I went to the Palmer House, one of the most magnificent hotels of that

day, whose proprietor, Mr. Potter-Palmer, was a perfect gentleman,

courteous, kind, and generous, for he filled the immense apartment I

occupied with the rarest flowers, and taxed his ingenuity in order to

have my meals cooked and served in the French style, a difficult matter

in those days.

We were to remain a fortnight in Chicago. Our success exceeded all

expectations. These two weeks seemed to me the most agreeable days I had

had since my arrival in America. First of all, there was the vitality of

the city in which men pass each other without ever stopping, with

knitted brows, with one thought in mind, “the end to attain.” They move

on and on, never turning for a cry or prudent warning. What takes place

behind them matters little. They do not wish to know why a cry is

raised, and they have no time to be prudent: “the end to attain” awaits

them.

Women here, as everywhere else in America, do not work, but they do not

stroll about the streets, as in other cities: they walk quickly; they

also are in a hurry to seek amusement. During the day-time I went some

distance into the surrounding country in order not to meet the sandwich-

men advertising the whale.

One day I went to the pigs’ slaughter-house. Ah, what a dreadful and

magnificent sight! There were three of us, my sister, myself, and an

Englishman, a friend of mine.

On arrival we saw hundreds of pigs hurrying, bunched together, grunting

and snorting, along a small narrow raised bridge.

[Illustration:

SARAH BERNHARDT AND MEMBERS OF HER

COMPANY OUT SHOOTING

]

Our carriage passed under this bridge, and stopped before a group of men

who were waiting for us. The manager of the stock-yards received us and

led the way to the special slaughterhouses. On entering into the immense

shed, which is dimly lighted by windows with greasy and ruddy panes, an

abominable smell gets into your throat, a smell that only leaves one

several days afterwards. A sanguinary mist rises everywhere, like a

light cloud floating on the side of a mountain and lit up by the setting

sun. An infernal hubbub drums itself into your brain: the almost human

cries of the pigs being slaughtered, the violent strokes of the hatchets

lopping off the limbs, the repeated shouts of the “ripper,” who with a

superb and sweeping gesture lifts the heavy hatchet, and with one stroke

opens from top to bottom the unfortunate, quivering animal hung on a

hook. During the terror of the moment one hears the continuous grating

of the revolving razor which in one second removes the bristles from the

trunk thrown to it by the machine that has cut off the four legs; the

whistle of the escaping steam from the hot water in which the head of

the animal is scalded; the rippling of the water that is constantly

renewed; the cascade of the waste water; the rumbling of the small

trains carrying under wide arches trucks loaded with hams, sausages,

&c., and the whistling of the engines warning one of the danger of their

approach, which in this spot of terrible massacre seems to be the

perpetual knell of wretched agonies.

Nothing was more Hoffmanesque than this slaughter of pigs at the period

I am speaking about, for since then a sentiment of humanity has crept,

although still somewhat timidly, into this temple of porcine hecatombs.

I returned from this visit quite ill. That evening I played in _Phèdre_.

I went on to the stage quite unnerved, and trying to do everything to

get rid of the horrible vision of the stock-yard. I threw myself heart

and soul into my _rôle_, so much so that at the end of the fourth act I

absolutely fainted on the stage.

On the day of my last performance a magnificent collar of camellias in

diamonds was handed me on behalf of the ladies of Chicago. I left that

city fond of everything in it: its people; its lake, as big as a small

inland sea; its audiences, who were so enthusiastic; everything,

everything—except its stock-yards.

I did not even bear any ill-will towards the Bishop, who also, as had

happened in other cities, had denounced my art and French literature. By

the violence of his sermons he had, as a matter of fact, advertised us

so well that Mr. Abbey, the manager, wrote the following letter to him:

“Your Grace ——, Whenever I visit your city, I am accustomed to spend

four hundred dollars in advertising. But as you have done the

advertising for me, I send you two hundred dollars for your poor.

“HENRY ABBEY.”

We left Chicago to go to St. Louis, where we arrived after having

covered 283 miles in fourteen hours.

