BALLIOLENSIS.

_Hymn attributed to Handel_ (Vol. ix., p. 303.).--I do not understand

whether MR. STORER'S Query refers to the _words_ or _music_ of this hymn.

If to the former, it is most assuredly not Handel's. It is strange that the

church does not possess one _genuine_ psalm or hymn tune of this mighty

master, although he certainly composed several. The popular melody called

_Hanover_, usually attributed to Handel, was printed in the _Supplement to

the New Version of Psalms_ (a collection of tunes) in 1703. Handel did not

arrive in England till 1710. It is improbable, from many circumstances,

that he composed this grand melody. It was probably the work of Dr. Croft.

D'Almaine, the eminent music-seller of Soho Square, published some years

back--

"Three Hymns, the Words by the late Rev. Charles Wesley, A.M., of

Christ Church College, Oxon; and set to music by George Frederick

Handel, faithfully transcribed from his autography in the Library of

the Fitzwilliam Museum, Cambridge, by Samuel Wesley, and now very

respectfully presented to the Wesleyan Society at large."

Among my musical autographs is one which, as it relates to the foregoing

publication, I transcribe:

"The late comedian Rich, who was the most celebrated harlequin of his

time, was also the proprietor of Covent Garden Theatre, during the

period that Handel conducted his oratorios at that house. He married a

person who became a serious character, after having formerly been a

very contrary one; and who requested Handel to set to music the _Three

Hymns_ which I transcribed in the Fitzwilliam Library from the

autography, and published them in consequence.

S. WESLEY.

Monday, March 30, 1829."

The first lines of the hymns are as follows: 1. Sinners, obey the Gospel

Word. 2. O Love divine, how sweet thou art! 3. Rejoice! the Lord is King.

Notes and Queries, Number 242, June 17, 1854 A Medium of Inter-communication for Literary Men, Artists, Antiquaries, Genealogists, etc. · 第 120 / 177 题