CHAPTER XL.

FURTHER TEMPTATION.--ETIDORHPA.

Then, as my voice reverberated from the outer recesses, I caught a sound

as of music in the distance. I raised my head and listened--yes, surely

there was music. The melody became clearly distinct, and soon my senses

were aware that both vocal and instrumental music were combined. The

airs which came floating were sweet, simple, and beautiful. The voices

and accompanying strains approached, but I could distinguish no words.

By and by, from the corridors of the cavern, troops of bright female

forms floated into view. They were clad in robes ranging from pure white

to every richest hue, contrasting strangely, and in the distance their

rainbow brilliancy made a gorgeous spectacle. Some were fantastically

attired in short gowns, such as I imagine were worn by the dancing girls

of sacred history, others had kirtles of a single bright color, others

of many shades intermingled, while others still were dressed in

gauze-like fabrics of pure white.

As they filed into the cavern, and approached me, they formed into

platoons, or into companies, and then, as dissolving views come and go,

they presented first one and then another figure. Sometimes they would

stretch in great circling lines around the hall, again they would form

into squares, and again into geometrical figures of all shades and

forms, but I observed that with every change they drew nearer to the

stone on which I rested.

They were now so near that their features could be distinguished, and

never before had I seen such loveliness in human mold. Every face was as

perfect as a master's picture of the Madonna, and yet no two seemed to

possess the same type of beauty. Some were of dark complexion with

glossy, raven hair, others were fair with hair ranging from light brown

to golden. The style of head dress, as a rule, was of the simplest

description. A tinted ribbon, or twisted cord, over the head, bound

their hair with becoming grace, and their silken locks were either

plaited into braids, curled into ringlets, or hung loosely, flowing in

wavelets about their shoulders. Some held curious musical instruments,

others beautiful wands, and altogether they produced a scenic effect of

rare beauty that the most extravagant dream of fairyland could not

surpass. Thus it was that I became again the center of a throng, not of

repulsive monsters, but of marvelously lovely beings. They were as

different from those preceding as darkness is from daylight.

Could any man from the data of my past experiences have predicted such a

scene? Never before had the semblance of a woman appeared, never before

had an intimation been given that the gentle sex existed in these silent

chambers. Now, from the grotesque figures and horrible cries of the

former occupants of this same cavern, the scene had changed to a

conception of the beautiful and artistic, such as a poetic spirit might

evolve in an extravagant dream of higher fairy land. I glanced above;

the great hall was clothed in brilliant colors, the bare rocks had

disappeared, the dome of that vast arch reaching to an immeasurable

height, was decorated in all the colors of the rainbow. Flags and

streamers fluttered in breezes that also moved the garments of the

angelic throng about me, but which I could not sense; profiles of

enchanting faces pervaded the glimmering space beyond; I alone was but

an onlooker, not a participant of the joys about me.

The movements of the seraph-like figures continued, innumerable forms

and figures followed forms and figures innumerable, and music

indescribable blended with the poetry of motion. I was rapt, the past

disappeared, my former mind was blotted from existence, the world

vanished, and I became a thrill of joy, a sensation of absolute delight.

The band of spirits or fairy forms reached the rock at my feet, but I

did not know how long a time they consumed in doing this; it may have

been a second, and it may have been an eternity. Neither did I care. A

single moment of existence such as I experienced, seemed worth an age of

any other pleasure.

Circling about me, these ethereal creatures paused from their motions,

and, as the music ceased, I stood above them, and yet in their midst,

and gazed out into a distance illimitable, but not less beautiful in the

expanse than was the adjacent part. The cavern had altogether

disappeared, and in the depths about me as far as the eye could reach,

seemingly into the broad expanse of heaven, I saw the exquisite forms

that I have so imperfectly described.

Then a single band from the throng lightly sprung upon the stony terrace

where I stood, and sung and danced before me. Every motion was perfect

as imagination could depict, every sound was concentrated extract of

melody. This band retired to be replaced by another, which in turn gave

way to another, and still another, until, as in space we have no

standard, time vanished, and numbers ceased to be numbers.

No two of the band of dancers were clothed alike, no two songs were

similar, though all were inexpressibly enchanting. The first group

seemed perfect, and yet the second was better, and each succeeding band

sung sweeter songs, were more beautiful, and richer in dress than those

preceding. I became enveloped in the aesthetic atmosphere, my spirit

seemed to be loosened from the body, it was apparently upon the point of

escaping from its mortal frame; suddenly the music ceased, the figures

about became passive, and every form standing upright and graceful,

gazed upon my face, and as I looked at the radiant creatures, each

successive face, in turn, seemed to grow more beautiful, each form more

exquisite than those about.

Then, in the distance, I observed the phalanx divide, forming into two

divisions, separated by a broad aisle, stretching from my feet to the

limit of space without, and down this aisle I observed a single figure

advancing toward me.

