7536. _Rosamounde._ I suppose the reference is to "fair Rosamond."

7554. Luc. vi, 38.

7567. John iii, 8.

7572. John iii, 11.

7582. John iii, 8.

7600. _thorugh caractes._ It was the popular belief in the middle ages,

that while the Jews were accusing the woman taken in adultery, Christ wrote

with his staff on the ground the sins of the accusers, and that when they

perceived this they dropped their accusation in confusion at finding that

their own guilt was known. See this point curiously illustrated in Mr.

Halliwell's Coventry Mysteries, pp. 220, 221. These are the _characters_

alluded to in Piers Ploughman.

7624. Luke vi, 37.

7701. 1 Cor. iii, 19.

7709. Luke ii, 15.

7714. Matth. ii, 1.

7721. Luke ii, 7.

7779. Psalm xxxi, 1.

7795. Luke vi, 39. The ignorance and inefficiency of the parish priests

appear to have become proverbial in the fourteenth and fifteenth centuries.

In the latter century a canon of Lilleshul in Shropshire, named John Myrk,

or Myrkes, composed an English poem, or rather metrical treatise, on their

duties, which he commences by applying to them this same aphorism of our

Saviour:--

God seyth hymself, as wryten we fynde,

That whenne the blynde ledeth the blynde,

Into the dyche they fallen boo,

For they ne sen whare by to go.

So faren prestes now by dawe,

They beth blynde in Goddes lawe, etc.

_MS. Cotton. Claud._ A. II.

It had previously been applied in the same manner to the parish priests by

the author of a long French poem (apparently written in England in the

fourteenth century) entitled _Le Miroir de l'Ome_ (Speculum Hominis), as

follows:--

Dieus dist, et c'est tout verité,

Qe si l'un voegle soit mené

D'un autre voegle, tresbucher

Falt ambedeux en la fossée.

C'est un essample comparé

As fols curetz, qui sanz curer

Ne voient pas le droit sentier,

Dont font les autres forsvoier,

Qui sont après leur trace alé.

Car fol errant ne puet quider,

Ne cil comment nous puet saner,

Qui mesmes est au mort naufré.

_MS. in the possession of Mr. J. Russell Smith._

The following picture of the corrupt manners of the parish priests at this

time is extracted from a much longer and more minute censure in the same

poem:--

Des fols curetz auci y a,

Qui sur sa cure demourra

Non pour curer, mais q'il sa vie

Endroit le corps plus easera.

Car lors ou il bargaignera

Du seculiere marchandie,

Dont sa richesce multeplie;

Ou il se donne à leccherie,

Du quoy son corps delitera;

Ou il se prent à venerie,

Qant duist chanter sa letanie,

Au bois le goupil huera.

7802. Psal. xv, 5. We might be led to suppose that this was the "neck

verse" in the time of Piers Ploughman. In later times the text which was

given to read to those who claimed the benefit of clergy is said to have

been the beginning of Psal. lv, _Miserere mei, &c._

7840. Eccl. v, 5.

7846. _Trojanus._ See the note on line 6859.

7854. Matth. xvi, 27. Filius enim hominis venturus est in gloria Patris sui

cum angelis suis: et tunc reddet unicuique secundum opera ejus.

7915. _his flessh is foul flessh._ Yet in spite of the "foulness" of its

flesh, the peacock was a very celebrated dish at table. For an account of

the use made of the peacock in feasts, see Le Grand d'Aussy, Histoire de la

Vie privée des Français, tom. i, pp. 299-301, and 361. In the Romance of

Mahomet, 13th century, it is said of Dives--

Et dou Riche qui _tant poon

Englouti_ et tant bon poisson,

Tante piéche de venison,

Et but bon vin par grant delit, &c.

_Roman de Mahommet_, l. 301.

7944. _Avynet._ In the 14th and 15th centuries, as any grammar was called a

_Donet_, because the treatise of Donatus was the main foundation of them

all, so, from Esop and Avienus from whom the materials were taken, any

collection of fables was called an _Avionet_ or an _Esopet_. The title of

one of these collections in a MS. of the Bibl. du Roi at Paris is,

_Compilacio Ysopi alata cum Avionetto, cum quibusdam addicionibus et

moralitatibus_. (_Robert, Fabl. Inéd. Essay_, p. clxv.) Perhaps the

reference in the present case is to the fable of the Peacock who complained

of his voice, the 39th in the collection which M. Robert calls _Ysopet_, in

the morality to which are the following lines:--

Les riches conteront

Des biens qu'il aront

En ce siecle conquis.

Cil qui petit ara,

De petit contera

Au Roy de paradis.

Qui vit en povreté,

Sans point d'iniquité,

Moult ara grant richesse

Es cieux, en paradis,

O dieux et ses amis

Seront joyeux et aise.

The Vision and Creed of Piers Ploughman, Volume 2 · 第 34 / 86 题