigorously, though at the same

time it must be admitted crudely, into Sunday books and week-day books.

'What have you got there?' has before now been an inquiry addressed on a

Sunday afternoon to some youngster, suspiciously engrossed in a book.

'Oh, _The Bible in Spain_,' would be the reply. 'It is written by a Mr.

Borrow, you know, and it is all about'--(then the title-page would serve

its turn) 'his attempts "to circulate the Scriptures in the Peninsula!"'

'Indeed! Sounds most suitable,' answers the gulled authority, some

foolish sisters' governess or the like illiterate, and moves off. And

then the happy boy would wriggle in his chair, and, as if thirsting to

taste the first fruits of his wile, hastily seek out a streaky page, and

there read, for perhaps the hundredth time, the memorable words:

Res Judicatæ: Papers and Essays · 第 5 / 13 段