As she approached, the phalanx closed in behind her, and when at last

she reached the stone on which I stood, she stepped, or was wafted to my

side, and the phalanx behind moved together and was complete again.

[Illustration: ETIDORHPA.]

"My name is Etidorhpa. In me you behold the spirit that elevates man,

and subdues the most violent of passions. In history, so far back in the

dim ages as to be known now as legendary mythology, have I ruled and

blessed the world. Unclasp my power over man and beast, and while heaven

dissolves, the charms of Paradise will perish. I know no master. The

universe bows to my authority. Stars and suns enamored pulsate and throb

in space and kiss each other in waves of light; atoms cold embrace and

cling together; structures inanimate affiliate with and attract

inanimate structures; bodies dead to other noble passions are not dead

to love. The savage beast, under my enchantment, creeps to her lair, and

gently purrs over her offspring; even man becomes less violent, and

sheathes his weapon and smothers his hatred as I soothe his passions

beside the loved ones in the privacy of his home.

"I have been known under many titles, and have comforted many peoples.

Strike my name from Time's record, and the lovely daughters of Zeus and

Dione would disappear; and with them would vanish the grace and beauty

of woman; the sweet conception of the Froth Child of the Cyprus Sea

would be lost; Venus, the Goddess of Love, would have no place in song,

and Love herself, the holiest conception of the poet, man's superlative

conception of Heaven's most precious charms, would be buried with the

myrtle and the rose. My name is Etidorhpa; interpret it rightly, and you

have what has been to humanity the essence of love, the mother of all

that ennobles. He who loves a wife worships me; she, who in turn makes a

home happy, is typical of me. I am Etidorhpa, the beginning and the end

of earth. Behold in me the antithesis of envy, the opposite of malice,

the enemy of sorrow, the mistress of life, the queen of immortal bliss.

"Do you know," she continued, and her voice, soft and sweet, carried

with it a pleasurable sense of truthfulness indescribable, "do you know

that man's idea of heaven, places me, Etidorhpa, on the highest throne?

With the charm of maiden pure, I combine the devotion of wife and the

holiness of mother. Take from the life of man the treasures I embody,

and he will be homeless, childless, loveless. The thought of Heaven will

in such a case be as the dismal conception of a dreary platitude. A life

in such a Heaven, a Heaven devoid of love (and this the Scriptures

teach), is one of endless torment.

"Love, by whatever name the conception is designated, rules the world.

Divest the cold man of science, of the bond that binds him to his

life-thought, and his work is ended. Strike from the master in music

the chord that links his soul to the voice he breathes, and his songs

will be hushed. Deaden the sense of love which the artist bears his art,

and as the spirit that underlies his thought-scenes vanishes, his touch

becomes chilled, and his brush inexpressive. The soldier thinks of his

home and country, and without a murmur sheds his life blood.

"And yet there are debasing phases of love, for as love of country

builds a nation, so love of pillage may destroy it. Love of the holy and

the beautiful stands in human life opposed to love of the debasing and

vicious, and I, Etidorhpa, am typical of the highest love of man. As the

same force binds the molecules of the rose and the violet as well as

those of noxious drugs, so the same soul conception may serve the love

of good or the love of evil. Love may guide a tyrant or actuate a saint,

may make man torture his fellow, or strive to ease his pain.

"Thus, man's propensity to serve his holy or his evil passion may each

be called a degree in love, and in the serving of that passion the love

of one heart may express itself as the antithesis of love in another. As

bitter is to some men's taste more pleasant than sweet, and sour is yet

more grateful to others, so one man may love the beautiful, another

delight in the grotesque, and a third may love to see his neighbor

suffer. Amid these, the phase of love that ennobles, brings the greatest

degree of pleasure and comfort to mankind, but the love that degrades is

love nevertheless, by whatever name the expression of the passion may be

called. Love rules the world, and typical of man's intensest, holiest

love, I, Etidorhpa, stand the Soul of Love Supreme." She hesitated.

"Go on."

"I have already said, and in saying this have told the truth, I come

from beyond the empty shell of a materialistic gold and silver

conception of Heaven. Go with me, and in my home you will find man's

soul devotion, regardless of material surroundings. I have said, and

truly, the corridors of the Heaven mansion, enriched by precious stones

and metals fine, but destitute of my smiles and graces, are deserted.

The golden calf is no longer worshiped, cobwebs cling in festoons

motionless, and the dust of selfish thoughts perverted, dry and black as

the soot from Satan's fires settling therein, as the dust of an

antiquated sarcophagus, rest undisturbed. Place on one side the Heaven

of which gold-bound misers sing, and on the other Etidorhpa and the

treasures that come with me to man and woman, (for without me neither

wife, child, nor father could exist,) and from any other heaven mankind

will turn away. The noblest gift of Heaven to humanity is the highest

sense of love, and I, Etidorhpa, am the soul of love."