In the drawing-room of my car, Abbey and Jarrett showed me the statement

of the sixty-two performances that had been given since our arrival. The

gross receipts were $227,459, that is to say, 1,137,295 francs, an

average of 18,343 francs per performance. This gave me great pleasure on

Henry Abbey’s account, for he had lost all he had in his previous tour

with an admirable troop of opera artistes, and greater pleasure still on

my own account, as I was to receive a good share of the takings.

We stayed at St. Louis all the week, from January 24 to 31. I must admit

that this city, which was specially French, was less to my liking than

the other American cities, as it was dirty and the hotels were not very

comfortable. Since then St. Louis has made great strides, but it was the

Germans who planted there the bulb of progress. At the time of which I

speak, the year 1881, the city was repulsively dirty. In those days,

alas! we were not great at colonising, and all the cities where French

influence preponderated were poor and behind the times. I was bored to

death at St. Louis, and I wanted to leave the place at once, after

paying an indemnity to the manager, but Jarrett, the upright man, the

stern man of duty, the ferocious man, said to me, holding my contract in

his hand:

“No, Madame; you must stay. You can die of _ennui_ here if you like, but

stay you must.”

By way of entertaining me he took me to a celebrated grotto where we

were to see some millions of fish without eyes. The light had never

penetrated into this grotto, and as the first fish who lived there had

no use for their eyes, their descendants had no eyes at all. We went to

see this grotto. It was a long way off. We went down and groped our way

to the grotto very cautiously, on all fours like cats. The road seemed

to me interminable, but at last the guide told us that we had arrived at

our destination. We were able to stand upright again, as the grotto

itself was higher. I could see nothing, but I heard a match being

struck, and the guide then lighted a small lantern. Just in front of me,

nearly at my feet, was a rather deep natural basin. “You see,” remarked

our guide phlegmatically, “that is the pond, but just at present there

is no water in it; neither are there any fish. You must come again in

three months’ time.”

Jarrett made such a fearful grimace that I was seized with an

uncontrollable fit of laughter, of that kind of laughter which borders

on madness. I was suffocated with it, and I choked and laughed till the

tears came. I then went down into the basin of the pond in search of a

relic of some kind, a little skeleton of a dead fish, or anything, no

matter what. There was nothing to be found, though—absolutely nothing.

We had to return on all fours, as we came. I made Jarrett go first, and

the sight of his big back in his fur coat and of him walking on hands

and feet, grumbling and swearing as he went, gave me such delight that I

no longer regretted anything, and I gave ten dollars to the guide for

his ineffable surprise.

We returned to the hotel, and I was informed that a jeweller had been

waiting for me more than two hours. “A jeweller!” I exclaimed; “but I

have no intention of buying any jewellery. I have too much as it is.”

Jarrett, however, winked at Abbey, who was there as we entered. I saw at

once that there was some understanding between the jeweller and my two

_impresarii_. I was told that my ornaments needed cleaning, that the

jeweller would undertake to make them look like new, repair them if they

required it, and in a word exhibit them. I rebelled, but it was of no

use. Jarrett assured me that the ladies of St. Louis were particularly

fond of shows of this kind. He said it would be an excellent

advertisement; that my jewellery was very much tarnished, that several

stones were missing, and that this man would replace them for nothing.

“What a saving!” he added. “Just think of it!”

I gave up, for discussions of that kind bore me to death, and two days

later the ladies of St. Louis went to admire my ornaments in this

jeweller’s show-cases under a blaze of light. Poor Madame Guérard, who

also went to see them, came back horrified.

“They have added to your things,” she said, “sixteen pairs of ear-rings,

two necklaces, and thirty rings; a lorgnette studded with diamonds and

rubies, a gold cigarette-holder set with turquoises; a small pipe, the

amber mouthpiece of which is encircled with diamond stars; sixteen

bracelets, a tooth-pick studded with sapphires, a pair of spectacles

with gold mounts ending with small acorns of pearls.

“They must have been made specially,” said poor Guérard, “for there

can’t be any one who would wear such glasses, and, on them were written

the words, ‘Spectacles which Madame Sarah Bernhardt wears when she is at

home.’”