She ceased speaking, and as I looked at the form beside me I forgot

myself in the rapture of that gaze.

Crush the colors of the rainbow into a single hue possessed of the

attributes of all the others, and multiply that entity to infinity, and

you have less richness than rested in any of the complex colors shown in

the trimming of her raiment. Lighten the softness of eiderdown a

thousand times, and yet maintain its sense of substance, and you have

not conceived of the softness of the gauze that decked her simple,

flowing garments. Gather the shadows cast by a troop of radiant angels,

then sprinkle the resultant shade with star dust, and color therewith a

garment brighter than satin, softer than silk, and more ethereal than

light itself, and you have less beauty than reposed in the modest dress

that enveloped her figure. Abstract the perfume from the sweetest

oriental grasses, and combine with it the essential spirit of the wild

rose, then add thereto the soul of ambergris, and the quintessential

extracts of the finest aromatics of the East, and you have not

approached the exquisite fragrance that penetrated my very being at her

approach. She stood before me, slender, lithe, symmetrical, radiant. Her

hair was more beautiful than pen can depict; it was colorless because it

can not be described by colors known to mortals. Her face paled the

beauty of all who had preceded her. She could not be a fairy, for no

conception of a fairy can approach such loveliness; she was not a

spirit, for surely material substance was a part of her form; she was

not an angel, for no abnormal, irrational wing protruded from her

shoulder to blemish her seraphic figure.

"No," I said musingly; "she is a creature of other climes; the

Scriptures tell of no such being; she is neither human nor angelic,

but--"

"But what?" she said.

"I do not know," I answered.

"Then I will tell you," she replied. "Yes; I will tell you of myself and

of my companions. I will show you our home, carrying you through the

shadows of heaven to exhibit that fair land, for heaven without

Etidorhpa casts a shadow in comparison therewith. See," she said, as

with her dainty fingers she removed from her garment a fragment of

transparent film that I had not previously observed; "see, this is a

cobweb that clung to my skirt, as, on my way to meet you, I passed

through the dismal corridors of the materialists' loveless heaven."

She dropped it on the floor, and I stooped to pick it up, but vainly--my

fingers passed through it as through a mist.

"You must be an angel," I stammered.

She smiled.

"Come," she said, "do not consume your time with thoughts of

materialistic heaven; come with me to that brighter land beyond, and in

those indescribable scenes we, you and I, will wander together forever."

She held out her hand; I hesitatingly touched it, and then raised it to

my lips. She made no resistance.

I dropped upon my knees. "Are you to be mine?" I cried. "Mine forever?"

"Yes," she answered; "if you will it, for he who loves will be loved in

turn."

"I will do it," I said; "I give myself to you, be you what you may, be

your home where it may, I give up the earth behind me, and the hope of

heaven before me; the here and the hereafter I will sacrifice. Let us

hasten," I said, for she made no movement.

She shook her head. "You must yet be tempted as never before, and you

must resist the tempter. You can not pass into the land of Etidorhpa

until you have suffered as only the damned can suffer, until you have

withstood the pangs of thirst, and have experienced heat and cold

indescribable. Remember the warning of your former guide, mark well the

words of Etidorhpa: you must not yield. 'Twas to serve you that I came

before you now, 'twas to preserve you from the Drunkard's Cavern that I

have given you this vision of the land beyond the End of Earth where, if

you will serve yourself, we will meet again."

She held aloft two tiny cups; I sprung to my feet and grasped one of

them, and as I glanced at the throng in front of me, every radiant

figure held aloft in the left hand a similar cup. All were gazing in my

face. I looked at the transparent cup in my hand; it appeared to be

partly filled with a green liquid. I looked at her cup and saw that it

contained a similar fluid.

Forgetting the warning she had so recently given, I raised the cup to my

lips, and just before touching it glanced again at her face. The fair

creature stood with bowed head, her face covered with her hand; her very

form and attitude spoke of sorrow and disappointment, and she trembled

in distress. She held one hand as though to thrust back a form that

seemed about to force itself beyond her figure, for peering exultingly

from behind, leered the same Satanic face that met my gaze on the

preceding occasion, when in the presence of the troop of demons, I had

been tempted by the perfect man.

Dashing the cup to the floor I shouted:

"No; I will not drink."

Etidorhpa dropped upon her knees and clasped her hands. The Satanic

figure disappeared from sight. Realizing that we had triumphed over the

tempter, I also fell upon my knees in thankfulness.

Etidorhpa; or, The End of Earth. The Strange History of a Mysterious Being and the Account of a Remarkable Journey · 第 40 / 52 章