I certainly thought that this was exceeding all the limits allowed to

advertisement. To make me smoke pipes and wear spectacles was going

rather too far, and I got into my carriage and drove at once to the

jeweller’s. I arrived just in time to find the place closed. It was five

o’clock on Saturday afternoon; the lights were out, and everything was

dark and silent. I returned to the hotel, and spoke to Jarrett of my

annoyance. “What does it all matter, Madame?” he said tranquilly. “So

many girls wear spectacles; and as to the pipe, the jeweller tells me he

has received five orders from it, and that it is going to be quite the

fashion. Anyhow, it is of no use worrying about the matter, as the

exhibition is now over. Your jewellery will be returned to-night, and we

leave here the day after to-morrow.”

That evening the jeweller returned all the objects I had lent him, and

they had been polished and repaired so that they looked quite new. He

had included with them a gold cigarette-holder set with turquoises, the

very one that had been on view. I simply could not make that man

understand anything, and my anger cooled down when confronted by his

pleasant manner and his joy.

This advertisement, though, came very near costing me my life. Tempted

by this huge quantity of jewellery, the greater part of which did not

belong to me, a little band of sharpers planned to rob me, believing

that they would find all these valuables in the large hand-bag which my

steward always carried.

On Sunday, January 30, we left St. Louis at eight o’clock in the morning

for Cincinnati. I was in my magnificently appointed Pullman car, and I

had requested that the car should be put at the end of our special

train, so that from the platform I might enjoy the beauty of the

landscape, which passes before one like a continually changing living

panorama.

We had scarcely been more than ten minutes _en route_ when the guard

suddenly stooped down and looked over the little balcony. He then drew

back quickly, and his face turned pale. Seizing my hand, he said in a

very excited tone in English, “Please go inside, Madame!” I understood

that we were in danger of some kind. He pulled the alarm signal, made a

sign to another guard, and before the train had quite come to a

standstill the two men sprang down and disappeared under the train.

The guard had fired a revolver in order to attract every one’s

attention, and Jarrett, Abbey, and the artistes hurried out into the

narrow corridor. I found myself in the midst of them, and to our

stupefaction we saw the two guards dragging out from underneath my

compartment a man armed to the teeth. With a revolver held to his temple

on either side, he decided to confess the truth of the matter.

The jeweller’s exhibition had excited the envy of all the gangs of

thieves, and this man had been despatched by an organised band at St.

Louis to relieve me of my jewellery.

He was to unhook my carriage from the rest of the train between St.

Louis and Cincinnati, at a certain spot known as the “Little Incline.”

As this was to be done during the night, and as my carriage was the

last, the thing was comparatively easy, since it was only a question of

lifting the enormous hook and drawing it out of the link.

The man, a veritable giant, was fastened on to my carriage. We examined

his apparatus, and found that it merely consisted of very thick wide

straps of leather about half a yard wide. By means of these he was

secured firmly to the underpart of the train, with his hands perfectly

free. The courage and the _sang-froid_ of that man were admirable. He

told us that seven armed men were waiting for us at the Little Incline,

and that they certainly would not have injured us if we had not

attempted to resist, for all they wanted was my jewellery and the money

which the secretary carried (two thousand three hundred dollars). Oh, he

knew everything; he knew every one’s name, and he gabbled on in bad

French, “Oh, as for you, Madame, we should not have done you any harm,

in spite of your pretty little revolver. We should even have let you

keep it.”

And so this man and his gang knew that the secretary slept at my end of

the train, and that he was not to be dreaded much (poor Chatterton!);

that he had with him two thousand three hundred dollars, and that I had

a very prettily chased revolver, ornamented with cats-eyes. The man was

firmly bound and taken in charge by the two guards, and the train was

then backed into St. Louis; we had only started a quarter of an hour

before. The police were informed, and they sent us five detectives. A

goods train which should have departed half an hour before us was sent

on ahead of us. Eight detectives travelled on this goods train, and

received orders to get out at the Little Incline. Our giant was handed

over to the police authorities, but I was promised that he should be

dealt with mercifully on account of the confession he had made. Later on

I learnt that this promise had been kept, as the man was sent back to

his native country, Ireland.

From this time forth my compartment was always placed between two others

every night. In the day-time I was allowed to have my carriage at the

end on condition that I would agree to have on the platform an armed

detective whom I was to pay, by the way, for his services. Our dinner

was very gay, and every one was rather excited. As to the guard who had

discovered the giant hidden under the train, Abbey and I had rewarded

him so lavishly that he was intoxicated, and kept coming on every

occasion to kiss my hand and weep his drunkard’s tears, repeating all

the time, “I saved the French lady; I’m a gentleman.”

When finally we approached the Little Incline, it was dark. The engine-

driver wanted to rush along at full speed, but we had not gone five

miles when crackers exploded under the wheels and we were obliged to

slacken our pace. We wondered what new danger there was awaiting us, and

we began to feel anxious. The women were nervous, and some of them were

in tears. We went along slowly, peering into the darkness, trying to

make out the form of a man or of several men by the light of each

cracker. Abbey suggested going at full speed, because these crackers had

been placed along the line by the bandits, who had probably thought of

some way of stopping the train in case their giant did not succeed in

unhooking the carriage. The engine-driver refused to go more quickly,

declaring that these crackers were signals placed there by the railway

company, and that he could not risk every one’s life on a mere

supposition. The man was quite right, and he was certainly very brave.

“We can certainly settle a handful of ruffians,” he said, “but I could

not answer for any one’s life if the train went off the lines, clashed

into or collided with something, or went over a precipice.”

We continued therefore to go slowly. The lights had been turned off in

the car, so that we might see as much as possible without being seen

ourselves. We had tried to keep the truth from the artistes, except from

three men whom I had sent for to my carriage. The artistes really had

nothing to fear from the robbers, as I was the only person at whom they

were aiming. To avoid all unnecessary questions and evasive answers, we

sent the secretary to tell them that as there was some obstruction on

the line, the train had to go slowly. They were also told that one of

the gas-pipes had to be repaired before we could have the light again.

The communication was then cut between my car and the rest of the train.

We had been going along like this for ten minutes perhaps when

everything was suddenly lighted up by a fire, and we saw a gang of

railway-men hastening towards us. It makes me shudder now when I think

how nearly these poor fellows escaped being killed. Our nerves had been

in such a state of tension for several hours that we imagined at first

that these men were the wretched friends of the giant. Some one fired at

them, and if it had not been for our plucky engine-driver calling out to

them to stop, with the addition of a terrible oath, two or three of

these poor men would have been wounded. I too had seized my revolver,

but before I could have drawn out the ramrod which serves as a cog to

prevent it from going off, any one would have had time to seize me, bind

me, and kill me a hundred times over.

And still any time I go to a place where I think there is danger, I

invariably take my pistol with me, for it is a pistol, and not a

revolver. I always call it a revolver, but in reality it is a pistol,

and a very old-fashioned make too, with this ramrod and the trigger so

hard to pull that I have to use my other hand as well. I am not a bad

shot, for a woman, provided that I may take my time, but this is not

very easy when one wants to fire at a robber. And yet I always have my

pistol with me; it is here on my table, and I can see it as I write. It

is in its case, which is rather too narrow, so that it requires a

certain amount of strength and patience to pull it out. If an assassin

should arrive at this particular moment I should first have to unfasten

the case, which is not an easy matter, then to get the pistol out, pull

out the ramrod, which is rather too firm, and press the trigger with

both hands. And yet, in spite of all this, the human animal is so

strange that this ridiculously useless little object here before me

seems to me an admirable protection. And nervous and timid as I am,

alas! I feel quite safe when I am near to this little friend of mine,

who must roar with laughter inside the little case out of which I can

scarcely drag it.

Well, everything was now explained to us. The goods train which had

started before us ran off the line, but no great damage was done, and no

one was killed. The St. Louis band of robbers had arranged everything,

and had prepared to have this little accident two miles from the Little

Incline, in case their comrade crouching under my car had not been able

to unhook it. The train had left the rails, but when the wretches rushed

forward, believing that it was mine, they found themselves surrounded by

the band of detectives. It seems that they fought like demons. One of

them was killed on the spot, two more wounded, and the remainder taken

prisoners. A few days later the chief of this little band was hanged. He

was a Belgian, named Albert Wirbyn, twenty-five years of age.

I did all in my power to save him, for it seemed to me that

unintentionally I had been the instigator of his evil plan.

If Abbey and Jarrett had not been so rabid for advertisement, if they

had not added more than six hundred thousand francs’ worth of jewellery

to mine, this man, this wretched youth, would not perhaps have had the

stupid idea of robbing me. Who can say what schemes had floated through

the mind of the poor fellow, who was perhaps half-starved, or perhaps

excited by a clever, inventive brain? Perhaps when he stopped and looked

at the jeweller’s window he said to himself: “There is jewellery there

worth a million francs. If it were all mine I would sell it and go back

to Belgium. What joy I could give to my poor mother, who is blinding

herself with work by gaslight, and I could help my sister to get

married.” Or perhaps he was an inventor, and he thought to himself: “Ah,

if only I had the money which that jewellery represents I could bring

out my invention myself, instead of selling my patent to some highly

esteemed rascal, who will buy it from me for a crust of bread. What

would it matter to the artiste. Ah, if only I had the money!” Ah, if I

had the money!—perhaps the poor fellow cried with rage to think of all

this wealth belonging to one person. Perhaps the idea of crime

germinated in this way in a mind which had hitherto been pure. Ah, who

can tell to what hope may give birth in a young mind? At first it may be

only a beautiful dream, but this may end in a mad desire to realise the

dream. To steal the goods of another person is certainly not right, but

this should not be punished by death—it certainly should not. To kill a

man of twenty-five years of age is a much greater crime than to steal

jewellery even by force, and a society which bands together in order to

wield the sword of Justice is much more cowardly when it kills than the

man who robs and kills quite alone, at his own risk and peril. Oh, what

tears I wept for that man, whom I did not know at all—who was a rascal

or perhaps a hero! He was perhaps a man of weak intellect who had turned

thief, but he was only twenty-five years of age, and he had a right to

live.

How I hate capital punishment! It is a relic of cowardly barbarism, and

it is a disgrace for civilised countries still to have their guillotines

and scaffolds. Every human being has a moment when his heart is easily

touched, when the tears of grief will flow; and those tears may

fecundate a generous thought which might lead to repentance.

I would not for the whole world be one of those who condemn a man to

death. And yet many of them are good, upright men, who when they return

to their families are affectionate to their wives, and reprove their

children for breaking a doll’s head.

I have seen four executions, one in London, one in Spain, and two in

Paris.

In London the method is hanging, and this seems to me more hideous, more

repugnant, more weird than any other death. The victim was a young man

of about thirty, with a strong, self-willed looking face. I only saw him

a second, and he shrugged his shoulders as he glanced at me, his eyes

expressing his contempt for my curiosity. At that moment I felt that

individual’s ideas were very much superior to mine, and the condemned

man seemed to me greater than all who were there. It was, perhaps,

because he was nearer than we all were to the great mystery. I can see

him now smile as they covered his face with the hood, while, as for me,

I rushed away completely upset.

In Madrid I saw a man garrotted, and the barbarity of this torture

terrified me for weeks after. He was accused of having killed his

mother, but no real proof seemed to have been brought forward against

the wretched man. And he cried out, when they were holding him down on

his seat before putting the garrotte on him, “Mother, I shall soon be

with you, and you will tell them all, in my presence, that they have

lied.”

These words were uttered in Spanish, in a voice that vibrated with

earnestness. They were translated for me by an _attaché_ to the British

Embassy, with whom I had gone to see the hideous sight. The wretched man

cried out in such a sincere, heartrending tone of voice that it was

impossible for him not to have been innocent, and this was the opinion

of all those who were with me.

My Double Life: The Memoirs of Sarah Bernhardt · 第 34 / 39 段